When Your Girlfriend Once Again Claims That She Is A God

Funnybunny week

Day 7: Confession/First kiss

reblog if your name isn't Amanda.

2,121,566 people are not Amanda and counting!

We’ll find you Amanda.

abstragedy shippers, come eat!

waiter waiter! more yuri!

Did anyone else feel like Jax was trying to reach out more to the others in this episode?

Before Gangle freaks him out a little with the threat of a punishment he is his usual jerk self

Then he tries to have a very casual and relaxed conversation with Zooble about the situation. No sarcasm and no mean comments.

He tries to downplay the earlier threat, and seems to want them to agree with him that Caine wouldn't actually do anything that bad

Of course Zooble out of everyone in the group has the least patience for Jax so he doesn't get any reassurance from them

Then just before Gangle send him off for his employee training/Clockwork orange torture session, he responds to Gangle's manic behaviour with the comment "I like you better when your sad"

That could just be him being mean and saying that he likes it better when she's like that because its easier to pick on her and stops her standing up to him

But considering he always goes out of his way to break the Comedy Mask at every opportunity, it could be that he simply prefers when she is her authentic self, and not putting on some fake act (a lesson gangle herself seems to learn at the end when she rips off the new mask and smiles despite wearing the Tragedy mask)

Plus look at his face when he's saying it. He isn't grinning or making any other mocking expression, he just looks tired

Then when has encounters drunk Ragatha he asks her if she can move, despite the fact that he could easily walk over her with those long legs, and he does exactly that a moment later. Was he being polite? Or was he asking her literally if she could still move her body in the state she was in?

Either way he get another little blow when the nicest person in the group says outright she hates him

Then he tries to do with Pomni what he attempted with Zooble earlier, have a relaxed casual conversation about things without any signs of sarcasm of mean teasing.

Pomni herself is even taken aback and doesn't know what to make of it, suspecting probably that he is trying to trick her in some way. Again Jax's previous mean behaviour is now a barrier stopping him from connecting with the others even when he actually wants to

He makes one last effort to pretend everything is normal and get back to his usual persona, but the second he is out the door and out of sight of everyone, the frustration and despair are clear

When Gooseworx said that people who want to see Jax "get worse" will "enjoy what they have planned", maybe they didn't mean he would get more evil, maybe they meant his mental health would start sinking as the bully/prankster persona he hides behind starts to break down

Maybe he is starting to realize how isolated he is making himself

Google in mc paint

First post hello tadc community

Gangle × Zooble

I will post more things about this ship, I love it 💞

gonna post my entire stickman reaction pic collection

ABSTRAGEDY YEAH!!!! 🫦💅

Now you wait for the 2 hours to end to publish this same drawing but with the whole gang and Jax

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.