I Firmly Believe That Things Like Enneagram, MBTI,astrology Etc. Are Tools That Are Meant For Self Development,

僕は僕だ。

"muzan walking scene was so slow and the smoke was way too extra" "they tried to give muzan aura with that smoke" uhmm actually the smoke is just wisteria flowers trying to repel him

Ironically, Aizawa's expulsions would make sense if UA wasn't a Japanese school. While dropouts, transfers, and kicking students out of the Hero course for not meeting standards would legitimately be a thing, in fact, some schools would probably want to have a student who made into the Hero Course but have other issues at hand. The problem is that since UA is in Japan and is a Japanese school, the cultural context about expulsions and the black mark is fundamentally a serious liability and business in Japan compared to the west. Having a black mark in Japan is enough to prevent someone from getting a normal job and MHA Japan would not have enough time to develop away from this mentality, thus causing more problems down the line.

The manner in which Aizawa gives his students black marks instead of basic transfers to the General Course, since full expulsion from UA would be too extreme given that a 2-A does exist in canon, would mean that the moment that these black marked students graduate, they would not get basic jobs even if they graduated from the top school in Japan. There is a difference between changing courses of student and being given a black mark and while both could happen, getting a black mark is a gunshot wound to the person being kicked down the steps. Aizawa ironically is creating more villains and vigilantes on the streets by his actions and those students are very likely to die due to societal pressures and being forced into poverty. It would be an extremely minority that could have back-up plans and money to survive a black mark in Japan.

And let's not get onto Stain as he's just crazy. He would support Aizawa's expulsion of students on the basis of weeding out the weak heroes early. He just forgot that having a black mark is a death sentence in Japan.

See this is why I just don’t get the black mark thing. Like unless Aizawa is meant to be a big bad villain it makes no sense. Him temporarily expelling students to shove them into Gen Ed for a bit is much more reasonable if they need a reality check and fits his personality more. Still a bastard but not some jackass villain. And then he softens as he learns he made the wrong assumptions becoming a better teacher! See?! Way better. Instead we get this.

Also he can scare them with the idea of a black mark but not actually give them one. Fits more to with his logical ruse shit.

There’s a reason I drop canon Aizawa and it’s cause his shit makes no sense.

Stain would approve. Hes a bitch. I really do not like him.

The crazy thing is when I first first learned about pro or anti shipping it was on an AO3 blog and I was like “whatever it’s not like anyone is actually shipping literal pedophilia”

Until someone was actively writing PEDOPHILIA in my own fandom and I said something about it (on my own blog, never called anyone out, just expressed my discomfort with a specific ship to my own followers)

And got harassed for like two days by people defending fictional pedophilia on the grounds that it’s fictional

As if art doesn’t imitate life and these people aren’t having pedophilic fantasies that they’re writing about??? That shit is not fucking normal or okay

I prefer not to sound harsh, but Miraculous has become a fandom where I find more enjoyment in reading fanfics than watching the show. It feels like there's a lack of effort or an attempt to justify and rearrange elements, often ignoring past seasons and assuming the audience won't notice. The handling of Derision is a notable example, with more astute critics than me delving into their dissatisfaction and the evident retcons.

I didn't anticipate the show going to such lengths as portraying Gabriel as someone deserving of a statue, and it left a sour taste in my mouth to see the hero endorsing it. Adrien/ChatNoir's portrayal has become quite pitiful, with a peculiar shift where Ladybug takes on a significant role in the Agreste Saga despite her absence from that narrative. Ladybug, who isn't even part of the Agreste Saga, is the one delivering heartfelt moments. The decision to sideline Adrien and put him out of commission is disappointing. It's his story yet she the one who has to make it about her. She gets to shine along with a cool costume to boot.

There's a palpable bias from Astruc against Chloe, evident in the show's treatment of her character. Despite her being manipulated by Gabriel Agreste, the narrative blames her for becoming mayor, and the absurdity of the situation is magnified when everyone in the story goes along with it. The inclusion of a scene in Revolution where Chloe is crying is perplexing and frustrating, as it seems to perpetuate the negative and irredeemable image the show consistently paints of her. The added layer of her mother being horrid to her intensifies my annoyance, especially when sympathetic scenes are presented in a seemingly contradictory manner.

I mean you want her to be the worst but yet she has scenes like this? Why not go all the way wtf. Why give her depth only to take it away and then make her be so demonized in s5 and act like she was like this from the start. When she's been a joke

I hate to be critical, but seriously, it's hard to ignore how the Miraculous universe is just dripping with untapped potential. Five seasons in, and the movie outshines the show effortlessly. It makes you wonder about the writers' team and their approach—seems like they're just coasting on low effort for profit, and somehow, it's working, thanks to Miraculous inexplicable popularity.

The show's been beating the monster-of-the-week horse for five long seasons, lacking any creativity in crafting interesting villains. Gabriel, honestly, feels like a starter villain, and if they're going to make him the big bad, can we at least get some villains with a bit more pizzazz? You know craft creative interesting villains? KNDS, Original PPG, Totally Spies they got it so why not Miraculous. It's so damn tiring seeing the same old song and dance with Gabriel 24/7 monologuing to his wife and releasing the akuma I thought Mayura would be important but she's barely there.

It's not even an excuse kids do deserve better entertainment so why should Miraculous lower its standards. Marinette is very weird to me as the protagonist because her lovelife is more focused over everything I gauged her well enough to know about her that the rest of the secondary needs more of a spotlight to be cast on them. I like her but am I the only one who just skips when she starts the whining about Adrien and her plan to again get together it was cute at first now I fast forward to the more interesting part of the episode because it irks me i'm tired okay... what other facet of her character do the writers focus on besides her love life? I hope I don't appear to salt on her but Imma tag it just in case. I think she's in neutral treading to dislike because how can I come back from her gaslighting her boyfriends I'm sorry I can't.

You know what I'm afraid of that if Lila gonna be the next big bad they'll just recycle everything from Gabriel onto her. We'll have the same akumatizations same monster of the week formula only this time it's Lila.

I trust more in the fanfic community to come up with a better substantial plot than Miraculous could ever be. I know romance is a big part but the lore is so damn little it's season 5 are they ever going to expand more in the later seasons lol.

I'm tired from writing this long. Imma go to bed now.

hey! let’s talk about teru’s relationship with food!

all three of us get the feeling that food is a love language for teru, or at least, we feel like it’s important to consider how food plays a role in his story arc when doing a character study of him.

okay so first off, right from his introduction he is a foil to mob.

[ID: four manga panels featuring teru getting ready for school. from right to left: the first panel shows his hand and a pan frying an egg. the second is his hand holding a remote. the third shows a tv of a meteorologist saying: “today’s weather.” The forth panel is teru pulling on his school blazer, watching the tv. the meteorologist continues: “a lot of sunshine through the country, though the air is a bit unstable. /END ID]

when teru first appears, we as an audience don’t know it yet, but he lives alone and has been living alone without his parents for several years. here he is cooking his own breakfast and getting himself ready in his apartment by himself.

[ID: five manga panels of mob being woken up for school. from right to left: the first panels is a shot of the roof of the kageyama house. the second is mob, asleep on his futon. his mom is talking from off screen. she says: “shige, get up! you’re gonna be late!” the third is mob yawning and stretching his arms about his head. the forth panel is ritsu opening the door to mob’s room. he says “bro. mom said breakfast is ready.” the fifth panel shows ritsu looking at mob. mob is putting on a pair of pants saying: “yeah ritsu. let’s go.” /END ID]

meanwhile mob, is woken up by his mom and is checked on by his brother to make sure he was up in order to get a breakfast that was more than likely made by their parents.

when mob plans on confessing to tsubomi, teru brings up how homemade things tend to make him feel happy when someone confesses to him.

[ID: manga panel of teru being offered a gift from a girl. it reads: “I tend to be on the receiving end of confessions, but…when someone gives me a handkerchief, or a letter, or homemade cookies or something, it makes me kinda happy, so…I was just thinking, there’s that kind of thing too.” /END ID]

also we see teru tend to overindulge when someone (reigen) is offering to buy food for him

[ID: panel from yakiniku omake. teru is ordering food. he says: I’ll have have 4 orders of top ribs, 2 orders of sakura yukhoe, 2 orders of choice salty beef tongue, the extra special zabuton-cut beef, the offal sampler, 3 orders of rice, a tomato salad, and the naengmyeon…and a green tea.” /END ID]

[ID: cropped screencap of official art. teru has finished two ice cream parfaits. the empty glasses sit in front of a third one, which he is using telekinesis to float the toppings near his face. /END ID]

this often played for laughs, but stick with us here…

in the fanbook teru is asked if he cooks for himself and he says yes, and mentions that he’s confident in his pasta making skills.

[ID: cropped screencap from the fanbook that reads: “Q1: do you make your own food? What are you good at cooking?” Teru answers: “I cook lots of different kinds of things! but what I’m confident in is my pasta.” /END ID]

at first this may seem like a very 14 year old answer…I mean, pasta is fairly easy to make. But knowing teru and how he tends to become and expert at the skills he learns, odds are pasta started off as something simple to throw together on a school night. Pasta is easy and convenient and kid friendly, but it is very easy to experiment with and eventually become a speciality.

and one thing we know about teru is that he has too many specialities to list.

this kid has been needing to make his own food 100% on his own since the start of middle school. we can infer he’s getting money from his parents, and we aren’t exactly sure how much or how he spends it regarding food, but the only time we seem him eating alone, he is making a meal for himself outside of something premade or takeout. he said it himself, he makes lots of different kinds of things! he knows how to cook!

but with all things teru something simple and silly comes with tragedy. while it’s nice fore a kid his age to know how to cook, he NEEDS to know because he doesn’t live with his parents. if he didn’t know how to cook he would be relying on others, and that’s just not what teru does. He is fully capable and learns for himself out of necessity. teru is responsible for all of his own meals.

so what happens when he is no longer responsible? it could be an issue with humbleness. it could also be just normal 14 year old boy hunger, but when reigen takes him out to eat there’s no limits. but here’s the thing…when’s the last time teru has had a home-cooked meal that was made for him by someone else? not from a restaurant, but someone making something for him?

this is why we have the omurice scene in backdraft. there’s a comfort in the domesticity of having food prepared for him in a familial setting that he has not realized he has been missing from his life.

we’ve focused on the fear of him getting cut off from his parents and how money scarcity turns into food scarcity. he’s always been in survival mood, it’s just that money was the breaking point for him.

going back to mob. he and his family are normally seen sitting at the dinner table together. a normal domestic setting.

[ID: screencap of the kageyama family eating omurice together]

something teru doesn’t have. he eats alone at a table in his apartment…one with multiple chairs around it.

[ID: screencap of teru in his apartment. In the background, he is getting ready, looking in a full length mirror. next to him is a tv showing the weather. in the foreground is a table with an empty plate, mug and saucer, and a basket with a single roll. two chairs are seen at the table. /END ID]

teru has not invited anyone into his apartment until mob got attacked by koyama.

who are those chairs for teru?

of course, in backdraft we have the restaurant scene that mirrors this. empty chairs for absent parents.

BUT ITS NOT ALL SAD

back to food being a love language and specialty to teru…imagine once he’s no longer in survival mode due to trauma. food as a comfort, not only receiving, but making it for others as well. tying into him wanting to be a teacher, sharing his skills with others…the fact it feels good creating and sharing something. no longer taking care of himself out of necessity, but learning what his skills and hobbies are and genuinely sharing them because they make him feel accomplished and happy! it just ties everything together with this dude.

in short, cooking is more than likely another speciality teru has developed due to needing to live on his own. since mp100 has themes that involve human connection and relationships with others, we feel food is something that brings people together and our boy teru here should experience that firsthand.

that is why it plays a big role in what we have so far in backdraft!

So there's a strange "defense" of Miraculous I've seen crop up on occasion. The idea that everything wrong about the Lovesquare powerdynamic is deliberate and will all be explored next season (lets put aside that this defense has been cropping up for 3 seasons now). The claim that Soon(TM), the writers are gonna make the characters face the concequences and explore the fallout of the entire jenga-tower of BS they've been "carefully" setting up all along... Which... isnt a defense I vibe with, cause it fundamentally boils down to "its not a Kids Rolemodel Show, its a deconstruction of a Kids Rolemodel Show". It's a defence that would place Marinette alongside Tyler Durden, Walter White and Rick Sanchez in the "you werent supposed to relate to them" pantheon. And while i think there are plenty of reasons that deconstruction is a usefull tool (even if i hate the dime-a-dozen "Childrens Fairytale but its depression" and "Superman, but psycho"' decon-stories out there). I'd argue 'Kids Rolemodel Show' is the one genre that should never be deconstructed, or at least not in the slow-burn,long-form way the people arguing this claim the show to be doing. And i hold that stance for one simple two-part reason: Poe's law, and the fact that the deconstructed genre is aimed at an audience with absolute zero media-literacy. (reminder: "5-6 year old kids" is the one audience where that is not an insult, simply a statement of fact.) A show aimed deconstructing a genre with an audience for whom it may actually be their first big piece of media is legitimately dangerous. Because there is no way a 5 year old can be expected to tell "deconstruction of a formulaic kids cartoon" from "Formulaic kids cartoon". The idea that "they've been making Marinette into a bad example deliberately and are going to reveal the entire show to have been a carefull ruse in season 6/7" is supposed to be a defense? Its frankly absurd. A 6 year kid who watched the show when it first aired and idolised Ladybug, could be old enough to drink by the time S6 reveals she was supposed to be a bad example. A little girl who based her relationships on the way Mari pursues romance would have a restraining order by the time the show indends to pull this twist. And some of y'all are claiming that "actually its a long-form deconstruction" is a defense? I legit don't get y'all.

Modern huts in various parts of Africa. These eco-friendly dwellings have modern amenities while maintaining the aesthetic of the local countryside. This montage highlights the rural architecture of Burkina Faso, Zimbabwe, South Africa, Kenya, and Uganda.

Hi,not sure if I ever mentioned this but...not a fan how Monoma acts towards A1. Why? Bc I don't get it.

In my fics I tend to make B1 be seen as the lesser one to justify the animosity Monoma feels.

But canon...B1 is not looked down, I think maybe that is general eds.

"he hates A1 bc of bk" it's a justification I saw and could have worked but he also ...calls Izu arrogant, Izu the boy who clearly thinks he is worthless...is arrogant.

Why Monoma even has a beef with A1 in the first place? Just to be a mouthpiece for BK? Maybe but why take out on the others? Too many questions and no answer since Hori admits he created Monoma thinking on an annoying person he met and he doesn't like Monoma (bold claim here Hori) my point is...I don't think it makes sense Monoma have a issue with the students of A1.

If he was beffing with Aizawa and BK only. Yes, that would make sense.

But the rest? No. And I say this as a person who detest A1 now.

I don't care either way because Monoma is only mildly antagonistic so it isn't a huge deal for me, but I'll attempt to explain some of his behavior:

1A does nothing to call Bakugou out. They allow, and even enable in some cases, his behavior. This even includes Izuku, as (I believe) he even defended Bakugou against something Monoma said once (I can't remember if it was to his face or not)

After the USJ, Bakugou acted like he was better than the other students because he easily beat real villains. This was the rest of the school's first introduction to 1A. So Monoma, incorrectly, assumed that 1A shared Bakugou's behavior. Dumb on his part, but again, 1A didn't really condemn his behavior so they didn't help their cases there either

1A is, rightfully, annoyed with Monoma's behavior, but is fine with Bakugou's. Most of the people who condemn Monoma are Bakugou's friends (Kirishima and Sero mainly). This also replicates his childhood. He was treated differently for his quirk while people like Bakugou were praised. So I can see why he continues to antagonize 1A even if I don't agree with it

It really comes down to 1A as a whole being bystanders and hypocrites, which we know they are. They allow and defend Bakugou's behavior, even though he's been awful to them and other people. I can't blame Monoma for having a distaste for them, even if he does go too far with it.

(Also, it wasn't just Monoma who thought like this. The rest of UA resented 1A too)

Monoma's an asshole, but that's not really a problem for me. Because a) he's called out and condemned for it and b) it's really not that serious. He's not malicious or cruel, he's just an overzealous jerk

First attempt at drawing him