Latest Posts by phymarsh - Page 4
I Love how this is a POV of This Scene from Chapter 108
Jibaku Shounen Hanako-kun Volume 21 Promotional Illustrations
Picture perfect Amane and Tsukasa coloring 🌆⭐
I NEVER NOTICED THIS HELLO
KOU CALLING MITSUBA BY HIS FIRST NAME
Like the fact that Kou doesn't even call Yokoo and Satou by their first names and that Kou promised to be friends with Mitsuba UGHHHHHHH idk if I'm sad or happy but I'm feeling EMOTIONS about chapter 114
Kou Minamoto and Sousuke Mitsuba - Jibaku Shounen Hanako-kun - Season 2 Episode 6
he's literally one of the best feminine boy representation I have ever seen in media so far, no one can argue
i think of m1tsuba/sousuke and mit2uba/no.3 the same way kou thinks of them. like, yeah, theyre different people. but, also, what... what do you mean theyre different people...??
The painful love
Nene's dream is to be loved by someone, because she was always mistreated by boys…. she gave up her life, "her marriage" to save her best friend, and she will give up all of that if she is by Hanako's side , these are all just details, it's not about marriage, it's about her loving him.
He's a ghost, he can't get married, he can't have children, he can't grow old with her, he can't even leave school, she won't be able to introduce him to her parents, she won't be able to meet his family, no one can see him . All Nene has is the great love she feels for him, and what wins over Hanako most is her desire to stay.
One of the forms of love, regardless of whether it is friendship or romance, is for someone to "stay" for you. Someone chooses to be by your side, even with your story, your past, your hurts and flaws. Nene stood by him, even when no one else did, and this contrasts greatly with his relationship with Tsukasa.
Tsukasa wants to leave, yes, to save Hanako, but Hanako doesn't want to be saved, he wants to be forgiven, he wants to be loved, he wants the people he loves to stay. So, when Nene went after him on the far shore, even though he scolded her, he couldn't hold back any longer. Because she did all that because she wanted to be with him, when not even the person he loves most, Tsukasa, had decided to leave.
She is the only person who wants to stay by his side without thinking twice, no matter what she has to do, she will be there. Even now, even going back in time, she still remembers him, remembers the desire she had to see him in the audience watching her in the play.
It's ironic, because Nene wanted a handsome boy for everyone to see, she wanted to use the boys as a trophy, not to show off, but to show the boys who were mean to her that someone can love her, even with this "flaw." "superficial and futile.
But in the end she fell in love with a ghost, the ordinary boy who is not popular, who no one can see. That was something I loved about the construction of the story, how Aidairo didn't give Nene what she wanted, but what she needed.
To be loved by the boy who finds her "flaw" attractive, to be loved by the boy who protects her, who listens to her, who is there for her. Being loved by the imperfect boy who has his own story and who makes mistakes, who is not the prettiest guy in the class, but who truly loves, no matter how much he tries to hide it, no matter how mysterious he is.
He is afraid that she will find out about him, because he doesn't want her to leave, almost like a silent request "please don't go.." Hanako is a boy who seems to have been abandoned a lot, maybe it only happened to Tsukasa, but even Let it just be him, Tsukasa is the love of his life, not in a romantic way, but he is the person he loves most, and he is gone.
The love between these two is tragic, but true, seeing how the two complement each other, even with the "flaws" and mistakes they make. It's an intense, true love, a continuous struggle between being together or separated by destiny.
Yes, destiny, it is he who is manipulating everything, their destiny is not to be together, but they are fighting against it, even if they have to break the world.
And, I hope, they break the world together with Tsukasa. Because he loves Amane, because he didn't want to leave him, but he had to, it was the only option, because he loves Amane so much that he wants him to live and be happy, even without him.
But for Amane, there is no happiness without Tsukasa, and now, there is no happiness without Nene either.
I love the moments where Nene and Hanako are allowed to be themselves and have fun together, like the normal kids they should've been allowed to be.
Me every Sunday:
The thoughts:
I really like revisiting the earlier chapters after reading the newer ones because it helps give new perspective on the earlier interactions of these two.
The way how Hanako speaks to Yashiro, even from the beginning of their partnership, is so cute and sweet in a way I don't know how to explain. Sure, he's definitely still a jerk at times, but the general manner in which he interacts with her makes me smile like an idiot.
I like how he's not even angry or too upset with her, he's simply like, "Stop the cap. Just fess up and I'll help."
I love this scene, Hanako playing along with Nene's fantasies about the play, while also depicting his true desires to make her feel like the princess she always wished she was.
Details ☆ * ･ﾟ *｡｡·･｡ ﾟ *★
Hands down this is my favourite KouNene interaction in the series:
#Amane and Mitsuba's deadpan jealous faces in the BG are sending me haha
One of the cutest aspects about the direction of Yashiro's character in the newer chapters is how much she's openly simping for Hanako. We even get a glimpse into how Yashiro actually views him.
In the beginning, Yashiro was dead-set on only getting with the hottest of hot guys---the whole prince charming type. In fact, this is why she was obsessed with Teru for quite a bit.
But as of chapter you-know-who, there's very clearly a distinction between how the series/other people portray and see Hanako versus how Yashiro views him.
Throughout all the bullcrap these two go through, Yashiro realizes she can't keep her feelings buried anymore (though, I don't see why you would when you literally fight your way through this world's version of hell just to get to this dude, but I digress) and goes all in with acknowledging she wants nothing more than to be with Hanako.
Heck, even when her former crush, Nakahara was (creepily) hitting on her (actually, he was harassing her), she wanted nothing to do with him because Nakahara wasn't Hanako. It literally takes her a few seconds for her to even remember who he is because that's how insignificant he is in comparison to the one and only toilet ghost.
As she runs away from him due to his downright creeptitude (which ironically enough, smartly shows that he wouldn't have even made a good partner anyway so it was actually a good thing he rejected her), she reflects on how she DID want to confess to someone, but it wasn't to him---it was---say it with me: HANAKO--
And the best part from her reflecting on how she wanted to confess to him, it goes back to that part where he was with her in the stage where they'd be holding the performance for the Wizard of Oz. See how the series objectively portrays him versus how Yashiro sees him?
Yashiro is no longer concerned with any prince charming because in her eyes, Hanako IS exactly THAT. From what she originally saw as this snarky boy in a hat, she now sees him as the most handsome because of who he is and what they've both been through together.
He looks more attractive to her because of the fact she recognizes the bond she has with him and wants nothing more than to delve deeper into it.
As messy as these two are, I will say this: AidaIro are MASTERS at subtext and tugging my heart strings.
I love Hanako’s reaction to young Nene. Him being directly told I love you makes him emotional as he’s not really been told that in his life, besides from Tsukasa.
How are we feeling, HanaNene nation? :))))
"Would you fall in love with me again If you knew all I've done? The things I cannot change Would you love me all the same? I know that you've been waiting, waiting for love"
"I will fall in love with you over and over again I don't care how, where, or when No matter how long it's been, you're mine Don't tell me you're not the same person You're always my husband, and I've been waiting, waiting.''
Toilet Bound Hanako-kun Hanakotoba Analysis
While it might seem surprising that it's taken me this long to cover TBHK—given my adoration of the series and its abundance of flower symbolism—what delayed me was mainly the lack of clarity as to which flowers represented which characters and scenes. This is mostly because multiple characters have been depicted with the same flowers while some characters have been depicted with multiple flowers. I went off of flowers I've seen in the anime and any official artwork I managed to find since it's been a while since I read the manga. In any case, I tried my best...
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-> 1) Camellia (Camellia japonica)
-> 1.1) Flower Symbolism:
In Japan, camellias are called tsubaki (椿). They are associated with modest kindness, pride, eternal love and enduring love in hanakotoba. Red camellias in particular symbolise love, humble virtue, modest splendour, unpretentious grace and "perishing with grace" in hanakotoba. Pink camellias represent love, modesty, beauty, longing and missing someone. On the other hand, white camellias symbolise waiting, impeccable charm complete beauty and supreme loveliness. Camellias are also associated with everlasting love, marital bliss and perfect unions between lovers because, unlike most other flowers, the calyx and petals of a camellia flower don't separate when its flower wilts. In Western floriography, camellias are associated with constancy, steadfastness, perfect loveliness, unpretending excellence, adoration, longing, admiration and perfection. Red camellias in particular are associated with passion, love and desire.
-> 1.2) Discussion of symbolism:
The most prevalent flower depicted in the TBHK anime and manga series—as well as in its official artwork—is the red camellia. A silhouette of a camellia flower is even incorporated into the series' logo. In the series, camellias are often associated with its titular protagonist, Hanako—but are also occasionally associated with Nene Yashiro and Tsukasa Yugi. Despite being closed off and often smiling to mask his emotions, Hanako cares greatly for those close to him, which ties into the camellia's symbolism of modest kindness. Over the course of the series, Hanako and Nene have come to care a great deal for one another with the former going so far as to uproot the lives of others and sacrifice his own existence to save her. This ties into the camellia's symbolism of enduring love, adoration, longing, passion and perishing with grace. Meanwhile, Nene goes so far as to change the timeline so she can see him again. This ties into the camellia's association with steadfastness, longing, passion, adoration and enduring love. Nene's innate kindness and naivety as well as her development throughout the series from an insecure, hopeless romantic to someone more assured and determined greatly complements the flower's symbolism of loveliness, charm, modesty and beauty.
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-> 2) Hollyhock (Alcea rosea)
-> 2.1) Flower symbolism:
In Japan, hollyhock flowers are called tachiaoi (タチアオイ) and symbolise ambition, abundance as well as noble and majestic beauty in hanakotoba. Pink hollyhocks in particular symbolise benevolence and gentleness while red ones symbolise love. In Western floriography, hollyhocks are associated with ambition and fruitfulness. Pink hollyhocks represent innocence, youthfulness, gentleness and grace while red ones symbolise passion, love, strength, resilience and courage.
-> 2.2) Discussion of symbolism:
In the series' first episode, hollyhock flowers are seen growing in the garden that Nene tends to as she talks to Hanako. They are also pictured in the opening theme of the second season alongside Aoi Akane. Hollyhock flowers have also been depicted in official artwork alongside Nene and Hanako. The hollyhock flower's symbolism of strength, resilience, courage, and love complement the trials and tribulations Nene and Hanako have gone through for one another. While the flower's symbolism of benevolence, ambition, gentleness, youthfulness, resilience, passion and love strongly complement Nene's character. Although she isn't depicted with hollyhock flowers as often as HanaNene are, the kanji of Aoi's name (葵) translates to hollyhock. The hollyhock flower's symbolism of grace, passion, love, beauty, benevolence and gentleness complement her outward-facing personality.
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-> 3) Bellflower (Campanula sp.)
The flowers depicted in this artwork of Hanako and Nene Yashiro are bellflowers. Although the exact species depicted is unclear, the closest resemblance is the Korean bellflower (Campanula takesimana).
-> 3.1) Flower symbolism:
In Japan, bellflowers are called berufurawā (ベルフラワー) and represent humility, gratitude, sincerity and an unchanging heart in hanakotoba. The bellflower's association with humility is derived from its downfacing flowers. In Western floriography, bellflowers symbolise humility, constancy, sincerity, gratitude and unwavering love.
-> 3.2) Discussion of symbolism:
Pinkish-purple bellflowers are featured alongside Nene Yashiro and Hanako in the release notice and cover artwork of chapter 116 of the manga. The bellflower's associations with gratitude, sincerity, constancy, unwavering love and an unchanging heart greatly complement Hanako and Nene's feelings for one another.
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-> 4) Daffodil (Narcissus sp.) & Marigold (Tagetes sp.)
-> 4.1.) Flower symbolism:
-> 4.1.1) Daffodil Flower Symbolism:
In Japan, daffodils are known as suisen (水仙). They are associated with conceitedness, self-love, respect, regard and unrequited love in hanakotoba. Yellow daffodils in particular symbolise "come back to me" and "I want you to love me again". In Western floriography, daffodils symbolise egoism, self-love, respect, chivalry, unrequited love, evanescent happiness and deceitful hopes.
-> 4.1.2) Marigold Flower Symbolism:
In Japan, marigold flowers are called marīgōrudo (マリーゴールド). They represent jealousy, despair and sadness in hanakotoba. In Western floriography, marigolds symbolise jealousy, despair, cruelty, pain, pessimism and grief.
-> 4.2) Discussion of symbolism:
Daffodils and marigolds are featured on the cover of volume 15 of the cover as well as on the above official art of Hanako. Although the main trio is featured on the cover of volume 15 given the solo artwork of Hanako, it's a reasonable assumption that he is the one canonically linked with these flowers. A single daffodil is also featured on the cover of volume 0 alongside Hanako. Both daffodils and marigolds have negative connotations in flower language contrary to their bright and pretty appearance. This is somewhat reminiscent of how Hanako hides his true emotions and inner turmoil behind a mask of cheerful mischievousness and hides how closed off he is emotionally with Nene with how physically affectionate he is with her. Added to this, the marigold's symbolism of jealousy, despair and grief as well as the daffodil's symbolism of regard, egoism, deceitful hopes complement his character. Furthermore, the daffodil's symbolism of "come back to me" and "I want you to love me again" greatly resonates with Nene's feelings towards Hanako in the current arc of the manga.
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-> 5) Sunflower (Helianthus sp.) & White Lily (Lilium candidum) & Tiger Lily (Lilium lancifolium)
-> 5.1) Flower Symbolism:
-> 5.1.1) Sunflower Flower Symbolism:
In Japan, sunflowers are called himawari (ひまわり). In hanakotoba, they represent longing, adoration, aspiration and "I look only at you", longing, adoration". In Western floriography, sunflowers symbolise adoration, good luck, resilience, happiness, optimism, warmth, longevity and false riches. Sunflowers are also a representation of unconditional love, devotion and loyalty.
-> 5.1.2) White Lily Flower Symbolism:
In Japan, white lilies are called shirayuri (白百合). They symbolise purity, chastity, innocence and dignity in hanakotoba. In Western floriography, they symbolise affection, majesty, purity, sweetness and refined beauty. They are also associated with faith, rebirth and commitment. White lilies are often used at weddings due to their association with purity, commitment, and love. However, because of their association with purity, white lilies are often used at funerals and are thus also perceived as a symbol of grief and mourning. This established association of death with purity suggests that the departed spirit is pure, virtuous, and innocent, conveying sincere sentiments of hope and mercy beyond death.
-> 5.1.3) Tiger Lily Flower Symbolism:
In Japan, orange lilies symbolise brilliance and humour. In hanakotoba, Tiger lilies—which are called oniyuri (鬼百合)—represent pride, wisdom as well as wealth. In Western floriography, tiger lilies are associated with compassion, charity, wealth, humble pride, passion, mercy, confidence, positivity, prosperity and protection.
-> 5.2) Discussion of symbolism:
Tiger lilies and white lilies are featured on the volume 0 cover of the manga alongside Hanako. While sunflowers are depicted alongside Hanako on the cover of AidaIro's art collection. The sunflower's symbolism of adoration, longing, devotion, loyalty, unconditional love and "I only look at you" resonates with Hanako's feelings towards Nene. The sunflower's association with longevity and good fortune is reminiscent of Hanako's desire for Nene to live a good and long life. Given its association with positivity and happiness, the sunflower in the artwork could be a symbolic representation of Nene and how he longs for her and wants to protect her rather than just a figurative representation of his feelings towards her. The white lilies on the cover of volume 0 could be a representation of Hanako's purity and innocence during his human life as Amane Yugi. The white lilies' association with grief and mourning could infer that he mourns the loss of his innocence and purity. Conversely, the white lilies depicted could represent Nene while the tiger lilies represent Kou Minamoto—along with the daffodil representing Hanako. Each flower's symbolism complements their respective character, supporting this theory. With the white lily's association with purity, innocence, sweetness and beauty complementing Nene. While the tiger lily's symbolism of confidence, passion, positivity, charity, mercy, compassion and protection complements Kou.
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-> 6) Baby Blue Eyes (Nemophila sp.) & Lotus (Nelumbo nucifera)
-> 6.1) Flower Symbolism:
-> 6.1.1) Baby Blue Eye Flower Symbolism:
Baby Blue Eye flowers are known as Rurikarakusa (ルリカラクサ) in Japan. In hanakotoba, they symbolise success everywhere, daintiness and forgiveness. In Western floriography, they are associated with victory, prosperity, tenderness, sensitivity, harmony and trust. They also represent the transient nature of beauty and life, encouraging us to treasure every moment and appreciate simplicity.
-> 6.1.2) Lotus Flower Symbolism:
In Japan, lotuses are called ren (蓮) or hasu (はす). In hanakotoba, they symbolise eloquence, detached love, sacredness, and a pure heart. They are also associated with rebirth, purity, transformation, renewal, spiritual enlightenment and resurrection as well as beauty, grace and perfection. In Western floriography, lotuses symbolize purity of the heart, virtue, innocence, achieving great things, beauty rising from humble beginnings and bringing together separate things. Lotuses also symbolize estranged love and eloquence. Pink lotuses in particular are often associated with feelings of admiration.
-> 6.2) Discussion of symbolism:
Pink lotuses are depicted alongside Nene and Aoi on the cover of volume 13 of the manga. While the blue flowers depicted around Nene and Aoi on the artwork commemorating the release of chapter 60 are likely Baby Blue Eye (Nemophila) flowers. The lotus' representation of purity, enlightenment, innocence, virtue and sacredness is symbolic of both Nene and Aoi's roles as kannagi—ritual sacrifices to appease the gods and separate the far and near shores. The lotus' symbolism of perfection, beauty, grace and eloquence is reminiscent of how others perceive Aoi. Meanwhile, its symbolism of detached or estranged love is more reminiscent of her real personality and her feelings of resentment and bitterness at having to constantly pretend. The lotus' symbolism of a pure heart, admiration, "beauty rising from humble beginnings" and "bringing together separate things" complements Nene's character. The Nemophila's symbolism of harmony, trust, tenderness, sensitivity, forgiveness, success and treasuring simplicity complements Nene and Aoi's friendship and reinforces how all the tribulations they go through together strengthen their bond.
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-> 7) White Violet (Viola mandshurica) & White Daisy (Bellis perennis)
->7.1) Flower Symbolism:
->7.1.1) White Violet Flower Symbolism:
Violet flowers are called sumire (菫) in Japan. In hanakotoba, they represent humility, sincerity and small happiness. White violets in particular symbolise purity, candor and innocent love. In Western floriography, violets symbolise modesty and faithfulness. White violets in particular symbolise faithfulness, loyalty, modesty, innocence and purity.
-> 7.1.2) White Daisy Flower Symbolism:
In Japan. daisies are called hinagiku (雛菊). They represent purity, beauty, peace, innocence and hope in hanakotoba. In Western floriography, daisies symbolise purity, innocence, new beginnings and beauty.
-> 7.2) Discussion of symbolism:
On volume 18's fifth publication notice artwork, Sumire Akane is depicted alongside white daisies. While on the release artwork of chapter 89, she is depicted alongside white violets. Sumire's name (スミレ) means violet in Japanese making it a fitting choice for this artwork. The violet's association with modesty, innocence, purity, humility and sincerity plays into Sumire's youthful, nurturing and cheerful outward-facing persona. The artwork depicts her gently holding a white rabbit complementing this notion. The daisy's symbolism of peace, purity, innocence, beauty and hope further accentuates this. Although neither flower's symbolism hints at her underlying sadistic and manipulative side, her smile in each artwork is somewhat too saccharine. Both flowers' association with purity and innocence is symbolic of her role as a kannagi.
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╰➤ Other anime & donghua hanakotoba posts
HANANENE × TBHK S2 EP08
I will never get over how utterly absurd Hanako's fantasies about Yashiro are. As...Hanako-esque as they are, I think it's somewhat cute how Yashiro is still the most beautiful girl to him. We don't really see him fantasize about anyone but her.
(Hanako for real said, "I'd let her buy me," I can't---)
That's not even talking about how quickly he FOLDS whenever she does take charge
At this point, Hanako just wants Yashiro to overpower him, that's it
Daily HanaNene #33
And to think that Nene actually got a kiss on the forehead from Hanako.
But we couldn't appreciate it because we were too busy trying not to feel angry at Hanako for locking Nene in the tower. ^_^
a little collection of kou responding to mitsuba’s “😇😄😊” with a “😧”:
and of course, the classics:
he looks so taken with him sometimes