⚾ SMASHING TIME ⚾

Random, but a really handy way to make things seem creepy or wrong in horror is to make them incongruously neat or clean:

In the middle of a horrific battlefield, you find one corpse laid aside neatly, straightened and arranged, its arms crossed neatly across its chest

As you walk through the garden, you gradually realise that the oddness you’ve been noticing about the trees is that they are all perfectly symmetrical

As you move through the abandoned house, you realise that suddenly that there’s no dust in this room, no dirt or cobwebs

You hear hideous noises coming from behind a locked door, screams and pleas, and visceral sounds of violence. When you manage to break down the door, there is no one there, and the room is perfectly spotless

In the middle of a horrific battlefield, a hollow full of churned mud and blood, you find five corpses cleanly dismembered, each set of limbs or parts neatly laid out in their own little row

You witness a murder, a brutal, grisly killing that carpets the area in blood. When you return in a blind panic with the authorities, the scene is completely clean, and no amount of examination can find even a drop of blood

You run through the night and the woods with a comrade, pulling each other through leaves and twigs and mud as you scramble desperately towards freedom. When you finally emerge from the forest, in the grey light of dawn, you turn to your companion in relief, and notice that their clothes are somehow perfectly clean

You hand a glass of water to your suspect, talking casually the whole while, and watch with satisfaction as they take it in their bare hand and take a drink. There’ll be a decent set of prints to run from that later. Except there isn’t. There are no prints at all. As if nothing ever touched the glass

You browse idly through your host’s catalogue, and stop, and pay much more attention, when you realise that several items on a dry list of acquisitions are ones you’ve seen before, and it slowly dawns on you that each neat little object and number in this neat little book are things that belong (belonged?) to people you know

Neatness, particularly incongruous neatness, neatness where you expect violence or imperfection or abandonment, or neatness that you belatedly realise was hiding violence, or neatness that is imposed over violence, is incredibly scary. Because neatness is not a natural thing. Neatness requires some active force to have come through and made it so. Neatness implies that the world around you is being arranged, maybe to hide things, to disguise things, to make you doubt your senses, or else simply according to something else’s desires. Neatness is active and artificial. Neatness puts things, maybe even people, into neat little boxes according to something else’s ideals, and that’s terrifying as well. Being objectified. Being asked to fit categories that you’re not sure you can fit, and wondering what will happen to the bits of you that don’t.

Neatness, essentially, says that something else is here. Neatness where there should be chaos says that either something came and changed things, or that what you’re seeing now or what you saw then is not real. Neatness alongside violence says that something came through here for whom violence did not mean the same thing as it does to you.

Neatness, in the right context, in the right place, can be very, very scary

And fun

I found myself having, not exactly an argument recently, but a highly opinionated conversation with someone who did not believe my assertion that once upon a time there were official Hello Kitty vibrators. With the aid of the Wayback Machine, I found this article, and thought the world at large might enjoy it too...

Here's the text of the article:

The history of the Hello Kitty vibrator

By Peter Payne October 4, 2004

Sanrio is one of the top character licensors in the world, having more or less created the business model of doing business by creating something that doesn't really exist and licensing its use to other companies. Sanrio produces nothing -- all their characters, like the Little Twin Star, Minna no Ta-bo, Bad Batz-Maru, exist as legal entities and nothing more. Their most successful character, Hello Kitty, or Kitty-chan as she's known in Japan, is now now thirty years old.

One of the many companies that license Sanrio's characters for their products was a Japanese company called Genyo Co. Ltd. Genyo made a wide variety of products, from bento boxes to children's toys to chopsticks, many with the Hello Kitty character on them. They scored big in the late 1990's with an off-the-wall hit, a series of Hello Kitty toys which featured a different Kitty figure from each of Japan's 47 prefectures, each representing something the prefecture was famous for. (The figure from Gunma Prefecture, where we live, represented a wooden kokeshi doll.)

In 1997, Genyo designed a product that would live in infamy: the Hello Kitty vibrating shoulder massager, which really is a shoulder massager (trust us -- it says so on the package). Sanrio approved this design without batting an eye, and the product enjoyed modest sales in toy shops and in family restaurants like Denny's and Coco's. It wasn't until 1999 or so that people began to catch on to the fact that the Hello Kitty massager had other potential uses, and with amazing speed, they started popping up in adult videos in Japan. The next thing anyone knew, they had changed into a cult adult item, sold in vending machines in love hotels -- after all, what self-respecting man wouldn't buy his girl a Hello Kitty vibrator when she asked him for one?

The emergence of the Hello Kitty vibrator as a cult adult item caused friction between Sanrio and Genyo, and Sanrio ordered the company to stop making the units. Genyo refused, since it had paid a lot of money to license Kitty for their products. There seemed nothing Sanrio could do, since they had approved the item for sale (see the official Sanrio sticker on the boxes). The answer came when the Japanese tax authorities raided Genyo on suspicion of tax evasion. It seems that some creative accounting was going on between the president of the company, a Mr. Nakamura, his vice president, and the owner of the factory in China where the units were made. All three were arrested, and Sanrio had the excuse needed to yank Genyo's license. They seized the molds used to make the vibrators and destroyed them.

And so, the sad, weird chapter of the Hello Kitty vibrator is at an end. The last of the Kitty vibes are gone, so now what will the world do for wacky comic -- and sexual -- relief?

I was part of the staff of an anime convention all the way through college. We held our meetings on monday nights, and every monday after the meeting, most of us went to taco bell. We would get our terrible garbage food and sit at the tables and hang out until the wee hours of the morning, and sometimes Pat Rothfuss (who lived nearby) would drop by and blow our little nerdy brains. It was a beloved tradition. 

One of our staffers was referred to as the Dapper Man, because he could frequently be found wearing a three-piece suit as he went about his daily business. A button-down and waistcoat was his casual attire, and on truly formal occasions, he would produce a tailcoat, tophat, and monocle. Somehow this worked incredibly well for him. Dapper Man was much lauded for his sartorial choices.

When Halloween rolled around, we held our meeting as usual, but with the addition of a bit of ridiculous cosplay holiday-garb. Since Halloween was not actually on a monday, only a few people were in costume. Dapper Man was.

These were the days before the rubber horse mask phenomenon went mainstream. They had just started to be available. Until Dapper Man arrived as a Formal Thoroughbred, I had never seen one. 

He was quite dashing, though, with white gloves, a black tailcoat, and a monocle on his wide, staring, rubber horse-eyes. There was a strange but alarming dignity to the look. 

We made it through the meeting with the usual chaos expected of ninety nerds left unsupervised with a twenty-thousand dollar budget, and progressed posthaste to TBell.

The local taco bell had a real problem with keeping staff on–for some reason, drug use was prolific among their employees, and they struggled to find consistent workers. But they knew we would be there every monday, and even though we were a big group we were patent and polite, and they generally liked us. So we rolled into taco bell with our usual aplomb. 

We straggled into line and started placing orders, and I watched idly as the employee in back began assembling “tacos.” He was visibly blitzed; if he’d been any higher he might have floated off entirely. 

He stuck his gloved hand into the tub of shredded lettuce, drew out a handful, looked up and caught sight of Dapper Man: the Equine Gentleman. 

He did a double-take and then froze entirely. 

You could see the whites of his eyes all the way around. It was very clear that he had absolutely no ability to comprehend what he was seeing; probably he assumed some sort of genteel victorian old god had come to wreak hoofed vengeance upon his taco-y demesne. Possibly he was just grappling with the possibility of reverse centaurs. 

Either way, he had become a lettuce-bearing statue. 

Taco production ground to a halt.  He stood, trapped by the medusan gaze of Dapper Man’s rubber horse mask, until his manager came to yell at him. 

At that point he dropped the lettuce and fled the taco bell. 

I can only assume he could hear the sound of dress-shoe shod hoofbeats thundering behind him. 

For all I know, he may still be fleeing Dapper Man’s dread fursona. We never saw him at the taco bell again. 

-Gegg

One of the funniest things about enemies-to-lovers ships is how they’re almost always obsessed with each other. Like if a character actively chooses to interact with another character over and over again instead of simply ignoring them? Throw darts at it all you want, but you still printed out a picture of them to hang on your wall

The Chosen Four

Earthbound has had a quite big impact on my art journey. When I was a young teen, I would visit Starmen.net regularly to check amazing fan art EB fans would make and learn from them. It was nostalgic to draw some EB fan art again.

Kars

asking for legal advice from an unlicensed doctor (Day 112)