No, my child, my touch will extinguish. ✋
CRY OUT, CRY OUT, FOR THERE IS SLAUGHTER IN THE NEW JERUSALEM
child.
infant.
i love how everyone on this website is kind of pathetic it brings such a sense of understanding and community
I'm 5'7, I just wanna be tall-
I just realized I like drawing your characters small.
You’re right actually what’s up with that
*hops on bike* aight bet
I deliberately did not write any cutesy SF stories because you were feeling feral… I deserve a reward for holding my heart, watching from the sidelines, and waiting for SF to get torn up…
I can't do sh*t. I've not been granted custody of my adoptive child yet. You, on the other hand, have full custody of the child. Therefore, I cannot do a thing.
~🫐 Anon
that’s not how it works here
if you want something you fight me for it
This was too fucking long so that's why I'm reblogging this
As a bisexual, it sickens me that some people WILL keep scrolling.
My father is watching this!! 💀
Went into The Penguin after seeing the trailer expecting Sofia Falcone to be some crazy minor antagonist who exists to just get in the way (*cue Gotham flashbacks*) and instead got a very powerful (and honestly quite justified) rendition of feminine rage motivated by betrayal, societal misogyny, gaslighting and isolation. It's very overt messaging, too. Her family, her coworkers, her friends, her city, even her therapist have all used her for their own means. You get to a point where you see that genuinely everyone in her life has fucked her over and she's not going to play by their rules anymore. And fuck, man, of course she doesn't take the high road but the one she goes down is not only satisfying but borderline righteous for the character and the audience.
On top of that, I truly cannot exaggerate how delighted I am that the show gave reasons to root for AND against both her and Oz. Neither of them are particularly good people but you completely understand where they're coming from and you find yourself wanting for them to succeed, even though one's success very much might mean the downfall of the other!! They have kind qualities alongside their cruel ones which work very well to humanize them.
With Oz, you understand what kind of person he is after only a few scenes. He will lie and schmooze his way to the top however he has to. He plays every side which puts him on the edge of danger and power constantly. Every time he's called out for not having a plan he doubles down on his confidence and acts scandalized even though he's absolutely talking out of his ass. He also takes care of his ailing mother and has spent his entire life being talked down to by anyone and everyone.
Sofia on the other hand, takes a while to unravel. And I love it. The point of her is that she's a mystery. A wild card. Slowly, you learn that she has ambitions, that she has suffered at the hands of others, that she has caused suffering with her own hands and that her family will never see her as anything but a problem. Visually, she is contrasted with Oz as smaller, frailer, younger. The narrative, like her own family, almost leads you to underestimate her. But with episode 4, the painting finally comes together. You see an ambitious young woman sharpened down into a jagged weapon and know that there is only one path left for her. You come away from the episode not feeling like she's an antagonist or a villain, but more like she's a secondary protagonist in a show that already has a fairly strong one.
tl;dr this show kinda fucks. The quality has surprised me in all the best ways possible and I'm genuinely excited to see more.
He looks like that slime ghost from Ghostbusters and the slime ghost from ghost hunters.
This is bane 👍
EXPOSING @f3ntime
So I can send drawings tooPfp: Fanart made by @staijey-the-creator 🥰 thank you stayhee
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