Their Love Quarrel Is In A Different Kind Of Level

their love quarrel is in a different kind of level

Their Love Quarrel Is In A Different Kind Of Level

More Posts from Penguka and Others

4 years ago

my body slaughterhouse

In the quiet moments in-between everything, Yoo Joonghyuk looks to Kim Dokja. Or: Yoo Joonghyuk just wants to care for Kim Dokja if only he’d stay still for a goddamn second.

joongdok, 2.7k; an orv fic about gentleness.

also on ao3, with author’s notes if you want to read that sort of thing.

. . .

Yoo Joonghyuk is not used to being soft. His hands are made for breaking things, not saving them; he has never been able to save anyone, including himself. The lives he’s lived, going back to that fateful day the world ended, have made him cold and cruel. There is a distance between him and the rest of the world that no one can cross.

He walks this world alone. He knows better than to expect anyone to keep up with him.

He knows better than to get attached.

But Kim Dokja, impossible and unpredictable, forced his way into Yoo Joonghyuk’s life and declared them companions. And suddenly Yoo Joonghyuk is not the one walking ahead of everyone else, alone; now, he chases after Kim Dokja, time after time, reaching for him, always a step behind.

Kim Dokja is here, in this regression, and that is all that matters.

Keep reading


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3 years ago

"Don't put numbers into your stories." Jeezus.

Guide: Keeping Numbers & Number-Related Details Straight in Your Story

I was midway through my answer when I realized this would be a good opportunity for a quick guide.

About That Post...

Honestly, I think the OP was probably a bit of a tongue-in-cheek, hyperbolic rant from a writer who had a frustrating review or critique. The problem is, a lot of people seem to be taking it as genuine/good advice, and that really concerns me.

Obviously, it's fine to be vague about dates, ages, distances, or anything else if that's what you want to do. But don't leave numbers out because you're not willing to do the work to keep your story's details straight. Doing the work to figure that stuff out and keep it straight is part of your job as a serious writer.

Hey, Buddy! Let's Do Some Research!

Look, I get it... when you're excited about a story idea, you just want to go wild and start writing. But if your story uses real world people, events, locations, items, or other elements--or heavily relies on them as inspiration--you need to sit down and do some research.

This doesn't mean you have to choose exact dates for your story if you don't want to. But if your story is loosely set in the 1880s (or inspired by an 1880s setting,) you'd better have a good idea of what did and did not exist in the 1880s so you can be sure you're not using a 1914 fashion trend or 1700s slang.

And, doing research doesn't mean you have to research every single element of your story before you start writing. You can stop and research as you go. In the middle of my writing session tonight, I spent 15 minutes researching what kind of pine tree would grow near the coast in my WIP's inspiration setting. And even though that location will never be named in my story, I care about my writing enough to take the time to make sure my details are accurate.

WQA’s Guide to Internet Research Researching an Historical Topic Writing About Difficult to Research Topics

Timelines: A Writer's Best Friend

Whether or not you choose to be specific about dates in your story, I strongly advocate the use of a story timeline, even if you're not usually a "planner." Having a detailed story timeline (that includes important back story events) helps ensure that you don't mix up dates, lose track of how much time has passed between events, or create overlapping events.

There are loads of different ways you can create a timeline, and no way is better than any other. You can jot important dates and events down on post-its, use an app, draw out a timeline on a piece of paper, create something in Word... whatever you want to do is great! Here are some different timeline styles I've used. Some of these are timelines from actual WIPs.

Standard Line Timeline

"Don't Put Numbers Into Your Stories." Jeezus.

Calendar Timeline (You can print these out at Time and Date...)

"Don't Put Numbers Into Your Stories." Jeezus.

Basic Scene List & Timeline

"Don't Put Numbers Into Your Stories." Jeezus.

Complex Scene List & Timeline (This one is based on Save the Cat!)

"Don't Put Numbers Into Your Stories." Jeezus.

Color-Coded Timeline

"Don't Put Numbers Into Your Stories." Jeezus.

And, if you're like me and you have trouble keeping character ages straight throughout important back story events, I give you...

The Color-Coded Character Age Chart

"Don't Put Numbers Into Your Stories." Jeezus.

And, honestly, that's how you keep numbers and number-related details straight in your story. Research and timelines. It's just that simple!

So, don't be afraid to include numbers or number-related details in your story if you want them there. :)

•••••••••••••••••••••••••••••••••

Have a writing question? My inbox is always open!

Visit my FAQ

See my Master List of Top Posts

Go to ko-fi.com/wqa to buy me coffee or see my commissions!

4 years ago
My Full Illustration For @familystylezine, A Publication About The Histories Behind Various Asian, Asian

my full illustration for @familystylezine, a publication about the histories behind various asian, asian american, and pacific islander foods! my piece features the filipino tapsilog.

4 years ago

The important thing to remember is to just keep writing. Write a little bit every day. Don't worry about the word count. Don't plant yourself in front of your laptop and refuse to get up until you've finished a chapter. Be kind to yourself, and WRITE.

Even if you only make it to 20, 50, 100 words in one sitting, that's perfectly alright. Give yourself permission to applaud your consistency, and don't give up. Even when it hurts. Even when self-doubt rears its ugly head. Even when it starts to feel like you're screaming into a void and no one out there is listening, don't give up.

Keep going. Keep pushing. And be patient with yourself in the process.

Being an artist is nothing if not learning how to take a few punches 🌻

4 years ago

philippine myth creatures gothic

they talk of creatures lurking in the night, always reminding you of their ways whenever you do something bad. using your fear as a way for you to obey them.

they talk of the tiyanak, and how they attract travelers by imitating a baby cry and then attack the victim. you walk home late one night from school, you hear the baby crying, not so distant. you stop for a second, the hairs on your arms rising, a shiver running down your spine. you resume walking. you don’t turn back.

you remember the tikbalang one time you got lost with your friends. you drive and drive but you keep returning to that tree with the branches that look like arms and it feels eerie. you had your stereo on full volume and you turn it down. you tell your friends to keep quiet and to turn their shirts inside out. you keep driving and this time you get out. but it’s been five hours when it felt like five minutes.

you think of the manananggal when your mom gets pregnant. you think of it flying to your house and using its long proboscis-like tongue to suck out the heart and blood of your would-be sibling. you think of its severed torso, the upper doing the job while the lower just stands there. you sit up every night waiting for it. you don’t get much sleep, too scared to sleep in case it comes.

you wait for your friend one time. you hear, ek ek ek. it seemed very far so you don’t pay much attention to it. you tell your friend this and they say it was probably an ekek, similar to the manananggal. your friend also says that they fool people into thinking they were far when they were actually very close.

your mom tells you that your maid’s mother is an aswang, a vampire-like witch ghoul. your maid is probably one too. you remember what happened to your neighbor, how he didn’t seem like himself and then he became sick and died. you hear people saying it was your maid and that it was the way of the aswangs to replace their victims with doppelgangers only to become sick and die. you’ve been very nice to you maid ever since. you don’t know who’s real, you don’t know who’s a doppelganger.

these are some of the creatures you’ve been afraid of your whole life. they tell you to let go of it. they tell you it’s not real. but you can’t, you can’t, you can’t.

3 years ago
Babaylan Knowledge: A Complete Tutorial About Herbal Medicine In The Philippines

Babaylan Knowledge: A Complete Tutorial About Herbal Medicine in the Philippines

Certain herbs, even some fruits are used as traditional and alternative medicine in the Philippines. This Buzzle article presents information on some popular medicinal plants, which are approved by the Department of Health, Philippines.  […] Source: A Complete Tutorial About Herbal Medicine in the Philippines

3 years ago

I don't know if you can answer this one, but basically, I know what needs to happen in my story and I know where it's going but it's like I can't get it there or don't have the ideas to get it there, if that makes sense? For example, I'm writing a short story and for this particular scene, these two characters need going to kiss to get the story going, but the dialogue and scene feels so flat or it's like I have no ideas to get from point A to point B.

Trouble Getting from Point A to Point B

You may think you know what needs to happen in your story, and you may think you know where your story is going, but knowing random things that have to happen and a general ending aren't usually enough to make a story unfold. For some writers it is, but not for most of us.

There are some key things a story needs in order for you to fill in those moments...

1) Motivation and Goal - every story is about someone who wants something trying to get that thing, so the first thing you need to figure out about your story is what your character wants, why they want it, and the steps they need to take in order to get it.

2) Internal Conflict - Your character's history, experiences, and current situation all play a role in who they and what they need. What does your character want to change about themselves or their situation?

3) Antagonistic Force - When you're trying to reach a goal, there's almost always an antagonistic force creating obstacles you must overcome. If you're training to run a marathon, those obstacles are probably created by the limitations based on your current level of fitness. If you're trying to survive a gladiator-style fight, the antagonistic force is whoever/whatever put you in that situation and on a smaller scale, whoever/whatever you need to fight to survive.

4) Stakes - Stakes are the things that matter most to your character. These are the reasons your character is motivated in the first place, the reason they want to pursue their goal. Stakes are the best thing that could happen if your character succeeds, and the worst thing that could happen if they fail. What's the worst that can happen?

Sometimes, when you're trying to reach a goal, the stakes are raised. This could be a natural raising of the stakes, like a smoldering volcano showing sudden signs that it's about to blow and threaten the character's family in the village below. It could be an intentional raising of the stakes, like the villain kidnapping your character's significant other, forcing your character choose between slaying the villain's dragon that's terrorizing the village, or saving their loved one.

Your character's goal tells us where the story is going. Your character's motivation tells us why the character wants to get there. Their internal conflict tells us why they want what they want, and why they do the things they do. The antagonistic force tells us who or what they're up against and what obstacles they'll have to overcome on their way to reaching their goal. Stakes tell us how things can get increasingly worse/increasingly more tense.

When you know all of these things about your story, you start to understand the individual things that need to happen, like the moment when your character finds out their loved one was kidnapped, or the moment when the smoldering volcano starts to rumble. When you know the individual things that have to happen, you can build scenes around them. When you know what your characters want, why they want it, what internal conflict drives their choices, and what's standing in their way, you understand what your characters would need to talk about in each scene.

Have a look at the following posts for more help:

Guide: How to Turn Ideas into a Story Guide: Filling in the Story Between Known Events Guide: How to Outline a Plot Basic Story Structure How to Move a Story Forward

Good luck with your story! ♥

•••••••••••••••••••••••••••••••••

Have a writing question? My inbox is always open!

Visit my FAQ

See my Master List of Top Posts

Go to ko-fi.com/wqa to buy me coffee or see my commissions!

3 years ago

For historical fic writers

For Historical Fic Writers

This chair is called a GALLINERA

It was a furniture often seen on the porch, gate, or balconaje of the rich. Farmers and servants sit on this chair to wait for the their Masters when they're giving payments for using the farmland. The payments are usually chickens. The space with the sliding door underneath is where they keep the chickens. The chair is made from heavy wood and is adorned in inticate design. It is a status symbol, and the prettier your Gallinera is, the richer and kinder you are (Imagine buying expensive chair for the peasants).

Ideas to use the Gallinera:

1. Rich neigbors with rivalry - compete by beautifying the Gallinera.

2. A Señorito who said he's living on his own - lives under the Gallinera instead and he's never found out.

3. A Señorita lying down under the Gallinera to practice being dead inside a casket.

4. Poetic cinema - showing the status of the family by the cobwebs accumulating around the Gallinera.

3 years ago

gods the soft LongJun moments in S2 E5 is just… good shit good shit

Gods The Soft LongJun Moments In S2 E5 Is Just… Good Shit Good Shit
Gods The Soft LongJun Moments In S2 E5 Is Just… Good Shit Good Shit
Gods The Soft LongJun Moments In S2 E5 Is Just… Good Shit Good Shit
Gods The Soft LongJun Moments In S2 E5 Is Just… Good Shit Good Shit

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4 years ago

Different Ways of Walking

hello, hello! good morning, i woke up early today... for reasons i'm not to crazy about. but i decided to do a post, for ya'll.

let me say a quick thank you before i proceed with today's post. i have 200 followers! in case some of you didn't see my post about me mentioning it. it's not a lot but, as i've said before i didn't think anyone would follow at all because this account was mostly for me.

but thank you to everyone who follows, reblog and likes my posts! it means a lot :)

now, without further ado!

walk: move on one's feet. We walked to town.

limp: walk unevenly because one leg is hurt. That man is hurt, he's limping.

hobble: walk with difficulty. The old man hobbled along the street with the aid of his stick.

stagger: walk unsteadily as if about to fall. He was so drunk that he staggered all the way home.

stumble: stagger. She stumbled upstairs and into bed.

lurch: stagger. The drunken man was lurching along the street.

tiptoe: walk on the tips of one's toes. She tiptoed to the bed so as not to wake the baby.

stroll: walk for pleasure. They strolled around the park.

amble: walk at a slow, leisurely pace. They ambled along for miles.

saunter: stroll. They sauntered around the park.

wander: move without a fixed purpose or destination. They enjoy wandering through the countryside.

roam: wander. They roamed through the streets for hours.

ramble: walk for pleasure with no particular destination. He likes rambling around in the country.

mooch: wander, walk slowly without any purpose. John mooched about the shops.

meander: walk in a slow, relaxed way instead of taking the most direct way possible. (Rivers also meander). As I was sitting in the park, I watched as couples seemed to meander around happily.

stride: walk with long steps. She strode across the fields.

strut: walk in a proud way, with the chest out and trying to look important. He strutted past us, ignoring our greeting.

swagger: walk proudly, strut. After winning the first prize, the player swaggered about proudly.

stalk: walk in a proud or angry way, with long steps. The teacher turned and stalked out of the classroom.

sashay: walk in a confident way, moving the body from side to side, especially so that people look at you. The models sashayed down the aisle showing their clothes.

trudge: walk slowly and with effort because one is tired. We were very tired after trudging through the deep snow for two hours.

shuffle: walk very slowly and noisily, without lifting one's feet off the ground. His legs were aching so much that he shuffled to bed.

stump: walk heavily and stiffly. They stumped up the hill.

plod: walk with heavy steps or with difficulty. Labourers plodded home through the muddy fields.

pace: walk with regular steps. He paced up and down the platform, waiting for the train.

march: walk with regular steps of equal length. Demonstrators marched through the streets of the city.

parade: walk or march together to celebrate or protest. Demonstrators paraded through the streets of the city.

crawl: move slowly with the body close to the ground or on hands and knees. A baby crawls before he can walk.

toddle: walk with short unsteady steps. Her two-year-old son toddled into the room.

edge: move gradually with small movements. Paul decided to edge away from the crowd.

creep: move slowly and quietly with the body close to the ground. The cat crept silently towards the bird.

sneak: go quietly and secretly in order to avoid being seen or heard. The boy sneaked in without paying.

pad: walk softly and quietly. The child padded barefoot down the stairs.

prowl: walk slowly and quietly because you are involved in a criminal activity or because you are looking for something. Street gangs usually prowl this alley.

slide: move smoothly over a surface. I was sliding on the ice.

slip: slide accidentally. She slipped on the ice and broke her leg.

dash: move quickly and suddenly, rush. I must dash or I'll miss the train.

dart: move quickly and suddenly in the specified direction. She darted away when I came in.

scamper: run quickly and playfully. The children were scampering up the steps.

sprint: run very quickly for a short distance. The kids sprinted down the stairs.

jog: run slowly and steadily, as a way of exercising. She goes jogging everyday.

trip over: catch one's foot on something and stumble or fall. He tripped over the step and fell.

scuttle: move quickly with short steps, because you are afraid or do not want to be noticed. The mouse scuttled off when we entered the room.

scurry: move quickly with short steps, because you are in a hurry. He was late so he had to scurry off to work.

skip: move forward with quick steps and jumps. The child skipped with joy towards his father.

lope: run with long steps. The man loped off after the ball.

lollop: run with long awkward steps. The dog came lolloping down the path.

tear: run or move quickly in a dangerous or careless way. When the storm started, they tore back into the house.

rush: hurry, move quickly because you need to get somewhere soon. She was late so she decided to rush off down the hall.

hop: move by jumping on one foot. The man hopped down the road after hurting his foot.

trip: walk with short quick steps, usually as young girls do. The little girl tripped happily up the road.

lunge: make a sudden movement towards somebody or something. The boxer lunged forward and grabbed his opponent by the arm.

scramble: climb up or down, or over something quickly and with difficulty. They had to scramble up to the top of the hill to see the view.

hike: take a long walk in the mountains or countryside, as an adventure. The group hiked up to the top of the hill.

trek: hike; make a long, difficult journey on foot. For ten days she trekked across the mountains of China.

paddle (UK), wade (US): walk for pleasure without shoes or socks in water that is not very deep. The children were paddling in the lake.

waddle: walk with short steps, moving the body from one side to another, used especially to talk about birds or people with fat bodies. The fat man waddled off to the restaurant for lunch.

prance: walk with high steps or large movements, in a confident way. She pranced around her room, pretending to be an actress.

frogmarch: force somebody to walk by holding his arms tightly by his side, usually because of bad behaviour. The prefect frogmarched the boy to the detention room.

there you have it folks! hope everyone has a wonderful day! and if there is one i didn't list feel free to add it when you reblog it!

if you'd like to repost on instagram feel free to do so just tag me in perpetualstories

Follow my Instagram and Tumblr for more writing and grammar tips and more!

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