Latest Posts by little-infj-cafe - Page 3

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Bad news, y'all

You really gotta write the damn book to become a published author

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Every day, there seem to be more reasons to break up with Google.

So we’ve rounded up a bunch of privacy-centric alternatives for all your deGoogling needs.

Check out the full list over on the blog!

- The Ellipsus Team xo

The words they're afraid of.

(Read on our blog.)

The recently appointed Department of Defense head Pete Hegseth (formerly Fox News pundit, perpetually soused creepy uncle, and current group chat leaker of classified intel) banned images of the Enola Gay from the Pentagon’s website for the offense of “DEI” language. In keeping with the far right’s stated war on anything vaguely resembling diversity, equity and inclusion, even historical photos are up for cancellation. When a literal weapon of mass destruction is censored for being a bit fruity under the Trump administration’s war against inconvenient truths, what exactly is left untouched?

This is clown show stuff, but the stakes are far from funny. While some might be hesitant to compare the current administration to the very worst history has to offer, we can at least all agree that they are dyed-in-the-wool grammar Nazis. Policing language has been the objective of the MAGA culture war long before Project 2025’s debut—the wave of book bans orchestrated by astroturf movements like Moms for Liberty, and Florida’s 2022 Don’t Say Gay bill have already had a profound effect in the arena of free speech and freedom of expression (despite the far right’s long tradition of doublespeak performative free-speech martyrdom to the contrary). Don’t Say Gay ostensibly targeted K-3 education, but LGBT+ content at all levels of education (and beyond) was either quietly censored or entirely preempted in practice. The results were not just a war on so-called ideology, or words alone—but on reality and essential freedoms.

Now, words as innocuous and important as racism, climate change, hate speech, prejudice, mental health, and inequality are targeted as subversive. Entire concepts are being vanished from government institutions, scrubbed not only from descriptions but from metadata, search indexes, and archival frameworks.

If you don’t name a thing, does it exist?

These words are as numerous as they are generic: women, race, Black, immigrants, multicultural, gender, injustice. But what is painfully unserious is also particularly dangerous in its real-world consequences. The process of controlling words is a well-worn authoritarian tendency. Fifty-two universities are now under investigation as part of the President's effort to curb “woke” research and thought crimes. Institutions are being coerced to comply with a nebulous set of ideological demands, or face budgetary annihilation. That means cutting funding for entire departments, slashing financial aid, defunding scientific grants, and pressuring faculty to self-censor.

The possibilities for censorship extend far and wide—interfering, by extension, in everything from reproductive healthcare programs, to libraries and museums. The Trump administration’s proposed budget slashing all federal funding for libraries, including the Institute of Museum and Library Services, will effectively gut an infrastructure that supports over 100,000 libraries and museums across the country—community centers, educational lifelines, internet access points, and archives of marginalized histories (starting with the Smithsonian Institution).

When you erase access, you erase participation. And when you erase participation, you erase people, and the means by which future generations might even learn they existed. A culture that cannot remember is a culture that cannot resist.

The erasure is, yet again, unsurprisingly targeted at minorities and LGBT+ people. The National Parks Service quietly revised the Stonewall Monument’s website to remove references to transgender people—a fundamental part of the original protests. Not an oversight, not a mistake, but a deliberate excision—one point in a wider plan of erasure depicted in stark detail in Project 2025, a blueprint to dismantle civil rights, defund LGBT+-related healthcare, and rewrite history from the ground up.

Dehumanization by deletion—welcome to the reactionary resurgence of doubleplusungood governance. In Trumpland, words are weapons—but not in the way they intend. Their fear of language betrays its power; that’s why they’re trying so hard to police it.

Words hurt them.

Hurt them back.

- the Ellipsus Team

hello! i'm trying to write a manipulative/cunning character that uses his charm to get what he wants, but i'm unsure how to go about it without being too overt. he basically acts all polite and uses peoples' inherent biases (like how they are more likely to listen to or trust someone who's conventionally attractive)

i'm also struggling to come up with instances where he'd use those skills. surely he can't just walk up to somebody and say something out of nowhere haha

thank you for your time!

That’s such a fun character to write! For subtle manipulation, focus on how he frames things—he never demands, just suggests. He compliments before slipping in a request, or pretends to confide in someone to earn their trust.

Manipulation has three core tactics:

Mirroring – He subtly copies people's tone, body language, or opinions to build fast rapport. People feel more at ease when they see themselves in someone else.

Framing choices – He never gives direct orders. Instead, he offers two options—both benefiting him—but makes one seem like the “better” or more moral choice.

Playing the victim or the hero – Depending on what the situation calls for, he knows when to act vulnerable to gain sympathy, or when to seem competent and generous to earn loyalty.

As for scenes: think small but calculated moments—like offering help so he can later call in a favor, or using flattery to get into private conversations. His charm should feel effortless, like everything he does just naturally benefits him. Let people want to say yes to him, because why wouldn't they? He'd never do anything wrong!

Use foreshadowing and drop hints through your scenes too, like:

He helps a powerful person in public (small act, big praise), later using that goodwill to get access somewhere.

He praises someone’s intelligence just before suggesting a risky plan—making them feel clever for agreeing.

He eavesdrops, then later "guesses" something personal about someone to seem insightful and trustworthy.

Basically, his charm is a tool, not a mask—it’s always used with purpose.

One character that comes to mind for inspo is Tom Riddle. I wrote a Tom Riddle fanfic series for like 2 years and crafting scenes where everyone thinks he's perfect while internally he's looking down on all of them was so so fun! Some personal tips from that experience:

Have someone who knows the truth! The one person who doesn't fall for his charm no matter what he tries, make his eye twitch and smile strain as he tries to maintain the farce of perfection whenever this person calls him out in public.

Internal monologue. It's important to make sure your readers get that this guy doesn't actually like the random girl he flirted with to get access to the professor's records. Or that the group of friends that constantly swarm him are really just nuisances in his eyes.

Make things easy, but not too easy. Have people who easily fall for the physical charm, and others whose trust he gains by making them let their guard down. The sceptic trusts him because he's apparently part of the same tiny dog club as them, the girl who falls for no one feels her heart flutter by how 'real and kind' he was during the moment they 'accidentally' met outside school.

I hope this helps!

How to Write a Character Who Feels Like Throwing Up

When fear, dread, or guilt gets sickening—literally—your character is consumed with a gut-clenching feeling that something is very, very wrong. Here's how to write that emotion using more than the classic "bile rose to the back of their throat".

Start with the Stomach

This isn’t just about discomfort. It’s about a complete rebellion happening inside their body.

Their stomach twists like a knot that keeps pulling tighter

A cold sweat beads on their neck, their palms, their spine

Their insides feel sludgy, like everything they’ve eaten is suddenly unwelcome

They double over, not from pain, but because sitting still feels impossible

Add Sensory Overload

Vomiting isn’t just a stomach reaction—it’s the whole body.

Their mouth goes dry, and then too wet

Their jaw tightens, trying to contain it

A sudden heat blooms in their chest and face, overwhelming

The back of their throat burns—not bile, but the threat of it

Breathing becomes a conscious effort: in, out, shallow, sharp

Emotional Triggers

Nausea doesn’t always need a physical cause. Tie it to emotion for more impact:

Fear: The kind that’s silent and wide-eyed. They’re frozen, too sick to speak.

Guilt: Their hands are cold, but their face is flushed. Every memory plays like a film reel behind their eyes.

Shock: Something just snapped inside. Their body registered it before their brain did.

Ground It in Action

Don’t just describe the nausea—show them reacting to it.

They press a fist to their mouth, pretending it’s a cough

Their knees weaken, and they lean on a wall, pretending it’s just fatigue

They excuse themselves quietly, then collapse in a bathroom stall

They swallow, again and again, like that’ll keep everything down

Let the Consequences Linger

Even if they don’t actually throw up, the aftermath sticks.

A sour taste that won’t leave their mouth.

A pulsing headache

A body that feels hollowed out, shaky, untrustworthy

The shame of nearly losing control in front of someone else

Let Them Be Human

A character feeling like vomiting is vulnerable. It's real. It’s raw. It means they’re overwhelmed in a way they can’t hide. And that makes them relatable. You don’t need melodrama—you need truth. Capture that moment where the world spins, and they don’t know if it’s panic or flu or fear, but all they want is to get out of their own body for a second.

Don't just write the bile. Write the breakdown.

a list of 100+ buildings to put in your fantasy town

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

dentist

distillery

docks

dovecot

dyer

embassy

farmer's market

fighting pit

fishmonger

fortune teller

gallows

gatehouse

general store

graveyard

greenhouses

guard post

guildhall

gymnasium

haberdashery

haunted house

hedge maze

herbalist

hospice

hospital

house for sale

inn

jail

jeweller

kindergarten

leatherworker

library

locksmith

mail courier

manor house

market

mayor's house

monastery

morgue

museum

music shop

observatory

orchard

orphanage

outhouse

paper maker

pawnshop

pet shop

potion shop

potter

printmaker

quest board

residence

restricted zone

sawmill

school

scribe

sewer entrance

sheriff's office

shrine

silversmith

spa

speakeasy

spice merchant

sports stadium

stables

street market

tailor

tannery

tavern

tax collector

tea house

temple

textile shop

theatre

thieves guild

thrift store

tinker's workshop

town crier post

town square

townhall

toy store

trinket shop

warehouse

watchtower

water mill

weaver

well

windmill

wishing well

wizard tower

characters going “we were lovers once”: eh, it’s okay i guess. it’s nice enough

characters going “we were friends once”: absolutely devastating. one hit knockout i’m gone

I just sent an ask to my favorite author.

I just sent an ask to my favorite author.

I just sent an ask to my favorite author.

I just sent an ask to my favorite author.

I just sent an ask to my favorite author.

I just sent an ask to my favorite author.

AHHHHHHHHHHH!!

Hello! Uh, I have a character who's kind of co-dependent on their partner but, I'm not sure how to show it in my writing. Do you have any suggestions for signs of co-dependency?

Hi :)

Signs of Co-dependency

always waiting for the other person before doing anything

not recognizing each other's boundaries and not enforcing boundaries

having low self-esteem

feeling the need to be of service to the other person

struggling with their self-image and self-worth

making excuses for their partner

being self-sacrificing

needing their partner's approval

avoiding conflict, taking on blame

failing at proper communication

minimizing or ignoring their own wants

doing things to make their partner happy

asking for permission

fear of rejection or abandonment

guilt over doing something "selfish" (for themself)

making themself uncomfortable for other's comfort

Hope this helps!

- Jana

Love without Sex

I’m doing a Philosophy paper on Asexuality. Please reblog if you think Love without Sex is possible! I really need the data. Like if you think love has to have sex.

Writing Prompt #12

I’m sorry I could not love you the way you needed me to.

I looooove the shit that's like

"You have the power to possess me and take over my body but you don't because you respect me"

because it can lead to

"I'll let you possess me and take over my body when necessary because I trust you"

Finished Persephone's details

I planned on posting once per month at the very least but failed...

Can we please appreciate Odysseus being a silent stalker in the shadows, taking out suitors with his bow, not deigning to speak to them as he takes them out one by one

until some of them go "we have to strike him in the darkness too! we know the halls of this palace! the odds can be tilted!"

and Odysseus, built this palace with his very hands, has to step out of the shadows like "are you this fucking stupid"

I couldn't sleep. So now. I post these. A few memes about bad retellings, and reacuring bad takes.

Also here is a few veriants of the Clown makeup meme.

I have two, but my retellings are like hadestown in which they use Greek mythology as a mode of storytelling to explore themes of ptsd and trauma and how that affects individuals (and those they love) and for the other themes of identity and love and trying to figure out who you are in a world that tries to tell you who you are.

I’m very excited to finish them :>

in my opinion, many modern greek retellings/stories inspired by greek mythology don't fail because they're inaccurate. they fail because they have nothing new to say.

i don't mind changes to the original myths, as long as they make sense and they have a narrative purpose! i understand that making changes is sometimes necessary to convey a certain narrative, especially to modern audiences.

is epic the musical mythologically accurate? hell no! but the changes serve to tell a specific story and to convey a certain message. also, epic the musical is self aware about its "inaccuracies". and the music just bangs.

is hadestown accurate? no! does it make the change that I always dread, removing the kidnapping from the hades/persephone myth? yeah. but hadestown is barely about them, and it uses greek mythology as a "narrative frame" to tell a certain story. it has a point. it has a message.

what are stories like lore olympus trying to say? what is the messagge of the hundredth persephone/hades retelling? what are we supposed to take from them? "don't listen to your mother she's a bitch"? "mothers are irrational and you should forsake her for a man"? very feminist.

why are we still doing the medusa "feminist" retellings? it's BEEN done. too many times. and they're ALL the same. it's a worse crime than being bad: they are boring.

i'm tired of retellings that are just "what if this very famous story was THE OPPOSITE and the protagonist was an ASSHOLE the whole time and the villain was MISUNDERSTOOD and the real VICTIM" okay but why. why would that be the case. what's the point of the story you want to tell. or do you just want to use shock value.

of course, i dislike retellings that are so different from the myth that they go AGAINST the spirit/message of the original, because in that case what's even the point of retelling the myth? just tell an original story. but i would take stabbed poseidon and capitalist hades any day over the same basic story of medusa being a girlboss or demeter being bad because of... reasons?

tl;dr: stop being unoriginal and tell a good story. or at least an entertaining one. i beg you

Hey OP, by any chance can you give us some sources to look at?

a quick psa to anyone recently getting into greek mythology and is a victim of tumblr and/or tiktok misconceptions:

-there is no shame in being introduced to mytholgy from something like percy jackson, epic the musical or anything like that, but keep in mind that actual myths are going to be VERY different from modern retellings

-the myth of medusa you probably know (her being a victim of poseidon and being cursed by athena) isn't 100% accurate to GREEK mythology (look up ovid)

-there is no version of persephone's abduction in which persephone willingly stays with hades, that's a tumblr invention (look up homeric hymn to demeter)

-as much as i would like it, no, cerberus' name does not mean "spot" (probably a misunderstanding from this wikipedia article)

-zeus isn't the only god who does terrible things to women, your fav male god probably has done the same

-on that note, your fav greek hero has probably done some heinous shit as well

-gods are more complicated than simply being "god of [insert thing]", many titles overlap between gods and some may even change depending on where they were worshipped

-also, apollo and artemis being the gods of the sun and the moon isn't 100% accurate, their main aspects as deities originally were music and the hunt

-titans and gods aren't two wholly different concepts, titan is just the word used to decribe the generation of gods before the olympians

-hector isn't the villain some people make him out to be

-hephaestus WAS married to aphrodite. they divorced. yes, divorce was a thing in ancient greece. hephaestus' wife is aglaia

-ancient greek society didn't have the same concepts of sexuality that we have now, it's incorrect to describe virgin goddesses like artemis and athena as lesbians, BUT it's also not wholly accurate to describe them as aromantic/asexual, it's more complex than that

-you can never fully understand certain myths if you don't understand the societal context in which they were told

-myths have lots and lots of retellings, there isn't one singular "canon", but we can try to distinguish between older and newer versions and bewteen greek and roman versions

-most of what you know about sparta is probably incorrect

-reading/waching retellings is not a substitute to reading the original myths, read the iliad! read the odyssey! i know they may seem intimidating, but they're much more entertaining than you may think

greek mythology is so complex and interesting, don't go into it with preconcieved notions! try to be open to learn!

twenty years across the sea

They all turned off their lights for dark skies week ☺️. I bet the sky looks lovely.

Buildings as far as the eye can see, and barely a light is on. It's not dark enough to feel eerie. Not yet.

Writing Prompt #11

“I will embed your name into your skin with my lips, if I must.”

This is meeee. I can’t wait to do this professionally

Human and Sex Trafficking: What I learned until now.

Anindya Chakrabarty, Co-Founder, CTO & CEO, Coceptive Media & CIO, Stellar Capital Management, Volunteer De-addiction Counselor, Crossroads Centre, Antigua. A quite different topic for a person with my designation to write a research paper on a sensitive topic like this. I’m working to start a non-profit organization for forced victims & rescued victims, providing mental health & de-addiction therapy to them. Here's my attempt to find out about one of the cruelest aspects of our society. This is the first draft; there's a lot more to add.

Abstract

Human trafficking, including sex trafficking, is a form of modern-day slavery that affects millions globally. It exploits individuals through coercion, deception, and violence, often targeting the most vulnerable populations. This paper explores the complex nature of human trafficking with a particular focus on sex trafficking. It discusses the underlying causes, global statistics, trafficking networks, victim experiences, legal frameworks, challenges in law enforcement, and strategies for prevention and rehabilitation. The paper also highlights international cooperation, policy recommendations, and the role of technology in both perpetuating and combating trafficking.

1. Introduction

Human trafficking is one of the most egregious human rights violations in the world today. Defined by the United Nations as the "recruitment, transportation, transfer, harboring or receipt of persons by means of threat, force, coercion, abduction, fraud, deception, abuse of power or position of vulnerability for the purpose of exploitation," it is a multibillion-dollar criminal industry. Sex trafficking, a subset of human trafficking, involves the commercial sexual exploitation of individuals, often under the age of 18 or through force, fraud, or coercion.

2. Scope and Scale of the Problem

2.1 Global Statistics

According to the International Labour Organization (ILO), an estimated 50 million people were in modern slavery as of 2021, with approximately 6.3 million victims of forced commercial sexual exploitation. Women and girls account for 71% of all human trafficking victims.

2.2 Regional Hotspots

Asia-Pacific: Accounts for over half of the world's trafficking victims.

Europe: A significant destination and transit region.

Africa: Source region with increasing internal trafficking.

Americas: Both source and destination, with an increasing number of domestic trafficking cases.

3. Causes and Risk Factors

3.1 Poverty and Lack of Education

Traffickers exploit economic desperation, luring individuals with false promises of employment, education, or better living conditions.

3.2 Gender Inequality

Women and girls are disproportionately affected due to social, economic, and cultural discrimination.

3.3 Political Instability and Conflict

Wars, displacement, and weak governance contribute to trafficking by creating environments where law enforcement is ineffective or corrupt.

3.4 Demand

Demand for cheap labor, commercial sex, and organ trade fuels the trafficking industry. In sex trafficking, buyers (often from more affluent countries) play a critical role in perpetuating exploitation.

4. Sex Trafficking: A Closer Look

4.1 Methods of Recruitment

Victims are often recruited through false job ads, romantic relationships (lover-boy technique), family acquaintances, or outright abduction.

4.2 Coercion and Control

Traffickers use psychological manipulation, debt bondage, physical violence, threats, and drug dependency to maintain control.

4.3 Victim Demographics

Age: Many victims are minors.

Gender: Predominantly female, though boys and transgender individuals are also trafficked.

Background: Commonly from marginalized or economically disadvantaged communities.

5. Legal Frameworks and Policies

5.1 International Conventions

Palermo Protocol (2000): Defines and criminalizes trafficking; signed by over 170 countries.

UN Convention on the Rights of the Child (CRC)

ILO Forced Labour Convention

5.2 National Laws

Many countries have anti-trafficking laws, but enforcement varies widely due to corruption, lack of training, or inadequate resources.

5.3 Law Enforcement Challenges

Identification of Victims: Victims may not self-identify due to trauma or fear.

Cross-border Cooperation: Limited coordination hampers transnational cases.

Judicial Delays: Long, drawn-out trials deter victims from participating.

6. Victim Rehabilitation and Reintegration

6.1 Psychological Support

Victims often suffer from PTSD, depression, and anxiety. Trauma-informed care is essential.

6.2 Legal and Social Services

Access to legal aid, shelter, vocational training, and reintegration programs is crucial but inconsistent across regions.

6.3 Stigma and Re-victimization

Many survivors face social stigma, making reintegration difficult. In some countries, victims are criminalized instead of supported.

7. Role of Technology

7.1 Negative Uses

Online Recruitment: Traffickers use social media and job platforms to lure victims.

Dark Web: Enables anonymous commercial sex transactions.

Cryptocurrency: Facilitates untraceable financial transactions.

7.2 Combating Trafficking

AI and Data Analytics: Help detect trafficking patterns and monitor online activity.

Blockchain: Used in supply chain transparency to ensure ethical sourcing.

Hotlines and Apps: Mobile tools for reporting and rescue coordination.

8. Prevention Strategies

8.1 Education and Awareness

Community programs, school curricula, and media campaigns can reduce vulnerability.

8.2 Economic Empowerment

Job training, microfinance, and access to education can help reduce poverty-driven trafficking.

8.3 Strengthening Institutions

Improving policing, judicial systems, and cross-border cooperation can enhance enforcement.

8.4 Corporate Accountability

Businesses must ensure their supply chains are free of forced labor and child exploitation.

9. Case Studies

9.1 India

A source, transit, and destination country. Initiatives like Bachpan Bachao Andolan and the Anti-Human Trafficking Units have made progress but face challenges in enforcement.

9.2 United States

Domestic sex trafficking is a growing issue. The Trafficking Victims Protection Act (TVPA) established a comprehensive framework but still faces implementation hurdles.

9.3 Nigeria

A major source country for women trafficked to Europe. The National Agency for the Prohibition of Trafficking in Persons (NAPTIP) has seen some success, though poverty and corruption persist.

10. Policy Recommendations

Strengthen International Cooperation: Streamline extradition, intelligence sharing, and joint operations.

Victim-Centric Approaches: Shift focus from criminalizing victims to holistic support.

Tech Regulation: Hold tech companies accountable for misuse of their platforms.

Regular Monitoring and Evaluation: Track progress of anti-trafficking programs.

Mandatory Reporting and Training: For frontline workers, educators, and transport sectors.

11. Conclusion

Human and sex trafficking are pervasive, evolving threats that strip individuals of dignity and freedom. Despite international efforts, trafficking continues due to deep-rooted socio-economic inequalities, demand-side factors, and enforcement gaps. Combating this crime requires a global, multi-pronged approach that combines strong laws, community involvement, victim support, and technological innovation. Only with sustained collaboration and commitment can we hope to end this modern form of slavery.

References

International Labour Organization (ILO). “Global Estimates of Modern Slavery: 2022.”

United Nations Office on Drugs and Crime (UNODC). “Global Report on Trafficking in Persons.”

U.S. Department of State. “Trafficking in Persons Report 2023.”

you read stuff on wattpad for shit and giggles where most of the fics there are reader-inserted ones written in 1st person pov where y/n is a barely legal white girl with blonde hair and blue “orbs” who’s so smol and fragile that she’s dependent entirely on this morally questionable guy who’s killing people for a living but for some reason happens to have a soft spot for her.

you read real actual literature on archive of our own where it’s two middle aged men, who are each other’s sworn enemies, with tragic past, trauma and strong homoerotic tension. and while they’ve made each other bleed, killed each other’s friends and loved ones out of jealousy / possessiveness, lied and betrayed and manipulated, the rawness, depth, complexity and slow burn will keep you up all night, haunt you during your day and possibly change your life forever. and also the sex isn’t just smut. the sex is poetry that puts Shakespeare to shame

Writing Prompt #11

You’re trying to plan a surprise birthday party. It’s not going as well as you hoped.

Hey i’m a fashion design student so i have tons and tons of pdfs and docs with basic sewing techniques, pattern how-tos, and resources for fabric and trims. I’ve compiled it all into a shareable folder for anyone who wants to look into sewing and making their own clothing. I’ll be adding to this folder whenever i come across new resources

https://drive.google.com/drive/folders/16uhmMb8kE4P_vOSycr6XSa9zpmDijZSd?usp=sharing

Writing Prompt #10

A is violently ill and B has no idea what to do.