Listen, You Can’t Write Perfect Characters. No One Cares About Reading About Someone Who Never Screws

Listen, you can’t write perfect characters. No one cares about reading about someone who never screws up. Your characters need to make bad decisions, they need to hurt people, and they need to be hurt. They should doubt themselves and do things they regret. That’s where the magic happens, when they’re flawed, messy, and human. People don’t fall in love with characters because they’re flawless; they fall in love because those characters remind them of the chaos inside themselves. So don’t be afraid to put your characters through hell. Only then will their journey mean something.

More Posts from Jenna12381 and Others

9 months ago
Penelope And Henriette Cooper Gijinka
Penelope And Henriette Cooper Gijinka

Penelope and Henriette Cooper Gijinka

First pic: Henriette "One Eye" Cooper

Second pic: Penelope


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1 year ago
The Ideal Cooper Gang 🤘😔🤘

the ideal cooper gang 🤘😔🤘

11 months ago
Penelope And The Gang

Penelope and the gang <3


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5 months ago

hi! I have a question, how do I write the movements of a ballerina? I'm writing a novel and now I'm at the part where my protagonist is dancing ballet for an audience in the theater. Could you help me with how to write her movements? I'm in doubt about how to write this

Some Ballet Vocabulary

Adagio: “Slow tempo.” In ballet, a tempo in which the dancer moves slowly and gracefully.

Allegro: “Brisk tempo.” In ballet, a tempo in which the dancer moves briskly and excitedly.

Allongé: “Elongated.” An adjective used to describe poses that are stretched and elongated, like an arabesque.

Arabesque: A pose in which the dancer stands on one leg—either straight or demi-plié, and either flat-footed or en pointe—while extending the other leg straight behind at a right angle. The shoulders are square with the arms held to create a long line from fingertips to toes.

Arriére: "Backwards." A move that indicates backwards movement or motion.

Ballón: “To bounce.” A light jump. Used to indicate the delicacy of the movement or jump.

Chaseé: To slide.

Elevé: A rise upward onto the toes.

En l’air: "In the air." Indicates a movement or leg position that is held in the air.

Fondu: To melt (a melting action).

Frappé: To strike (like lighting a match on the floor).

Glissade: To glide.

Jeté: To throw.

Pas de deux: A “dance for two,” or duet, in classical ballet.

Petit saut: A small jump.

Pirouette: A complete turn of the body on one foot, either turning inward or outward, with the body centered over the supporting leg, the arms propelling the turn but remaining stationary during the turn, and the eyes “spotting” a fixed point while the head quickly turns.

Promenade: A slow pivot of the body while standing on one leg.

Rèvèrence: “Bow”. Traditional port-de-bras and port-de-corps showing respect and gratitude to the ballet master or audience.

Tournant: “Turn.” A term paired with a movement to indicate a body turn.

Variation: A solo in classical ballet.

Although ballet actually began in Italy, it was formalized in France in the 17th century. Ballet terminology has remained largely in the French language. Ballet dancers across the world learn and can communicate with this universal ballet vocabulary.

Sources: 1 2 3 4 ⚜ More: Word Lists ⚜ Dance

Hope this helps with your writing! If I wasn't able to include the right words you need, you can go through the sources. Still, remember your readers when describing the scene — perhaps some of them might not be familiar with these terminologies.

8 months ago

How does the gang (and Carmelita) play Among Us?

Sly as Crewmate: Possibly the worst Crewmate, as he gets distracted and, weirdly enough, doesn’t understand the maps. Will lie about his location or describe it badly on purpose just so he gets yeeted out the air vent and can fly around as a ghost the rest of the time. Only once Sly is a ghost will he ACTUALLY do his tasks with any seriousness.

Sly as Imposter: Knows every vent location on every map and the best way to get from place to place through the vent systems. Sabotages a lot and waits at electrical for people to come fix it, then vents out and waits for body report. The fact that he plays dumb on Crewmate usually gets him off the hook for Imposter. Unless someone is really suss on him, you want Sly as your fellow Imposter.

Bentley as Crewmate: Best Crewmate. Seriously. Has lightning fast reflexes for every task, and will actually take the time to teach you if you’re new. He is, however, extremely bossy during emergency meetings, and is immediately suss on everyone who isn’t new. If you don’t have a good alibi, you’re getting yeeted. He also usually calls Emergency Meetings with the button to tell everyone who the Imposters are. If he thinks he got one Imposter and the other is going to kill him, he tells everyone who he thinks is the most suss, and he’s usually right.

Bentley as Imposter: Has a different strategy for every map and knows how to hide bodies. He knows what to look out for and rarely vents. If his fellow Imposter is REALLY good, he’ll sit back and watch the fireworks. His favorite thing to do is not kill anyone and let people throw suspicions around. However, he’s not a good ally, and will IMMEDIATELY sacrifice fellow Imposters if others are suss on them.

Murray as Crewmate: Murray is a bit clumsy at the game in general, but he tries his best to complete tasks. He’ll often vote with the group and is usually sussed on because he’s usually staring at his map. Literally the worst at spotting bodies.

Murray as Imposter: His favorite thing to do is hide in vents and then pop out to kill someone before diving back into the vent. Doesn’t self-report because he knows it looks bad, since he never finds bodies. He excels at double kills with other Imposters because he’s good at reading the in-game “body language.”

Carmelita as Crewmate: Like the detective she is, she is always suss on everyone, and is a new player’s worst nightmare. She has the visual distance of Crewmates and Imposters memorized, and prefers to play with a faster discussion and voting time. She’s usually pretty good at figuring out the Imposters, and typically leads the vote.

Carmelita as Imposter: She knows the game well and uses this to her advantage. She knows how to fake tasks, and will usually follow her fellow Imposter around, either to make a double kill, or to wait until they kill, then report. She also usually self-reports, though if she plans to do this, she makes sure she has a half-decent alibi and is seen as “safe” by other players. However, she dislikes being the only Imposter, as this is when she makes the most mistakes.


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6 months ago

I find it a bit hard to believe that after 11 years of Thieves In Time, and combing through several rewrites...

My rewrite is somehow the only one that has Penelope fighting Le Paradox at the very end.

Why does she end up fighting him? Simple. She feels it's something she has to do as part of her redemption quest. If she can't do it all by herself, her attempt to atone won't count.

After all, this is her mess. She needs to be the one who finishes cleaning it up. What better way is there than taking Le Paradox down?

This, of course, leads to the final lesson she needs to learn: Atoning for her crimes doesn't mean she has to try to fix everything all by herself. She is allowed to ask for help.


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11 months ago
I Wanted To Make A Cute Bento…
I Wanted To Make A Cute Bento…

I wanted to make a cute Bento…

And then I made an order of thirty stickers of this baby boy.

11 months ago
Have Some Penny.

Have some Penny.

10 months ago

Creating Compelling Character Arcs: A Guide for Fiction Writers

As writers, one of our most important jobs is to craft characters that feel fully realized and three-dimensional. Great characters aren't just names on a page — they're complex beings with arcs that take them on profound journeys of change and growth. A compelling character arc can make the difference between a forgettable story and one that sticks with readers long after they've turned the final page.

Today, I'm going to walk you through the art of crafting character arcs that are as rich and multi-layered as the people you encounter in real life. Whether you're a first-time novelist or a seasoned storyteller, this guide will give you the tools to create character journeys that are equal parts meaningful and unforgettable.

What Is a Character Arc?

Before we go any further, let's make sure we're all on the same page about what a character arc actually is. In the most basic sense, a character arc refers to the internal journey a character undergoes over the course of a story. It's the path they travel, the obstacles they face, and the ways in which their beliefs, mindsets, and core selves evolve through the events of the narrative.

A character arc isn't just about what happens to a character on the outside. Sure, external conflict and plot developments play a major role — but the real meat of a character arc lies in how those external forces shape the character's internal landscape. Do their ideals get shattered? Is their worldview permanently altered? Do they have to confront harsh truths about themselves in order to grow?

The most resonant character arcs dig deep into these universal human experiences of struggle, self-discovery, and change. They mirror the journeys we all go through in our own lives, making characters feel powerfully relatable even in the most imaginative settings.

The Anatomy of an Effective Character Arc

Now that we understand what character arcs are, how do we actually construct one that feels authentic and impactful? Let's break down the key components:

The Inciting Incident

Every great character arc begins with a spark — something that disrupts the status quo of the character's life and sets them on an unexpected path. This inciting incident can take countless forms, be it the death of a loved one, a sudden loss of power or status, an epic betrayal, or a long-held dream finally becoming attainable.

Whatever shape it takes, the inciting incident needs to really shake the character's foundations and push them in a direction they wouldn't have gone otherwise. It opens up new struggles, questions, and internal conflicts that they'll have to grapple with over the course of the story.

Lies They Believe

Tied closely to the inciting incident are the core lies or limiting beliefs that have been holding your character back. Perhaps they've internalized society's body image expectations and believe they're unlovable. Maybe they grew up in poverty and are convinced that they'll never be able to escape that cyclical struggle.

Whatever these lies are, they'll inform how your character reacts and responds to the inciting incident. Their ingrained perceptions about themselves and the world will directly color their choices and emotional journeys — and the more visceral and specific these lies feel, the more compelling opportunities for growth your character will have.

The Struggle

With the stage set by the inciting incident and their deeply-held lies exposed, your character will then have to navigate a profound inner struggle that stems from this setup. This is where the real meat of the character arc takes place as they encounter obstacles, crises of faith, moral dilemmas, and other pivotal moments that start to reshape their core sense of self.

Importantly, this struggle shouldn't be a straight line from Point A to Point B. Just like in real life, people tend to take a messy, non-linear path when it comes to overcoming their limiting mindsets. They'll make progress, backslide into old habits, gain new awareness, then repeat the cycle. Mirroring this meandering but ever-deepening evolution is what makes a character arc feel authentic and relatable.

Moments of Truth

As your character wrestles with their internal demons and existential questions, you'll want to include potent Moments of Truth that shake them to their core. These are the climactic instances where they're forced to finally confront the lies they believe head-on. It could be a painful conversation that shatters their perception of someone they trusted. Or perhaps they realize the fatal flaw in their own logic after hitting a point of no return.

These Moments of Truth pack a visceral punch that catalyzes profound realizations within your character. They're the litmus tests where your protagonist either rises to the occasion and starts radically changing their mindset — or they fail, downing further into delusion or avoiding the insights they need to undergo a full transformation.

The Resolution

After enduring the long, tangled journey of their character arc, your protagonist will ideally arrive at a resolution that feels deeply cathartic and well-earned. This is where all of their struggle pays off and we see them evolve into a fundamentally different version of themselves, leaving their old limiting beliefs behind.

A successfully crafted resolution in a character arc shouldn't just arrive out of nowhere — it should feel completely organic based on everything they've experienced over the course of their thematic journey. We should be able to look back and see how all of the challenges they surmounted ultimately reshaped their perspective and led them to this new awakening. And while not every character needs to find total fulfillment, for an arc to feel truly complete, there needs to be a definitive sense that their internal struggle has reached a meaningful culmination.

Tips for Crafting Resonant Character Arcs

I know that was a lot of ground to cover, so let's recap a few key pointers to keep in mind as you start mapping out your own character's trajectories:

Get Specific With Backstory

To build a robust character arc, a deep understanding of your protagonist's backstory and psychology is indispensable. What childhood wounds do they carry? What belief systems were instilled in them from a young age? The more thoroughly you flesh out their history and inner workings, the more natural their arc will feel.

Strive For Nuance

One of the biggest pitfalls to avoid with character arcs is resorting to oversimplified clichés or unrealistic "redemption" stories. People are endlessly complex — your character's evolution should reflect that intricate messiness and nuance to feel grounded. Embrace moral grays, contradictions, and partial awakenings that upend expectations.

Make the External Match the Internal

While a character arc hinges on interior experiences, it's also crucial that the external plot events actively play a role in driving this inner journey. The inciting incident, the obstacles they face, the climactic Moments of Truth — all of these exterior occurrences should serve as narrative engines that force your character to continually reckon with themselves.

Dig Into Your Own Experiences

Finally, the best way to instill true authenticity into your character arcs is to draw deeply from the personal transformations you've gone through yourself. We all carry with us the scars, growth, and shattered illusions of our real-life arcs — use that raw honesty as fertile soil to birth characters whose journeys will resonate on a soulful level.

Happy Writing!

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jenna12381 - Thieves In Time Redux Writer
Thieves In Time Redux Writer

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