Danmei Recs (more Plot / Character Driven)

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Look for anything (or anyone) that could be familiar

For part two:

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🔼 for Ingo to find Emmet

🔽 for Emmet to find Ingo

Have you ever seen a cat do a running leap onto a bed before either standing there confused or not making their mark?

I have. It's hilarious and sometimes they land on people! Which is arguably funnier when someone groans. Not so much when they land on you though. They can leave bruises bigger than the cat. Then they just stay there, purring, so you can't even be mad about it.

Continuing to not write a Stranger Things fic from the POV of the FBI agents spying on the party (mainly continuing from this post):

The home office in Quantico thinks this surveillance mission is going great.

The local office in Indianapolis thinks this surveillance mission is going fine.

The agents with boots on the ground have Steve Harrington staring suspiciously at them from across the street while they pretend to be the cable company.

Writing Character Accents in Fiction

Hey there, thanks for the question! I speak English as a second language; most English speakers I encounter aren’t native (yes, including fictional people); thus, this is a concern I’ve explored personally when I write. 

I think the core principle regarding accent writing is this: it shouldn’t be distracting. 

For the same reasons why Stephen King prescribes the basic dialogue tag “said” rather than fancier alternatives like “whispered”, “shouted” or “screeched”, dialogue must be first and foremost easy to read. It must flow like a real conversation – the pace and tone are a lot more important than how specific words are being pronounced by the character. 

Focus on what effect the accent has:

Using adjectives to describe their voice in general. Different types of English (American, British, Australian, etc.) will give off a different vibe, also partly dependent on how your character speaks in general:

Lilting: Having a smooth rise and falling quality; sing-song like. Welsh accent is often described as singing. 

Posh: from a high social class. This is the term generally used to describe the upper-class British accent.

Nasal: this happens when the sound goes through somebody’s nose when they’re speaking. North American accents are more nasal than, say, British pronunciations. 

Brash: harsh, loud, indicative of sounding a little rude. 

Slur: speaking indistinctly; words merging into one another.

Using metaphors.

Her voice was cotton and fluffy clouds. 

When he spoke, the ‘r’s scratched the insides of his throat. 

Mentioning their accent with a brief example(s). 

“Would you like to drink some wine?” she said, though her Indian accent gave extra vibration to her ‘w’s and ‘r’s, making the words sound more like ‘vould you like to drrrink some vine’.

“I want some chocolate.” His syllables were choppy and ‘l’s rather flat, saying ‘cho-ko-lit’. 

Some Tips:

Don’t phonically spell out everything. Perhaps give a few examples in the beginning, but stick to standard English spellings. 

Pay attention to word choice, slang, and colloquialisms. 

An Australian person would say “tram”, not “trolley; “runners” instead of “sneakers”

A Canadian may refer to a “fire hall” – what Americans call a firehouse or fire station

If your character comes from a non-Enligsh background:

Use vocabulary from other languages. 

“What time was the exam, ah? Two o’clock? Jiayou!” → putting “ah” or “la” at the end of sentences + Jiayou means “break a leg” in Singlish. 

“I can’t believe that 4-year-olds have their own SNS accounts now.” → “SNS” is short for “social networking service”, a term used to refer to social media in Korea. This would a subtle difference – even though it isn’t technically Korean at all!

Transpose grammar from different languages. 

For example, in French, plural nouns take plural adjectives (whereas in English, you would speak of ‘white cars’, not ‘whites cars’).

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Some tips for using a few words to describe voices:

1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.

2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.

3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."

4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."

5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.

6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."

7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.

8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."

9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."

10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."

11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."

12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."

Clark Kent is firmly in his civilian persona. This is a problem, given that the airplane he's on with Lois is about to collide with another plane on the runway.

He can see the other plane about to t-bone them, and is fully prepared to...somehow fumble his way through an explanation as to why he disappeared and superman took his place, but the meta kid sitting next to him has a different idea.

The meta kid let's out a strangled shriek, grips the armrests of the seat, and the entire plane goes intangible.

The other plane delicately just...glides through their plane, and everyone on their plane and everyone on the other plane just stare at each other as they pass by in horrified silence.

The people seated where the other planes engines are passing through harmlessly initially let out a few terrified screams, but they taper off when they realize that nothing is happening.

Then it's over.

The kid, hyperventilating, lets go of the armrests once the other plane has completely cleared them, and immediately goes for one of those little baggies to empty the contents of his stomach.

His nose is bleeding, his ears are bleeding, and he looks dazed. He clearly overdid it.

Clark is running a hand up and down his back, trying to get him comfortable, while the other passengers and crew stare at the kid in awe.

After all, there's only one person acting like this after something as insane as making every single person intangible. It has to be the kid. The kid has to be a meta, and that meta just saved all of them.

But the kid peeks up at Clark, eyes full of fear, and says something that makes his heart drop into his stomach.

"Please don't tell my parents."

The floating empire of Pharoah Duul Aman

It's not every Tuesday the Justice League encounters something like this, but this was new to Wonder Woman.

A giant island floating in mid air suddenly appeared in a flash of glowing green.

It was Egyptian yet futuristic, like Kemet, where a massive silver and green pyramid in the center with a large pulsing green ball constantly swirling in a barrier.

The building themselves were oddly a combination of modern with Egyptian hieroglyphics carved into them and plants coating and moving around buildings, puffing out icy breaths. It look to be a modern yet futuristic town.

There were people, yet.. odd looking with a pale blue color as some were floating around, the other chasing after their children, parents, floating babies sleeping above them attached to a purple leash wrapped around a Egyptian Mau cats as they talking about the next Hide and Fight game.

Before Wonder Woman could fly closer, she faceplanted right into a golden barrier.

...

...

...

Tucker Foley was desperate to save Danny. After the GIW last attack, they severely injured Danny who pushed tucker out of harm way with a new untested ecto blaster that was stolen from the Fentons before. They gave up on hunting and helped Danny after his revealing.

The Portal was malfunctioned and breaking apart as it slowing eats out the Fenton's basement into it, even as he incase the town in a barrier of his own making to push out the GIW all out and hidden around town.

Danny, who is lays on the makeshift bed outside the Fenton house, Fangs grinding in pain with trails of greens and red pulsing through his skin with frantic Jazz trying to find another ecto-dejecto in the Fenton mobile knowing there is no more.

His hands trembled as he was performing a ritual, writing another hieroglyphics in Egyptian symbol. Sam was out the circle holding the Scarab Scepter using fenton gloves to keep her mind from being enchanted by it dark power.

Tucker knew he was the reincarnated Duul Aman. He can still remember everything of his past life even though he lied to his friends about that time when he went mad with power.

He remembered how blood thirsty and enraged with guilt weighed down Duul Aman to madness upon remembered his friend Danyal, who sacrificed his life for him.

Danyal, who was a foreign slave yet closest best friend in the world, looks too like Danny. He never lied when he said he and Danny had been friends since forever.

He knew who danny was danyal reborn the moment he saw that birth marks on his heel, the very same cresent moon shaped mark right against his heel.

He will not fall into the same madness that consumed his past life. He will save his best friend even..

Tucker quietly inhaled finishing the last piece of the ritual as he held mumbled a prayer to Bastet for protection, holding out his hand to Sam for the Specter

"You know what to do if I can't handle it, Sam." Tucker said to her softly.

"Are you sure this will work, Tuck?"

"I'd study this for a long.. long time, I did all the calculations 7 times to save Danny and fixed the portal leaking into our town. I need enough power, or else the ghost zone is going to implode on all of us, taking the planet and this dimension with it."

"And if it doesn't work.. well, it's was great being best friend with you, Grass eater." Tucker wobbly crack a smile. Sam rubbed her teary eyes a bit.

"If we survived this, I'm so shoving you into grass even with reality morphing powers, Tucker."

Masterpost Haunted Masters

The Haunting of Masters Manor

Inspiration from this post (here) from @dclovesdanny

[Tags/TW: Trans!Danny, implied SA(false), implied grooming(platonic), de-aged Danielle, de-aged Dan, ghost pregnancy, destabilized clones, dead Fentons, ghost Jazz, grieving, platonic yandere(Vlad), passively suicidal thoughts, emotional manipulation, misunderstandings, eavesdropping, OCs for plot reasons, domestic abuse]

Part (One) Part (Two) Part (Three) Part (Four)

Extras: [Comfort song]

The Picrews used are: (Vlad) (Danny) (Dani) (Dan)

The head operatives of the GIW create a secure message chat to discuss the future plans after having successfully capturing the menace Phantom… not realizing they added reporter of the Daily Planet Clark Kent to the group chat.