Can We All Agree That It's Pathetic When So-called "friends" Try To Sabotage Your Opportunities? You're

Hi CT! A while ago you mentioned how you once trained yourself in a kind of writing where you start going and just don't stop. I forget other details, but I was wondering if you could talk more about it.

What is this writing technique? How is it practiced? And do you have any tips for those who want to start doing it?

Automatic writing! It originally started as an esoteric method, but now it's just a pretty normal writing warm up. Basically, you just write, no stopping, no backspaces. Its an excellent way to build confidence. You know what they say, all writing is rewriting. Automatic writing is a great way to train up the base quality of your first drafts.

What's funny is that's basically how I was trained to write. I can crank out some insanely high daily word counts if I need to. After years of practice, my first drafts are faster and higher quality than most authors 3rd.

Though, it really is just a way to turn out junk and iterate on it faster than most authors. It makes me really good at producing solid C+ work, but it still takes me just as long to make A+ work.

something something i was never who you wanted me to be

big fan of when a character is a vengeful ghost but they're not even dead

you guys will seriously believe anything on the Internet huh? you really think this amulet is controlling me? ive always had this aura. been sacrificing people since i could walk. this guy loves the suffering. i mean i love the suffering.

narrator who's terrible at social cues & describes every facial expression as "unreadable"

u can count on me to do the wrong thing

I don't know which artist needs to hear this, but if you don't like your lineart...if you find that the lineart stage does not add any value to your artwork...then you do not need to do lineart. your artwork is still complete if you go straight from sketch to colours. as long as you think it's complete.

The veil is thick here..... I sense fuck all