List Of Organizations And Fundraisers You Can Donate To To Help Sudan:

From the court today. Israel IS committing a genocide.

hello everyone! @siraj2024 and his family are in desperate need of help right now. they've been forced to relocate SIX TIMES in the past few months due to massacres and bombings by the IOF. siraj’s 3 children have been robbed of their childhoods by this violence and injustice, and they are living in a tent and lacking basic necessities.

siraj has set a shorter term goal of 10k so he and his family can relocate once again to a safer location, which isn't cheap. they are currently at 7,274 CAD out of 10k. if you donate in currencies that are worth more than CAD (like USD and EUR) even small amounts will go a long way!

gofundme.com

Donate to Support Siraj's Family in Rebuilding Their Home, organized by Ahmad Abudayeh

hi, my name is ahmad and I'm raising a fund for my cousin Siraj and thi… Ahmad Abudayeh needs your support for Support Siraj's Family in Reb

they have only received 4 donations in the past 7 hours. i know we can help more! thank you for hearing out siraj's story!

free online james baldwin stories, essays, videos, and other resources

**edit

James baldwin online archive with his articles and photo archives.

---NOVELS---

Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."

Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."

+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)

Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."

Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."

If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."

also has a film adaptation by moonlight's barry jenkins

Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 

---ESSAYS---

Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film

--DOCUMENTARIES--

Take this hammer, a tour of san Francisco.

Meeting the man

--DEBATES:--

Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )

Debate with William Buckley, 1965. ( historic debate in america. )

Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)

----

apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.

Pokemon Patches made by PewterCityTradingCo

'If you don't like graffiti look away like you do for genocide"

Seen in Austin, Texas

Excerpts from an interview with Assata Shakur in Cuba in 1997:

Sociologist Christian Parenti: How did you arrive in Cuba?

Assata Shakur: Well, I couldn’t, you know, just write a letter and say, “Dear Fidel, I’d like to come to your country.” So I had to hoof it–come and wait for the Cubans to respond. Luckily, they had some idea who I was, they’d seen some of the briefs and U.N. petitions from when I was a political prisoner. So they were somewhat familiar with my case and they gave me the status of being a political refugee. That means I am here in exile as a political person.

Parenti: How did you feel when you got here?

Shakur: I was really overwhelmed. Even though I considered myself a socialist, I had these insane, silly notions about Cuba. I mean, I grew up in the 1950s when little kids were hiding under their desks, because “the communists were coming.” So even though I was very supportive of the revolution, I expected everyone to go around in green fatigues looking like Fidel, speaking in a very stereotypical way, “the revolution must continue, Companero. Let us triumph, Comrade.” When I got here people were just people, doing what they had where I came from. It’s a country with a strong sense of community. Unlike the U.S., folks aren’t so isolated. People are really into other people. Also, I didn’t know there were all these black people here and that there was this whole Afro-Cuban culture. My image of Cuba was Che Guevara and Fidel Castro. I hadn’t heard of Antonio Maceo (a hero of the Cuban war of independence) and other Africans who had played a role in Cuban history.The lack of brand names and consumerism also really hit me. You go into a store and there would be a bag of “rice.” It undermined what I had taken for granted in the absurd zone where people are like, “Hey, I only eat uncle so and so’s brand of rice.”

Parenti: So, how were you greeted by the Cuban state?

Shakur: They’ve treated me very well. It was different from what I expected; I thought they might be pushy. But they were more interested in what I wanted to do, in my projects. I told them that the most important things were to unite with my daughter and to write a book. They said, “What do you need to do that?” They were also interested in my vision of the struggle of African people in the United States. I was so impressed by that. Because I grew up–so to speak–in the movement dealing with white leftists who were very bossy and wanted to tell us what to do and thought they knew everything. The Cuban attitude was one of solidarity with respect. It was a profound lesson in cooperation.

Parenti: Did they introduce you to people or guide you around for a while?

Shakur: They gave me a dictionary, an apartment, took me to some historical places, and then I was pretty much on my own. My daughter came down, after prolonged harassment and being denied a passport, and she became my number one priority. We discovered Cuban schools together, we did the sixth grade together, explored parks, and the beach.

Parenti: She was taken from you at birth, right?

Shakur: Yeah. It’s not like Cuba where you get to breast feed in prison and where they work closely with the family. Some mothers in the U.S. never get to see their newborns. I was with my daughter for a week before they sent me back to prison. That was one of the most difficult periods of my life, that separation. It’s only been recently that I’ve been able to talk about it. I had to just block it out, otherwise I think I might have gone insane. In 1979, when I escaped, she was only five years old.

Parenti: You came to Cuba how soon after?

Shakur: Five years later, in 1984.

Parenti: You’ve talked about adjusting to Cuba, but could you talk a bit about adjusting to exile.

Shakur: Well, for me exile means separation from people I love. I didn’t, and don’t miss the U.S., per se. But black culture, black life in the U.S., that African American flavor, I definitely miss. The language, the movements, the style, I get nostalgic about that. Adjusting to exile is coming to grips with the fact that you may never go back to where you come from. The way I dealt with that, psychologically, was thinking about slavery. You know, a slave had to come to grips with the fact that “I may never see Africa again.” Then a maroon, a runaway slave, has to–even in the act of freedom–adjust to the fact that being free or struggling for freedom means, “I’ll be separated from people I love.” So I drew on that and people like Harriet Tubman and all those people who got away from slavery. Because, that’s what prison looked like. It looked like slavery. It felt like slavery. It was black people and people of color in chains. And the way I got there was slavery. If you stand up and say “I don’t go for the status quo.” Then “we got something for you, it’s a whip, a chain, a cell.” Even in being free it was like, “I am free but now what?” There was a lot to get used to. Living in a society committed to social justice, a Third World country with a lot of problems. It took a while to understand all that Cubans are up against and fully appreciate all they are trying to do.

Parenti: Did the Africanness of Cuba help, did that provide solace?

Shakur: The first thing that was comforting was the politics. It was such a relief. You know, in the States you feel overwhelmed by the negative messages that you get and you feel weird, like you’re the only one seeing all this pain and inequality. People are saying, “Forget about that, just try to get rich, dog eat dog, get your own, buy, spend, consume.” So living here was an affirmation of myself, it was like “Okay, there are lots of people who get outraged at injustice.” The African culture I discovered later. At first I was learning the politics, about socialism–what it feels like to live in a country where everything is owned by the people, where health care and medicine are free. Then I started to learn about the Afro-Cuban religions, the Santaria, Palo Monte, the Abakua. I wanted to understand the ceremonies and the philosophy. I really came to grips with how much we–black people in the U.S.–were robbed of. Here, they still know rituals preserved from slavery times. It was like finding another piece of myself. I had to find an African name. I’m still looking for pieces of that Africa I was torn from. I’ve found it here in all aspects of the culture. There is a tendency to reduce the Africanness of Cuba to the Santaria. But it’s in the literature, the language, the politics.

Parenti: When the USSR collapsed, did you worry about a counter-revolution in Cuba, and by extension, your own safety?

Shakur: Of course, I would have to have been nuts not to worry. People would come down here from the States and say, “How long do you think the revolution has–two months, three months? Do you think the revolution will survive? You better get out of here.” It was rough. Cubans were complaining every day, which is totally sane. I mean, who wouldn’t? The food situation was really bad, much worse than now, no transportation, eight-hour blackouts. We would sit in the dark and wonder, “How much can people take?” I’ve been to prison and lived in the States, so I can take damn near anything. I felt I could survive whatever–anything except U.S. imperialism coming in and taking control. That’s the one thing I couldn’t survive. Luckily, a lot of Cubans felt the same way. It took a lot for people to pull through, waiting hours for the bus before work. It wasn’t easy. But this isn’t a superficial, imposed revolution. This is one of those gut revolutions. One of those blood, sweat and tears revolutions. This is one of those revolutions where people are like, “We ain’t going back onto the plantation, period. We don’t care if you’re Uncle Sam, we don’t care about your guided missiles, about your filthy, dirty CIA maneuvers. We’re this island of 11 million people and we’re gonna live the way we want and if you don’t like it, go take a ride.” Of course, not everyone feels like that, but enough do.

Parenti: What about race and racism in Cuba?

Shakur: That’s a big question. The revolution has only been around thirty-something years. It would be fantasy to believe that the Cubans could have completely gotten rid of racism in that short a time. Socialism is not a magic wand: wave it and everything changes.

Parenti: Can you be more specific about the successes and failures along these lines?

Shakur: I can’t think of any area of the country that is segregated. Another example, the Third Congress of the Cuban Communist Party was focused on making party leadership reflect the actual number of people of color and women in the country. Unfortunately by the time the Fourth Congress rolled around the whole focus had to be on the survival of the revolution. When the Soviet Union and the socialist camp collapsed, Cuba lost something like 8.5% of its income. It’s a process, but I honestly think that there’s room for a lot of changes throughout the culture. Some people still talk about “good hair” and “bad hair.” Some people think light skin is good, that if you marry a light person you’re advancing the race. There are a lot of contradictions in people’s consciousness. There still needs to be de-eurocentrizing in the schools, though Cuba is further along with that than most places in the world, In fairness, I think that race relations in Cuba are twenty times better than they are in the States, and I believe the revolution is committed to eliminating racism completely. I also feel that tine special period has changed conditions in Cuba. It’s brought in lots of white tourists, many of whom are racists and expect to be waited on subserviently. Another thing is the joint venture corporations which bring their racist ideas and racist corporate practices, for example not hiring enough blacks. Ali of that means the revolution has to be more vigilant than ever in identifying and dealing with racism.

Parenti: A charge one hears, even on the left, is that institutional racism still exists in Cuba. Is that true? Does one find racist patterns in allocation o/housing, work, or the functions of criminal justice?

Shakur: No. I don’t think institutional racism, as such, exists in Cuba. But at the same time, people have their personal prejudices. Obviously these people, with these personal prejudices, must work somewhere, and must have some influence on the institutions they work in. But I think it’s superficial to say racism is institutionalized in Cuba. I believe that there needs to be a constant campaign to educate people, sensitize people, and analyze racism. The fight against racism always has two levels; the level of politics and policy but also the level tof individual consciousness. One of the things that influences ideas about race in Cuba is that the revolution happened in 1959, when the world had a very limited understanding of what racism was. During the 1960s, the world saw the black power movement, which I, for one, very much benefited from. You know “black is beautiful,” exploring African art, literature, and culture. That process didn’t really happen in Cubar. Over the years, the revolution accomplished so much that most people thought that meant the end of racism. For example, I’d say that more than 90% of black people with college degrees were able to do so because of the revolution. They were in a different historical place. The emphasis, for very good reasons, was on black-white unity and the survival of the revolution. So it’s only now that people in the universities are looking into the politics of identity.

Parenti: Are you still a revolutionary?

Shakur: I am still a revolutionary, because I believe that in the United States there needs to be a complete and profound change in the system of so-called democracy. It’s really a “dollarocracy.” Which millionaire is going to get elected? Can you imagine if you went to a restaurant and the only thing on the menu was dried turd or dead fungus. That’s not appetizing. I feel the same way about the political spectrum in the U.S. What exists now has got to go. All of it: how wealth is distributed, how the environment is treated. If you let these crazy politicians keep ruling, the planet will be destroyed.

Parenti: In the 1960s, organizations you worked with advocated armed self-defense. How do you think social change can best be achieved in the States today?

Shakur: I still believe in self-defense and self-determination for Africans and other oppressed people in America. I believe in peace, but I think it’s totally immoral to brutalize and oppress people, to commit genocide against people, and then tell them they don’t have the right to free themselves in whatever way they deem necessary. But right now the most important thing is consciousness raising. Making social change and social justice means people have to be more conscious across the board, inside and outside the movement, not only around race, but around class, sexism, the ecology, whatever. The methods of 1917, standing on a comer with leaflets, standing next to someone saying “Workers of the world unite” won’t work. We need to use alternative means of communication. The old ways of attaining consciousness aren’t going to work. The little Leninist study groups won’t do it. We need to use video, audio, the Internet. We also need to work on the basics of rebuilding community. How are you going to organized or liberate your community if you don’t have one? I live in Cuba, right? We get U.S. movies here, and I am sick of the monsters; it’s the tyranny of the monsters. Every other movie is fear and monsters. They’ve even got monster babies. People are expected to live in this world of alienation and tear. I hear that in the States people are even afraid to make eye contact in the streets. No social change can happen if people are that isolated. So we need to rebuild a sense of community and that means knocking on doors and reconnecting.

All eyes on Rafah

yo Mr white check out the banquet table. there's pheasant and aspic and roast suckling pig. this place is straight up magical. bitch

When the rest of the world looks at the united states right now, we see a government who sends billions to support genocide but cannot help their own people starving on the streets.

We see a police force who won't go in to save children from school shootings, but deploy at a rapid rate to arrest peaceful protestors using their right to free speech to protest a genocide

America, you are a war mongering snake eating your own tail. You will protect and support war criminals in another country but let your own people starve and die

To the students bravely protesting now, we see your strength. We see what we saw when students protested the Vietnam War. We have faith you will prevail

🚨STOP TIME IS RUNNING OUT

$20/ $20k

He invokes death upon himself from the intensity of the pain.

Omar, who is six years old, survived a massacre that happened to his family, losing his father as a result. This little child invokes death upon himself from the intensity of the pain and shock he experienced. His mother is still in shock.

Please, any amount will make a difference in protecting them.

You are their only hope after more than 200 days in this genocide. Please donate or share the link.

I trust that goodness still exists in people.

gofundme.com

Donate to Help Dina and her children survive through the war, organized by Simran K

Hello everyone, I have created this campaign on behalf of Dina and her thr… Simran K needs your support for Help Dina and her children survi