Kibutsuji Muzan🩸

chronically 19yr demon slays while slaying

Woke up, still obsessed with Sinners.

Seriously, if you ever wanted to ask/wondered:

What and why our music means so much to the Black community, the roots from the past to the present

Why it's so deeply insulting to deal with the cultural appropriation and disrespect of Black music, given the depth of that meaning

How we use language, history, and context to determine when somebody ain't kinfolk despite pretending

How you might be allowed to forget that you're white, but we aren't allowed to forget that you're white, and that frames our interactions with you

How your allyship can fall oh so uselessly flat, no matter how well intentioned you may be, if you refuse to understand your position within the game

Why what scares you as fantastical is often a living nightmare for people of color, and how that history and social context can weave a horror story that hits close to home (I have a whole lesson on that!)

And more, go watch that movie 🙏🏾

Kaminari and Tsuyu’s underutilisation really grinds my gears because they had SUCH potential to be really interesting characters who would have fleshed out areas of the story that were otherwise lacking. Like just off the top of my head:

Kaminari has a pretty high social intelligence. He’s generally pretty good at diffusing stressful situations, handling difficult people, and connecting with others regardless of their origins. All of which are skills it would have been REALLY useful for Deku to develop if the end goal was for him to save villains. Additionally Kaminari’s struggle to control and utilise his very destructive quirk, which effectively damages him if he uses it too much, could have acted as a more open, smaller and closer to home comparison to Dabi’s situation, providing the main cast with a starting point for understanding some of what he went through.

Tsuyu is really the person who should have been given the mutant plot line. Unlike Shoji, she was a character we’d actually spent time with, and even if the plot line was last minute, Tsuyu had in text things that could be built off, like her difficulty making friends due to her appearance, and the fact she’s shown to be hesitant of using certain powers (like regurgitation) because she feels they’re gross. Additionally, Tsuyu internship seemed to be setting her up to be a sea based hero, an environment that people often (famously) need to be saved from, but also an environment where heroes will always be needed even if their jobs lack the glamour of villains to fight.

Yeah, I agree.

Tsuyu was an early favorite of mine, so I was really sad to see her fade into a really lame storyline where she could add nothing.

I think both Tsuyu and Shoji could have been used in the mutant plotline (and Tokoyami + Kouda), but it also should have been built much earlier - showing microaggressions, slowly weaving in the type of discrimination that heteromorphs face. And it should have been resolved better than telling heteromorphs to be "good victims" and solving it by giving Shoji an award.

And yes, Tsuyu absolutely should have been a sea-side water-based rescue hero and not continue to exist to be Ochako's emotional trashcan in a wildly imbalanced "friendship" well into her late 20s.

Kaminari to me actually had some nice highlights in that he was one of the only students ever showing emotions like fear in battle situations (like he did in the PLF War). What I really wanted is a pay-off for his friendship with Bakugou. I think it would have been awesome to see him defend Bakugou's body when the Twice clones swarmed Floating UA and restart his heart in the end, instead of the self-exploding sweat nonsense.

well, he did take him out.

Just thought I’d drop by and leave this since I saw it pop up on Reddit today.

Proshippers, if you’re banned from a server because the owner or moderators found or were alerted to certain content you made that goes against their rules, they have every right to ban you.

People do not have to tolerate or keep you in their server if what you make and post makes them uncomfortable or violates their rule set.

What they’re doing is “curating their own space”. Just as you guys always say.

You can be mad about it, but at the end of the day, a server owner doesn’t have to let someone who posts nsfw fics of underaged characters stay in their server.

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The Bakugou Experence(TM)

Bakugou: *punches Izuku*

Izuku, starry eyed: "Woow, Bakugou, that was so cool!"

Kirashima: "What a manly punch!"

Eraserhead: *grumbles, but is secretly impressed by how good a punch it was, even though he wants to improve his form a bit*

Shigaraki: *nods* "I can see why you're the one closest to Deku."

All Might: "What good friends they are!"

When KIBUTSUJI MUZAN had the GOATED villain entrance in anime history.

I have a theory when it comes to the emasculation & sexualisation of Izuku and rampant sexualisation of the underaged characters in MHA, and why fans and outsiders see it as such.

Before you continue reading I just want to let you know this is not a safe space for proshitters & self identified fujoshis (you know who you are. If the shoe doesn’t fit then you can interact). If you are a proshipper or a self identified fujoshis then its best for both our sakes you block me. If I find you in my likes or mentions I will hide your comment and block you.

I’m also not a fan of toga x oochako, and Im saying this because I mentioned it briefly but its not the worst ship for me to block you (bkdk will always take that spot).

Anyways here’s a rundown list based on what I’ve observed [Mentions of Homophobia, Misogyny & Sexualisation of underaged characters down below. Read at your own risk]:

1.1 Horikoshi’s bias: Any watcher with critical thinking skills are able to see Horikoshi has a clear bias towards characters like bakugo, aizawa, shinso and mineta and he confirmed it himself. From the beginning to the very end of the manga Horikoshi has failed to respect Midoriya’s autonomy as a character, and any time we ever got close to introspection its immediately shut out in favour of the same popular characters over and over again.

1.2:Horikoshi has repeatedly sexualised his underaged characters and seems to show no guilt or remorse over such actions, even in his confessions. This was no accident, and any attempt to address this in a critical light in the manga was a failure, just like all the controversial topics he tried to address in the series (mutant arc -I personally don’t like how others see it as a racism allegory as a Black person, but thats another topic for another day-, eugenic marriage, trafficking etc.)

It also doesn’t help Japan has a rampant pedophilia & SA problem, and the reason you don’t see it on the news is because of shame culture + language barrier + their good PR Team. Anybody who tries to tell you it doesn’t exist are all liars, and anybody who tries to justify it with it being part of their culture is a racist.

2.From a dudebros perspective: We all know dudebros are obsessed with masculinity and powerscaling, but in some cases they are fine with fictional male characters crying, even male characters who don’t fit the traditional masculine role. But Midoriya isn’t the traditional masculine role character and he cries alot. Along the way they mustve subconsciously picked up the writers mistreatment of Midoriya, and so to them it’s like why should they respect a character who acts like a crybabying bitch?

And then they see how “close” bakugo & midoriya are. Dudebros as a collective are homophobic, so at first they would deny it, but then slowly but surely theyd pick up on how weird it is for midoriya and bakugo to be this obsessed with each other. Pair that up with the delusional fujoshis who seem to be fucking *everywhere* they’re going to call Midoriya a gay bitch for being steamrolled by “the goat” Bakugo.

Then there’s the sexualisation part. No words are needed to be said. Dudebros as a collective have little to no morals, especially the misogynistic. They don’t care if the character is 14yr old they’re going to wank their dick off to it regardless and thats the unfortunate truth.

But I feel the other reason why they feel so comfortable wanking off freely is because Horikoshi basically gave them the greenlight to do so. He shamelessly sexualised his characters without attempting to address it in a critical light.

3.From a fandom gay (especially fujoshis) perspective: It’s inevitable that the fandom gays will always find a way to ship 2 male characters, even if the creator clearly states their relationship is platonic, that’s just how it is for the better or worse.

To some credit, I can see why the fujoshis are obsessed with bkdk to the point of it being the #1 ship in MHA (never to the point of peak delusional though). Horikoshi doesn’t know when to put Bakugo to the side for once, or make Bakugo have his own arc without Midoriya being tied into it. It also doesn’t help Horikoshi mishandled Midoriya’s bullied past so the fujoshis are going to either dismiss that entirely or stupidly justify it in the worst way possible. Everyday its parallel this rival that.

I also personally believe Horikoshi baited BKDK content for some extra cash because he realised thats what the fans are into and also realised how stupid it is to trick them, like dangling a carrot infront of a donkey but that’s just my conspiracy theory.

If its one thing fujoshis love is pushing heteronormative roles onto their “gay” favourites and having internalised misogyny, morals be damned. Midoriya is seen as emotional, Bakugo is seen as aggressive. What does that equal to them? Top & Bottom, Alpha & Omega, Dominant & Submissive.

Fujoshis & Proshitters arent going away anytime soon, but because Horikoshi did nothing to shoo away the allegations until the very end of the chapter the fujoshis felt very entitled to act out. If you call them out you’re homophobic, but they would have zero problem dragging Oochako by the mud for daring to get in the way of the ship, and when that arc of her & Toga came out these same ppl who also tried to say Oochako is a love interest repackeged her into being Toga’s love interest under the guise of “girl power & lets go lesbians”.

(Personally as a Lesbian Feminist I am offended by this take but once again I digress)

Once again Horikoshi sexualised his underaged female cast, and while the fandom gays try to play the moral highground holding Horikoshi accountable I personally believe are just as hypocritical. The proshippers mustve subconsciously seen the sexualisation as a greenlight to go full haywire.

~~

TLDR; Horikoshi’s ass writing gave the watchers the greenlight to disrespect Midoriya as this bitch. A crybaby ass bitch from the dudebros and a crybaby bottom bitch from the fujoshis point of view. An ultimate bitch.

These fans will always exist but this reputation is the most prominent I’ve ever seen. In my humble opinion no fandom can ever be compared to MHA and its sheer audacity. Horikoshi & his overall fans don’t actually like Midorya and it’s disheartening to watch.

Some Tips for writing internal conflict

Wanting Two Things at Once Imagine your character really wants to chase after something big, like a dream school, a major opportunity, or maybe even moving to a new city. But at the same time, they’re terrified of leaving behind everything they’ve ever known. Or maybe they’re in a relationship that’s holding them back, but they can’t bring themselves to let go. Show them getting pulled in two directions, torn between their ambition and their fear of losing the people or places that ground them.

Right vs. Wrong Sometimes, your character will know deep down what the right choice is, but it’s the most difficult one to make. Like, maybe they see someone getting bullied and know they should stand up, but doing so could make them a target. Or maybe they have to decide between helping a friend and doing something that could ruin their own future. These moral dilemmas create intense internal conflict because it forces them to question who they are and what they stand for.

Doubting Themselves We all have moments where we wonder if we’re enough, smart enough, strong enough, brave enough. Let your character wrestle with that same doubt. Maybe they’re the kid who has always been told they’re special, but now they’re in a place where everyone is just as good, and they start to wonder if they even belong. Or maybe they’ve been through something tough, and they’re not sure if they can bounce back. These moments of insecurity make your character feel human, like they’re trying to figure it all out, just like everyone else.

Dreams vs. Fears Show your character dreaming big but getting frozen by their own fears. It’s like wanting to ask someone out but being terrified of rejection, or wanting to move away for college but being scared to leave home. Let them imagine all the things that could go wrong , that moment when fear makes them doubt if they should even try. But also show their desire burning just as strong, making it impossible to ignore. That’s the heart of internal conflict: they’re stuck between wanting something so bad and being afraid of what it’ll cost to go after it.

Beliefs Being Challenged As your character grows, the world will start challenging their beliefs. Maybe they grew up in a family that drilled certain values into them, and now they’re meeting people who see things differently. Or maybe they’re experiencing something new, and it’s changing their perspective. It’s like when you think you have everything figured out, and then life throws something at you that makes you go, "Wait, maybe I’ve been wrong this whole time." This kind of internal conflict is powerful because it forces the character to question who they’ve always been.

Keeping Secrets If your character is hiding something, like a mistake they made, feelings they’re afraid to admit, or a truth they don’t want to face, that secret becomes a huge part of their internal conflict. The fear of being found out or of dealing with the consequences can create a constant pressure in their mind. Maybe they’re scared they’ll lose their friends if the truth comes out, or maybe they’re dealing with guilt they can’t shake. The tension comes from their battle to keep it hidden while knowing they can’t keep it locked away forever.

Pressure from Everyone Your character might feel like they’re trapped between what they want for themselves and what everyone else wants from them. It could be pressure from parents, who have their whole future planned out, or pressure from friends to fit in or follow the crowd. Maybe your character wants to be true to themselves, but they’re scared of disappointing people or standing out too much. This kind of internal conflict is super relatable because, at some point, everyone feels like they’re stuck between living for themselves and living for others.

Fear of Failing Sometimes the biggest obstacle isn’t the external challenge but the internal fear of failure. Your character might have big dreams, but they’re paralyzed by the thought of messing up. Whether it’s competing in a sport, performing on stage, or just trying something new, the fear of not being good enough can be overwhelming. Maybe they’re afraid that if they fail, everyone will see them differently, or worse, that they’ll see themselves differently. The internal conflict comes from their desire to succeed battling against their crippling fear of failure.