Fobidden Planet Good Omens Official Merch! 😍❤

Stardew Omens update: the Marital Home. Aziraphale has his library space and Crowley has his plant room.

Just ignore the kegs in the kitchen, they’re getting a cellar built soon.

The book nook at night because I love how cosy it’s come out.

Country love is kissing in the kitchen~~ country love is honest and it’s true~~

Aziraphale is right on Armageddon

I’m not entirely sure how posting/reposting on Tumblr actually works, so I’m making a post of what was originally a response to this excellent post by ileolai I really think that Aziraphale is given quite a hard time for how he handles things in relation to Crowley leading up to the Apocalypse.

In defence of my BAMF boi Aziraphale (referring to the TV series as I don’t remember all the differences in the book):

No, he shouldn’t have told Crowley at the bandstand that they aren’t friends/are over, he should have told Crowley when he knew the location of the Antichrist, and he might have been naive to think that he could change the minds of God/the Metatron/a higher authority. I hate that he lies to Crowley after figuring out the location of the Antichrist.

Crowley’s (admittedly desperate) plan, however, was romantic af but not any better morally or much worse practically. It would not have worked long-term. It would have been selfish, short-sighted and cowardly and gone against everything they stand for and believe in.

If they HAD actually escaped (for all they know, at least, discounting Adam’s choices), Armaggedon would still have gone ahead, the War would’ve taken place, and one side or the other would have won. The winning side would realise either straight away or eventually that one of their own had deserted from the war. Whether the next day or in a few millennia, eventually, surely, someone from the victorious side would have come across them somewhere.

(Might’ve taken me three run-throughs to capture the screenshot because I kept getting too caught up in watching the scene.)

Also, again, there’s the sticky moral issue of the two abandoning Earth and all the creatures thereof to the sole custody of either Heaven or Hell. The world would have ended, Crowley and Aziraphale would have been together, yes, but always looking over their shoulder, and only for a limited time until they were discovered and punished for desertion/their relationship.

Now, it seems there were two other things they could actually do. First, Crowley’s other suggestion: Kill the Antichrist, murder a child. Comes with its own lovely set of moral dilemmas #utilitarianism. Not something either is particularly keen on doing, although it is Aziraphale who gives it a go: He IS willing, in the end, all other options exhausted, to kill in order to save them and the world. (Granted, it kind of  makes sense that he should do it; he’d at least be thwarting evil whereas Crowley would be going directly up against “his side”. But still, it’s going directly against the Great Plan.)

The only option that could possibly, potentially, mayyyybe work is to convince a higher-up to actually get the whole Armageddon called off. It’s the only way to save everything - the world, humanity, Crowley, their relationship; the only potential long-term solution. So, he goes to see the Archangels, to get them to either call off the war or (possibly?) kill the Antichrist. Aziraphale tells them some of what he knows, but he is smart enough not to tell his superiors that he already knows where the Antichrist is. He lies to them too and keeps the information to himself until he knows what the Right thing to do is to save the world.

Don’t think I’ve seen this talked about this anywhere: While speaking to Archangels, he also tries out quite a clever plan to help out Crowley, whose massive cock-up and cover-up in the wrong Antichrist fiasco will be found out as soon as Warlock reaches Megiddo: He suggests to the Archangels that Crowley did it all on purpose to trick Aziraphale and keep the real Antichrist safe.

(adorbs)

He’s not exactly making himself look great here, but it’s worth it if he can convince the higher-ups that Crowley is really a demonic strategic genius who was actually protecting the Antichrist all along.

After the Archangels tell him to piss off and the Bandstand scene (RIP), where he declares that can’t be on their side anymore and Crowley is the one to leave, he tries to get to Gabriel once again, which obviously fails. After Gabriel’s “What are you?”, he looks at him running off towards the bandstand, which is in focus although it isn’t in the rest of the scene and reminds of us him and Crowley, and we get the lovely, romantic (?) “I’m soft”. It’s pretty clear already that he has no intention of fighting in any war (or against Crowley). Then, after telling Crowley’s he’s being ridiculous for wanting to run away (and Crowley saying he’ll run off and forget about Aziraphale), he tries once again to explain why the war shouldn’t happen to the archangel thugs and to get them to see what they, as angels, should be doing and why it is vital that the world (and A and C’s role in it) continue.

He is clearly terrified. The archangels clearly aren’t there with good intentions, and yet he Stands Up to them and tries to make them see reason: They shouldn’t want the war, that’s not what they, the angels are there to do - they should be upholding one side of the moral coin, letting humanity choose between good and bad. (As an aside, I love all the “Aziraphale is terrible at being an angel” fun, but I - and probably god, and possibly even Aziraphale himself - think that he is the best angel: Even with the Arrangement, he has actually been doing the exact job of Heaven and Hell, upholding this careful balance between Good and Evil, allowing people to choose, navigating via his own moral compass, and taking care of humanity ever since giving away the sword, as a good principality should). He’s already saying pretty clearly that he’s on the side of The World, that he doesn’t want the war.

His last hope for actually avoiding the Apocalypse (and saving his and Crowley’s continued existence together) is God herself. Obviously and beautifully, he doesn’t get through, and the Metatron is no better than the other bureaucratic, dogmatic, powerhungry arsewipes in Heaven. He’s exhausted all other options, all hope of a long-term real solution for him and Crowley, and so he calls up Crowley to let him know Adam’s location so that they can go off in desperation and try to stop/kill the Antichrist. It won’t save them, but it might just be possible for them to save the world.

After his discorporation, he takes a very public, burning-all-bridges stand in Heaven and gives a metaphorical two-finger salute as he yeets back to possess people like a demon. He finds Crowley and is very much set on the task at hand - getting to and stopping the Antichrist - even though he and Crowley clearly have a lot of personal shizzle to discuss. At the Airfield, finally, he’s the one who actually does try to kill Adam to save the world.

Also, Aziraphale comes up with the brilliant distinction between the Great Plan and the Ineffable Plan, which implies that Heaven and Hell might be going against God, and that he and Crowley (and Adam) might just under Her protection, and would give Crowley and himself an out if only their bosses were flexible/good enough to see reason.

When it works and Armageddon IS actually avoided, he greets Gabriel coolly and unwieldingly while Crowley tries out a sycophantic (and fabulous) grovelling bow.

He has Taken A Stand and he’s not moving. For all that he frets and wiggles, he’s the guardian; constant, secure with a steady, certain inner moral compass that is much too good and intelligent to constantly align with Heaven. Crowley is the snake; wiley, slippery, flighty, constantly moving (and I mean that in the best way, I love Crowley as much as Aziraphale).

He grounds Crowley. When Crowley is finally giving up, saying goodbye to Aziraphale, refuses to give up, knowing exactly how to get Crowley moving again - pulling out another card in his… infinite variety… of ways to surprise and touch and steady the demon.

Morally, it’s like that old philosophy conundrum, the trolley problem with more heartbreak: If you could only save one, would you save your loved one or a group of strangers? When push comes to shove, Aziraphale cannot let himself throw the random bunch of strangers to the wolves, choosing his own unhappiness over the unhappiness of humanity. Add to that the fact that avoiding the Apocalypse is also the only long-term way to possibly save Crowley their relationship. (TV) Crowley is more concerned with saving Aziraphale and himself. Not a bad instinct; a very human one, in fact. His world IS Aziraphale, he moves around the angel, grounds himself in him. Aziraphale’s own happiness and well-being is contingent on Crowley being in the world, but he is willing to sacrifice that to save the actual world. He IS committed to Crowley, it’s just that Crowley can’t be in Aziraphale’s world if the world doesn’t exist. Aziraphale might owe Crowley an apology for throwing him under the cart for this, but he’s a damn good person/being and a really damn good angel.

I was gonna tie this down better to this thought I’ve been thinking a lot, but this got so long that Imma just gesture vaguely towards it, it’s not hugely related to the events of Armageddon: Aziraphale has to be constantly selfless everywhere except for with Crowley. He gets to be selfish in his relationship with the demon. Crowley, on the other hand, can only ever be allowed to be selfless and good through his relationship with the angel. Aziraphale being selfish allows gives Crowley a space to be giving and loving (in whatever way) and kind.

I know there are already lots of lovely fics out there exploring these things in profound and beautiful ways, but I got started on this essay journey, and I was damned if I wasn’t gonna finish it too.

So *sniffs* yeah.

So I decided to make a prompt list (either fic or art) for December for the Ineffable Husbands.  I tried to think of as many winter/holiday things as possible.  Obviously Dec isn’t for a few more weeks but please reblog/retweet/post on insta to spread it (please don’t alter it or remove my name).  I’d love to see people take part.  Use hashtag #IneffableHoliday for it please!

Writers and artists, it’s time to get a wiggle on!

Submissions for the TIC 3 Zine close on 17th September which is somehow - we blame Crowley - NEXT WEEK 😱

Details and submission here:

It was requested of me to do a DTIYS picture.. so here you go, have a scene from page 7 of "A Siren's Kiss" You're more than welcome to draw anything of my boys, please tag me so I can see your work 💖

GOOD OMENS (2019-)

2x01 - The Arrival

Well, time to start my page. Here is Crowley in his demonic form.

On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):

Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?

Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?

Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.

But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.

So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).

I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.

Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?

Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?

THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.

It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.

So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭

This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).

As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).

I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")

"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)

Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.

Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.

Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words

Gift for my best friend, more CatOmens

Open Letter to the Good Omens Fandom

Fellow Good Omens Fans,

The past few weeks, maybe even a month or longer really, things have been tense. There is a lot of drama going on within the fandom and I thought it was time for me to say something. 

What on the Almighty’s green earth is happening here?

When I first found the Fandom, it was after I saw Good Omens on Amazon Prime. I saw an Angel and a Demon completely mess everything up (”Just imagine how awful it might have been if we’d been at all competent.”) but still save the world from Armageddon. I saw an Angel and Demon who were friends, even if their respected sides were not and I saw them love one another (”To the World”). I also a kid deciding that his life, family, and friends were more important than power. I saw a witch who decided to break free from her familial expectations and burn the second book of prophecies. I fell in love with all of them and I found the most amazing group of people who loved this tale too, everyone was open and loving and welcoming writers and artists and readers and musicians… Queer friendly and cheered one another on. It was awesome. 

I slowly became brave myself and decided to take a stab at writing fan fiction and frankly reading that story now make my eyes hurt, it was bad. But again, there were cheerleaders out there who rooted for my writing and I have never felt so much support in my life. 

Then, things started to change. I think I was subconsciously effected by the shift because I stopped spending a lot of time in the Facebook groups and I never really got into Twitter until recently. My favorite writers and artists were no longer active in the groups. One of the most supportive writers (and beta) was kicked out of a group. Writers who weren’t the Select Few were getting less and less readers and support. Artists who also weren’t the Select Few were getting less support and love. Whispers started about bullying and blacklisting writers.

 Now I am, as someone who loves Good Omens and these characters, is stressed about everything that has been happening. It is difficult to write when you hear about “Two Pies” and if you’re going to be next in someone saying you’re copying them. It’s horrible to see this amazing group of artists and writers fight for Power… The Select Few can destroy a new, inexperienced writer or artist; just the fact that they only interact with one another’s fics and art creates a line of Us and them. Gatekeeping is a term that I just recently learned but it fits the bill on what is happening within the Fandom.

It hurts my heart. 

The only person who should have any say within this Fandom is Neil Gaiman. (Terry is no longer with us but if he were, he too would be right next to Neil) Us writers and artists should be grateful that Neil likes that we create. We could love a tale that the Original Writer would try to shut us down for creating fan fiction but instead we have the lovely Mr. Gaiman. If you want to be technical, we’re stealing from him his characters to tell stories that we want to tell and put them into situations that, perhaps, Neil wouldn’t want them in. But he lets us and supports us. 

I don’t want to walk away from this Fandom. It has helped me make it through my own issues with Depression and ADHD, survive Covid, stay a float when things got hard. I have made a few friends that I can’t imagine not talking to on a regular bases because of this Fandom. It gets so hard with the power struggles and the cattiness and watching people want to stay on top just as much as they want to keep people down. 

It hurts my head.

I plan to continue to write, at least my most recent WIP and I plan to continue to read whoever’s fics and look at whoever’s art. I enjoy them, kudos them, might write a comment if I have time and then read some more. But something has to give, this Fandom is going to destroy itself because of people sense of Self importance. We should love and support one another. Enjoy the gift that we have in Good Omens and Neil. The Select Few are not Gatekeepers if we don’t let them be Gatekeepers. 

Everything Hurts.

Lets build each other up. No one else will do it for us. 

Much love to you all.

Stormie