Vanya: *wears a white suit*
The gals:
My grandma said that my education is more important than my happiness and to prove her wrong I need to get a lot of notes and show her that people actually think happiness is more important please help me with this🙏
IF DESTIEL BECAME CANON AND YOU’D CONTINUE TO WATCH THE SHOW REBLOG THIS POST
REBLOG THIS ONE IF THE OPPOSITE
Break a prop? Just put it back and walk away… ha ha!!
every inch of you is perfect, from theÂ
to theÂ
Summary: Just like his freckles and bowlegs, Dean’s slight pudge has always been a part of himself that he’s never felt completely comfortable with.  After a few miserable days of unsuccessful dieting and choking down rabbit food, Cas reminds him exactly how beautiful he is.  Â
“You’re getting kinda chubby!” Â
Charlie makes this remark lightly, offhandedly, as she passes by Dean on the way to breakfast that morning: Â Dean had been stretching his arms overhead in a yawn so that his cotton shirt rode up over his stomach, which Charlie takes the opportunity to poke.
Startled, he looks down just in time to see the disconcerting way in which her fingertip sort of smushes into the soft, freckly flesh. Â
Dean halts in his tracks, blinking comprehensively.  “Wait, what?”  is all he can think to say.
Charlie, who’d been nonchalantly continuing on her way down the hall, turns to look at him.  “Well, you don’t have to sound so offended about it,” she laughs.  “I didn’t mean it in a bad way or anything!”
Dean folds his arms defensively.  “Then what did you mean, Charles?”
“First of all, I answer only to Charlie, Ms. Bradbury, or the Illustrious Queen of Moondoor.  Next, I just meant you put on a couple pounds.  Maybe getting a bit of a tummy.  It’s no big deal.”
Dean looks comprehensively down at his stomach.  Now that he thinks about it, he has been eating more these days – he’s been going through sort of a “nesting period” during his relationship with Cas:  lots of baking pies, burgers, etc.  He didn’t think it was noticeable. Â
Taking note of the gravity of his expression, Charlie laughs, punching him lightly in the shoulder.  “You don’t have to look so glum about it!  It’s cute.”
Dean glowers at her, tugging self consciously at his t-shirt.  “M’not cute,” he mutters grouchily.  “I’m a warrior.”
Charlie laughs again.  “Alright, warrior.  Hurry up and take care of your morning breath – Kevin’s making waffles again!”
With that, Charlie skips off down the hall, leaving Dean to steep in his juices.  He lets Charlie laugh it off, of course – he knows she didn’t mean any harm – but the fact is, Dean’s always known he’s had a little bit of pudge around his midsection, and he’s always been the slightest bit insecure about it.  Just like his freckles and bowlegs, it’s one of the things about himself that he’s never particularly liked. Â
His one solace was convincing himself that these features weren’t as noticeable to everyone else as they are to him.  Now, that seems to have changed. Â
Dean pulls up the rim of his shirt, noting sourly the way in which his pudge protrudes slightly over the waistband of his pajama pants.
Suddenly he doesn’t feel so hungry anymore.
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“Hey, it’s not my fault if this handmade family spellbook has a bad writing!”
Source
“Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.Â
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.Â
“It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.Â
“I see those situations I portray every day,” she wrote. “I lived some of them myself.”
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
“I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.””
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.