EEEEE!! *Flap flap flap*
It’s Fourth of July Eve so make sure to leave some milk and cookies out for Captain America
reblog if you would give cheeses to these meeces
here again now
Warnings: violence/aftermath of torture/recovery
Word Count: 7.9k (gif not mine)
Summary: Natasha is captured, tortured and left with insomnia. (Part 3/4
(pls note that the fic starts below and finishes on ao3 - i know how annoying it is to start on one platform only to have it finish on another)
A/N: Buckle up for a long chapter <3 in which everyone worries, Natasha struggles and Clint tries to help. The outside forces that aim to break Natasha down are revealed and small things are set right.
Not re-read my mistakes are my own <3
.
He doesn’t want to say anything as he breathes heavily, the fight not even lasting a minute as she stops as quickly as she started.
Clint watches her as she stares at herself in the mirror.
The slow touch of her hair, the dead stare and then the panic.
It’s starts with her pulling at the whispers of hair that are left, hard enough for them to come out.
A clawing at her skull.
He pulls her back from the mirror and holds her, stopping the harm that’s coming in waves.
She’s crying as she feels him behind her, a stuttering in her words.
“I can’t sleep,” she starts, “I can’. I can’t. I can’t.”
The words come over and over.
Clint doesn’t know what to do.
She’s still covered in vomit, still needs a shower, still needs sleep.
In this state nothing can happen.
She’s not present, not enough to do anything.
So he waits, holds her and hopes it’s enough.
.
Natasha can’t catch her breath. Every time she tries, she seems to only breath in smaller amounts. Even as she feels Clint surround her, it becomes almost a chore to suck it in and remember to push it out.
“Sedate me,” she breathes.
And as she says the words, she feels it’s the only way out.
“Sedate me,” she repeats.
If they drug her, she’ll really know then, when she wakes; if she sees the woman’s face or, if she’s back here.
She can’t breathe anyway.
Even as she’s encouraged by Clint.
Was she not loud enough in her request?
“Sedate me!”
The words louder now, even as they fall on deaf ears.
She struggles against Clint, trying to get a breath, black spots in her vision.
“Se..da..” she moans, pushing against him, running out of air on the words.
Natasha knows he’s talking, saying something to her but she can’t hear him, there’s a piercing white noise that overrides it and she can’t even hear herself, even as she repeats the same words over and over again.
At least, she thinks she is.
In a last ditch effort, she reaches for Clint’s face.
“Help,” she whispers.
He nods, his eyes glassy.
Holding up a syringe, he appears to ask her consent one more time as she nods pitifully back at him.
She can’t hear his words but longs for the black nothingness of drugged sleep.
She doesn’t care what happens to her body.
She just needs to stop thinking, stop moving… stop being.
To be held in the abyss for as long as possible.
Natasha knows she can’t keep going, not like this, not being able to tell the difference between awake and hallucination.
Clint encircles her again, holds her in a body lock as there’s a pinch on her left arm.
She looks over to it, and already the needle has been removed.
Clint holds her tight, rocking her gently and counts, knowing the repetition soothes her.
Only Clint knows that.
She’s home.
There’s no doubt now.
She starts to count with him, the abyss surrounding her.
.
Tony stares at the screen.
The van is parked not far, he sends out two drones to get real-time footage, and then triangulates all cameras from the time it dropped Natasha to follow the Van.
He wants to tell Clint, maybe Bruce too.
Turning his attention, he sees Clint lead Natasha into the bathroom.
He can’t reconcile her shaved head, even as he watches their movement.
Shaking his head, he sets Jarvis to keep an ear if Clint needs help and leaves the room to find Bruce.
He doesn’t go far into the bowels of the tower before Jarvis stops the elevator.
“Sir, they’re fighting.”
He doesn’t need to ask who is, because it’s obvious.
Tony detours back, opens the door to the infirmary and smells vomit and cringes.
He must have missed it whilst he was concentrating on the van. Tony hovers outside the bathroom, hearing a Clint tell Natasha to stop.
He wants to go but his feet don’t move.
Voiced pleas that are inaudible but he can tell what they are by the cadence and fear behind them, the way that the response is nothing.
He hears Natasha’s calls to sedate her, and Clint trying to talk her down as he goes through the options of what’s going happen next.
Tony pushes the door ajar and looks inside.
Neither of the spies notice him, and Natasha’s distress is clear as she struggles against Clint, repeating the words to sedate her.
He closes the door and stares for a moment.
“Sir?”
Jarvis’s voice breaks through his thoughts.
He leaves the room quickly, finding Bruce with a syringe in his hand.
“Jarvis..” Bruce says, by way of explanation.
Tony nods.
“What happened? He said that Natasha needed propafol?”
Tony takes the syringe, offering no explanation and heading back into the room. He knocks on the bathroom this time and opens the door.
Clint looks up at him, he has Natasha in a hold and holds his hand out for the syringe.
Natasha’s eyes open and close.
Her breath stuttering.
“Help,” she whispers, reaching aimlessly for Clint.
Clint holds her head, uncaps the syringe and injects her. He rocks her slightly, counting with her.
Tony feels like a voyeur.
They both watch as her body fights it, then, she goes limp.
Clint looks exhausted, as he stares up at Tony.
None of them have slept, but Tony is used to it.
He also didn’t have to watch Natasha and be vigilant for her.
“What’s the time?” he asks, not moving.
Jarvis responds.
“It’s 6.16am.”
Clint nods.
“She threw up, I don’t know what happened next, but she started to fight me, then seemed to realise something was wrong when I didn’t fight back.”
Clint touches her arms, almost unwrapping himself from the hold position.
“She started pulling at her hair in the mirror,” he says the words monotonously, like telling a story.
“She said she couldn’t sleep, then asked me to sedate her.”
He seems to come to the realisation that he’s injected her with a drug that he doesn’t know.
“Propofol,” Bruce supplies, seeing Clint’s confusion.
Tony doesn’t even know when Bruce came up behind him.
If Clint is also surprised, he doesn’t show it.
He just nods slowly.
“How long do you think we have?” He asks, lifting Natasha.
Bruce shrugs.
“She shouldn’t have been given it in an injection like that. Jarvis just said it was an emergency and I didn’t think we wanted a reoccurring incident like last August; so it was this or nothing.. Someone will need to stay with her, just to monitor her breathing…”
Tony looks up and Jarvis responds in kind.
“I am monitoring her vitals,” the AI tells them, “she is stable.”
Bruce nods.
“How long do you want her drugged for?”
Clint carries her to the large arm chair, the one that reclines back and places her gently on it.
“As long as possible,” he says.
“We need to find out what’s happened, and then maybe we have a chance at helping her get over whatever this fear is.”
Bruce nods and leaves, Tony presumes to get more drugs, or maybe a way of sedating her further.
“She needs a shower, or to get her changed. I don’t know!”
His voice escalates.
Tony feels he’s never been in a situation where he’s had to be the one to make decisions for another. Perhaps another reason why he doesn’t want children, the responsibility weighs heavily of taking care of his friends.
“Okay,” he says, raising his hands.
“Let’s get her changed, we’ll do it together. Bruce will get her sleeping for a bit longer and you’re going to go to bed. I’m going to follow the leads of the van and we will work this out.”
Clint stares at him.
Tony feels he’s said too much.
“Go have a quick shower, and get the supplies for changing her, get her clothes and maybe some wipes.”
Clint still stares.
“Now.”
Tony says it as gently as he can, but the urgency in his voice makes his friend move.
Clint takes one last look at Natasha and leaves her with Tony.
.
Continued…
I’ve noticed lately that it’s often Americans who leave tags like “I don’t even care if it’s made up” on posts I make that are not particularly unbelievable, but are pretty specific to my way of life or corner of the world (like the one about the cheese vendor). It reminds me of that tweet that was circulating, that said Americans have a “medieval peasant scale of worldview”—I mean, if you don’t want to be perceived this way by the rest of the world maybe don’t go around social media saying that if a cultural concept or way of life sounds unfamiliar it must be made up?
It’s the imbalance that’s annoying, because like—when I mentioned having no mobile network around here I had people giving me info about Verizon to fix my problem. I post some rural pic and someone says it must be somewhere in the Midwest because the Southwest doesn’t look like this. My post about my postwoman has thousands of Americans assuming it’s about the USPS. On my post about my architect there’s someone saying “it’s because architecture is an impacted major” and other irrelevant stuff about how architecture is taught in the US. This kind of thing happens so so so often and I’m expected to be familiar with the concepts of Verizon and the Midwest and impacted majors and the USPS and meanwhile I make a post about my daily life and Americans in the notes are debating like “dunno if real. it sounds made up”
Going online for the rest of the world means having to keep in mind an insane amount of hyperspecific trivia about American culture while going online for Americans means having to keep in mind that the rest of the world really exists I guess
that article going around abt firefox's new ad program is annoying bc it's phrased as though "mozilla has finally TURNED on its people and is SELLING YOU OUT for cold hard cash!!" when. that's not what's happening. it is specifically being implemented to discourage tracking behavior, and literally all the data they are giving to advertisers is aggregate and anonymized, which is like, the opposite of what that post wants you to worry about, lol
true crime is becoming to girls what ww2 is to boys
Where do you see yourself in 5 years?
Look buddy, i’m just trying to make it to Friday.
Nicole W. Lee, from "Even the Dust"