do you ever see a person and you are overcome with incredible fondness? and you just think "oh." but not in a romantic or sexual way you are just filled with warmth and it makes you happy, it just does. and you think "i'm so happy you exist. i'm happy you are somewhere out there in the world, doing your thing". it's love but also not entirely
like people are lovely and i feel it in my entire chest like a burning candle that smells like roses and a sunny day
love seeing everyone's Mouthwashing theories and analysis and just wanted to throw my two cents in, bc Mouthwashing is an amazing game, not only story-wise, but also on a meta level.
!!! SPOILERS FOR MOUTHWASHING, CAN'T PUT A READ MORE ON MOBILE !!!
the game is told from two perspectives: Curly before the crash, Jimmy after the crash. The player controls either one of the two in the corresponding times, and I think the concept of "protagonist" plays a big role here. Before the crash, Curly is the protagonist. He's the captain everyone listens to and tries his best (more or less) to be a leader, a friend, a beacon for everyone. Jimmy is an old friend of his, but ultimately an NPC in Curly's perspective. And the game shows that Jimmy is very jealous of that. He wants to be a big shot too. He wants to be someone others look up to. He wants to "take responsibility".
The crash happens and Curly is left burned and limbless and voiceless and now Jimmy is the protagonist. We, the player, control him and thus we get his very limited and unreliable perspective on everyone else. And Jimmy loves being the "protagonist". The game is even warped story wise so we only learn in the end that it was Jimmy who caused the crash, not Curly. With Jimmy as the protagonist, every other character is subject to his perspective: for example, when Anya locks herself in Medical to end her life, Jimmy influences Daisuke to believe that Anya would kill Curly, although she's shown nothing but compassion and selflessness for the other characters all game. It's easy for the player to get caught up in that, as seen in players being totally fine with drugging Swansea to enter Utility and rarely questioning if the character they're controlling is being reliable or not.
The game being warped through Jimmy's influence also shows itself in other instances: during the one time Jimmy and Anya talk alone in the hallway, Jimmy lashes out at her. He yells about the "tasks" he's been given and the order of them, resulting in the tasks the player can see in the user interface starting to flicker and change according to what he yells. This is showing how meta wise the game is being influenced by Jimmy being the protagonist, having to bend to his will and act accordingly. But we also see the game fight back: during the hallucinatory vent sequence, the player has the option to turn around after seeing a piece of paper that reminds them to "take responsibility" and when turning around and facing away, thus not facing responsibility, the game snaps the player back to face the paper again. It looks like the whole game is a representation of the protagonist struggle between Curly and Jimmy. Curly, the "natural protagonist" is hijacked by Jimmy's actions, making Jimmy the new protagonist of the game. He tries to fulfill the role according to what he thinks he has to do, but he's not good at it, resulting in the game being told out of chronological order, to show the player both sides of the coin.
And even the finale of the game is a representation of the "protagonist struggle" between Jimmy and Curly. In the end, after everyone is dead except them, Jimmy (controlled by the player) takes Curly to the one functioning cryo pod, his last action as a protagonist. Then, in the last scene, the perspectives are switched again. The player looks through the eyes of Curly inside the cryo pod, seeing Jimmy outside ultimately walk to the side and kill himself with a gunshot. As the credits of the game play, the cryo pod is starting to freeze Curly and the player is stuck as him in the pod, ending the game. It shows that Jimmy didn't manage to grow into the role he so desperately wanted, bc his last action as the protagonist is giving away responsibility, directly back to Curly. Jimmy can end the game as an NPC again and avoid taking responsibility, while Curly is the one now faced with an undetermined future, worse off than before.
I hope my ramblings made sense, but I love the game a lot and I hope more people start to analyze the story and other aspects of the game soon!
musk is going to die in a Tesla explosion in 6 months after sticking his nose where it doesn't belong and we will never get a conclusive answer on whether it was a CIA car bomb or just a normal Tesla malfunction
Mlp infection aus go so hard so me and couple of pals ( @ltheoddboy , @ghost-ist , and others who don’t have tumblr) made one of our own!!
I’ll be referring to this au as Audle Posk Infection AU (or Audle Posk AU for short)
Our infection of choice was Swamp Fever, of course, but body horrorofied it some more. It starts from the episode A Health of Information, but fluttershy never found the cure. Zecora chose to rest by her home in the everfree, unaware of what would come from it. You see, animals can get infected too, and carry the pollen on their fur/feathers to others. Feral animals swarmed Ponyville, bringing the virus with them
Via animal transport and how easy it is to get infected through simple contact, the virus quickly began to spread throughout Equestria
The “Audle Posk” is Old Ponish btw!! This user made a very simple translation and comboed it with old english, so felt the desire to make the scientific word for it is that instead of Latin 💅✨ translates to “Disease Of Oak”
https://www.fimfiction.net/blog/771938/how-to-speak-old-ponish
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Do not re-upload, sell, or trace my art without my permission. You can use it as reference but you gotta credit me
sure whatever. computer activate white woman mode
john when you get a bad ending
why am i on birthblr
“I’ve been a massage therapist for many years, now. I know what people look like. People have been undressing for me for a long time. I know what you look like: a glance at you, and I can picture pretty well what you’d look like on my table. Let’s start here with what nobody looks like: nobody looks like the people in magazines or movies. Not even models. Nobody. Lean people have a kind of rawboned, unfinished look about them that is very appealing. But they don’t have plump round breasts and plump round asses. You have plump round breasts and a plump round ass, you have a plump round belly and plump round thighs as well. That’s how it works. And that’s very appealing too. Woman have cellulite. All of them. It’s dimply and cute. It’s not a defect. It’s not a health problem. It’s the natural consequence of not consisting of photoshopped pixels, and not having emerged from an airbrush. Men have silly buttocks. Well, if most of your clients are women, anyway. You come to male buttocks and you say – what, this is it? They’re kind of scrawny and the tissue is jumpy because it’s unpadded; you have to dial back the pressure, or they’ll yelp. Adults sag. It doesn’t matter how fit they are. Every decade, an adult sags a little more. All of the tissue hangs a little looser. They wrinkle, too. I don’t know who put about the rumor that just old people wrinkle. You start wrinkling when you start sagging, as soon as you’re all grown up, and the process goes its merry way as long as you live. Which is hopefully a long, long time, right? Everybody on a massage table is beautiful. There are really no exceptions to this rule. At that first long sigh, at that first thought that “I can stop hanging on now, I’m safe” – a luminosity, a glow, begins. Within a few minutes the whole body is radiant with it. It suffuses the room: it suffuses the massage therapist too. People talk about massage therapists being caretakers, and I suppose we are: we like to look after people, and we’re easily moved to tenderness. But to let you in on a secret: I’m in it for the glow. I’ll tell you what people look like, really: they look like flames. Or like the stars, on a clear night in the wilderness.”
— What People Really Look Like
Quick reminder that it's always morally correct to punch nazis.
this is so fuckin funny