Writing Description Notes:

DSMP streams divided in months

these don't include every stream (not just cause they're wips) since some don't have a date. meaning those could not be added in these month playlists, but they are in these two. for some others i could try and guess

if you know the right dates, let me know

2020

april

may

june

july - [LORE]

august - [LORE]

september - [LORE]

october - [LORE]

november - [LORE]

december - [LORE]

2021

january - [LORE]

february - [LORE]

march - [LORE]

april - [LORE]

may - [LORE]

june - [LORE]

july - [LORE] (lore playlist doesn't exist yet)

august - [LORE]

september - [LORE]

october - [LORE] (no lore playlist yet)

november - [LORE]

december - [LORE]

2022

january - [LORE]

february - [LORE]

march - [LORE]

april - [LORE]

may - [LORE] (no playlists yet)

june - [LORE]

july - [LORE] (no playlists yet)

august - [LORE]

september - [LORE]

october - [LORE]

november - [LORE]

december - [LORE]

post finale

any stream from the month after the last lore stream, meaning the Syndicate finale in december 2022

right now, the title says 2023, but i know Eret and Sam have briefly joined the server in 2024. the title will change to fit the years, but i have to find them first

and that's it! if you use these playlists or send them to others, can i ask for a reblog so i know people are finding them useful?👉👈

I'm loving how there's like, no tags 💀😭😭🤣

Life imitating art.

Storytelling in Any Season

Incorporating the seasons into my stories is enjoyable. Not only are seasons a relatable life experience, but passage of time can be tricky to portray without them. The best part about adding the seasons to a story is that they have strong potential to aid the plot.

Seasonal details that are easy to add to create the scene and affect the plot.

CLOTHING; if I walk this path in winter, I have to wear huge boots that can handle slick mud. If I walk it in summer, the dead grass scratches my bare legs because now I am wearing shorts.

EXTREME TEMPERATURE; whatever we do today it better be indoors and out of this heat wave/blizzard. If the battle/heist/romance/etc. takes place in this weather, there will be consequences!

CHARACTER MOOD; autumn is Character A's favorite time of year! they gain a positive, upbeat attitude as soon as they see signs of autumn. Character B feels dread and becomes easily agitated during autumn. The two of them clash more in autumn than any other season.

EVENTS; holidays aside, some seasons may be busier for one character than another. I had a weekend job during summers and was rarely available. Weddings are most common in spring. Community events that affect traffic, shops, or social atmosphere can occur at any time of year.

TRANSPORTATION; some parts of the world rely on different transport for different seasons. A bicycle when it is temperate, a bus or train when it is miserable. A car for dry weather is replaced with a car outfitted for inclement weather. A regular trip to the grocery store may even need to be cancelled completely. And don't forget air and water travel!

HISTORY/TRAUMA; certain seasons in your story may be marked by pain. This is the season the war took many lives. This is the month unforgettable tragedy occurred. The upcoming season marks the anniversary of a huge mistake we'd all like to forget. Social and personal customs will reflect this memorial.

FOOD; in the modern-day US we are used to most foods being available year-round. This is not the case globally or historically. Seasons can be marked by what foods are or aren't available. This can include meat, produce, and dairy, but it can also extend to dishes and meals.

RESOURCES; like food, weather and climate affect access to many things your characters may need. Washed out roads halt shipments, but heavy rain is good for crops. Intense heat can damage perishable supplies, but dries out firewood fast. Natural disasters halt production while simultaneously increasing demand. Even a weather event in another hemisphere can affect your character's resources.

Whenever you think "How do I portray the changing seasons?" pay attention to the changes you have to make each season. Places you go, your personal habits, the items you carry with you, the events you prepare for, and all of these real-life details affect YOUR "plot" every day. Consider which ones would affect your characters, and use them to both set the scene and move the story along.

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✩ This was written in response/addition to @writingquestionsanswered post Incorporating Seasons Into a Story. Please see their post for other important tips!

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TBOAH Headcanon

I updated my taglist with links to the more noteworthy theories.*

*…that doesn’t necessarily mean they’re good. they just got a lot of notes.

Here’s are the links for mobile users:

Undertale:

A CHARActer Analysis (bring snacks)

Don’t GOAT Breaking My Heart

The Soul in the Machine

Where is Frisk Post-Pacifist?

Deltarune:

Meta

Kris, Frisk, and Chara are Nonbinary (and why it matters)

Weak Points

On Susie’s Very Cool Gender

Frisk-Kris Parallels

Ralsei Parallels 

Deltarune’s message isn’t that escapism is a bad thing 

Taking a Closer Look at “Tea Theory”

Deeplore:

A More Compassionate View: The Red Soul is Here to Help

Deltarune’s Timeline May Have Been Reset Before

Two Characters Control the Save/Load Screen

The Red Soul Turned Yellow and Saved Kris on its Own

Who is the Narrator Talking to When They Say “You”?

Things that Support Chara being the Narrator in Deltarune

Super Forbidden Acid Lake Dialogue I Intend to be Annoying About 

How to Hack the Susie Plush Into Your Game (pre-bug fix) 

Why There May Be More Types of Boss Monsters 

Kris Has a Trusting Nature (And May Trust Us) 

Let’s Talk about Papyrus! 

We Don’t Know Where Asriel Is 

Susie May Be from a Human Community

Ralsei’s Astral Projection Habit - It’s Not About Us. It’s About Susie.

Things that indicate Noelle may return to the Dark Worlds

Ralsei’s Prophecy has ties to Gaster

Taking a Meandering Look at the New Green Room

Kris and Susie may have been friends in the past (and had a falling out) 

What age was Kris adopted by the Dreemurrs?

Friendship Propaganda:

Kris and Susie

Kris Grew To Care About Susie (Chapter 1)

Kris Cares About Susie Outside of Our Influence (Chapter 2)

Kris May Have Considered Susie a Friend Before Chapter 1 (Halloween Pencil)

Kris Deliberately Gives Susie Space

Kris wasn’t afraid of Susie even before she joined the team

Kris wants to spend time with Susie

Susie is still a little insecure about her friendship with Kris

Susie might have wanted to be friends with Kris since before Chapter 1

Susie is putting a lot of effort into connecting with Kris

Kris and Susie are both choosing to be friends and there’s nothing we can do about it

Kris and Susie may have been friends in the past (and had a falling out)

Ralsei

Ralsei’s Not Afraid to Get Mad at Susie (which is good)

Susie’s friendship with Ralsei changed over Chapter 2

Kris Considers Ralsei a Friend

Noelle and Kris

Why Noelle values her friendship with Kris

Noelle is an incredible friend and reaches out to Kris constantly

Noelle has been saving Kris (on both routes)

Kris was likely sincere when they said they were friends with Noelle

Noelle and Kris are supportive of each other’s relationship with Susie

Both Kris and Noelle enjoy reconnecting

 Susie and Noelle

Noelle is NOT “Unhealthily Obsessed” with Susie (A Cranky Post)

The Susie and Noelle Friendship Propaganda Post

Noelle is genuinely interested in Susie as a person

Yes, there is evidence Susie has a crush on Noelle

Misc Warm Fuzzies

Alphys Might Be Trying to Look Out for Susie.

Things that indicate Undyne might bond with Susie

The Reason Kris Refuses to Give Spamton the Soul

 Susie Has the Biggest Heart on the Team

Lmao there was a comment on a chapter of King’s Maker that went “It’s always the redheads that cause the chaos” and someone simply replied with “Cale Henituse” and everyone was agreeing with them. No questions asked none needed

Where to start as a beginner writer

Are you new to the world of writing? Here are some pointers to consider when starting out your journey!

Define your purpose

A super important first step for any writer is to ask themselves why they are actually writing. What sort of message do you want to put out into the world, what types of stories are you going to tell? Do you want to make people cry, laugh, do you want to inspire them, do you want to shine a torch on important issues, do you want to thrill them or make them feel good?

Familiarize yourself with character arcs

Before plot, there is character! Character arcs are a great way to get yourself started on your writing journey. Learn about internal conflict, misbelief, positive and negative arcs, backstories... Once you know this, the plotting side of things clicks into place much easier.

Understand the basics of story structure

You do not need to be a plot-genius to write a good book. As long as you have a good grasp on your character arcs, and a basic understand of how a story is structured, you’re good to go! It’s great to read about 3-act, 5-act, hero’s journey, and other structures on examples of books you’ve read or films you’ve seen.

Read in your genre

Cannot stress this enough! Every writer should be a reader. It’s so important to read within and outside of your genre, because reading is the best way to learn and grow and improve.

Don’t be afraid to write whatever comes to mind

All writers get stuck into certain parts of their writing, and we all become victims of perfectionism or procrastination one way or another. Don’t let this be a thing to discourage you. What’s important to know about writing is that the more you do it, the more you will improve. So even if you’re writing something for fun, or you’re not entirely happy with the quality, know that actually writing it will help you more than avoiding it.

Did you know I have a free novel plan to get you started on your writing journey?

You can grab it through the [link here] or below!

the-plottery.com

The Plottery Links

The Plottery offers writing services such as book coaching, book editing, novel plotting digital courses, and theory books on the craft of w

Me to the shadow in the living room at 4:57 AM: No you do not understand the perfection of White Star’s death being so quick and unimpactful. He is someone who lives for the attention. His god complex is so empowered that he hates when something doesn’t go his way or he’s not the center of attention drives him insane. The whole fated rival bullshittery with Cale was just that, making it all about himself again. He needs to be important! So Yoo Ryeo Han making his death so quick and completely forgotten in a span of paragraphs is literally the finest torture for that man’s nonexistent never resting soul. It’s not that Cale didn’t struggle to kill him. We didn’t really get to see what Cale was feeling using Instant like the time he broke the statues, we only saw what everyone else was seeing. Cale was probably struggling a lot going towards White Star. But that doesn’t matter! He will never know that and he died with the thought that he was killed in the span of 2 sec without even a fight. THAT’S PATHETIC FOR HIM! A man who lived for the drama, died i. The most uneventful way possible for him and that’s the HELL for him and I LOVE IT! It’s similar to Locke’s death in QON where he died off screen and barely given a paragraph to describe his death. Literally the biggest FU to these bastards is not caring about their deaths. It’s what they would have wanted and we ain’t giving them that. So what I’m trying to say is that Yoo Ryeo Han is literally a genius when writing their character and especially scenarios depending on their personalities and how they would react in those situatio—

The shadow demon: *crying in a fetus position*

On Editing

This was forwarded to me by a former colleague who attended a course on how to publish/edit a book. You probably already know most of these tips, but there might be something you’ll find helpful, who knows…

QUESTIONS TO ASK DURING FIRST PHASE OF EDITING

GENERAL STRUCTURE OF THE BOOK (what the story is and how it is being told):

What is the book about? What is the driving force behind the narrative?

Who is the audience for this book?

Is it based on real experience?

Does the story work? Are there any parts that feel unconvincing or where the narrative drags? 

Are there any parts I don’t understand?

What is the trajectory or the shape of the story?

Does the story start in the right place?

How quickly do I become immersed in the book?

Are there any points where my immersion in the story is broken, or I lose interest?

Do I believe in what I’m reading?

How satisfying is the ending? Does it feel inevitable?

Does it feel like anything is missing?

Is there anything extraneous (characters, detail, unnecessary plot points)?

What is the narrative point of view (first person, second person, third person)? Does it change? Is it consistent? Does it work? What might be lost or gained if the story were told another way?

Is the tense consistent? If it changes, is it necessary?

Does coincidence feature as a plot device? If so, is there another way to engineer the same events?

Keep reading