What If Unicorns Were The Size Of Cats?

Tania Font, “Deconstructa III” Reinforced concrete, wood, ceramics, wallpaper and patinas

KIRISHIMA’S HERO OUTFIT IS TOPLESS BC HE WANTS TO SHOW OFF HIS SURGERY SCARS SO OTHER PPL (especially smaller kids bc lets be real: there are probably kids who watch the news and see some of the students from U.A fighting occasionally) DONT FEEL ASHAMED OF THEIR SCARS OR OF BEING TRANS BC SHARP TOOTH BOI WANTS TO ENCOURAGE EVERYONE TO BE THEMSELVES PASS THE WORD

Kirishima eijirou is a trans icon!

Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil-paints on sheets of glass as the animator gradually alters the shapes they create, and during this process, a camera records each finished ‘frame’.

When adapting ONE’s Mob Psycho 100, director Yuzuru Tachikawa wanted to adapt the source material in fantastic ways. And so, by combining the talents of a skilled staff, an anime with an incredible mix of animation techniques was born. 

Mob Psycho’s ending, and a good portion of the paranormal scenes are a complex product of paint-on-glass animation, done by Miyo Sato, a Tokyo University of Arts graduate and animator who has had her work nominated for multiple international animation awards. 

What is a Christine Jorgensen

Random, but a really handy way to make things seem creepy or wrong in horror is to make them incongruously neat or clean:

In the middle of a horrific battlefield, you find one corpse laid aside neatly, straightened and arranged, its arms crossed neatly across its chest

As you walk through the garden, you gradually realise that the oddness you’ve been noticing about the trees is that they are all perfectly symmetrical

As you move through the abandoned house, you realise that suddenly that there’s no dust in this room, no dirt or cobwebs

You hear hideous noises coming from behind a locked door, screams and pleas, and visceral sounds of violence. When you manage to break down the door, there is no one there, and the room is perfectly spotless

In the middle of a horrific battlefield, a hollow full of churned mud and blood, you find five corpses cleanly dismembered, each set of limbs or parts neatly laid out in their own little row

You witness a murder, a brutal, grisly killing that carpets the area in blood. When you return in a blind panic with the authorities, the scene is completely clean, and no amount of examination can find even a drop of blood

You run through the night and the woods with a comrade, pulling each other through leaves and twigs and mud as you scramble desperately towards freedom. When you finally emerge from the forest, in the grey light of dawn, you turn to your companion in relief, and notice that their clothes are somehow perfectly clean

You hand a glass of water to your suspect, talking casually the whole while, and watch with satisfaction as they take it in their bare hand and take a drink. There’ll be a decent set of prints to run from that later. Except there isn’t. There are no prints at all. As if nothing ever touched the glass

You browse idly through your host’s catalogue, and stop, and pay much more attention, when you realise that several items on a dry list of acquisitions are ones you’ve seen before, and it slowly dawns on you that each neat little object and number in this neat little book are things that belong (belonged?) to people you know

Neatness, particularly incongruous neatness, neatness where you expect violence or imperfection or abandonment, or neatness that you belatedly realise was hiding violence, or neatness that is imposed over violence, is incredibly scary. Because neatness is not a natural thing. Neatness requires some active force to have come through and made it so. Neatness implies that the world around you is being arranged, maybe to hide things, to disguise things, to make you doubt your senses, or else simply according to something else’s desires. Neatness is active and artificial. Neatness puts things, maybe even people, into neat little boxes according to something else’s ideals, and that’s terrifying as well. Being objectified. Being asked to fit categories that you’re not sure you can fit, and wondering what will happen to the bits of you that don’t.

Neatness, essentially, says that something else is here. Neatness where there should be chaos says that either something came and changed things, or that what you’re seeing now or what you saw then is not real. Neatness alongside violence says that something came through here for whom violence did not mean the same thing as it does to you.

Neatness, in the right context, in the right place, can be very, very scary

And fun

Happy Trans Day of Visibility 2021! This year, we celebrate Trans Week of Action and work against dangerous transphobic legislation progressing all over the U.S.

ATTENTION ARTISTS: Need help calculating your commission prices?

A tool that I’ve found is really handy is a called the Cash Clock. It’s a simple program that measures both the time that you’re working on a piece as well as how much money you should be earning. You can adjust the hourly wage to whatever you feel is right. Simply start the clock whenever you begin working on a project right up until you’re finished. It can give you a clear indication of what you should charge for commissions.

No artist should make below minimum wage for their artwork.

The Cash Clock is found as a download here. 

My art tumblr

My deviantart

today i am thinking about what we leave behind. in the store, on all of the bath mats, someone has drawn a heart or left a handprint. in the pen aisle, each page of the test paper is covered in names and little drawings and fuck covid and over and over again - hello hello hello hi hello. on the street i live, three houses have perfect hopscotch lanes carefully transcribed with rules and everything - jump here! now do a spin! graffiti of a deer on the side of a building, names scrawled into setting concrete. initials carved into park bench seats. n the bathroom, in silver sharpie - i hope you’re okay out there. i love you, you’re beautiful, keep trying. geocached tubes of trinkets, jackets left out in case somebody needs it. a note on my windshield - closed your door it was a little open have a great day and stay safe! my friends and i, fully grown adults, build a sandcastle on the edge of the ocean. 

inside of returned schoolbooks. inside of little secret pockets. hi hello hello hello. what a beautiful calling. you and i are in different times, and will never meet, but here is the greeting i’d owe you. if you never get to see this person, what do you say? hello! i love you. be good out there. be safe.

“Basically, the entire movie is a comic book that moves. Co-director Phil Lord said, “If you freeze any part of the move at any time, it will look like an illustration with hand-drawn touches and all.” 

- MOVIES INSIDER (How ‘Spider-man: Into the Spider-Verse’ Was Animated)

yup