anich17

Latest Posts by anich17

SABRINA THE TEENAGE WITCH | 1.05 - A Halloween Story

Rollerskates in the 1920s. I can see why Mordecai had a hard time using these.

balls (shiny)

I'm sorry I thought it was a comic about Adoring Fan surviving the fall down the mountain players like pushing him from😭

get hit with several tactile sensations, idiot

ITS . TIME!!!

at last, i can unveil the piece i did for the fragmentsoffate zine, who is currently having leftover sales on their website~!

no jaw

mk's latest doodle has inspired me a lot!

Thank you vriska

a piece of Finn (pre-canon) and Ramona. Prolly gonna complete this one later

Carmen amaya 1943

enjoy my 2022 sketches

Today I bring you the most forgotten mother of the Arcane

I love you, Renni. I wish you killed Jayce

hey more experienced modders, is there a better way to give an npc custom textures than using skins in the ck? i want the body textures to stay when i put armor that may be incompatible with my custom preset, but i don't want to have to make edits in nifskope/patches for the mod for each individual piece of armor.

thank you!

Ancano and Apprentice.. but my little horses!

what's wrong with this kid?

Ancano and Apprentice wish you a happy late Saturalia

...is it horrible that the first thing I thought of when seeing this guy was "abortion pony"

S2: hey guys! Look at these cool new characters! They will (allegedly) help Jinx, Sevika, Vander and Silco become even more complex and-

My humble missile:

Why Episode 7 is the worst episode in all of Season 2.

This fuckass Timebomb ship is the worst thing to ever happen to Jinx's character.

Ok so finally we're gonna talk about Boy Savior Complex and AU Girl Next Door Powder

This is gonna be long. Also, we're not only talking about Episode 7 and Timebomb, we're also discussing Jinx's suicide attempt and how her character's resolution is actually really sad.

First of all, Jinx never liked Ekko back. Season 1 makes it pretty clear that they're friends, and that Ekko has an unrequited crush on her. His feelings are clear, but she never shows any reciprocation. And, no, the art book that came out after season 2 concluded doesn't count. You can't just put "the boy with the unrequited crush" trope in your story and then retract it.

And now to get to the serious part... who the fuck is AU Powder?

Ekko gets transported into this alternate timeline where we the audience soon realize everyone is happy and none of the conflicts that plague the original story exist and everything is perfect and "as it should be". So this is the ideal world and the one where all these characters reach their highest form of happiness. Even Silco is back with Vander.

And in this ideal world Powder is... a waitress at The Last Drop? I rewatched this episode and I genuinely tried to pay attention to see what does she actually DO. Like what occupies her time in this universe. And between Vander's line about how she's "too smart to be spending her life in a bar" and the fact that she is at one point behind the counter (while Ekko is studying his books... imma get back to that) and the fact that we never see her in any other places besides the bar and her hideout and that one time Ekko takes her out... this seems to be it.

So in the perfect timeline, Powder has decided to stay back with her family once she's grown up, to remain with Vander and help him run his bar, and implicitly has no big ambitions of her own, and definitely no ideas that she would sacrifice her family life for.

Now... Powder/Jinx as a family person is not actually wrong characterization. This is pretty congruent with her character in season 1. Her entire story and literally everything revolves around her family and not much else. When she's Powder she's attached at the hip to Vi and when she's Jinx she doesn't seem too interested in the world outside of her hideout and Silco's office. So considering all we know, yes, Jinx does place family first.

And this is pretty assumed by the show. Now, I also characterized her like this in season 1! She is a family girl. And Jinx happens to have all these people with big revolutionary ideas around her, be it Vander or Vi or Silco or Sevika, but she herself never actually seems much interested in that. She has a small moment in arc 1 of season 1, which i think it's significant to mention comes right after Vi plants the idea in her head. It would've been one thing if these ideas stayed with her, but post time-skip she doesn't bring anything like that up again. She mostly acts like a bored teenager whenever Silco drags her to the river to tell her all about his tragic past that radicalized him. Overall, any time she exhibits any revolutionary spirit, it seems to actually be more of a personal vendetta for her.

So, okay, Jinx is a family girl and she's never really actually been about all these big ideas, I can agree with the writers that this represents her character.

It's just that... this much?

Man, COME ON. There were people making "Everything's Perfect" AUs since season 1, and they almost all had Powder be a student at the Academy. This girl was clearly passionate about her little inventions, her bombs didn't work but she kept and kept trying. You're telling me she would be completely uninterested in learning more about engineering, in getting a formal education in that, in doing anything with it? Since in this world, there's peace between Piltover and Zaun, we can't talk about any barriers to her becoming a student. And, for that matter, in League lore there's an academy in Zaun, too, that she could have attended.

Even Ekko points it out, man. Now, to the writers' credit, the story acknowledges quite clearly that Powder choosing to stay with Vander and help him run the bar is weird. It just... never explains it. Like why is she like this, though? Let's throw out some possibilies:

(1) in some scenes, there seems to be a little "jinxiness" in this Powder, too. maybe she's aware of that side of her, and doesn't like it, and fears that if she went off and did what she wanted, and was truly herself, it would ruin what she has, "things are good now" (in this case, this Powder is actually a tragic character. nowhere near ideal timeline stuff.)

(2) in act 1 of season 1, the reason Vi makes Powder stay back is because she fears losing her, after Vander tells her that she might lose Powder in a confrontation with Piltover. since Vi dies in this universe, on a job, maybe in that moment Powder internalizes that rocking the boat in any way is bad. Vi was spirited and had big ideas and wanted to be someone and it led to her death. so maybe this Powder gave up on all of that then. Vander seems like the type to give her a "look what happens" speech, too.

But these are just my theories. This doesn't ever get properly explained in the show. So then maybe Powder is actually content like this and likes this and maybe these people constantly pestering her that she could do and be more are just annoying nuisances to her, same as Sevika is an annoying nuisance to Jinx in the original timeline (although there it makes significantly more sense).

(Also, why is Vi even dead in this universe? They could've easily found another way for Piltover and Zaun to make peace. Guess Jinx doesn't even get to be happy in the Perfect Timeline, goddamn, girl really is cursed after all.)

If you're gonna spend an entire episode on fix-it fanfiction that is supposed to pander to fans and give them, on screen, what they always wanted to see, why didn't we get grown up Powder in a cute academy uniform, being a top student and working on school projects and being loved by her professors cause girl was a prodigy.

Instead... this is Ekko in this universe, actually.

Ekko is the "big idea guy" and he's working on an entry to the innovations fair and he gets to be Heimerdinger's pupil. To her credit, this Powder still seems to be very smart, Ekko comes to her for help cause he can't actually build his invention alone. But she only uses her intellect to help Ekko. I always thought it would be Powder who would be Heimerdinger's pupil. Instead, here, she's hanging off Ekko's arm, and being all cute, as he discusses Important Stuff with Heimerdinger, stuff that she doesn't get to be privy to, but that she is expected to help them with anyway.

So AU Powder is this very smart girl who is helping her boyfriend build his entry for a contest because he can't actually do it himself but it's okay she'll help him of course and no he can take all the credit she doesn't want to be recognized or anything or to go to like University that would be crazy she's doing it cause she loves him and she's sweet like that and she likes to help others and she doesn't have any character traits that make her difficult she's just a cute funny and relatable down-to-earth girl and she pokes fun at Ekko but like in a loving way and she likes being a waitress and she'd rather be recognized for her dancing skills and................ I'm sorry.....................

So you're telling me Ekko gets transported into an alternate timeline in which his childhood crush who never liked him back is stripped of all her personality, has no goals or ambitions of her own and has no interests besides being his supportive girlfriend, is devoid of all the traits that might have made a relationship with her difficult, and despite the fact that she never showed interest in him in the original world, here she is head over heels for him, always acting all lovey-dovey with him and being nothing but a cute and affectionate puppy.

This is every little boy's with an unrequited crush dream right here. Man, Ekko won more than any other character in this show. And she's mentally ill, too! He's hit the jackpot. Y'all what the fuck am I watching.

I'm sorry but literally ALL I COULD FUCKING SEE WHEN I WAS WATCHING THIS STUPID DANCE SCENE was that in this universe Powder is a good christian girl who stays home with her dad and loves her boyfriend and is always happy to help WHAT THE FUCK IS THIS GOOD GIRL PROPAGANDA get this bullshit OFF my fucking screen I cannot fucking believe what I'm watching here

Moving on.

Ekko has hurt Jinx more than any other character in the show.

Physically speaking.

Ekko is the one who does this.

Which leads to this.

Which ultimately leads to this.

It has always confused me and it continues to confuse me why no one in this fandom treats Jinx being injected with shimmer as a big deal, when this is the worst thing that happens to her post episode 3. And it's a point of no return for her character, she can't undo this. And yeah I know everyone thought Shimmer Jinx was cool in season 2, but her being turned into a half-dead monster is not a good progression for her character. She also goes through agonizing pain in the process.

Singed agrees.

It's Ekko who forces Jinx between death and being turned into a half-dead corpse. It's actually insane to me that no one in the fandom considers this and that this is never brought up in the show. If they wanted Jinx and Ekko to be a thing, you'd think this would be a big deal in their relationship. Ekko has changed her irreparably, for the worse.

Idk, is the guy who beat you up and left you for dead really boyfriend material?

This is the first moment Jinx shows any interest in Ekko. Interesting timing.

I'm pretty sure she doesn't even mention his name post act 3 of season 1. She doesn't wonder about whether he's alright after the bridge fight (for that matter, neither does he). The first time when Jinx looks at him with any hint of affection is when she's standing on a ledge, ready to throw herself off.

Jinx has no one anymore at this point. Her old family is long gone. Silco is dead. Isha is dead. Vi has decided having a good time with Caitlyn is more important than her. This is Jinx at her lowest moment. Does she like him back or is he just the only one who showed up?

Ekko is a winner once again. His crush has been abandoned by everyone, and he is the only one left to comfort her. Luck like this is hard to come by. And of course, she's gonna be super impressed and touched by any sliver of affection now. Probably gonna look at him with big, grateful eyes, and see him as her savior. I'm disgusted.

By the way, this should have never been Ekko. If Vi was too busy with fucking Caitlyn, this should have been Sevika. Sevika is the only character who has known Jinx since she was a child, and who has been with her through every iteration. And she's the only character who has never cared whether she's Jinx or Powder or any other persona she decides to take up, to her she'll always just be an annoying kid. And to Jinx this might actually be comforting. Sevika is the only one who has a realistic perspective on Jinx, and recognizes her flaws, so her talking her down might have actually been very touching, and there are things she could tell her that neither Vi nor Silco could.

(The fuck could Ekko tell her, honestly? That he went off to an alternate universe where she was his perfect girlfriend, so she shouldn't kill herself actually? What the fuck.)

I also wanna talk a bit about Jinx's resolution as a character. Not her fake-out death, but her in the last episode. I think it's interesting that everyone who had a connection to Jinx is gone, namely Silco and Isha. Silco and Isha are both people she chooses, actively, and she is herself around. Instead, now, she's back to Vi and Ekko, the same people that were with her in her childhood. This is a full circle moment for her.

This is Powder right here, guys. Powder was a little girl who made a mistake and then she went off on this journey where she met new people and she was someone else and it was fun for a while but ultimately she realized what she was doing was bad and she came back to her family and is ready to be that little, sweet girl again. The problem with the Powder-Jinx dichotomy is that Jinx, as much as she represents all this bad stuff that the show has made clear, also represents Freedom and Power, two things that Powder definitively lacked. Her coming full circle, coming back to Powder, is not actually a good resolution for her. She's right back where she started, with Vi and Ekko. Her venturing off on her own and making her own decisions was ultimately a mistake that only lead to her suffering. We can take this all the way back to when she decides to venture off on her own with that bomb, despite Vi's disagreement, and the consequences plague her for the rest of the story.

I know everyone thought it looked super cool when she lifted off that hood, but I could only think it was tragic.

"Vi was the real Jinx" "No Hextech was the real Jinx" "No Jayce and Viktor were the Jinx for creating Hextech"

Arcane fans are all so fucking stupid and y'all deserve this stupid ass show. If this show had even a modicum of intelligence its thesis statement would have been that institutional oppression enacted by Piltover against Zaun was the real jinx and rot of show, finally giving rise to a monster coming to Jinx them back and be the reckoning for all their sins. Instead they give us that fuckass idiotic episode 7 that attempts to pin all the blame on Hextech and pretends like the horrible conditions of Zaun and cruelty of Piltover didn't already exist long before Jayce and Viktor cranked that damn crystal. Not only that, they go and martyr Vi which just gave the lowest bottom of the barrel members of this fandom a chance to accuse her of being the "real" jinx. This show is unserious garbage and its moronic fans deserve it.

It's my hope that this gives anyone from Eastern Europe a visceral reaction 🐟 Her name is Zina and she doesn't want you here.

I just can't. This joke translates into Russian TOO WELL

based off a dumb discord conversation

"Close your eyes," says Drevis Neloren, his mild voice echoing through the small lecture-hall. He steps around the lectern. "Don't open them. Sit where you are, please, as still as you can."

Fifteen first-years, sitting sprawled or cross-legged on the floor, stare back at him. Unfortunate, thinks Drevis, that they'd dismembered half the benches for firewood last year—and unjust that the halls with surviving seats have been snatched up, for two semesters now, by Sergius. He resolves to take the matter up with Mirabelle. If he remembers.

"Eyes," he says again, milder still. "Every one of you—you too, er, whatsit. In the back. Thank you." He clears his throat. "Now, then."

He's given this speech more times than he can recollect—at the Conclave, first, and now in Winterhold's cold and barren halls. He always pauses here. His students shiver and shift. For a deliberate moment, he lets them sit and listen to the room: the hum of the magelights, their breathing, the muffled wail of the wind outside. That which is sensible. That which is real.

"What do you suppose," he says at last, with a smile they cannot see, "is the deadliest school of magic?"

He's met with the blushing silence of a roomful of clever youths—clever indeed, or they might have enrolled at the Conclave—reluctant to risk a less-than-clever answer. Whatsit-In-The-Back, a stout young man with a farmhand's suntanned nape, is the first to contribute a guess. "Destruction."

A few other first-years titter on instinct. Drevis clears his throat again, sternly, to silence them. "What's your name?"

The boy's face is flaming—but his peers, eyes still shut, can't see it. He answers with convincing nonchalance. "Onmund."

"Onmund," Drevis murmurs. "I'll forget a few times, Onmund, I'm sorry. Would you elaborate, please?"

"You can kill a man with a thunderbolt," says Onmund, committing with commendable stubbornness to his course; a useful quality in a mage, Drevis thinks. The boy will probably do well. "You can't kill him with an—an enchantment, or an illusion."

"You can't?"

"Enchantments are cast on things." Onmund's still a bit pink. "Not men. And illusions aren't real. So—destruction."

"Thank you, Onmund," says Drevis. A few young mouths open in protest. Before anyone can counter the claim in favor of dremoras unbound, or souls trapped, or apocryphal relatives transmuted into rice-pudding, he changes tack. "How many of you have cast an illusion? A shadow to startle your friend? Fall of stars for your little sister?"

A flurry of hands go up.

"Phantasms," says Drevis, shaking his head. "Tricks of the light, achieved through its transformation. Alteration, in other words, not illusion." As the hands sink, abashed, he smiles. "Are you all quite comfortable?"

Nods all around.

"Fortunate, isn't it," says Drevis, smiling still, "that we met in a room furnished with benches?"

He’s given this speech more times than he can recollect. It’s disconcerting, even so, to watch his students nod again.

"Open your eyes,” he says.

Fifteen first-years, sitting sprawled or cross-legged on the floor, blink down at the tiled stone. Then they stare. A few jerk backward or sideways, startled, and catch themselves with their hands.

He’ll never again cast on them without their knowledge—but it had to be done, just the once. They’ll never forget.

"An illusionist," he says, his voice echoing in the stunned silence of the room, "can make you find him charming. A good illusionist can induce you to believe that he's your childhood friend, or your mother, or the owner of your coinpurse. A master illusionist can convince you that you're a bird"—he pauses for the nervous laughter that he knows, through long experience, will come—"and compel you, consequently, to take flight from a balcony."

The laughter stops.

"You will not learn, this semester, to cast an illusion," says Drevis. "You will learn to ward your thoughts against suggestion, and compulsion, and to break even the strongest spell that seeks to steer you wrong. And for the first time in your lives," he adds, unsmiling, "you’ll know that you can trust your own mind—”

* * *

“—vis,” shouts a voice in his face. “Drevis. Drevis!”

Drevis Neloren, with an apologetic smile, reaches to brace himself on the lectern. He leans on empty air. Someone catches him, staggers, sinks with him into the snow.

“I’m sorry,” he mumbles, “I forget what I was—where was I?” His ears ring. Snowflakes sting his face. His brow, after a moment’s baffled thought, furrows. “Where am—”

“Did it work?” A hand, rough and urgent, shakes him. “Drevis! Did you hit him?”

Drevis curls his hands, raking up two burning fistfuls of snow. Clarity seeps into him with the cold. He’s on the ground, he understands with slow bewilderment, in the College courtyard, and the Eye—

“He’s—Ancano,” he gasps at whoever’s holding him, “he’s still drawing from the Eye, I couldn’t reach—I thought—”

His head throbs as though it might burst. He grinds a sob of pain between his teeth.

“All right,” the gruff, familiar voice grumbles overhead. The hands that had caught him—thin and coarse, nails gnawed to the quick—half-lift him out of the snow. “Worth a try. Take a moment.”

He’s never liked Enthir, thinks Drevis, lolling his head on his colleague’s knee. It pricks his professional pride that he’s never seen through the man until today.

“Savos?” he rasps, squeezing his eyes shut. Searing spots like magefire dance across the dark.

“Uh—” Enthir sighs through his teeth. “Someone covered him up.”

He crooks his fingers in a shivering sign of prayer, willing himself not to be sick. The falling snow cools his brow. “I’ll—I’ll try again. In a moment.”

“Did your brain melt out your ears?” snaps Enthir, sounding more like himself. He calls across the quadrangle, raising his voice above the cries of prentices and gulls. “No mindspeech in this! No seemings, no sendings!”

A shout of assent echoes back. Drevis grits his teeth and sits up. He watches the quadrangle spin. He watches Faralda bend to confer with Mirabelle, who’s sitting white-faced and bruised on a chunk of fallen masonry, then stride out to call the milling, crying crowd of students to order: prentices, to Tolfdir! To me, adepts! Masters, to me!

Something sours in Enthir’s face. He stands.

“Don’t tell the bosun,” he says under his breath, nodding to Faralda, “but I think it’s high time to abandon ship.”

The snow gnaws Drevis’s hands. He feels beneath it, for a moment, the cool stone of the lecture-hall floor.

Silco's prototype just chilling in ep7??

Thalmor and Fascism, a 'short' analysis

Hello! Welcome to my breakdown of the Thalmor party that gained power steadily after the Oblivion Crisis and soon created the Third Aldmeri Dominion. I follow Umberto Eco's Ur-Fascism (or Eternal Fascism: Fourteen Ways of Looking at a Blackshirt) and use his points as I delve further into how the Dominion might work in the 4th Era. I also use historical parallels and create world-building ideas for scenarios one could use. (ex: in fanfic, RP, etc.)

The parallels with real-world fascism make the Thalmor’s ideology both chillingly familiar and deeply immersive. >:3

By integrating these traits into world-building, I want the Dominion to become more than just an imperial power—it becomes a pervasive and insidious force shaping every aspect of life within its borders and beyond. These features not only make the Thalmor a more compelling enemy but I think also creates rich opportunities for storytelling.

I'm also planning a one-shot TES parody of sorts of Ur-Fascism, written by the father of one of my OCs. That's the reason why I started this to begin with. That, and my love for history, philosophy, and all things Elder Scrolls.

Fair warning, this is a long post! +3.6k words! So strap in, and please, I encourage talk/criticism, but keep it civil. Obviously this is only my interpretation and I tried my best at this. I would love to hear what others think.

I offer my short paper to Hermaeus Mora to store in Apocrypha ;)

1. The Cult of Tradition

The Thalmor’s reverence for ancient Elven supremacy mirrors real-world historical movements that glorified an idealized past to justify oppressive ideologies.

TES: The Thalmor frame the time before the rise of Men as a lost golden age of Elven dominance. They’ve always venerated the old, almost mythological Aldmeri civilization, despite very little history has survived. They could hold the Ayleid Empire (a high point of Elven civilization) as a model, ignoring its brutal practices like slavery and human sacrifice. They vilify human achievements, such as the Empire of Man under the Septim Dynasty, as an aberration in Tamrielic history.

Historical Parallel: The cult of tradition can be seen in Fascist Italy under Mussolini, where the regime idealized Ancient Rome. Fascists claimed to restore the grandeur of the Roman Empire to evoke pride and justify militaristic expansion. Similarly, the Nazis glorified an Aryan past, constructing myths of ancient Germanic peoples as paragons of civilization to reinforce their racial ideology.

Implication for World-Building: The Thalmor’s obsession with restoring ancient Elven dominance could involve deliberate distortion of history, erasing inconvenient truths about the Ayleids and glorifying their achievements to unite the Dominion under a shared identity.

2. Rejection of Modernism

The Thalmor’s disdain for change and multiculturalism reflects their rejection of modernity in favor of an exclusionary, stagnant worldview.

TES: The Altmer have a history of xenophobia. The Thalmor oppose the integration of races and cultures within the Empire, viewing it as a dilution of "pure" Elven tradition. They also resist technological and cultural advancements driven by non-Elves, such as innovations from the Empire’s blending of cultures. Their policies enforce strict adherence to Elven superiority, preventing any progressive mingling of traditions. 

Historical Parallel: This echoes the Nazi and Fascist rejection of modernist art, multiculturalism, and democracy. The Nazis, for example, condemned modern art movements like Expressionism and Cubism as “degenerate art” while promoting a “pure” Aryan aesthetic. Similarly, fascists saw liberal democracy as corrupt and promoted authoritarian control as a return to a purer societal order.

Implication for World-Building: The Thalmor could actively suppress creative or intellectual progress, possibly banning works by humans or elves that deviate from their idealized Elven cultural norms. Their strict cultural laws could possibly lead to an underground resistance of artists, scholars, and mages seeking to preserve diverse traditions.

3. The Cult of Action for Action’s Sake

The Thalmor’s focus on aggressive policies and grandiose actions often prioritizes symbolism over practicality.

TES: The Thalmor's enforcement of the White-Gold Concordat—especially the persecution of Talos worship—is a clear example. The ban on Talos worship is more symbolic than practical, aimed at asserting dominance over human cultures rather than resolving tangible problems. Similarly, their brutal measures to crush dissent, such as burning shrines and executing priests, serve to showcase their power rather than address any real threat posed by Talos worshippers. Their actions seem more about demonstrating power and control than about achieving specific, practical goals.

Historical Parallel: This parallels Fascist Italy’s grandiose projects, such as Mussolini's attempts to “modernize” Italy with large-scale public works that were often inefficient or impractical but served as propaganda. Similarly, Nazi Germany emphasized militarization and dramatic displays of power (like the Nuremberg rallies) even when these actions were economically or militarily unsustainable.

Implication for World-Building: The Thalmor could undertake elaborate but ultimately impractical projects, such as reconstructing ancient Elven temples or waging unnecessary wars to expand their influence, draining resources while reinforcing their narrative of Elven superiority.

4. Disagreement is Treason

The Thalmor’s intolerance for dissent ensures their ideological purity but creates a climate of fear and oppression. They suppress dissent with brutal efficiency, labeling any resistance to their rule as heretical or treasonous. 

TES: The Thalmor persecute anyone who challenges their rule or ideology. This is seen most clearly in Skyrim, where even whispering a prayer to Talos can lead to imprisonment or death. Their Justiciars patrol Tamriel, rooting out dissidents and executing them as traitors, regardless of the validity of the accusations. This mirrors a broader policy of suppressing free thought to maintain their narrative of unquestionable Elven superiority. There’s also the Night of Green Fire, were they attacked Altmer dissident refugees who had fled persecution in Alinor.

Historical Parallel: This is reminiscent of the totalitarian regimes of the 20th century, such as Nazi Germany and Stalinist Russia. In Nazi Germany, opposition parties and individuals were quickly silenced, with dissenters labeled as traitors or “enemies of the state” and sent to concentration camps. Stalin’s Soviet Union similarly purged perceived enemies, creating a culture where questioning authority could result in imprisonment or execution.

Implication for World-Building: Within the Dominion, paranoia would dominate daily life, with Thalmor spies embedded in communities and neighbors reporting on one another. This pervasive fear could lead to widespread distrust among Elven citizens, undermining the very unity the Thalmor claim to promote.

Criminalization of Debate: Debating Altmeri policies could be considered treason. Citizens speaking against the Thalmor might be arrested or "re-educated." 

Idea: Characters might rescue political prisoners or distribute forbidden pamphlets challenging Thalmor doctrine, or they could be forced into “re-education”.

5. Fear of Difference

Fascist regimes thrive on creating "others" to vilify and unite the populace through a shared enemy, using xenophobia and racial supremacy as key tools.

TES: As mentioned in #2, the Altmer have a history of closed borders and xenophobia. The Thalmor's ideology is rooted in the superiority of Elves over Men and other races. They actively foster division by portraying humans—especially Nords and Imperials—as inferior beings who disrupted Tamriel's natural order. This fear of difference extends to cultural and religious practices, as seen in their persecution of Talos worshippers and their disdain for mixed societies like the Empire. (The problem with Talos worship also stems from just the idea of a human achieving divinity, which is what every Altmer strives towards through their practice of the Path.)

Historical Parallel: Nazi Germany used antisemitism and anti-Slavic sentiment as core components of its ideology, portraying Jews and other minorities as existential threats to the purity of the Aryan race. Similarly, Imperial Japan framed non-Japanese Asians as inferior and justified brutal colonial domination under the guise of superiority.

Implication for World-Building: The Thalmor could implement policies that segregate or exclude non-Elves from certain professions or cities within the Dominion. Their propaganda might frame intermingling of races or cultural traditions as a dire threat to Elven purity, driving a wedge between the Dominion's Bosmer, Khajiit, and Altmer populations. (We don’t see any Bosmer or Khajiit Thalmor/Dominion soldiers within Skyrim by 4E 201, but that’s very likely just to villainize one race.)

Segregated Settlements: Towns in Dominion-controlled regions could be segregated by race, with Altmer areas enjoying more lavish infrastructure while Khajiit or Bosmer neighborhoods languish. 

Idea: Characters might assist oppressed communities in improving their living conditions or organizing resistance.

6. Appeal to a Frustrated Middle Class

Fascist movements often gain traction among those who feel displaced or diminished in status, using resentment and promises of restored glory to rally support.

TES: The rise of the Third Aldmeri Dominion likely appealed to Altmer who resented their perceived loss of status under the Empire, particularly after the Oblivion Crisis and the Empire's weakening influence. By promising to restore Elven dominance and undo the damage caused by human rule, the Thalmor capitalized on the frustrations of disenfranchised Altmer elites and middle classes.

Historical Parallel: Fascist Italy and Nazi Germany drew significant support from the middle classes, who felt economically and socially marginalized after World War I and the Great Depression. The Nazis promised to restore Germany’s national pride and economic stability, appealing to those disillusioned by the failures of liberal democracy and internationalism.

Implication for World-Building: In the Dominion, the Thalmor’s rise might be tied to social unrest among Altmer artisans, merchants, and scholars (the most important roles within Altmer society) who felt overshadowed by Imperial influence. Those Altmer could display open disdain for humans or non-Altmer races, citing the Thalmor’s rhetoric as justification. Those promises of prosperity could mask policies that disproportionately benefit the Altmer elite while exploiting the Bosmer and Khajiit.

Economic and Social Tensions: The middle classes in Summerset Isles might be portrayed as benefiting from the Dominion’s policies, creating resentment among Bosmer and Khajiit laborers who are exploited for the Dominion’s expansion.

Idea: Characters might witness these attitudes in “quests” dealing with class or racial tensions.

7. Obsession with a Plot

Fascist regimes fuel paranoia by inventing or exaggerating conspiracies, framing all opposition as part of a grand, malevolent scheme.

TES: The Thalmor's rhetoric portrays Men as orchestrating the downfall of Elven civilization. Their ban on Talos worship is part of a broader narrative that blames human cultural and religious practices for undermining Elven power. They likely propagate myths of human conspiracies to keep the Dominion united against a common enemy.

Historical Parallel: The Nazis famously promoted the stab-in-the-back myth, claiming that Jews and communists betrayed Germany during World War I. Stalinist Russia similarly fueled paranoia with fabricated conspiracies, such as accusing political rivals of plotting against the state during the Great Purge.

Implication for World-Building: The Thalmor could use propaganda to spread exaggerated stories about Imperial plots, such as secret Talos cults planning to overthrow the Dominion. This paranoia would justify oppressive policies and galvanize Elven citizens to report suspected traitors, deepening societal divisions.

Conspiracy Theories: Thalmor propaganda could exaggerate Imperial plots, creating paranoia. 

Idea: NPCs might warn characters about spies everywhere, leading to “quests” involving false accusations, actual Imperial agents working to undermine the Dominion, or the real spies being from the Thamor.

8. The Enemy is Both Strong and Weak

Fascism often paints enemies as simultaneously omnipotent (to justify fear) and weak or degenerate (to inspire contempt), creating a contradictory but effective narrative.

TES: The Thalmor frame Men as both a dire existential threat and as an inferior, corrupt race destined for subjugation. For example, the Empire is portrayed as a decaying shadow of its former self, yet it is also seen as a powerful adversary whose influence must be eliminated to restore Elven supremacy. This contradiction serves to keep the populace vigilant while reaffirming their racial superiority.

Historical Parallel: Nazi propaganda depicted Jews as both a weak, parasitic race and as cunning masterminds behind global conspiracies. Similarly, Cold War propaganda in the U.S. framed communism as both an inefficient system and an existential threat capable of destroying the free world.

Implication for World-Building: The Thalmor could disseminate propaganda that mocks the declining state of the Empire while simultaneously warning of its "hidden strength" through Imperial-backed Talos cults or covert military alliances. This narrative would keep the Dominion in a state of perpetual war-readiness, fostering paranoia and militarization.

Contradictory Narratives: The Thalmor could mock the Empire as weak and corrupt while simultaneously portraying it as a looming existential threat. 

Idea: Characters might investigate inconsistencies in Thalmor messaging and uncover deliberate manipulation.

9. Pacifism is Trafficking with the Enemy

Fascist regimes view peace or compromise as betrayal, advocating for perpetual conflict to maintain unity and reinforce their strength.

TES: The Thalmor’s stance toward the Empire and Talos worshippers exemplifies this mindset. Despite the signing of the White-Gold Concordat, the Thalmor show no interest in genuine peace. They exploit the treaty to destabilize the Empire and justify continued hostilities. Their relentless pursuit of Talos worshippers, even in regions nominally under Imperial control, signals their refusal to tolerate coexistence.

Historical Parallel: This trait is reminiscent of Nazi Germany and Fascist Italy, which glorified war as a tool for national renewal and strength. Hitler dismissed diplomacy as weakness, emphasizing militarization and expansion as ends in themselves. Mussolini similarly viewed war as a mechanism to revitalize the Italian people and demonstrate national greatness.

Implication for World-Building: The Thalmor could have internal propaganda glorifying war as a sacred duty of all Altmer. They might train their youth in military academies that indoctrinate them with a belief in perpetual conflict as necessary to reclaim and preserve Elven supremacy.

Perpetual War Machine: In Dominion regions, resources could be heavily taxed to fuel war efforts. 

Idea: Characters might aid farmers, merchants, or workers struggling under the burden, while the Thalmor justify this as a necessary sacrifice for Elven supremacy.

10. Contempt for the Weak

Fascist ideologies promote the idea that strength is inherently virtuous and weakness is despicable, justifying oppression of those deemed inferior.

TES: The Thalmor’s belief in Elven superiority leads them to view other races, especially humans, as weak and undeserving of respect or autonomy. Their treatment of the Bosmer and Khajiit within the Dominion could possibly reveal a hierarchy even among their allies, where Altmer dominate, and others are relegated to subservient roles. The Thalmor’s disdain for the “weakness” of the Empire is evident in their rhetoric and actions, portraying its willingness to negotiate as proof of its inferiority.

Historical Parallel: This mirrors the Nazi ideology of Lebensraum (living space), which framed Eastern Europeans as subhuman and justified their subjugation and extermination to make way for German expansion. Fascist Italy similarly dehumanized colonized peoples in Africa, justifying brutal exploitation under the guise of spreading civilization.

Implication for World-Building: Within the Dominion, the Thalmor might implement policies that systematically disenfranchise Bosmer and Khajiit while celebrating the physical, magical, and intellectual prowess of the Altmer. The Thalmor’s propaganda could depict other races as servile or parasitic, encouraging Altmer citizens to feel pride in dominating these “weaker” peoples.

Propaganda Celebrating Strength: Altmer architecture, literature, and art could be designed to evoke themes of Elven might and dominance, depicting other races as subservient or parasitic (point 10). For instance, public statues might show Elves towering over Men or crushing symbols of Imperial power.

Oppression of the “Weak”: Non-Altmer races could be forced into hard labor or conscription.

Idea: Characters/NPCs could share stories of family members sent to fight in far-off conflicts, providing characters with morally complex choices about intervening.

11. Everybody is Educated to Become a Hero

Fascist regimes emphasize the importance of sacrifice for the nation, glorifying those who devote their lives to the cause and framing ordinary citizens as warriors for the state.

TES: The Thalmor cultivate a culture where every Altmer is expected to serve the Dominion’s cause, whether through military service, loyalty to the state, or ideological compliance. The Justiciars are portrayed as paragons of Elven virtue, exemplifying the ultimate commitment to the Dominion’s ideals. Citizens are likely educated to believe that their sacrifices, no matter how small, contribute to the restoration of Elven greatness.

Historical Parallel: Nazi Germany placed significant emphasis on the concept of the "Volksgemeinschaft" (people's community), where every German was expected to contribute to the nation’s goals. Similarly, Fascist Italy glorified the ideal of the selfless soldier and the hardworking citizen as heroes of the state. In both cases, youth programs like the Hitler Youth and Balilla were used to indoctrinate the next generation into these values.

Implication for World-Building: The Dominion could have institutions that indoctrinate young Altmer into Thalmor ideology, teaching them to see themselves as part of a sacred mission to reclaim Tamriel for Elvenkind. Public ceremonies might honor fallen Thalmor agents as martyrs, reinforcing the idea that dying for the Dominion is the ultimate act of heroism.

Hero Cults: The Dominion might establish festivals or holidays commemorating key Thalmor victories and honoring fallen agents. Schools could teach children patriotic songs or hymns about their duty to restore Elven supremacy, with heroic figures like early Thalmor leaders mythologized. (Maybe? This seems too far.)

Idea: Characters could infiltrate these events to gather information or sway public opinion by exposing the truth about these “heroes.”

More World-Building Ideas

Points 9-11 underscore the Thalmor’s militarism, supremacist worldview, and ability to co-opt individual lives into their grand vision for Elven dominance. These elements not only enhance the narrative tension between the Thalmor and their opponents, but could also create opportunities for characters to encounter internal resistance movements, oppressed groups, and Altmer citizens questioning the cost of their rulers’ ambitions. I believe after the Great War, tensions would be even higher. 

12. Machismo

Fascist regimes glorify a hyper-masculine, militaristic culture that celebrates dominance, aggression, and disdain for non-conformity or “soft” values.

TES: The Thalmor embody this through their emphasis on martial prowess and superiority. While not tied to gender in the traditional sense, their ideology promotes a cultural machismo centered on Elven dominance, physical and intellectual superiority, and disdain for perceived "weakness." They scorn the cultural diversity of the Empire and other races as decadent or effeminate. Their authoritarianism also seeks to suppress dissent, intellectual inquiry, or emotional expression that doesn’t align with their rigid ideals.

Historical Parallel: Fascist Italy and Nazi Germany glorified masculine ideals of physical strength and aggression while marginalizing traits like compassion or introspection. Mussolini often emphasized virility and militaristic values, while the Nazis celebrated the archetype of the strong, disciplined Aryan soldier. Non-conforming individuals, particularly LGBTQ+ people, were persecuted as threats to this hyper-masculine ideal.

Implication for World-Building: The Thalmor might promote a rigid cultural code that prizes dominance, obedience, and aggression, possibly extending to martial tournaments or ceremonies that celebrate Altmer “purity.” Artistic expressions or philosophies emphasizing introspection or diversity could be banned or dismissed as “decadent.” They would continue with the tradition of marrying proper matches to keep their family blood “pure.” 

Propaganda Festivals: The Thalmor could organize grand public events where martial displays (military parades?) glorify Elven strength. These events would reinforce the idea that the Dominion thrives through dominance and order.

Suppression of Non-Conformity: Non-militaristic or “soft” cultural traditions—like Bosmer storytelling or Khajiiti spirituality—might be ridiculed or suppressed, leading to underground movements that preserve these traditions.

13. Selective Populism

Fascist regimes use rhetoric that claims to speak for “the people,” but this “people” is defined narrowly, excluding minorities and dissenters.

TES: The Thalmor’s concept of “the people” explicitly excludes humans and often sidelines their Bosmer and Khajiit allies. They frame themselves as the sole representatives of Elvenkind, claiming to act in the best interests of a unified racial identity. However, their vision of unity ignores or suppresses internal dissent among Altmer who reject their ideology, as well as non-Altmer who are relegated to subordinate roles. Their claim to represent all Elves is thus selective and exclusionary.

Historical Parallel: Nazi Germany used the idea of a Volksgemeinschaft (people’s community) to create a narrow vision of unity, excluding Jews, Romani people, and political dissidents. Similarly, fascist regimes often co-opted populist rhetoric to claim they acted in the name of “the true people” while disenfranchising anyone who didn’t fit their criteria.

Implication for World-Building: Within the Dominion, the Thalmor’s rhetoric might emphasize solidarity among Elves, but their policies reveal stark inequalities between Altmer, Bosmer, and Khajiit. Resistance movements could emerge within these oppressed groups, challenging the Thalmor’s selective definition of unity and exposing their hypocrisy.

Elven Hierarchy: Bosmeri and Khajiiti groups could face higher taxes, forced military conscription, or exclusion from political power.

Resistance Movements: Selective populism could foster alliances between oppressed groups—such as humans, Bosmer, and Khajiit—who band together to challenge Thalmor dominance.

14. Newspeak

Fascist regimes manipulate language to limit free thought and ensure ideological conformity. They simplify language and control its meanings to make dissent or complex ideas impossible to articulate.

TES: The Thalmor could enforce linguistic purity within the Dominion, outlawing words, phrases, or writings that contradict their ideology. For example, they might ban texts that celebrate Talos, Imperial culture, or non-Elven achievements. The Thalmor’s propaganda would use simplified, emotionally charged language to emphasize Elven superiority and demonize humans. Over time, this manipulation of language could erode the population’s ability to think critically or question authority. 

Historical Parallel: George Orwell’s concept of Newspeak in 1984 was inspired by real-world totalitarian regimes, such as Nazi Germany and Stalinist Russia, where propaganda and censorship shaped public discourse. The Nazis used simplistic, repetitive slogans like “Ein Volk, ein Reich, ein Führer” to embed ideology in everyday life. Stalinist Russia altered history books and redefined terms to serve the Party’s goals.

Implication for World-Building: The Thalmor might use the Divine Prosecution, making them responsible for censoring Imperial and Talos-related literature while promoting carefully curated texts that reinforce Thalmor ideology. Dissidents could smuggle forbidden books or create underground presses to preserve cultural diversity and historical accuracy.

Censorship Laws: The Thalmor could outlaw specific languages, such as Cyrodiilic, in Dominion territories. Altmer children might be taught revised histories that erase human contributions to Tamriel’s culture and development.

Idea: “Forbidden Literature” - Characters might encounter hidden libraries or secret meetings of scholars seeking to preserve banned texts. These locations could serve as hubs for resistance or offer “quests” to recover lost knowledge.

More World-Building Ideas:

Cultural Propaganda: The Thalmor could sponsor plays, books, and artworks that glorify ancient Elven achievements while mocking or demonizing human cultures. This would reinforce both their fear of difference (point 5) and their obsession with a plot (point 7).

Perpetual Fear Campaigns: Justiciar crackdowns on "Imperial spies" or "hidden Talos worshippers" could escalate over time, creating a culture of fear where anyone might be accused of treason. This aligns with points 7 and 8, as the threat is exaggerated to justify authoritarian control.

Resistance Movements: Bosmer and Khajiit characters might form secret organizations to challenge Altmer dominance. Characters could align with these groups or face pressure to spy on them, adding moral and faction-based dilemmas.

Thalmor-Run Education: Schools in Dominion territories might indoctrinate children into Thalmor ideology, with NPCs lamenting the loss of older traditions. Characters could disrupt this system by recovering banned texts or creating underground schools.

Religious Persecution: Talos worshippers might practice in secret, creating opportunities for characters to assist them or decide whether to betray their location to the Thalmor.

Civil Unrest: Cities in Dominion territories might feature visible tensions, with oppressed groups protesting or clashing with Justiciars. Characters could influence these outcomes by siding with either the protesters or the authorities.

I took a closer look and saw a fancy fur/feather cloak. Now I think they rly simply took Finn's early concept and put it on the henchmen page cuz they never planned designing Slickjaws in the first place since Finn kinda died a season ago.

Yoooo we got a glimpse of Slickjaws henchmen design! Finally. Damn so fancy. Looks like they borrowed some tattoos from early concept of Finn.

Photo by @QSpideraxe30 on Twitter

Yoooo we got a glimpse of Slickjaws henchmen design! Finally. Damn so fancy. Looks like they borrowed some tattoos from early concept of Finn.

Photo by @QSpideraxe30 on Twitter

SONY: PlayStation Portable in an array of transparent colors (2005)

please yap about enki’s sister I beg of you. she’s so cool and so are you

AW thank you!! 🫶

and thanks for letting me indulge in talking about these two!! here's how I see it:

I really like the idea that the ritual fight that was mentioned in Enki's intro wasn't the only time he had to face off against his sister. It was always like that for him and Ninmah. The priests that took them in saw their potential and wanted to know who the superior sibling was.

My headcanon is that not only was Enki physically weaker than her, but emotionally frail as well. That no matter what, he'd always be a close second to his "better" twin. Ninmah was exceptional and obedient. Enki was completely pathetic next to her.

I like to think when they were super young, they did care for each other. But under harsh, abusive conditions from the priests, it further drove a wedge between them. And Enki's frailty warped into his distinct bitterness as to no longer appear as weak - as to compete on the same level as Ninmah.

The ritual fight was an inevitability. A scheme to see who truly was strong enough to live. So when Ninmah spared Enki, it was sort of her way of communicating that she still cared about her brother. Even if they were pitted against one another, even if she seemed unfeeling and unbothered, she still loved him as much as a young (definitely traumatized) girl could in that situation.

So when Enki's given the choice to either accept her mercy or literally backstab her, both are completely plausible. Like yeah he also possibly still loves her. That's his sister and she was always there for him. But on the other hand, after years of cruel reprimanding, he finally had the perfect opportunity to prove his superiority.

Either way, it doesn't end happily at all. If Enki kills Ninmah and raises her as a ghoul, I'm going to assume she won't be completely herself. She's basically dead. The other route is also tragic. Enki accepts defeat and gets chucked into a well. And at the bottom, his resentment festers. Not only towards his whole diocese but also directed at Ninmah. Because if she did truly love him, why did she not rescue him? (In truth, she would've also been doubly punished, let's be real.)

Assuming they're both alive, I'm entirely convinced that they haven't spoken to each other in over a decade. Enki's probably got a LOT of indignation for his old order and, by extension, Ninmah. And Ninmah acknowledges that he's moved on. Maybe it's best they never see each other.

No wonder Enki is such a big hater. He was one of the few people born into this world with someone and yet he still ended up abandoned and alone. :,)

anywayzz that was very rambly and very sad. but did you know bc enki is green and ninmah’s red this means theyre mario and luigi coded

finally... finally someone summarized my thoughts. Plus they completely forgot about Renni's special chem-costume they've been teasering even before the first season aired (in that LOL minigame or something). At this point I think we should be happy they didn't forget about her existence at all. Tbh I thought she'd kill Jayce's mother, or attempt to kill him in front of his mother. But, well... We have what we have.

The whole chem-barons plotline is a one big cut content. It was okay-ish in first season and I thought they are building up a ground for inevitable gang wars in season 2, but... no. No wars for you, take your shitty slide show with epic music. And Finn definitely lacks some build up scenes, damn Smeech has more dialogue than he did.

Thoughts on Act 1 of Arcane Season 2

The positives:

- The animation is fucking incredible.

- Jinx and Sevika teaming up watered my crops and cleansed my skin.

- Underwater goodbye with Jinx and Silco. That scene was made specifically for me.

- Jinx's voice actress continues to be excellent.

- Loved the designs of all the Chembarons. The glimpse we got of the gang wars was also interesting. Unfortunately, too tiny a glimpse. Which brings me to...

The negatives:

- Too many plotlines. They stuffed the season with too much shit which is why each individual plot gets a much shorter screentime than it should. Smeech is introduced and killed in the same episode. Chembarons' gang wars, a huge issue which has repercussions on the entire Undercity, gets only one musical montage before moving on. And this is coming from someone who loved that montage, as well as the song. My favourite on the soundtrack so far. But musical montages shouldn't come at the expense of the story and definitely shouldn't replace the story. There are just way too many music video scenes in general that feel like a way to condense a storyline into the sparknotes version because they don't have the screentime to flesh it out. And they would have the screentime if they cut out all the extra stuffing. Look I'm happy for the League fans who are excited for the Black Rose and all that, but what the hell is it doing in a Piltover/Zaun show. And with zero foreshadowing in Season 1 too. It would definitely be easier to swallow if they had at least hinted at it in the first season. They could have kept Ambessa's beef with this magic cult for a Noxus show. The P/Z narrative has enough to deal with, enough characters to handle already.

- The new side characters are uninteresting and generic. Maddie and the two other enforcers (we don't even know their names after three episodes LMAO) are bland. We know nothing about their characters or personalities. Maddie looks like a rookie, and one of the dudes is an alcoholic, yet they get chosen for an elite strikeforce to capture Jinx? Isha is pretty generic too - the token cute kid that needs protecting. I get the role she will play in Jinx's arc. But that's the problem - she should be a character in her own right, not just a vehicle for someone else's character development. A good example is Mylo. He died for Jinx's arc, but when he was alive he was a distinct character with his own personality. We had a sense of his insecurities, his goals, who he was as a person. Name a single personality trait of Isha and Maddie other than "generically nice person". That's right. You can't.

- Whatever the hell is going on with Viktor. He wakes up from his coma and immediately rejects Jayce so quickly that it was funny. Apparently disapproves of Jayce using the Hexcore to save his life, but then immediately goes to use the Hexcore to save random Undercity people. Bruh. I also don't really like the way the fridged woman from last season seems to be his motivation so far. Nor the way he seems to have no agency in his Machine Herald arc. Instead of Viktor himself believing in transhumanism and mechanizing himself, Jayce does it for him. Instead of Viktor having an ideological drive and wanting a "Glorious Evolution", he is driven by guilt over Sky. Meh. Also he's not even mechanized, instead he's weirdly fleshy?? In a magical way?? More like The Magic Herald :(

- Vi. Her whole character is a mess. Insanely rushed arc which I find unacceptable for one of THE main characters and one of the faces of the show. She and Jinx are supposed to be the leads, their relationship the heart of the story, but so far only Jinx is a well-written fleshed out chaacter with a believable arc. I have too much to say about Vi so I'll expand more on this on another post.

- So much nuance and detail is missing. How does Heimerdinger feel about his ex-colleagues being killed? Does he care? Does he feel guilt? Relieved that he wasn't in the chamber when the bombing happened? No clue! Let's have comedy Mission Impossible instead! How does Ekko feel about the Council attack? Does he approve of it? Think Jinx went too far? How does he feel that she even survived their fight to begin with? No clue! Here, have him joking around with a Councilor for a bit (someone whom Ekko logically should despise), then he can talk Science with Jayce and all three get sent to another dimension together. Yay. What does Vi think happened to Ekko? The last time she saw him, he was fighting Jinx to the death to give Vi and Cait time to escape. He could be dead for all she knows and she doesn't give a fuck. Doesn't even think about him nor mention him once. It's like the writers forgot they're childhood friends. What does the entirety of Zaun make of Silco's death? I assume they heard about it from Piltover (who heard about it from Caitlyn), but how do they think it happened? His body is gone and to Zaun it seems he just mysteriously disappeared. Are there conspiracy theories? Conflicting accounts and rumours? So much nuance that would give the world and characters more depth, sacrificed so we can pack in more rushed subplots and music videos.

- Caitlyn "Wifebeater" Kiramman. And Caitvi in general. So far Caitlyn has guilt-tripped Vi, manipulated her into joining the enforcers, insulted her and then physically abused her. After Vi sacrificed everything for Cait, wore a badge she hates for Cait, even let Cait kill her own fucking sister (and only intervened when the random kid got involved). Why should I give a shit about such a one-sided relationship lmao. "B-but Cait's mom is dead so she's sad about it", every other fucking character in this show has dead parents. Half the cast has faced unfathomable amounts of trauma and pain that make Cait's pale in comparison. Nothing justifies her hitting Vi. "B-b-but it's a parallel to when Vi hit Powder", a shit parallel then. Because the circumstances are not even remotely comparable. "God forbid lesbians do anything🤪", give me a break with this corny bullshit. Be serious for a second. I'm not even a Vi fan and I think she deserves better than this mess of a relationship. The power dynamic between them makes it worse. The way Caitlyn is one of the richest people in the city and Vi is broke. The way Caitlyn is highly educated and Vi never went to school and spent her entire teen years locked in a box. Did the writers think about all this when writing their relationship? Keep in mind, Vi met Caitlyn like a week ago. She barely knows this chick. She's been out of prison FOR A WEEK. Where she was physically abused every fucking day. Putting her in a relationship with a cop who hits her would certainly be a choice! Do I have faith this show will handle it with care? Not really, no. They already ignore Vi's prison trauma. Most likely they will make Vi forgive Cait way too easily because "muh mummy muh grief".

it's been almost three years since Finn accidentally made a baby in Sims 4 (the doodle is around 2-3 years old, too). Her name is Saia. I think one day I'll write more about her cuz I decided to keep the brat as an OC and gave her a huge development. By accident. She is a nice kid, really.

Btw Finn stans let's interact, I am feeling lonely

Cahara let her win