Sometimes My Mutuals Post And Reblog Things That I Don’t Really Understand, But I Like Them Anyway

i am going to start a collection

if you have any other posts of this kind please send them to me

update: this one thanks to @iputmcytsintohydraulicpress (great url, by the way)

this one courtesy of @catamaurrr-star

So I didn’t want to separate it into two images, this was the best I could do- thanks to @blocky-tides! also art is by @/cheeryfairies

thanks @o0recipme0o

hey @igotthisaccountunderduress. less mcyt related but thanks anyways :D

heheh

found another one from my favorite game in stars and time go play it

WE'VE GOT A BIG ONE TO ADD TO THE LIST TODAY. EVERYONE SAY HI XKCD. it's my favorite guy ever... skizzleman mention!

...so anyways here's my self-promotion now that this has almost 15,000 notes and you guys sure as hell won't see it if i reblog

My AO3! Not much there right now besides OC stuff, but more to come!

Situations ask game! pleasepleaseplease send me hc/life series stuff here i need enrichment (some of these are shorter, but i can promise you i will deliver!)

@traffic-smp-headcannons! me and mod tides like seeing your ideas :)

(of note: i also take art requests, but only traditional)

Between Mumbo taking half of Grian’s soul in hermitcraft andScar taking the other half in double life, Grian is completely soulless.

He hasn't noticed. Everyone else has.

.

“neopronouns are weird” every time i wake up there’s a 75% chance that everyone’s vocabulary has changed overnight. brother what is a gyatt

SHE WAS MY MOTHER FIRST YOU MEANIE

Trying to settle something with a friend.

I do what I want.

Itchy veins.

Tips for writing flawed but lovable characters.

Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk. 

1. Flaws That Stem From Their Strengths

When a character’s greatest strength is also their Achilles' heel, it creates depth.

Strength: Fiercely loyal.

Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.

“She’d burn the whole world down to save her sister—even if it killed her.”

2. Let Their Flaws Cause Problems

Flaws should have consequences—messy, believable ones.

Flaw: Impatience.

Result: They rush into action, ruining carefully laid plans.

“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”

3. Show Self-Awareness—or Lack Thereof

Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.

A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”

4. Give Them Redeeming Traits

A mix of good and bad keeps characters balanced.

Flaw: They’re manipulative.

Redeeming Trait: They use it to protect vulnerable people.

“Yes, I lied to get him to trust me. But he would’ve died otherwise.”

Readers are more forgiving of flaws when they see the bigger picture.

5. Let Them Grow—But Slowly

Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.

Early in the story: “I don’t need anyone. I’ve got this.”

Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”

End: “Thank you. For everything.”

The gradual arc makes their growth feel earned.

6. Make Them Relatable, Not Perfect

Readers connect with characters who feel human—messy emotions, bad decisions, and all.

A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.

A messy emotion: Feeling guilty afterward but doubling down to justify their actions.

A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.

7. Use Humor as a Balancing Act

Humor softens even the most prickly characters.

Flaw: Cynicism.

Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.

“Love? No thanks. I’m allergic to heartbreak—and flowers.”

8. Avoid Overdoing the Flaws

Too many flaws can make a character feel unlikable or overburdened.

Instead of: A character who’s selfish, cruel, cowardly, and rude.

Try: A character who’s selfish but occasionally shows surprising generosity.

“Don’t tell anyone I helped you. I have a reputation to maintain.”

9. Let Them Be Vulnerable

Vulnerability adds layers and makes flaws understandable.

Flaw: They’re cold and distant.

Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.

“It’s easier this way. If I don’t care about you, then you can’t leave me.”

10. Make Their Flaws Integral to the Plot

When flaws directly impact the story, they feel purposeful rather than tacked on.

Flaw: Their arrogance alienates the people they need.

Plot Impact: When their plan fails, they’re left scrambling because no one will help them.

Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.

bring back tumblr ask culture let me. bother you with questions and statements

Double Life if everyone only had two lives*.

(*two lives instead of one because when I tried with the soulbound everyone died too early for anything interesting to happen)

Tango still dies in the cave, he and Jimmy are at one life almost immediately... Ranchers still happen making Flower Ranchers complete. (Reference to my version of Last Life)

Etho and Joel also die soon to the enderman, they are also left with one life.

Scott is a strategist first, abandoning Pearl is strategically viable with three lives but with only two It's a bigger risk, a risk he doesn't take... He lets Pearl base with him and Cleo.

Cleo is much more likely to put her own enjoying her time over strategy so she stills ditches Martyn at first... Martyn considers Pearl going with Cleo and Scott to be a betrayal.

Ren and BigB are still visited by Pearl...though the situation is different they still likely die because of the enderman and still kick out Pearl for bringing death to them.

Martyn still maths wrong and pushes Cleo to her death, Cleo being Pearls teammate in this timeline makes the wedge between Pearl and Martyn deeper.

BigB still jumps in front of a creeper causing him and Ren to be the first and second players to be out of the game permanently.

Etho and Joel truly believed they wouldn't die during the fishing rod accident so they still go trough it in this timeline and still die. They are out of the game, Joel is third out while Etho is fourth out.

Etho and Joel are out and never kill Pearl for stealing their stuff, she keeps her two lifes.

Impulse is still mobbed by mobs and dies bringing himself and Bdubs to one life left.

Tango still releases a Warden, because of course he does... Pearl is much less happy about it in this timeline.

Now everyone but 4 has one life left and this where things get interesting, Grian and Scar in this timeline are both much less threatening with Scar having been out first in Third Life and Grian in Last Life... On the other hand Scott and Pearl are both winners in this timeline so they become the main target instead meaning Scar and Grian never get stuck in a tower with the ranchers meaning the ranchers don't die yet... Also Grian and Scar never have to sneak around underground meaning Scar doesn't fall into the sea of zombies so they also don't die yet.

Moreover Scott and Pearl are likely better at evading the others which added to Joel and Etho not being in the game means they probably manage to survive the session too.

Ren and BigB are dead meaning they can't kill Bdubs and Impulse, they stay at one life.

Jimmy still gets killed by the enderman, the ranchers are out of the game. Jimmy is the fifth player out and Tango is the sixth.

Etho and Joel aren't there to put the tnt trap that in our Double Life Scar died to...so Scar and Grian avoid yet another death.

Etho and Joel are also not there to kill Scott so Scott and Pearl also avoid another death.

Scar still kills Martyn and Cleo in the deep dark putting them out of the game seventh and eighth

Grian still dies to the warden, putting Scar and himself to their last lives.

At the end 3 soulbound couples remain: Bdubs and Impulse, Grian and Scar and Pearl and Scott.

Bdubs and Impulse are kilked first becoming the ninth and tenth players to loose their last lives.

Scott and Pearl are both winners who have showed little to no interest in winning again, so here when they both have already won in the end they let Scar and Grian be the finalists.

In the end only Scar and Grian remain, no secret soulmates, no betrayals in the last stretch... despite wether Scar trows the fight or not Grian is more likely to come out on top.

The Sun is crowned the winner of Double Life.

(Third Life)

(Last Life.)

(Limited Life)

You know, a Minecraft Movie could have been a literal masterpiece if you had the right mindset to do it, and I'm not joking. I feel like nowadays studios are afraid of being genuine like a teen is afraid of being genuine. If a movie suddenly gets too excited about something, it needs to put it down so it doesn't sound "lame" or "cringe". You cannot be honest, and you cannot show love or absurdity without pointing out that it's stupid because you think OTHERS will believe it's stupid. So please bear with me:

Currently we have only a teaser trailer, it looks bad, it puts itself down, it's afraid of being genuine, it somehow managed to whitewash Steve (again), and I doubt that it will use things like the End Poem or how it feels to play Minecraft for its themes and story. I hope that I'm wrong, but I'm very cynical. So, let's think about it together.

Minecraft Movie. I saw a post suggesting stop-motion animation for it, and, honestly, it feels perfect, just like stylized 3D animation. Live action actors do not work with how Minecraft looks, and that's okay. Let's do an animated movie.

The plot. There's so, so many possibilities, but the beauty of making a Minecraft animated movie is that you won't ever be able to tackle all the possibilities it brings to the table. The community has made so many stories for the game, so we might as well just think of an "official" movie as a homage to the game and its community. We are adapting the way Minecraft feels.

End Poem, one of the most beautiful things I have ever read. Let's take that and put it in the movie, simple as that. You can only find it by defeating the Ender Dragon, so this will be how our movie ends. If we want it to end like this, then the objective of our protagonists must be to defeat the dragon.

Let's have Steve as our protagonist - not a whitewashed version, just Steve with his actual skin color left just the way it is. He'll represent us as players for our hypothetical movie. Have him wake up in an unknown world, not knowing why he's there. Just like how the game was all the way back in 2009, he's alone in a very lonely and foggy world. We follow him trying to look for other people, and then he has to survive his first night. This first part is both whimsical and a bit scary, because that's how many players felt when they first started it when they were kids, aallllll the way back.

Steve survives his first night. He's horrified, and then he realizes that he'll have to do it again. He doesn't know the "rules" of this world, but he's figuring them out, and the idea of "rules" and "what to do" will be important. Because, at its core, Minecraft doesn't have that many rules. It has no actual objective. You can do whatever you want, and this will be very (very) important.

Steve ends up building a small base with wood. Survives a bit more, and then, someway, somehow, he finds Alex. While he's more careful around things and very thoughtful on how and what to build, Alex is more of an adventurer, following the little tidbits of personality we see from them during Minecraft trailers. They're happy to know that they aren't alone, and we follow them build a very strong friendship and teach each other new things, just like how it is playing Minecraft in real life. They find a village, and find out that maybe they can leave this world, or at least find some answers, if they defeat the Ender Dragon.

From there, we have a good objective. The two continue progressing, and their base ends up becoming a castle, because who didn't want to build a castle when they were kids? And the world seems progressively more alive thanks to their interference on it, thanks to them helping the villagers, thanks to them being the players that they are. If you want more conflict, just add the pillagers as well.

Eventually, Steve and Alex have an argument about their points of view. They both want to know what's going on, but their way of doing things are different, and they care a LOT about each other, they're best friends, but who is doing things the "right" way? I don't like the idea of them separating because that happens in way too many movies. I want to see these two stick together, but their insistence on trying to do it "correctly" ends up putting them in a lot of trouble because they can't cooperate anymore. Y'know. How people fight and argue about a "correct" way of playing the game. How we as players miss old Minecraft - or do we? Do we miss the simplicity of older times, or do we miss our childhood creativity and willigness to do whatever comes to mind?

Anyways. A good alternative to this conflict would be either Alex or Steve - I'm leaning more towards Steve - being hesitant at completing the End Portal. He doesn't want to end his "dream", he doesn't want answers or to escape this world (aka leave good memories behind), he wants to stay there, but Alex knows that they can't be like this forever, even if she wants to stay. Regardless, they eventually come to a mutual understanding, and, TOGETHER, they go and fight the Ender Dragon. They win, and then the End Poem happens.

The fight against the dragon wasn't the ending; the realization that there are, indeed, no rules to put them down, or that they HAVE to leave everything behind, is the ending. They hear the poem while sitting next to each other. The world changed because of them, and sometimes it was for the worse, and sometimes it was for the better, but it did become much kinder, and they weren't alone. They don't HAVE to be. Just like how it actually happened in the actual game, through the 15 YEARS since it started to exist, and oh my God it's been 15 years already?! Oh my God-

Anyways. Movie ends with Alex and Steve having a lighthearted argument over what to build next. Steve wants another castle, Alex says that she has amazing ideas for something she's calling a "mob farm", and "trust me, it'll make our lives SO MUCH easier". And they're just being silly, because there are no rules.

Anyways thanks for reading this post, feel free to add your own things to it! Just had to get it out of my chest.