Cale, Upon Feeling The Sensation Of Something Like A Parents Warm Hand, Immediately Deduces That Danger

Cale, Upon Feeling The Sensation Of Something Like A Parents Warm Hand, Immediately Deduces That Danger

Cale, upon feeling the sensation of something like a parents warm hand, immediately deduces that danger must be nearby and that it isn’t to be trusted

That’s super depressing wtf

More Posts from Redibanni and Others

2 years ago

Susie was not in a good place at the beginning of Ch 1.

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I think we should try taking a closer look at where she came from to understand what her state of mind was back then.

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Susie isn’t from Hometown.

Wherever she was from, she was not treated well.

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And, upon coming to Hometown…things weren’t much better.

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Susie Was Not In A Good Place At The Beginning Of Ch 1.

In Hometown, Susie is

Chronically underfed

Likely homeless

Hated by most of her classmates

Close to being expelled and losing her last tether to a normal life

Susie was at the very, very end of her rope at the beginning of Chapter 1.

Keep reading


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1 year ago

things people do after having a nightmare that isn’t crying

struggle to catch their breath

grab onto whatever’s close enough to ground themselves in reality

become nauseous / vomit

shake uncontrollably

sweat buckets

get a headache

things people do to combat having nightmares if they occur commonly

sleep near other people so they can hear the idle sounds of them completing tasks

move to a different sleeping spot than where they had the nightmare

leave tvs / radios / phones on with noise

just not sleep (if you want to go the insomnia route)

sleep during the day in bright rooms

things people with insomnia do

first, obviously, their ability to remember things and their coordination will go out the window

its likely they’ll become irritable or overly emotional

their body will start to ache, shake, and weaken

hallucinate if it’s been long enough

it becomes incredibly easy for them to get sick (and they probably will)

add your own in reblogs/comments!


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3 months ago

Reaction fics are a beloved trope of LOTCF fanfiction, but let me pose a challenge to the concept. Rather than a god deciding to show the audience Cales life as a punishment/gift for the future/to help them in some way, what if it was instead just a godly whim?

The reason they are there is incomprehensible. It doesn't make sense. The god either won't explain, or doesn't care to. The scenes they're shown are helpful in some ways, but not in others. Why are they here? How do they get out?

I'd like to see a reaction fic where the goal of the audience is to leave. They neither want nor need to see the deep, dark depths of their leader. And they will never, ever accept something without knowing the intentions behind it.

This is better if there's another driving force behind why they are desperate to leave. Someone is missing (Cale?), something is happening on the outside (something important), or they're getting signs- hints- figurative or literal writing on the walls from the previous participants in this game that don't spell a happy ending for what comes after this. Something is behind this, and that something doesn't truly care about them.

No one to assure them, "if you just watch his life, everything will be fine." Or when it is assured, the audience fights back. The god assured them, again, they just have to watch. Watch and understand. But they find ways to get out- they have to be dragged back, one by one, into that theater room. It should be fun to watch them analyze the manners of their leader or his backwards thinking, except it isn't. They keep fighting against it. Why are they fighting? Something that isn't human could never understand.

It's an idea I had based off our own manipulation. We write reaction fics for our own amusement. We want to force these characters into a box and make them react to Cale. We are a god that does this- not to help them, not to give a gift to them- it is for our amusement. It's fun to watch them react.

But isn't it out of character for them to not fight back? With biting words and violent actions? These characters don't simply allow themselves to be beaten into submission. Coerced into bowing their heads. We'd have to tie them to their chairs and make them sit and watch. And that's something I see in a lot of reaction fics too.

Usually the best way to keep these characters in place is via the Cale Method. Cale is injured and has to heal, it's a price he has to pay, he's being threatened, etc. It'd be cool if there was something else forcing them down like muzzled dogs. Just my thoughts though.

*anyone is free to run with the ideas from this or any idea built off of this (with no credit)

**but I'd love to be sent anything like it


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2 years ago

Krs!cale came from a world where food was scarce and you'd probably die if you're picky...

Imagine everyone just shouting in shock when he drops a cookie and immediately squats down, looks at it for 2 seconds, and then pops it into his mouth.

After that??? They watch him like hawks because he's basically a toddler putting random things into his mouth... Like you can't tell me his old habits wouldn't kick in sometimes and he wouldn't dig up some random wild carrot or smth and just smack some dirt off before taking a bite. Ron would literally have to take it away.. and you know the little kid thing where the parents dust the dirt off the kids hands and stuff?? That.

Cale: I don't get why you guys are so against leaving me alone??? I'm grown .

Also Cale: (eating random bread off the ground)

Beacrox just , having a mental break down over how dirty it is and how many germs Cale must've ingested ...

I wanna write this fkdkfkdlg

2 years ago
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I wonder if that’s why Ralsei says things like this…

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Because he wishes someone would say those thing to him?

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2 years ago

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?


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2 years ago

A More Compassionate View: The Red Soul is Here to Help

Or “Gaster invited The Red Soul in to save the world of Deltarune, and he specifically wanted a Post-Pacifist Red Soul for the job”.

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Keep reading


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1 year ago

hi, so... um... who is "megabird"? I was going trough your blog and saw it mentioned a lot of times. At first I thought that it was just a meme, but apparently it's not??? I'm new to the fandom, so sorry for dumb questions, and sorry if this has been answered before...

please don’t worry it isn’t a dumb question! megabird is only mentioned by name in tom zhao’s concept art, but long story short, she’s basically a divine entity of the flame and the creator of sky kids. (putting a read more in case this gets long, and of course, game spoilers ahead)

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so she’s a god in charge of the reincarnation cycle of light creatures, including sky kids. her presence isn’t restricted to the concept art, of course; we see the megabird in the wind vanes in the prairie bird’s nest as well as the prairie temple entrance, and a popular speculation is that megabird is the one narrating at the beginning of sky (the whole fall of the stars and “if only they had listened” spiel describing the destruction of the sky kingdom).

in the concept art above, the holy site refers to the eye of eden, so it’s pretty safe to say we fly into megabird during the orbit sequence.

probably the most important bits of megabird lore come from the concept art timeline, though. it’s a bit hard to read because of the low quality, and i might put a transcription in the next ask for anyone curious, but i’ll just take the bits related to megabird and type them below:

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Fire Era

- All souls are part of the Megabird. Each soul cycles through the Human and the Sky. World gathers experience before returning to Megabird. We are all one and one is us all.

- Megabird grants flame to Prince and Creatures.

- Megabird is at her strongest and all life is connected by light.

- Both Ancients and Creatures worship the fire, migrating to the holy land to die and be reborn.

Dark Stone Era

- The Ancients enter a golden age and the Prince is crowned King. However, dark matter begins to corrupt the Prince and Ancestors.

- Ancients become indifferent and disconnected from the Megabird. The Ferryman Ancestor (Isle Elder) retires with no new souls to shepherd.

Post Storm Era (after the Sky Kingdom is destroyed)

- In dismay, Megabird blesses the sky Kingdom with a new Descendant race (sky kids) in the hope that they will reconnect all souls.

it’s important to note that lore stated in concept art is not necessarily canon, but there are plenty of safe assumptions we can make based on what’s in game that are basically accepted as fanon. megabird is indeed meme’d though. if you ever hop into the official sky discord’s lore channel, you might see her get called megan or described as a bunch of noodles because of her appearance. i also personally like joking that any mysterious source of light in the sky (such as the sun) is megabird. hope this helped :]


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2 years ago

Ralsei’s Astral Projection habit - it’s not about us.

It’s about Susie.

Twice now, Ralsei pulls Kris aside and asks them to think about what Susie’s doing.

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People have theorized this is to “get alone time away from the Player”, but I think he actually does this because he’s trying to communicate something about Susie to Kris.

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“Astral Projection”?

Both Kris and Ralsei act like they’re viewing/have viewed Susie’s scenes.

In Chapter 2, Ralsei is alright with Kris not viewing Susie’s scene if they’re not interested.

 If doing the Snowgrave route, Kris will skip Susie’s scene by themself, and Ralsei, after initially being flustered, will say, “As long as Susie’s happy”.

So that’s why - what?

Keep reading


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2 months ago

prompt 2591

Why didn't you just tell me that in the beginning?

I was afraid it would scare you off.


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redibanni - RedIbanni
RedIbanni

I like blogging my Fixations and Analysis ----- An Amateur Writer

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