Seyifulfilled - Untitled

Hotness Unleasher Show

We've started already.

Come experience the wonderful inclusive feeling.I'm attending The Hotness Unleasher Show S2 E5: Summertime!. 

Would you like to attend?

https://www.linkedin.com/video/event/urn:li:ugcPost:7070773631752048640/#HotnessUnleasher 

#TheHotnessUnleasherShow #S2 #E5 #Summertime #1000Attendees #HelpNeeded #BringTheHeat #AbimbolaOlaniyi #DamianKinsey #DrConstanceLEYLAND #KerryGuard #MikeAshabraner #TanyaBugbee #NadineHeir #PersonalHotnessUnleashers #RoundSponsors #Prizes #TheGoldenGraphLLC #Gated #NicoleAngaiGalindo #GroveCookieCompany #AwardWinners #HotnessUnleasherWebsite #UnleashHotnessToday #experience #like

If you love #FleetwoodMac “Gypsy” and all those heavenly female singers from the 70’s you’d simply adore The Kim White Band- Shelter. If you want real music that speaks to you with the tone of the voice and not just the lyrics. Not all the harmful dangerous noise that they call music these days. If you have a soul and, what goes into that soul matters to you then, listen to this. At least, for a few minutes, you’d get that feeling of when the world made sense and, seemed safe and doesn’t seem to have gone mad as it all seems now. It’s beautiful escape. It stays with you. #morningfresh - The Kim White Band- Shelter

tips for setting the scene

it’s easy to get caught up in dialogue or a character’s internal dialogue and forget altogether that they, too, exist in their own physical world. as authors, it’s primarily our job to convey the exact amount of information: the reader is on a need to know basis, but they also need to know enough to draw their own conclusions. i’ll admit, it’s a difficult task, but here are some tips to help set a scene:

- imagine the world from the eyes of your character: how do they see things? do they see the big picture first or are they drawn to smaller details that others don’t often notice? what’s pulling their attention away from the action or their own thoughts?

- breathe life into your scenes: i don’t mean the english teacher’s equivalent of “the curtains were blue means that the character is sad.” i’m talking about the blue filter in Twilight that conveys the “constant cover of clouds and rain” and the shift from the Arizona desert to the cool Pacific Northwest. think about all the small details that convey information about a scene and allow the readers to make inferences. if the character walks along a street and the yards shift from overgrown hedges with frayed yard chairs and a birdbath containing a mini swamp to yards with freshly cut grass with white picket fences and ornate wreathes hanging on the doors, you’re providing all of the details for readers to make an inference. context is needed, too, but that will be provided in the whole of your novel or short story. don’t be afraid to provide details and use figurative language.

- spread out your details: did you feel bombarded in the last tip? i provided a lot of details quickly, all at once, without spreading them between action, dialogue, or internal dialogue. i’m not going to stop you from being the next J.R.R. Tolkien if that’s how you like to write, but try not to overwhelm the reader with details all at once. it will feel more natural if you spread things out and allow the reader to feel as if they, too, are with the character in their environment. this is more of a stylistic tip, so take it with a grain of salt and think about what will work best for your novel. always go back to that and to what your character is seeing. how is this all playing out for them? how can you put feeling into the scene?

- place your characters within the scene: where are they in their environment? how are they interacting with the people or objects in it? what do they think about these things? you don’t need to tell the reader everything your character does, but provide enough information so that we don’t get lost in their movement or stagnation. it helps to have someone else read your work if you’re struggling with this part. if they’re lost as to where the character is or what they’re doing, chances are a good portion of your readers will be confused, too. check out your prepositions. are there too many? too few? use them, but don’t abuse them.

happy writing! if you need help setting a scene or have any questions, our ask box is always open!

Black activist EXPLODES after Piers Morgan ASKS white guest to say n-word

These people are just so dumb in their ability to reason intelligently, logically and, rationally. It's like someone just paid them because they're the ones who'd take the money to try to parrot what their DEI puppet masters want them to. Others who have the intellectual capacity won't take the money and so, you end up with these obviousl slow people arguing stupidly to explain inexplicable absolutely baseless things. Why shouldn't Whites promote their race if other races can and do promote theirs? These people are a bunch of jokers. I am so shocked by how stupid these people are. Their stupidity and weakness of their arguments physically hurt me because how obviously delusional they are.

The Shiloh Hendrix Case Marks A Turning Point In The Racial Double Standard

I’m happy for Shiloh.

Simple.

“Write hard and clear about what hurts.”

— Ernest Hemingway

(via https://youtube.com/watch?v=c7xlTRW8ZLA&feature=share)

#fascinating #thefuture #preparation #gettingitright #startingnow #electricity #power #distribution #highvoltage #cables #cleanenergy #innovations #security #texas #overhaul #powergrid #natureproof

1. False clues! Layer in false clues in alongside clues that lead to the truth of your plot twists.

2. Misdirect! Don't withhold from your readers, but give them a clue and then immediately follow that clue by a misdirecting clue.

3. Means, motive, and opportunity! Give your characters means, motive, and opportunity that will all lead to the twist.

4. True/False Clues! Weave in false clues alongside truthful clues early on and then sprinkle them in from there on. However, characters shouldn't be handed clues; they should be earned.

5. Lastly! Establish both red herrings and the antagonist's real guilt simultaneously.

Hope this is helpful to those writers who are trying to catch readers by surprise! 🤎