Inspiration hit me going 100mph down the highway, and I took an unscheduled gas station stop just to write this down. My husband almost divorced me again thinking Iâd lost my mind â so in a way, this series is dedicated to him. And to second chances. I know they exist. Iâve lived one. đ„
An unplanned new series. Five ex-husbands. Same setup, different reactions.
âïž Zayne | đš Rafayel | âšXavier | đ Sylus
CW/TW: emotional trauma, post-divorce grief, unresolved intimacy, mutual guilt and blame, AI-simulated memory confrontation, violent emotional release, destructive conflict, references to emotional manipulation and psychological burnout, gameified use of weapons, simulated car crash, coarse language, heavy emotional dialogue, themes of self-sabotage, intimacy tangled with pain, and lingering affection that hurts to hold. Please read with care.
Pairing: Caleb x ex-wife!you Genre: Emotional combat dressed as therapy. Post-divorce catharsis through orchestrated destruction. Rage as ritual, memory as minefield. Estranged soulmates, bruised devotion, unsaid things turned weapon. Slow-burn devastation with soft hands and steel teeth. Summary: You didnât sign up for closure. You signed up to break things. But when your blind date turns out to be Caleb â your ex-husband, your gravity, your sharpest regret â the rooms stop being symbolic. Each one strips you down, forces you closer, until rage gives way to honesty, control to collapse. And underneath it all, heâs still the man who would never let you fall⊠but might be the reason you broke in the first place. Word Count: 7.1K AN: For some reason, the one I write last always ends up being twice as long as the one I write first â which is why I constantly rotate the order. Out of five men, five parts, this one came last⊠and, predictably, got out of hand. I'll be honest â this turned out painful. At least for me. And cruel, in places. But it felt honest. Maybe a little OOC at times, but letâs be real â divorce changes people. And now I need to recover from this one. Probably for longer than I want to admit.
Almost a year after the divorce, something inside you had been fermenting.Â
Not relief, not the lightness of a woman unshackled, but something bitter and unholy. The kind of pain that doesnât dissolve, but calcifies. It grew claws. Grew teeth. Turned your bloodstream into gasoline. You tried everything: the silence of mountains, the thrill of anonymous sex, the rhythm of violence in a boxing ring. None of it was enough. The hunts were no longer satisfying. The catharsis, too fleeting. You needed something that could bleed when you hit it.
So when the ad appeared â BLIND DATE: DESTRUCTION EDITION. To escape, you must destroy â you signed up without thinking twice. Rage has never been your enemy. Indecision is.
You dressed for war. Tight leather pants that clung like a second skin. Laced boots with soles heavy enough to leave imprints. A button-down shirt under a corset not meant to seduce, but to shield. Your hair pulled into a high, severe ponytail. Drama layered like armor.
This wasnât a date. It was a reckoning.
You arrived five minutes early. You always do. The place was a former warehouse, rebranded into a rage room with curated destruction experiences â urban apocalypse meets sad girl therapy. The hostess gave you a waiver and a smirk. âHeâs already here,â she said. âIn Room B.âÂ
You didnât ask questions. You didnât want to know. You wanted to feel your heartbeat in your teeth.
You walked in, pulling on the thick gloves, then sliding the protective goggles into place. The world dimmed slightly through the tinted lenses, sharpening at the edges. Everything suddenly looked a little more dangerous. A little more true.
The door hissed shut behind you, and the lock clicked with a finality that was almost erotic. One way in. No way out but through â through brick, through rage, through whatever poor bastard was foolish enough to stand in your way.
Your hand found the sledgehammer without looking, fingers curling around its weight like it was made for you. Heavy. Grounding. Righteous. You gave it a test swing, then another, calibrating impact, imagining bone. You didnât even glance at him.Â
Whoever he was, heâd get the same treatment as the wall.
Until he spoke.
âWell,â the voice cut through the air like a cracked knuckle, dry and dark, âyou still choose the biggest weapon in the room. Some things never change, pip-squeak.â
You turned. Fast. The hammer arced through the space between you, too close. He ducked. The wall behind him caught the edge, chipped hard enough to spray red dust into the air.
âSay that again,â you warned, low and flat, âand I swear Iâll aim for the nose next time.â
He straightened slowly, expression unreadable except for the barely-contained fire in his eyes.Â
âTouchy,â he muttered. âAll righty. Retiring that one. Letâs see... viperette? Still small. Still mean. But I respect the venom upgrade.â
Caleb.
Of course it was Caleb.
The universe had a sense of humor. A cruel one.
He looked like war in a t-shirt. Leaner, somehow, like rage had eaten away the softness around his edges. His jaw was tight, eyes dark and alert, like heâd been living off caffeine and unfinished sentences. He held a crowbar like it was an extension of his spine â ready to break, to pry, to rip something apart.
You didnât say his name. You didnât give the moment that kind of power.
âJesus,â he muttered, eyeing the setup. âA brick wall. Real subtle. What, are we supposed to talk about our feelings while we chip away at the trauma?â
You didnât dignify that with a replyâat least not right away. Then, dryly: âI think weâre supposed to break shit. Bonus points if we donât murder each other.â
He barked a short, mirthless laugh. âBlind date with a bat and unresolved issues. Sounds like your kind of night.â
âYouâre projecting. I didnât come here to reminisce, Caleb. I came here to destroy.â
âGreat. Start with the wall.â
You planted your feet, drew back, and slammed the hammer into the bricks. The jolt surged through you like an exorcism. Caleb followed suit, striking beside your dent with a calculated precision that annoyed you more than it shouldâve.
You worked without speaking. The cracks formed slowly, reluctantly, like even the damn wall didnât believe you two could work together. You hated how easily your rhythms aligned. Always had. Even when you fought, you were fluent in each otherâs movement.
He paused, wiped his forehead with the back of his hand. âSo. Tell me, did you know it was gonna be me?â
âIf I had, Iâd have brought a bigger hammer.â
âAnd here I thought you mightâve missed me.â
You turned your head, just enough to let him see your smile â sharp, unapologetic. âI did. Like you miss a bullet you didnât dodge.â
That shut him up.
For now.
The wall finally began to give.
Cracks widened, deepened, split like veins across the surface. Your breath came hard, sharp in your throat. You were sweating, but the hammer felt lighter now, almost like it wanted more.
Another hit. Another. Then â
Caleb dropped his crowbar with a clatter, stepped in close, too close. You tightened your grip, not sure if he was about to yell, shove, or kiss you.
He didnât do any of those things.
Instead, he reached out and gripped your upper arm â not rough, but firm, like a man redirecting fate â and pulled you a half step back. The wall loomed beside you like a dying animal. You opened your mouth to protest, but stopped when you saw his face.
He was looking at you like he was memorizing the end of the world. That same gaze he used to have when he thought you were asleep and he was letting himself be weak for ten seconds. It cut deeper now.
You didnât blink. Neither did he.
Then, without a word, he turned, drew back, and drove the full weight of his body into one final strike.
The hammer met the weak spot with a sound that rang like a gunshot. Dust exploded into the air. He kicked the base of the wall hard â his boot landing with perfect force, perfect timing â and the whole thing collapsed in the opposite direction, away from you, bricks falling like dominos, like judgment, like the years between you had meant nothing and everything at once.
Silence.
Then you exhaled.
And said, flatly, âYou always did know how to make a point. Real subtle, Colonel.â
His jaw twitched. That was all. No quip this time, no grin. Just the tight strain in his neck and a flicker behind his eyes like something was about to unhinge. But it didnât. Of course it didnât. That was the whole game with you two â feeling everything and showing nothing until the room caught fire.
You stepped through the rubble.
The next chamber was colder. Darker. The hum of old OLED screens filled the air like flies buzzing near a carcass. Dozens of them, mounted along the curved walls in perfect symmetry. Some flickering, some bright, all showing the same kind of sickening reel. Success. Smiles. Promotions. Affection posed for the camera, curated happiness. Couples at sunset, at brunch, in bed. Running on a beach, golden and effortless.
Then the altar.
A bride. A groom. A goddamn soft-focus lens.
You stopped cold.
The hammer slipped from your hand. You bent slowly, picked up a chunk of broken brick from the ruins behind you â rough, warm, red with the breath of your anger â and flung it.
The screen shattered on impact. A flicker. Sparks. A frozen image of a kiss, fractured into spider veins of glass.
Caleb didnât move. Not really. Just stood there, staring at the wall of curated lies. His eyes darted from screen to screen, like he was trying to catch something in the movement. Like he was afraid heâd see something too real.
You hurled another brick.
The screen cracked with a dull, satisfying sound, collapsing inward like it had flinched.
âWouldâve been more poetic if they used our photos,â he said, dryly, like his throat was sand.
You scoffed. âShouldâve offered the organizers access to our digital album, I guess. Too bad I wiped every trace of you from the cloud last October.â
That got him.
His lip curled upward â half a smirk, half a snarl. âOf course you did. Practical. Cold. Classic you.â
You turned slowly, blood surging behind your ears. âWhatâs that supposed to mean?â
He didnât step back. Caleb never did. âI didnât delete anything,â he said, voice low. âRenamed the album. Filed it under âBitch I Used to Loveâ Thought it was honest.â
You couldâve scratched the skin off his face with how fast your hands moved if not for the gloves and the goggles between you. You were on him in a second, eyes locked, breath ragged, but neither of you made contact. Not yet. The air between you hissed with the threat of combustion.
âYouâre such a fuââ
The voice cut in. Not his. Not yours.
From the screen behind you, a woman's face smiled, unbearably bright, like a toothpaste ad with delusions of sincerity. âYou can always count on me,â she said.
Your breath stopped.
That phrase. His phrase.
Before you could move, Caleb did.
He crossed the room in two strides and brought the bat down like wrath. The screen split open with a flash of white light and a guttural sound that wasnât quite human. A scream, maybe. Or something deeper.
He didnât say anything after that. And neither did you.
Not in words.
But your body answered. Loudly.
You tore through the room like it had insulted you personally. Which, in a way, it had. Those grinning avatars of happiness, the sterile intimacy of picture-perfect couples â people who hadnât known the feeling of being swallowed alive by someone they trusted. Smug joy laminated in pixels. They deserved everything you gave them.
You brought the bat down on one screen, then another. Glass shattered in bursts. Sparks flew like ash from a controlled burn. Across the room, Caleb mirrored you, attacking from the opposite side â controlled, brutal, rhythmic. Again, you were in sync. Not lovers. Not enemies. Just two wild animals with matching scars, dismantling a cathedral of lies.
And then you met in the middle.
The largest screen loomed between you, mounted above a faux-marble pedestal like some grotesque altar. You swung. Hard. The bat ricocheted off the screen like it had hit bone.Â
It didnât crack. It laughed. A sharp recoil shot up your arm.
You let out a guttural sound â somewhere between a curse and a grow lâ and dropped the bat.
Then picked up a brick.
It was still warm from the earlier wall, one edge sharp enough to draw blood if it wanted to. You didnât give it the chance. You took it to the screen, again and again, raw and breathless, something primal and unrepentant bleeding out through your hands. Each strike carved into the polished surface like you were trying to murder memory itself.
Caleb didnât stop you. He just stood to the side, watching the destruction like it was sacred.
When the screen finally gave in, it did so all at once. Glass caved with a scream of surrender, wires snapped, the frame buckled and collapsed in on itself. Behind it: a door. Dark, narrow, humming softly.
You stood still, shoulders heaving. Your fingers clenched tighter around the brick, so tight the rough edges pressed through the gloves and left grooves in your skin beneath. You swallowed hard, once, choking back something feral and ho tâ not quite tears, but close enough to shame you.
Then, without looking, you turned and hurled the brick in the opposite direction. Just to hear it hit. Just to remind yourself you still could.
Caleb took a step toward you. Careful. Something in his face had changed â softened, almost. His mouth twitched like he was about to ask the one question no one in their right mind should ask.
Are you okay?
No. You were not okay. You were on fire inside a collapsing structure and the only thing holding you together was inertia.
âTouch me,â you warned, voice like cut wire, âand I swear Iâll hit harder than I did that screen.â
And with that, you walked forward. Toward whatever hell came next.
The room ahead was cleaner. Cold lighting. Metallic walls with thin veins of circuitry pulsing like capillaries beneath glass. At the center stood a sleek black pedestal, and on it: two shotguns. Game-style, not military, but still heavy, still real enough in your hands to feel the familiar pull of power in the barrel. Your palms flexed on instinct.
You grabbed one without hesitation. Caleb followed suit.
Above, a voice crackled â genderless, modulated. Artificial.
âWelcome to Trigger Point. Please attach neural sensors to your temples. Each player must input ten phrases associated with emotional distress. The AI will cross-reference the data, generate projected constructs, and render them in combat form. Destroy on sight. Objective: release. Completion time: variable.â
You stared at the interactive screen blinking in front of you. A small keyboard. Ten empty fields. The implication clear: name your demons. Feed them in. And then shoot them down.
Caleb started typing immediately. No hesitation. His fingers flew. He was always better at anger. At naming what hurt. You wondered if heâd been waiting for a moment like this.
You stared at your own screen, unmoving. The cursor blinked at you. Accusatory. You hated this part. Not the shooting. The naming.
Because naming made it real.
But you typed.
Reluctantly, clumsily, then faster.
Because you knew exactly which phrases had lived rent-free in your spine for too long.
Done.
You caught him glancing sideways. His screen dimmed just as yours did, locking your inputs.
You didnât want to know what heâd written. But the room did.
A low mechanical hum vibrated through the air, and the wall across from you came alive. Light surged and split into fragmented holograms â each word sharp as a knife, floating midair, stuttering into full clarity. One at a time.
âCognitive synchronization complete. Each phrase will be visualized using memory-sourced projection. Targets derived from active recall. Accuracy required. Proceed.â
You felt the data pull like a hook behind your eyes â memory sucked forward, scanned, sorted, shaped.
The first phrase came like a punch to the teeth.Â
You were the safest place I knew. Until you put a ring on me and turned the lights off.
It hovered for a second, just long enough to register, and then dissolved. The smoke twisted and thickened. From it emerged a figure that stole your breath.
It was you.
Not the way you feel in mirrors, not the version eroded by grief or fury. This one was too poised, too precise. Her face was colder than you remembered yours ever being. Her beauty surgical. Her anger had been refined into stillness, and in that stillness â something worse than screaming.
She looked at Caleb like heâd failed a test she never let him study for.
You hesitated.
Your fingers twitched around the shotgunâs grip. You lifted it slightly, almost reflexively â but something inside you screamed donât. You didnât remember saying it like that. Not with that finality. Maybe in anger, maybe meaning something else entirely. But this version of you didnât look like she regretted a thing.
She raised her own weapon.
You flinched.
But Caleb fired first.
The shot was sharp, efficient. Her body shattered into a scatter of static and fractured light.
You turned to him, stunned. His fingers were still trembling on the trigger. Yours were, too.
Not just by the sound of the shot, or the way your projected self shattered â but by the fact that he had pulled the trigger.
On you.
Even if it wasnât you-you. Even if it was just light and memory, coded and cruel. He had done it. Without hesitation.
It felt final somehow. Like something sacred had cracked open and spilled out. Like youâd crossed a threshold you didnât know existed.
Because you used to believe â no, know â that even at your ugliest, your worst, your most furious, he would never hurt you. Not like that. You had believed, with a terrifying kind of faith, that heâd sooner put a bullet through his own head than raise a weapon to yours.
And maybe that was still true. But maybe it wasnât.
Maybe too much had decayed between you. Maybe the divorce had rewritten you both in ways neither of you were ready to see.
You didnât want to ask. You didnât want to know the answer.
Neither of you spoke. You could see in his face that the phrase had lived in him longer than youâd ever meant it to. Long enough to calcify. Long enough to echo. Long enough to ruin.
You froze, body coiled in silent expectation.
You knew what was coming. You could feel it before the text even appeared, like a static current pulling through your chest. The phrase you typed. The one you swore you wouldnât look at when it came.
But it came anyway.
The words unfolded in slow motion, thick with memory, with everything unsaid between you. A sentence shaped like him.
I was too blinded by loving you. You only let me touch you when you wanted something. You pull my heart like a puppet on strings.
It didnât feel like watching something. It felt like being flayed.
Your breath caught.
You fired â too soon. You missed. Glass behind the projection cracked, but the thing itself remained.
You hadnât wanted to see it. You hadnât wanted to hear it again. You regretted typing it. You regretted remembering it. You regretted ever giving those words a place to live inside you.
You could feel Caleb tense beside you. Not from the content â he already knew the line â but from the timing. From your reaction. From how fast you'd tried to erase it.
You gritted your teeth. Lifted the gun again. A bead of sweat rolled down your temple, cool and traitorous.
You aimed. And fired.
The figure burst apart â no scream, no sound â just a silent, violent fireworks display of red-gold pixels. Gone.
You stood there, breathing hard, hand tight on the grip, pulse roaring in your throat.
And only then did you understand.
Why heâd shot your projection first. Why it hadnât felt like betrayal, not really.
Because these versions of you â of him â these pale ghosts, weaponized by memory and algorithm, werenât real anymore. They were remnants. Monsters made of moments that no longer had the right to exist. Not even here, in a world built of nothing but ones and zeroes.
You hadnât destroyed him. Youâd destroyed the version of him that hurt you.
And maybe, just maybe, thatâs what heâd done too.
More phrases came. Some his. Some yours.
Why do you always disappear?
Shot. Flash. A twist in the gut. You donât stop moving.
I felt safer when you werenât there.
Shot. Flash. His shoulders jerk. You catch it, pretend you didnât.
You made me into someone I hated.
Shot. Flash. You almost drop the gun. Almost.
You wanted control more than connection.
Shot. Flash. You taste metal in your mouth. Donât know if itâs from the memory or your own tongue.
It all becomes a blur â fragments of truth, shredded light, the weight of your weapon like a heartbeat in your hand.
Then â
One more.
It doesnât come fast. It lands.
Like a final breath drawn sharp before the plunge.
His.
I loved you so much it destroyed me.
No shape yet. Just the words, hanging. Clean. Unfiltered. Unhidden.
Like he never got the chance to say them out loud. Like some part of him still hadnât stopped saying them, even now.
Everything in the room goes still. Even the flicker of light quiets. And you feel it â that if you move now, everything will break.
You donât know when the tears started. They werenât dramatic. They didnât sting. They just existed â like breath, like gravity. Sliding down your cheeks with the same quiet inevitability as everything else thatâs ever gone wrong.
You were back there. In that moment. Before the signature. Before the sound of the pen on paper. When he looked at you across the room, and said it â not to win you back, not to argue, not to accuse. Just to say it.
Because it was true.
And now here he was again â only not really. A pixelated Caleb. A slowed, AI-crafted echo of that same version. Stepping forward from the projection field like it remembered how he moved.
The voice that left his mouth was mechanical, but still it hit like flesh: âI loved you so much it destroyed me.â
Exactly the way he had said it then. The rhythm, the weight. The slight lift at the end that had felt like a question, a prayer, a hope too stupid to say out loud.
This ghost carried it too. You didnât raise your gun. You couldnât.
You couldnât shoot that. Not the hope. Not the part that believed.
And so â
Caleb did.
No hesitation.
A clean, brutal shot that tore the projection apart mid-step. The ghost shattered like it had never mattered. Never happened. Never existed.
And then there was silence. When you turned to him, his face gave you nothing.
A mask. Still. Cold. The kind of stillness that doesnât come from control, but from emptiness. Like your love hadnât just hurt him.
It had hollowed him.
And maybe he was right. Maybe there really was nothing left.
âNothing left to break,â he said quietly. âNothing left to ruin.â
You looked at him. Eyes wide. Wet. Fragile in a way that made your skin crawl.
âDo you think I wanted this?â you asked, voice raw, like something torn.
He stared at the air where the projection had been, then turned his head slightly â just enough to catch your gaze. But his face didnât change. He was somewhere else.
âNo one wanted this,â he said. âAnd now weâre literally shooting pieces of ourselves. Burning through our own memories. Like wanderers. Like something foreign. Something we donât belong to anymore.â
He looked around the room â at the shards of your past, still flickering. Smoke curling around dying light. A graveyard of ghosts you built together.
âItâs ugly,â he added. âBut itâs beautiful, too. In its ruin.â
For the first time since the experiment began, you genuinely wanted to leave. Not rage-walk. Not storm out. Just⊠go.
Slip out the side door of your own psyche and vanish into air that didnât taste like grief.
But there was no exit. Only forward.
Caleb moved ahead without a word. His body, usually so precise, so full of intention, now moved with the flatness of routine, of resignation. Like he, too, would rather be anywhere else â any room, any war zone, any alternate timeline â as long as it was far from this one. Far from you.
Still, you followed.
Your jaw clenched. Your breath caught sharp behind your teeth. You could feel the exhaustion sliding down your spine, thick and slow, but you didnât let it stop you. You were going to finish this room. This experiment. This punishment. Whatever it was.
You were going to finish it with your head up. Even if, by the end, the only thing left to break was you.
And him.
Because he wasnât stopping either.
And if the only thing you could do now was survive each other â then so be it.
The next room was vast. Empty in that curated kind of way that made chaos feel designed.
A sprawl of objects covered the floor â furniture, glass, cheap electronics, ceramic towers, crushed memories disguised as junk. It looked random, but you knew better. Nothing in this place was random.
And then there were the cars. Or what passed for cars.
Two stripped-down, reinforced vehicles â half desert racer, half post-apocalyptic scrap tank. No doors. No bodies. Just exposed frames padded with thick rubber guards. For safety. For impact.
In each one, a helmet.
You reached for the driverâs seat, fingers brushing the wheel, ignoring the helmet like it was a suggestion, not a rule â until Calebâs voice cut in, low and sharp.
âDonât even think about it.â
You froze. Spun on him.
âOh, youâre giving orders now? Thatâs rich.â
You held the helmet by the chin strap, weighing it like you might throw it at his head.
âWhat about you?â you snapped. âThink I didnât notice you werenât planning to wear yours either?â
He didnât answer. Just walked up to you and, with a startling lack of hesitation, jammed the helmet down onto your head. It caught on your ears. You cursed. He tightened the strap under your chin like heâd done it a hundred times. Maybe he had.
âIâll wear mine,â he said, finally. âI know what this is. I know Iâm your target.â
âThatâs not the point of the exercise,â you muttered, flushed â not just from rage, but from the unbearable closeness of his fingers near your pulse.
You hated how your body still reacted. How it didnât get the memo.
âThen letâs go,â he said, gesturing toward a tall ceramic vase as if that made anything simpler. âHit something that wonât hit back.â
You threw yourself behind the wheel.
The engine roared awake â guttural, loud, too loud. It made your bones vibrate. Made your blood move. You wanted to scream. Instead, you pressed the gas.
At first, you aimed where you were supposed to â toward the objects. Toward the walls of cheap plaster, mannequins dressed in tattered remnants of other lives, cardboard boxes that exploded with satisfying finality under your tires. Something crunched. Something hissed. The world responded to your force. You smirked.
It felt good. But not enough.
Not with him still grinning across the room like this was just another simulation. Another exercise. Another moment where he got to stay composed while you unraveled.
And so â
You jerked the wheel. Toward him.
You slammed your foot down and the car jolted forward, rattling like a live thing. You didnât know what you were doing. Only that you wanted impact. Needed it.
Caleb veered sharply to the right. You followed. He hit a cluster of mannequins, their limbs flying like blown petals. You turned tighter, skidding across a field of splintered boxes, your tires spitting cardboard shrapnel.
"Thought you said this wasnât about targeting me!" he shouted over the roar of the engines.
"Itâs not," you yelled back, swerving hard to chase him. "Itâs about physics. You just happen to be in the way!"
He laughed. Loud. Honest. Then, dodging left, "God, you were a menace on a tricycle."
"And you were a sanctimonious little hall monitor!"
"You stole my lunch for a month!"
"You deserved it. You put raisins in everything."
âYou loved raisin muffins.â
âMuffins, Caleb. Not pasta. Not rice.â
Another near-miss. You clipped the back of his car with a glorious metallic screech. He swerved, recovered, accelerated. You pushed harder.
You were hunting him now. You wanted to see him sweat. Not because you hated him, but because you couldnât stand how much you still didnât.
âWho gave the toddler a license?â he barked.
âProbably the same genius who made you a colonel!â
And then you caught him.
Your front bumper slammed into the side of his car with a satisfying, ugly crunch. Both vehicles jolted. Metal howled. You felt your own body snap forward, then whip back.
Then â his car spun, but yours skidded too far. You tried to correct, but it was too late.
You hit the wall.
Plywood gave way with a groan, but not enough. Your car embedded half its frame into the splintering surface, the engine sputtering, then smoking â thick, chemical breath rising like something had finally given up.
You didnât scream. You didnât panic. You just⊠stopped.
The world narrowed.
Then he was there.
You didnât see him jump out. Didnât see him run. But suddenly he was there, ripping open the harness, yanking the helmet off your head with shaking hands.
âAre you out of your fucking mind?â he snapped, eyes scanning you, touching your shoulders, your arms, your ribs like memory. âAre you hurt? Are you â? Look at me. Pips! Look at me.â
You looked. And then â smirked.
A small, crooked thing, like the aftermath of chaos.
Then you laughed.
At first, it was just breath. A puff of absurdity. But it built. And it broke.
You laughed harder. The kind of laughter that comes too close to tears, that spills out sideways and jagged. Your whole body shook. You couldn't stop. Couldn't breathe.
And then â he did too.
His forehead pressed against yours. His chest stuttered with laughter. It wasnât funny. It was never funny. And thatâs what made it so goddamn necessary.
You clung to each other like gravity had forgotten how to work.
Your fists balled in the front of his shirt. His arms circled around your back, then up, then closed like steel around your head. He pulled you to his chest and held you there, hard, tight, like the world could crack open any second and he wasnât going to risk letting go.
Your laughter broke first.
It caved.
And then came the sob.
One. Then another.
Your shoulders buckled. Your breath hitched. And then you were sobbing against him â ugly, heaving, violent tears that had waited far too long. Everything you hadnât said, hadnât allowed, hadnât felt came pouring out in great gasping waves.
He held you like it was all he knew how to do.
He didnât speak. He didnât need to.
âWhy does it hurt so much, Caleb?â you whispered through the sobs, your nails digging into his back. âWhy did every day with you start feeling like a survival quest?â
His lips brushed your temple, featherlight. His fingers moved through your hair â slow, grounding, almost clinical in their tenderness. A rhythm. A scan. Every few strokes, the pressure shifted just slightly, as if mapping out where you carried the worst of it.
And still, you couldnât ignore the truth: you knew exactly what he was capable of. With those same hands, he could crack your skull like a walnut. Break you clean in two.
But he didnât. And that restraint ached just as much as anything else.
âI donât have an answer,â he murmured. âI only know one thing. That being without you hurt worse. But the idea that you were suffering with me... That I â my own fear, my own fucking hands â destroyed the most sacred thing I ever touched...â
You shook your head and pressed your hand to his mouth. You didnât want to hear the end of that sentence. You wouldnât survive it.
âWe both did it,â you said. âYou donât get to take all the blame. Itâs always two people. Always. Equal weight.â
He kissed your fingers. Gently. And you pulled your hand back like it had caught fire.
The flicker in his eyes was instant.
Pain. And something else â like memory, or the echo of wanting.
âThere was a time,â he said, âwhen we were the closest people in the world. ClichĂ© or not, we were a single thing. Now look at us. Look at you. Iâm not even sure you want me this close.â
âNo,â you snapped, gripping his shoulders. âNo, donât say that. Iâm terrified of how much I need you close. Iâm scared of what I might do if you keep looking at me like that. If you touch me again. Iâve been fighting since the moment we walked into this place. Fighting not to ââ
âNot to what?â he growled, closer now, voice frayed.
âNot to try again,â you breathed. âNot to want again.â
His hands locked around your waist. His face was right there. Breath on breath. Your bodies a magnet of wrong time, wrong place, right everything.
But he didnât kiss you.
He held you at the edge, suspended, with something like agony in his eyes.
âSaying that out loud,â he said through clenched teeth, âis reckless. Itâs dangerous.â
âMeaning it is worse,â you said, barely audible.
You could feel his heart against your ribs â fast, raw, so human it hurt to listen. And then he said, lower now:
âAre you really this cruel? You want the last working piece of me to break, donât you?â
âNo,â you whispered, stepping back, breath shivering. âNo, Caleb. If I could, Iâd give everything â everything â just to take your pain away. But how can I, when Iâm still living in rubble? When I donât know how to plan for tomorrow, or next week. When I canât even picture where Iâm going. I just keep moving. Blind.â
He looked at you for a long time.
And in that look â something bottomless. Not pity. Not anger. Something like recognition. You felt it in your ribs, your spine, your breath. Like heâd looked through your skin and seen the exact same void you saw in him.
He stepped back gently. Then rose to his feet.
Wordlessly, he extended a hand to help you up. You took it. Let him lift you.
He glanced around the room, then toward the wreckage, the wall, the place where your car had finally given up.
A low huff of a laugh escaped him.
âOf course,â he muttered. âThe exitâs right where you crashed.â
You followed his gaze.
He was right.
Just one thing left to break.
The wall gave way with almost no resistance. It split open like it had been waiting for the final blow. You stepped through, side by side, not speaking. And suddenly, the world shifted.
No floor. No weight. No direction. You were in a massive, sterile cylinder, suspended in air â except there was no air current, no movement, no sensation of falling. Just drift. Your feet detached from the surface, and that was it. You were floating. Weightless. Unanchored.
The space felt unreal. Too smooth. Too quiet. A hum beneath the silence, like some great system breathing in sleep. High above, three exit hatches blinked with dull blue light â two narrow, one wide. The single exits were clearly labeled. The larger one read: DUO. Beneath it, a platform hovered, inert. A voice filtered in through the chamber, calm and cold.
âThree exits. One for each individual. One for those who remain. Shared exit requires cooperative locomotion and continuous dual contact. Time limit: irrelevant. Success requires choice.â
You drifted. He drifted. You turned your head and saw him across the space, his body slow-spinning, expression tight. This was supposed to be his realm. Gravity. That was his Evol, his identity, his anchor. But here, it was nothing. Disabled. Cut off. You could see the glitch in him, the way he processed the loss of control. And still, he didnât panic. He just⊠adjusted.
You floated near one of the solo exits. It would be so easy. A small push. An end. A beginning. Alone. And then it passed behind you.
You saw him again, a little closer this time. You reached out, almost without thinking, and caught his hand. No rush. No symbolism. Just fingers brushing fingers in a place without weight.
Your hands gripped. Held. And you pulled yourself in, gently, until your faces were close enough for words. Your breath felt warm between you, even in the cold of engineered air.
âIâm not ready to leave here without you,â you said. âI donât know what that means, or what itâll cost. But Iâm not ready.â
He didnât speak immediately. His hand tightened on yours. Then, suddenly focused, he said, âWrap your legs around my waist.â
You blinked. âWhat ââ
âTrust me. I canât bend the field in here, but I can feel the currents â like micro-resistance. If we stay connected, I think I can guide us through it.â His voice shifted into command mode â confident, steady, and irritatingly hot. âAngle your hips left. No, a little more. Perfect. Now shift your weight forward.â
You moved with him. It felt awkward at first, like trying to learn to breathe underwater. But then something clicked â your center of gravity merged, found alignment, caught onto an invisible pulse. Like tuning into a frequency only his body knew how to hear.
âThere,â he said. âWeâre in it.â
You glided, slowly at first, then more directly. He adjusted, compensated, kept you level. He took you through the space like a conductor feeling the music in muscle and bone.
The platform under the shared exit blinked to life as you approached.
âNow,â he said, and reached out. Together, you hit the button.
Gravity returned in a single, devastating second. You dropped like a stone â feet on solid ground, air in your lungs, heat in your skin. You didnât let go of each other. Not right away.
Not yet.
What came next stunned you.Â
Where pain and rage had once lived like permanent tenants, there was only silence. You no longer felt the urge to scream, to break something, to tear through walls or claw through your own skin. Something had been rewritten in you. Recoded. As if the metaphysical cancer had been excised. Removed without anesthesia, yes â but removed all the same.
You took one step. Then another. And your body felt different. Not like it did in zero-gravity, not quite. But something remained of that lightness. That sense of floating just above your own sorrow.
You didnât speak. Neither did he. Words would have broken the seal on something sacred.
You emerged into the final hallway together. Unspoken choreography. At the return counter, you shed the gear â gloves, goggles, names. One of the staff blinked, visibly surprised, and said, almost to himself, âNo oneâs ever mastered the gravity room that fast.â Then louder, âWould you like photos?â
You looked at the screen, flipping quickly past the chaos, the fracture, the violence. You stopped on the frame where the two of you floated â just suspended, hands clasped, nowhere to go but together. You tapped it. Took the printout without a word.
Caleb printed something for himself, too. You didnât see what.
You walked outside. It was already dark, the wind sharp against your cheeks. The kind of cold that wakes you up, reminds you that youâre still alive.
Without meaning to, your bodies shifted toward familiar geography â toward your place. Once his, too.
And then, like nothing had changed and everything had, he slipped off his jacket and draped it over your shoulders. No words. No offer. Just instinct.
You didnât argue. The fabric was warm. And it smelled like him. Like worn-in leather and something sharp underneath. You let it settle.
âWhat do you regret most?â you asked, quietly, almost to yourself. Maybe you shouldnât have. But you knew, with sudden clarity, that whatever came now â wouldnât hurt.
Maybe it would be sad. But it wouldnât be cruel.
âThat I gave up too soon,â he said, after a moment.
You laughed softly. âToo soon? You followed me for three months. After work. To the grocery store. You left flowers in my bike basket. Random books on my doorstep.â
He gave a crooked shrug, not quite defensive. âIt sounds stupid now. Hollow. But I didnât know what else to do. How else to tell you I was trying. That I was willing to change. That I just needed you to hear me.â
âTo me it felt like a trap,â you said. âLike you were setting bait. Like you wanted to pin me down and hold me there. In the state I was in... if youâd just disappeared for a week, I probably wouldâve come running. In tears. Begging you not to leave again.â
He sighed. âSo I got it wrong. Again.â
âNot wrong, exactly.â You looked at him, then ahead. The street was quiet. Your block already in sight. âThatâs the problem, I think. For both of us. We keep thinking we know better. Like I assume I know what you need, when really, itâs just what I need.â
You glanced at him. âLike you dreaming your whole life of this expensive model starship. Then giving it to me. Thinking it would make me happy. Because it would make you happy.â
His smile came slow, bittersweet. âAnd all you ever wanted was someone to just sit on the porch and look at the moon.â
You nodded. âExactly.â
By then, you were already at the gate. Home.
You stopped. Both of you.
You didnât reach for your keys. He didnât move forward. Just standing there, jacket on your shoulders, silence resting comfortably between your bodies.
âCalebâŠâ you said softly, already knowing you didnât need to finish.
He sighed. The kind of sigh that had learned to carry meaning. âI donât have an answer,â he said. âI want to try again. And I donât. I dream about holding you every night, and then I wake up. And itâs⊠cruel.â
âI have the same thoughts,â you admitted. âBut I canât just erase you. Not now. Not ever. And Iâll never be the one to suggest we stay friends.â
He smiled gently, brushing a strand of hair behind your ear. âTechnically, you just did.â
âI said Iâd never say it,â you shot back, lifting your chin. âNot that I said it.â
There was a beat, then you added, âWhat if we let chance decide?â
âA coin toss?â he raised an eyebrow.
âNo. The photos. The ones we printed. If they match â if theyâre even close â Iâll invite you in. For tea.â
He tilted his head, amused. âTea. Very non-committal of you.â
âIf they donât match,â you continued, âthen maybe⊠itâs not the time. Maybe we see each other again. Maybe we donât.â
âYou always did like risk,â he said dryly. âAlright. No promises.â
âNo promises,â you echoed.
âOn three?â
You both pulled out your photos at the same time. Held them up.
The silence stretched.
âWell then,â you said.
âYeah,â he murmured, the edge of a smile in his voice.
âI have only one question,â you said, turning toward the door, your voice lighter now, teasing. âBlack or green?â
He gave a soft huff and curled his arm gently around your waist, guiding you toward the entrance. âLike you donât already know.â
âI do,â you said, slipping the photo back into your bag.Â
The exact same photo. Identical in angle, in light, in pause. The moment where you floated together. Still not touching. But already not letting go.
The... END?
So⊠you survived the end. But is it really the end?
Letâs be honest â I wrote a scene. A very explicit one. The kind I havenât posted before. Spicy, slow, and entirely too much in the best/worst way. But after everything that happened in this story, slapping it on the end felt⊠wrong. Like putting a silk ribbon on a smoking crater. So I cut it.
But. If this hits 100 reblogs in 24h, Iâll post the continuation I cut â the scene that didnât fit the concept, because it was too much: too raw, too intimate, too honest. But also... very, very smutty. And maybe the only kind of peace these two couldâve found. You know what Iâm talking about. Youâve earned it. Letâs see if they do.
good things will happen đ§ż
things that are meant to be will fall into place đ§ż
© (c ) copyright 1990-2011 Rebecca Sinclair
See the original HERE
An Article from Neena Susan Thomas
âThrough a rapistâs eyes. A group of rapists and date rapists in prison were interviewâŠed on what they look for in a potential victim and here are some interesting facts:
1] The first thing men look for in a potential victim is hairstyle. They are most likely to go after a woman with a ponytail, bun! , braid, or other hairstyle that can easily be grabbed. They are also likely to go after a woman with long hair. Women with short hair are not common targets.
2] The second thing men look for is clothing. They will look for women whoâs clothing is easy to remove quickly. Many of them carry scissors around to cut clothing.
3] They also look for women using their cell phone, searching through their purse or doing other activities while walking because they are off guard and can be easily overpowered.
4] The number one place women are abducted from / attacked at is grocery store parking lots.
5] Number two is office parking lots/garages.
6] Number three is public restrooms.
7] The thing about these men is that they are looking to grab a woman and quickly move her to a second location where they donât have to worry about getting caught.
8] If you put up any kind of a fight at all, they get discouraged because it only takes a minute or two for them to realize that going after you isnât worth it because it will be time-consuming.
9] These men said they would not pick on women who have umbrellas,or other similar objects that can be used from a distance, in their hands.
10] Keys are not a deterrent because you have to get really close to the attacker to use them as a weapon. So, the idea is to convince these guys youâre not worth it.
POINTS THAT WE SHOULD REMEMBER:
1] If someone is following behind you on a street or in a garage or with you in an elevator or stairwell, look them in the face and ask them a question, like what time is it, or make general small talk: canât believe it is so cold out here, weâre in for a bad winter. Now that youâve seen their faces and could identify them in a line- up, you lose appeal as a target.
2] If someone is coming toward you, hold out your hands in front of you and yell Stop or Stay back! Most of the rapists this man talked to said theyâd leave a woman alone if she yelled or showed that she would not be afraid to fight back. Again, they are looking for an EASY target.
3] If you carry pepper spray (this instructor was a huge advocate of it and carries it with him wherever he goes,) yelling I HAVE PEPPER SPRAY and holding it out will be a deterrent.
4] If someone grabs you, you canât beat them with strength but you can do it by outsmarting them. If you are grabbed around the waist from behind, pinch the attacker either under the arm between the elbow and armpit or in the upper inner thigh â HARD. One woman in a class this guy taught told him she used the underarm pinch on a guy who was trying to date rape her and was so upset she broke through the skin and tore out muscle strands the guy needed stitches. Try pinching yourself in those places as hard as you can stand it; it really hurts.
5] After the initial hit, always go for the groin. I know from a particularly unfortunate experience that if you slap a guyâs parts it is extremely painful. You might think that youâll anger the guy and make him want to hurt you more, but the thing these rapists told our instructor is that they want a woman who will not cause him a lot of trouble. Start causing trouble, and heâs out of there.
6] When the guy puts his hands up to you, grab his first two fingers and bend them back as far as possible with as much pressure pushing down on them as possible. The instructor did it to me without using much pressure, and I ended up on my knees and both knuckles cracked audibly.
7] Of course the things we always hear still apply. Always be aware of your surroundings, take someone with you if you can and if you see any odd behavior, donât dismiss it, go with your instincts. You may feel little silly at the time, but youâd feel much worse if the guy really was trouble.
FINALLY, PLEASE REMEMBER THESE AS WELL âŠ.
1. Tip from Tae Kwon Do: The elbow is the strongest point on your body. If you are close enough to use it, do it.
2. Learned this from a tourist guide to New Orleans : if a robber asks for your wallet and/or purse, DO NOT HAND IT TO HIM. Toss it away from youâŠ. chances are that he is more interested in your wallet and/or purse than you and he will go for the wallet/purse. RUN LIKE MAD IN THE OTHER DIRECTION!
3. If you are ever thrown into the trunk of a car: Kick out the back tail lights and stick your arm out the hole and start waving like crazy. The driver wonât see you but everybody else will. This has saved lives.
4. Women have a tendency to get into their cars after shopping,eating, working, etc., and just sit (doing their checkbook, or making a list, etc. DONâT DO THIS! The predator will be watching you, and this is the perfect opportunity for him to get in on the passenger side,put a gun to your head, and tell you where to go. AS SOON AS YOU CLOSE the DOORS , LEAVE.
5. A few notes about getting into your car in a parking lot, or parking garage:
a. Be aware: look around your car as someone may be hiding at the passenger side , peek into your car, inside the passenger side floor, and in the back seat. ( DO THIS TOO BEFORE RIDING A TAXI CAB) .
b. If you are parked next to a big van, enter your car from the passenger door. Most serial killers attack their victims by pulling them into their vans while the women are attempting to get into their cars.
c. Look at the car parked on the driverâs side of your vehicle, and the passenger side. If a male is sitting alone in the seat nearest your car, you may want to walk back into the mall, or work, and get a guard/policeman to walk you back out. IT IS ALWAYS BETTER TO BE SAFE THAN SORRY. (And better paranoid than dead.)
6. ALWAYS take the elevator instead of the stairs. (Stairwells are horrible places to be alone and the perfect crime spot).
7. If the predator has a gun and you are not under his control, ALWAYS RUN! The predator will only hit you (a running target) 4 in 100 times; And even then, it most likely WILL NOT be a vital organ. RUN!
8. As women, we are always trying to be sympathetic: STOP IT! It may get you raped, or killed. Ted Bundy, the serial killer, was a good-looking, well educated man, who ALWAYS played on the sympathies of unsuspecting women. He walked with a cane, or a limp, and often asked âfor helpâ into his vehicle or with his vehicle, which is when he abducted his next victim.
Send this to any woman you know that may need to be reminded that the world we live in has a lot of crazies in it and itâs better safe than sorry.
If u have compassion reblog this post. âHelping hands are better than Praying Lipsâ â give us your helping hand.
REBLOG THIS AND LET EVERY GIRL KNOW AT LEAST PEOPLE WILL KNOW WHATS GOING ON IN THIS WORLD. So please reblog thisâŠ.Your one reblog can Help to spread this information.
THIS COULD ACTUALLY SAVE A LIFE.â
âThe cops donât bother me anymore,â they said, grimly, looking out to the violence one street down. âNot after the incident.â
itâs the 21st day of the 21st year of the 21st century.
you can only reblog this today.
If you ever date an asexual person be sure to get the specifics of their asexuality because the level of comfort with physical contact is different for all of us.
So I donât usually make my own posts but oH MY GOD MAMMON đłđłđł
â"You work with what youâve got, and what Iâve got is an instinctive hatred of authority and really good hair.â
zuko definitely shouldve been allowed to drop just one f-bomb in atlaâŠi think he deserves it.