Cop Pulls Me Over Little Does He Know My Drivers License Is Written In Elf Hieroglyphics & Blinds Anyone

study buddies!

heres the gargoyle that i made in my vlog <3

Astraeus sweater!! Pattern by Bad Wolf Girl Studios. Knitted up with Malabrigo Arroyo, my absolute favorite yarn.

Hand embroidered, self drafted, birch tree inspired buttonup shirt.

Hi April!

I have some of questions about the public-facing transcripts of Magnus Protocol.

They have a very “shooting script” vibe. Are these the same as what’s given to the cast, a very close derivative, or something else?

If they aren’t what’s given to the cast, when in the process do they get made?

A weird copyediting question: What drove the change from the monospaced font (I think Courier New) to the bolder sans serif font? And is there a reason the headers and footers are the old style?

An esoteric “my masters is in rhetoric” question: The scripts contain quite a bit of content that isn’t in the audio. In the other hand, I hear that The Magnus Protocol is a podcast. Are you able to talk about your personal opinion on their relationship to the text? I’m not asking for an answer on authorial intent or the “on high” answer, but I’m curious how various people involved in making Protocol think of them. (As an example, I’ve been thinking of them, to go back to the as “apocrypha”; I think of them as true, but also not as part of the text, if that makes sense. More like annotations or marginalia.)

Anyway, welcome to the public Tumblr stuff! It’s cool to have you here.

Oooooh very happy to answer this, mostly because I think it’s a neat example of how we work as a team.

The short answer is yes the transcripts are derivative of the shooting scripts but they aren’t the same.

Alex and Cathy are both very sensitive audiophiles who have worked together to make those layers and layers of interesting audio bits some people catch but others don’t (the lie glitches are an example as well as the whispers in episode 10) Conversely, I have mild progressive hearing loss and handle the transcription.

As I am also the producer, I know all of the plot points, beats, and important bits that need to be communicated for the story to work. I use the shooting script as a guide and listen to the final release audio along with the shooting script and make edits as I go. Sometimes different takes are used, sometimes audio cues change etc. I also try to obfuscate information that’s not yet revealed in the timeline.

I will admit I don’t catch everything, and definitely make mistakes, but ideally the transcripts are designed in such a way as to make sure people who may not be as keyed in to the highly detailed audio execution can get a similar experience by reading the transcript. I have such respect for Cathy for the work she puts in artistically, we want to make sure people know what they’re hearing.

Our audio team are exceptional in such a way that they are constantly trying to balance creative narrative with accessibility. You can get all of the information in the audio, but we recognize that’s difficult and we are often people’s first experience in audio drama, so we balance it with the extra information in the transcripts.

The layout and design of the transcript was influenced by external guidance for the visually impaired who recommend 14 point bold Ariel as the most readable. We also release Word versions so people can use dark mode or adjust font size and style if needed. Accessibility is different for everyone, we do our best to make sure we have options available.

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For amusing behind the scenes mistakes I know I have made:

People may have remembered the old pilot had ‘Norris’ labeled as ‘Martin’ this was because we changed Norris’s name so many times I didn’t know what to call him and accidentally forgot to change the Martin placeholder. 😬

So yea. I’m not perfect and nor are the transcripts but we try our best.

I’m ok, I’m fine, I’ve been handling Sunrise on the Reaping very well -I’ve been crying non stop.

Four of Swords. Art by Jesse Lonergan, from The Unveiled Tarot.

a warm afternoon in autumn 🍂

it would have been devastating if Haymitch just hid throughout his entire game. it would have been devastating if he cheated. it would have been devastating if he killed everyone in that arena with his bare hands. it would have been devastating if everyone sacrificed themselves for him.

it was always going to be devastating

but the fact he tried to destroy it? that he stood up to snow? that everything we knew about him was from capitol propaganda? that his poster never saw the light of day?

there isn't words.

I got my magnus archives dice set a few weeks ago and have been endlessly pondering some of the symbols on the big fears die. I heard that you were the one who designed the symbols, could we perhaps get a walkthrough of which symbols represent which fears? Just for some clarification :D

Oh fun! Happy to share.

So, I had to do these symbols in a way that was large and bold enough to be on a die, but distinct enough to identify. This sheet shows what’s what:

The above image has 3 columns and 5 rows with icons for the 15 fears. (Some are more thoughtful than others)

Row 1 - in the upper left is Extinction, shown as a robotic hand with a radioactive symbol on the palm. This is inspired by a combination of human and technology creating toxicity around them. To the right of Extinction is Stranger, shown as offset theater masks for the duplicity and carnival-vibe. In the upper right is the Web shown as a cobweb.

Row 2 - left is the End, shown a la a skull with a triangle cleaved in the center. I originally wanted to do something with tendrils out of it but it wasn’t clear enough to render right. The triangle is an artistic render of the death hazard. To the right of the End is the Vast shown as a triangle with a lighting bolt. This one was a little difficult as I wasn’t sure how to express Vast in a small space. So the lighting is supposed to evoke a dangerous sky, in a V made to form a triangle. Right on row 2 is the Spiral, shown as.. well, a spiral.

Row 3 - left is Desolation, a small flame engulfed in a larger flame, spreading. To its right is the Hunt which I originally had as a crosshairs target but Alex suggested going more primal, so we settled on teeth (I’m pretty happy with them) right on row 3 is the lonely, shown as a lighthouse.

Row 4 - left is the Dark with the classic closed eye in a filled circle. To the right of the Dark is the Corruption which is weirdly my favorite. It’s a bee but with a head with several growths. It’s a bit more abstract I guess but I was thinking of The Last of Us and the fungal zombification . The growths on the head are meant to be reaching out continuously in the hive mind. The right on row 4 is the buried, the shape inside is supposed to evoke closing in and down, collapsing

Row 5 - right is the slaughter, with a knife on a drum. I don’t know if I have to explain that. I wanted to do two knife drumsticks but they wouldn’t render on dice well. Center bottom is the Flesh shown as an anatomical heart with veins around it. This was another on I didn’t know what to do with at first and just drew a steak lol then Alex suggested a heart and it just made more sense. I think of it as the duality of Flesh as a visceral fear, but also an emotional one. The bottom right is an eye! Because… eyes.

There is also a rendered version of the web cassette on the set (not pictured)

I hope that helps and is interesting! And if you want a Magnus Dice set with the 15 fears I designed, check it out here: https://thedicedungeon.co.uk/products/themagnusarchives

The Dice Dungeon

The Magnus Archives - The Entities Limited Edition Dice Set

The Magnus Institute, London. An organisation dedicated to studying the esoteric and the weird. The Institute and its employees take care of