When I was a young writer, I was told that I often started my sentences with "there is/there was/there are." I was told to eliminate those as much as possible.
I couldn't believe how often I used them. My first novel was completely littered with them.
I learned to diversify and grow my use of verbs. Instead of the state-of-being verbs, like "is" which isn't very descriptive at all, I started using stronger verbs.
Instead of writing "There were a bunch of trees on the hill" I wrote "A cluster of trees towered over the hill."
"Towered" is a much stronger verb than "Is"
Use the state-of-being words, but if you can, try replacing them with more active verbs. You might be surprised how much your writing improves.
Actually funny. Not making jokes at other people's expense, not the butt of the joke, just villains that have absurd senses of humour and top-notch intentional comedic timing,
CHARISMA!!! Please, can we have more charming villains, villains that can sway a crowd, villains that get away with things because their too polite, too well-spoken, too funny to possibly to evil.
Respected. Villains whose villainous deeds have led them to success and made them widely respected members of society. To be clear, this isn't respected person who is secretly evil. No. I mean, the bad things they've done are the reason they're respected.
Let them win. Let them win because their plan succeeded. Not because the protagonists fucked up, not by pure luck. Let them earn their victories.
Supporters! Lots of them. The more powerful your villain is, the more supporters they are going to need. If the evil king is unpopular with everyone he's not going to stay king for long. He needs allies, lots of them, especially if he's a tyrant.
Knows how to play the game. Manipulative villains who say whatever they have to to get their way, chose their allies and enemies carefully, bribe and blackmail, play the victim, the hero, or even the innocent when it suits them. Make it hard for your protagonists to convince anyone they are a villain at all.
Cold Steel. Give me villains that don't get angry easy, that laugh things off, that kill because it's efficient and for no other reason.
Clever and creative. Strategists who always have a trick up their sleeve and problem solvers with personal flare.
Show other characters reacting with fear. Nothing rams home how terrifying a villain is quite like watching other powerful characters fall to their knees--fast--when they walk in the room.
Irredeemable despite their tragic backstories. For the love of god people, tragic backstories do not justify a villain's actions. You can have empathy for what they've endured while still expecting them to take responsibility for what they've become.
Unconventionally attractive. Take this however you want. I, for one, would like to see more tortured bad boys who aren't white and shredded. But also, villains whose attractiveness lies in how they talk, their body language and facial expressions, and their outfits. Why do y'all think smirking is such a popular word??
Love. Let them love their spouses, their children, their friends. Not in an abusive way either. Let them have healthy relationships with their still living wives, daughters, sons, comrades in arms etc.
Kind. Give me villains who tip well, who put their own garbage away even though the servants could do it, who remember their henchmen's names, who are good with kids, who donate to charity and not just for the tax incentives
Love the person who tries their best to understand you.
opening your writing doc and immediately scrolling back 3 pages like "alright what the fuck is this story about again?"
"I'm sure this has been done before"
Yes me too but I want to hear your interpretation. I want to hear your play on it. I want to see how you connect the dots, how you shift the puzzle pieces and make them fit. Show me it through your eyes.
“I have a deeply hidden and inarticulate desire for something beyond the daily life.”
— Virginia Woolf
"Tell me, what is it you plan to do / with your one wild and precious life?"
-"The Summer Day" by Mary Oliver
I love when people get delightedly flustered by compliments. It activates some kind of insane prey drive in me. Today at lunch we had this cute trans server in a well-coordinated outfit and she got so bashful when I complimented it that I immediately became a dachshund of light flirtation and could not physically stop myself from laying it on outrageously thick just to see her begin to lose her composure and turn entirely pink.
I can't imagine myself not writing to be honest. If I no longer write, I am no longer me. 'Myself' is but a dying dream, and I'd rather cease altogether than slowly fade away into mediocrity.
I write. I am a writer. I do not wish to live as anything else, or die as anything else.
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