Trying to find ANY sort of internships or jobs in SC that even barely pertain to my major/would count as the credit hours I need for my degree just results in a whole lot of
If you love #FleetwoodMac "Gypsy" and all those heavenly female singers from the 70's you'd simply adore The Kim White Band- Shelter. If you want real music that speaks to you with the tone of the voice and not just the lyrics. Not all the harmful dangerous noise that they call music these days. If you have a soul and, what goes into that soul matters to you then, listen to this. At least, for a few minutes, you'd get that feeling of when the world made sense and, seemed safe and doesn't seem to have gone mad as it all seems now. It's beautiful escape. It stays with you. #morningfresh - The Kim White Band- Shelter
“Rule one, you have to write. If you don’t write, nothing will happen.”
— Neil Gaiman
Gonna be honest with y'all, I have never ever written a story completely in order. I am actually incapable of doing that. Even though I write the most detailed outlines known to man before I even think about writing, I still can’t write the scenes in order. I swear by this because I sincerely believe that writing scenes out of order increases my productivity which I’ll talk about later. Even if you haven’t done this before, I recommend everyone try it at least once, so without further ado, here are a few reasons that you should write your stories out of order.
When you write your scenes in order, generally that means that you’re going to write the ending last. In my experience, the ending is one of the most important things in your story, so I recommend that even if you write everything else in order, always write the ending first. Writing the ending first always gives you a light at the end of the tunnel. It gives you a destination to eventually reach. Even when you feel like your story is going absolutely nowhere, it allows you to go back and see what you want the ending to look like from the beginning which should help your motivation and hopefully lessen that pesky writer’s block!
Continuity issues are the absolute worst. I can never seem to remember the way that I described stuff at the end of the book when I’m writing everything back at the beginning. One thing that does get frustrating about writing scenes out of order, is keeping up with continuity like what season it is, what characters have already met, and even who is alive and dead at certain points. Writing scenes in order eliminates these issues because you are writing everything in the order that it happens. I would most definitely recommend keeping an outline or at least a sheet of notes when you’re writing scenes out of order, so that you can keep yourself organized and lessen the continuity issues that you have to go back and fix in later drafts!
I plot every scene out extensively, but if I do have an idea for a scene, I immediately write it down and worry about where it fits into the story later. For me, this increases my motivation because at least I’m writing something even if it wasn’t in my original outline. Every story has scenes that aren’t the most interesting, and as writers, those can be the hardest scenes to write. Especially if you write all of the interesting scenes first, you won’t have anything to look forward to when you’re struggling through the more transitional parts of the story. This is just my opinion, but whenever I write in chronological order, my motivation goes down a lot. I like writing whatever scenes I want to write instead of writing what comes next in the story. Knowing that I can write whatever scene I want to next makes me super excited about writing
Y’all know how much I love me some well done foreshadowing. It’s simply one of the best things about reading and writing. But, writing foreshadowing can be really complicated if you aren’t sure how the story ends or even how the foreshadowing will fit into the story later. Because I normally write the ending scenes first, when I finally get around to writing the beginning scenes, I can easily sprinkle in little bits of foreshadowing or allusions to later scenes. It also helps me not overly foreshadow anything because I can go to the end and make sure I’m not doing too much.
If you love #FleetwoodMac “Gypsy” and all those heavenly female singers from the 70’s you’d simply adore The Kim White Band- Shelter. If you want real music that speaks to you with the tone of the voice and not just the lyrics. Not all the harmful dangerous noise that they call music these days. If you have a soul and, what goes into that soul matters to you then, listen to this. At least, for a few minutes, you’d get that feeling of when the world made sense and, seemed safe and doesn’t seem to have gone mad as it all seems now. It’s beautiful escape. It stays with you. #morningfresh - The Kim White Band- Shelter
A dear friend Bobbi Malanowski shared this with me in her comment to my post and, I just saw it now.I wanted to share it with you all too.I wish you a weekend filled with magic.
To celebrate National Intern Day, we asked interns to share how they got their internship and their perspective and advice to the next generation of prospective NASA interns.
Meet our interns and check out their suggestions for the next generation.
Sarah is a summer Surface Tension Driven Convection Experiment Data Intern at NASA. Her inspiration for applying for an internship came from a passion for science from an early age. “I grew up in a family that liked, enjoyed and appreciated science and the fun of it all,” she recalls. “I grew up watching PBS, NOVA, and other science shows, so when I saw NASA had opportunities for students like me, I was very interested.”
Sarah’s advice to the next generation of NASA interns is one of perseverance and resilience.
Nicholas is a summer Attitude Control Engineering Intern at NASA. He wants to contribute to scientific innovation and discovery. “Overall, what inspired me to apply and come to work here was to contribute to the scientific exploration of space while learning about unique perspectives and innovative space discoveries.”
Nicholas’s advice for prospective NASA interns is to make the most out of your time here and to be a curious and eager learner.
“Use all the resources that are at your center and ask questions about projects you are working on. Don’t be afraid to talk to your mentor about your plans for the future and ask for any advice you may need, as they are more than willing to help you during your time here,” says Nicholas.
Nicholas and his mentor, Brent Faller, are using software to inform design decisions on a variety of spacecraft.
As an American Indian College Fund ambassador and a Navajo engineer, Nylana Murphy hopes her internship story will inspire others to pursue a career in aerospace.
After attending the American Indian Science Engineering Society Conference, Nylana secured an internship in the additive manufacturing research laboratory at NASA Marshall.
“My internships have helped me get to where I am,” she says, “There is a career for everyone, where their dreams can become reality. Those dreams WILL become a reality.”
You might be wondering: what happens after a NASA internship Here’s what two of our former interns did.
Lorel interned at NASA JPL in 2003, and at NASA Goddard in 2004. She earned science degrees from both the University of Kansas and Purdue University.
As a research and project engineer, O’Hara reported for duty in August 2017 and completed two years of training as an Astronaut Candidate. She is projected to fly in Soyuz missions as a NASA astronaut soon.
If she could go back in time, Loral says she would tell her younger self to enjoy the opportunities that come her way—and never stop looking for new ones. “Enjoy the whole journey of…figuring out what it is that you like to do and exploring all different kinds of things.”
The “7 Minutes of Terror” video piqued Jeff Carlson’s interest in working at JPL. He thought, "That's the coolest thing I've ever heard of. I've got to go be a part of that in some way." While interning at the Jet Propulsion Laboratory, he worked on Starshade, a sunflower-shaped device used to block starlight in order to reveal planets orbiting a star. Later, he went on to work on the team tasked with assembling and testing the “head” and “neck” (officially called the Remote Sensing Mast) for the Mars 2020 rover.
Want to join us in exploring the secrets of the universe? Visit intern.nasa.gov to learn more about open opportunities and requirements!
Make sure to follow us on Tumblr for your regular dose of space!
Credits: Isabel Rodriguez, Glenn Research Center intern and Claire O'Shea, Johnson Space Center intern
it’s easy to get caught up in dialogue or a character’s internal dialogue and forget altogether that they, too, exist in their own physical world. as authors, it’s primarily our job to convey the exact amount of information: the reader is on a need to know basis, but they also need to know enough to draw their own conclusions. i’ll admit, it’s a difficult task, but here are some tips to help set a scene:
- imagine the world from the eyes of your character: how do they see things? do they see the big picture first or are they drawn to smaller details that others don’t often notice? what’s pulling their attention away from the action or their own thoughts?
- breathe life into your scenes: i don’t mean the english teacher’s equivalent of “the curtains were blue means that the character is sad.” i’m talking about the blue filter in Twilight that conveys the “constant cover of clouds and rain” and the shift from the Arizona desert to the cool Pacific Northwest. think about all the small details that convey information about a scene and allow the readers to make inferences. if the character walks along a street and the yards shift from overgrown hedges with frayed yard chairs and a birdbath containing a mini swamp to yards with freshly cut grass with white picket fences and ornate wreathes hanging on the doors, you’re providing all of the details for readers to make an inference. context is needed, too, but that will be provided in the whole of your novel or short story. don’t be afraid to provide details and use figurative language.
- spread out your details: did you feel bombarded in the last tip? i provided a lot of details quickly, all at once, without spreading them between action, dialogue, or internal dialogue. i’m not going to stop you from being the next J.R.R. Tolkien if that’s how you like to write, but try not to overwhelm the reader with details all at once. it will feel more natural if you spread things out and allow the reader to feel as if they, too, are with the character in their environment. this is more of a stylistic tip, so take it with a grain of salt and think about what will work best for your novel. always go back to that and to what your character is seeing. how is this all playing out for them? how can you put feeling into the scene?
- place your characters within the scene: where are they in their environment? how are they interacting with the people or objects in it? what do they think about these things? you don’t need to tell the reader everything your character does, but provide enough information so that we don’t get lost in their movement or stagnation. it helps to have someone else read your work if you’re struggling with this part. if they’re lost as to where the character is or what they’re doing, chances are a good portion of your readers will be confused, too. check out your prepositions. are there too many? too few? use them, but don’t abuse them.
happy writing! if you need help setting a scene or have any questions, our ask box is always open!
Jasmine Crockett under fire for 'dangerous' rhetoric: She 'wants fame'
This is what the US has descended to. Sad indeed. Classless.
We've started already.
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