WEEK OF CHRISTMAS 2024 (2/7) —🎅🎄🎁🦌— THE MUPPET CHRISTMAS CAROL 1992 — Dir. Brian Henson

I don't know if you're American or not but in my experience as a person who is not American, American events and media are so incredibly loud and visible that they tend to leech into everything.

Like I'm Canadian born and raised and can name more American presidents than I can Canadian Prime Ministers. I have Canadian friends from Canada who can accurately describe themselves as Liberals but are still sorta foggy on NDP policies. Do you know what day Canada Day is? It's July 1st. Do you know what's on my dashboard on July 1st? Early posts about July 4th.

And if you're an American reading this: Or, hell, anyone else reading this: We all know George Washington was the first American President. Do you know who the first Prime Minister of Canada was? Can you name two British political parties? What are two countries that have Monarchies, not Democracies? What was the most recent political scandal you can think of that took place outside the US? What's your favourite TV show that takes place anywhere outside of America? What are your top three favourite non-american musicians? If English is your first language, how many foreign countries can you go to where you don't speak the language, but don't have to worry about it?

I said "International America Day" as a joke, but there is a very real phenomenon in countries outside of the US where the general population becomes Americanized through the prevalent American media.

We know American current events, we know American scandals, we know about American cops and American movies and American accents and American fast food chains. We have serious opinions on the American legal system and we talk about American law and American policy and American celebrities, and many of us don't know Jack Shit about what's going on where we live.

I'm Canadian. I've heard all about 'building the wall' and ICE and June 6th, the intentional government distribution of narcotics in Black communities and the use of Marijuana Illegalization to persecute Black and Mexican people under the Nixon administration.

Do you know what Canada did to Chinese immigrants to build the Canadian railroad? What about the Sterilization Act? Residential Schools? Do you know what a Status Card is? Does it, or does it not cost money to ride in an ambulance? Can people with breasts legally walk around topless? What's the legal drinking age? What are our biggest cities? Who was our least-popular PM? What are our allied nations? Where does the Canadian military get deployed?

"International America Day" was a goof. But Jesus, it's a little bit serious

ignite your bones

After the fall of General Dreykov, and the remnants of the Red Room still at large, Natasha first year at SHIELD is anything but healing. Labeled a traitor and a turncoat, Natasha tries to find her footing in a strange new world.

Whumptober 2024: Day 24 - I never knew daylight could be so violent. (No light, no light)

Warnings: whump/angst/therapy

Word Count: 2k (gif not mine)

Summary: Olivia needs help; but then again so does Natasha.

Masterlist

Whumptober Masterlist.

.

Pain shoots through her abdomen and and she bows to it.

She doesn’t allow herself a cry of pain, only a huff of a breath and closes her eyes.

Her hand shakes as she empties the last of the tryptophan her heart sinking as she feels nauseousness rise and tremors shudder through her.

“Fuck,” she swears.

The night is going to be long.

She takes one of the last two tablets anyway knowing it’s only delaying the inevitable.

She sighs, laying down and trying to breathe through the pain.

Shield had the medications that she needed, but she didn’t quiet trust them.

Pain thrusts its way through her, making her clench her fists and forcing breath in and out consciously.

She decides in the moment to find Coulson or Fury. Shield is not safe but the two men would perhaps help.

She owed them, they owed her, and she’s sure she could call in a favour.

.

The seizure leaves her on the floor, her head pounding as she feels her consciousness return to her.

Wiping her mouth, she pushes herself up.

Hands still shaking, Olivia takes the last pill, hoping it makes her functional.

She knows she’s running out of time. She didn’t realise how close she was running out when she left.

Stupid, she berates herself.

Living in America had made her soft, dependant… Compliant.

If she was on her own, she’d have stocks, but instead, she’d just worked through the emergency medication knowing she’d have access to more.

Allowing herself a moment of self pity, she wonders just how to find the others, and slowly dresses herself.

The number she’d memorised for Fury may still work, and she contemplates if she’s able to make it to the closest pay phone.

The small apartment’s furniture helps her to move on shaking legs, and the walking stick she keeps in the closet feels like a good option.

Armed with a knife and sunglasses, she makes her way out to the harsh light of day.

Nauseous, she descends the stairs, tremors still wracking her body.

She can do this, she’s done much harder things.

One hundred steps, she tells herself.

When she reaches that, she counts 100 more.

At 345 she stops, breathing labored at the public pay phone.

“This better fucking work,” she mutters to herself, dialing the number.

Four rings in and she feels bile rise in her throat.

On the fifth, the phone picks up and she closes her eyes in relief.

“It’s bad,” she opens, “I need… what you owe me.”

Fury seems to understand.

“Safehouse six. I’ll organise for it to be sent there.”

He pauses.

“You owe me too. Don’t think I won’t collect.”

The phone hangs up and she groans, sinking to the floor, holding onto the walking stick and feeling another seizure coming on.

.

The knock at the door sets them all on edge.

Even though Fury calls to tell them that Olivia is coming, they all stand. Maria’s hand on her gun, Clint close to his bow and Natasha stands near the draw with the knives.

Coulson opens it, and finds Olivia standing there, just as Fury had said.

He opens the door wider, letting her in and showing the others that they have nothing to fear.

She enters, and Clint frowns.

“Are you… are you okay?”

The woman waves him off, and says something quietly to Coulson. He walks to the back room and returns alone.

“She needs some privacy and sleep,” he announces, much to all their confusion.

The shower starts running and Clint thinks of all the scenarios that could have had her looking so drawn and pale.

He turns back to the game of cards that he had been playing with Maria and swears as he loses again.

“I’m bored,” he complains.

Maria shares a look with him.

“How do we know Fury is okay?” she asks, much to Coulson’s annoyance.

“He’s okay,” he assures, “but if you want to go help, then fine, I can’t stop you.”

Maria grins at Clint.

“I’ll let you know how I go.”

“He’s gonna be angry,” Clint assumes, throwing the cards to the container.

“Nah; he’ll be appreciative. Who reads the lackies of Shield, better than me?”

Coulson sighs.

“I should go with you.”

He looks to the door that Olivia just moved through, and sits back down.

“Go. Call me in four hours and tell me what’s happening.” He looks at time.

“Four hours okay?”

Maria grabs the keys and a piece of pizza.

“Yeah yeah, I’ll call,” she smiles, pleased to have something to do.

The evening feels early, even though it’s 6pm, the sun moving to sleep. Maria reveals in the fresh air; and heads for shield.

.

Natasha lays on the couch. She’d opted to take first watch.

Olivia was still in the room, door closed having not come out since she went in.

Coulson in the other room, and Clint gently snoring on the other couch.

She doesn’t feel tired.

Probably, would be unable to sleep anyway.

If nightmares plagued her like they did in the cabin, she would have the whole house on edge.

At least the cell was soundproofed.

Here, she thinks she would wake up the whole apartment block.

Clint has eyed her when she’d offered to take first watch, and she had nodded assuringly.

Maria had called to say she was with Fury, he hadn’t sent her away much to Coulson’s surprise.

Coulson had decided he’d return in the morning, barring no incidents during the night.

Natasha was determined to just let them sleep.

She liked the darkness, and with others around, she was sure she wouldn’t be seeing anything… anyone.

Lost in her own thoughts, she catches movement on her left and stands to confront it.

“It’s me,” Olivia announces quietly.

Natasha sits up straighter.

The psychiatrist moves into the dimly lit room, and then to the kitchen finding water and taking a sip.

She downs two pills as Natasha watches on in interest.

“I’m defective,” she says, noticing Natasha watching her.

“They experimented with us, trialing… god knows what, to try and make us better soldiers. And they succeeded but at a cost.”

Olivia’s eyes rake over Natasha.

“Shield has drugs that help combat the symptoms. The Red Room would have just killed me.”

She feels scrutinized and wants to hear so much more of her experience of the Red Room.

It’s like piecing together bits of her own history, things she’s forgotten, things that have been wiped.

Part of the debrief had asked so many basic questions that she should know, but couldn’t retrieve it.

Experimented was right.

Natasha moves to seat at the bench to sit across from her.

Her face itches where the cut on her forehead is healing, and she suppresses the urge to touch it. Her whole body is itchy, uncomfortable and foreign.

Olivia looks to Clint, and deciding he’s asleep enough, starts to make coffee.

Natasha watches practices motions and refrains from talking.

She wants to ask her so much.

Waiting until Olivia sits, Natasha takes an offered coffee and they sip it together.

“Ask, if you need to,” she tells her, voice tired and resigned.

Natasha has so many, she thinks of the last couple of days. How impaired she had been to take care of herself, of Clint and how, if she was back in the red room, she would have been killed ten fold by now.

“How do you stop the nightmares? The flashbacks? How do I… I can’t sleep and then when I do… it bleeds into the day. I try.. But everything in me keeps remembering.”

Natasha holds back, the feelings and worries that have been plaguing her, she wishes she knew how to articulate them.

She feels like she’s going insane.

Wounds wide open and she can’t stop remembering.

Olivia looks at her, takes a slow sip of her drink.

“Your mind is an open wound, they’ve dug into in debrief and left it bleeding.”

Natasha nods.

It’s exactly what it is.

She feels like an exposed raw nerve.

Olivia sets down her coffee.

“We don’t have a lot of time together. Not what you need anyway.”

She sighs heavily, fatigue seeming to weigh her down, but the kindness and patience that she has always shown to Natasha remains.

“It’s not fair, that you have to deal with this. So the coping mechanisms I’m going to say to you I want you to use when and where possible. There are going to be a myriad of times, where they don’t work, but for a lot of the times it will.”

Natasha swallows, understanding what she’s saying.

“We haven’t the time so I need you to listen. To hear me. Okay?”

Olivia doesn’t even wait for her to respond.

“Being triggered, doesn’t apply to you because your nervous system is always going to be heightened, walking on eggshells, and when they crack, is likely going to be when you will feel it. With or without flashbacks, the emotions will come, and you won’t always understand it. When this happens I need you to note that it’s there, label it and stay with it, even for a moment.”

The urgency in her voice makes Natasha give undivided attention.

She doesn’t notice that Clint sits up, moves closer; but Olivia does.

“Emotions, they try and tell us something, things we aren’t subconsciously aware of, they sit in our body, in our chest, sometimes like a weight, sometimes like itch you can’t scratch. They can sit in our minds; numbing us to the world that’s happening around us. In small ways, in big ways too.”

Natasha feels her face grow hot.

Olivia’s words are true and she knows it.

“Work on finding where the emotion is in your body. Close your eyes, for a moment and extend your mind out. Learn Natasha, learn about emotions, their labels and how they feel. The Red Room didn’t care and the words you have for emotions mean nothing. You have to learn beyond happy and sad.”

Natasha swallows.

“Learn what happiness feels like, and remember it so you have something to compare it to. Learn anger, and how it’s different to hatred. Disappointment. Anxiety. Frustration. You know these in a sense, but your education on them is poor.”

Olivia stops, taking a breath and then a sip of her coffee, acknowledging Clint.

“Accept help from those that are willing but don’t trust blindly. You have your own thoughts and feelings and they matter too. Do you hear me?”

Olivia talks softer.

“They never taught you, because they never wanted you to know, how smart and powerful you are. The feelings and emotions and the rawness of it all won’t last forever. But when it comes do something with it. Do something with your hands like shooting a gun at the range, clean, shower, breathe. Anything that you can do that acknowledges the feelings but doesn’t erase them.”

She reaches across and grabs at Natasha’s hand, pulling her sleeve up to expose raw handcuffed chaffed wrists.

“Nights will be the hardest,” she acknowledges, “but they will get better.”

Natasha pulls away, embarrassed.

“Feel it,” encourages Olivia, “try not to hide from it.”

The silence in the room extends; but it doesn’t feel uncomfortable.

“What if I can’t?” Natasha whispers.

Olivia smiles.

“Then you can’t. And you try again next time. This is not pass or fail. This is not the stakes of the Red Room. You won’t die because you can’t do something; even though it might feel like it.”

Finishing her coffee, Olivia stands.

“I’m truly sorry, Natasha, for everything you’ve been through. I can see why you’ve made it this far. I believe our paths will cross again, but it might not be for a while.”

Natasha nods, biting down on her lip.

The one person that understood her and everything she had been through… disappointment and grief floods her.

She feels it.

Olivia touches her hand again.

“You’re not without support.”

She nods to Clint.

Coulson bustles in and looks at the two women and Clint.

Daylight streams through the windows and Natasha feels herself withdraw.

.

"Every time someone steps up and says who they are the world becomes a better, more interesting place." 🫶🏳️‍🌈

My tribute to Andre Braugher, thank you for Captain Raymond Holt ❤️✨

One thing that's likely not visible to all younger queers is that little kids shows have gotten radically queerer in the last 10 years.

I'm not just talking about Owl House, Kippo etc, much as I love them.

I mean like stuff for kindergardners.

Characters in Strawberry Shortcake and Superhero Girls and more have gay parents just unremarkably in the background. That was unthinkable 15 years ago.

But the thing that shocks me utterly is the casual inclusion of nonbinary characters.

Dee and Friends in Oz, Polly Pocket, Craig of the Creek...it seems like half the shows my daughter watches have nonbinary characters just seamlessly included. Not even a Very Special Episode. Just...here's the scarecrow in charge of scarecrow village who uses they/them pronouns that everyone just uses without comment.

I was almost 30 before I found the word nonbinary. For my kid to just grow up with this is astonishing.

Conservatives are so mad because it's INCREDIBLY hard to just put this kind of inclusion back away. Once something is normal, and clearly not causing anything bad to happen, it's hard to convince people to be scared of it.

Reblog to give the person you reblogged from the ability to finish their WIPs

I’ve noticed lately that it’s often Americans who leave tags like “I don’t even care if it’s made up” on posts I make that are not particularly unbelievable, but are pretty specific to my way of life or corner of the world (like the one about the cheese vendor). It reminds me of that tweet that was circulating, that said Americans have a “medieval peasant scale of worldview”—I mean, if you don’t want to be perceived this way by the rest of the world maybe don’t go around social media saying that if a cultural concept or way of life sounds unfamiliar it must be made up?

It’s the imbalance that’s annoying, because like—when I mentioned having no mobile network around here I had people giving me info about Verizon to fix my problem. I post some rural pic and someone says it must be somewhere in the Midwest because the Southwest doesn’t look like this. My post about my postwoman has thousands of Americans assuming it’s about the USPS. On my post about my architect there’s someone saying “it’s because architecture is an impacted major” and other irrelevant stuff about how architecture is taught in the US. This kind of thing happens so so so often and I’m expected to be familiar with the concepts of Verizon and the Midwest and impacted majors and the USPS and meanwhile I make a post about my daily life and Americans in the notes are debating like “dunno if real. it sounds made up”

Going online for the rest of the world means having to keep in mind an insane amount of hyperspecific trivia about American culture while going online for Americans means having to keep in mind that the rest of the world really exists I guess

Whumptober Masterlist 2023

Masterlist of fic

(Warnings at the start of every chapter, please be kind to yourself. Gif not mine; I do not possess that kind of power. This will be updated with links as we go and when placed on ao3 will be updated with the link. A lot of these can be read as one shots (I’ll try and mark the ones that can be read as such with a *) but together make a whole story; the story of how Clint and Natasha got married.)

the language of flowers and silent things.

2011 - Kashmir (how many fingers am I holding up) *

1984 - Russia (I’ll call out your name but you won’t call back) *

1984 - Iowa (make it stop) *

2012 - New York (shock)

2012 - New York (it’s broken)

1999 - Iowa (made to watch)*

2013 - New York / Wichita Falls (radio silence)

2013 - New York (it’s all for nothing)

1994 - Ohio (Polaroid) *

2014 - Budapest (you said you’d never leave)

2014 - Singapore (Captivity)

2014 - Singapore / Malaysia (Red) <now with amazing art by @oceanspirit9 >

2009 - New York (I don’t feel so good) *

2010 - Okinawa (just hold on)*

2010 - Okinawa (I’m fine) *

2014 - Rome (don’t go where I can’t follow)

2007 - Russia/France (leave me alone)*

2014 - New York (I tend to deflect when…)

2011 - Iowa (floral bouquet)*

2013 - New York (found family)*

2014 - New York (vows)

2012 - New York (watch out)*

2014 - New York (Shadows)

2014 - New York (I thought they were with you)

2014 - New York (buried alive)

2014 - New York (you look awful)

2014 - New York (scars)

2014 - Berlin (aftermath of failure)

2014 - New York (what happened to me)

2014 - New York (borrowed clothing)

2014 - New York (take it easy)

Elevation - Charles Baudelaire

Above the lakes, above the vales,

The mountains and the woods, the clouds, the seas,

Beyond the sun, beyond the ether,

Beyond the confines of the starry spheres,

My soul, you move with ease,

And like a strong swimmer in rapture in the wave

You wing your way blithely through boundless space

With virile joy unspeakable.

Fly far, far away from this baneful miasma

And purify yourself in the celestial air,

Drink the ethereal fire of those limpid regions

As you would the purest of heavenly nectars.

Beyond the vast sorrows and all the vexations

That weigh upon our lives and obscure our vision,

Happy is he who can with his vigorous wing

Soar up towards those fields luminous and serene.

He whose thoughts, like skylarks,

Toward the morning sky take flight

- Who hovers over life and understands with ease

The language of flowers and silent things

Translated by - William Aggeler

Here we go!

the language of flowers and silent things.

Whumptober 2023: Day 1 - How many fingers am I holding up

Warnings: perceived death (no death I promise), panic

Word Count: 2.3k (gif not mine)

Summary: The marriage of Clint and Natasha.

A/N: there are people that stand with you in darkness, brave the shadows and not shy away, if you have friends like that hold them tight. This is for you @broken--bow .

Friend, without you there would be no whumptober, there are no words for the consistency of friendship you have supported over the last month, and thank you doesn’t seem enough. I wish it were more, but thank you all the same.

Masterlist

Whumptober Masterlist

.

KASHMIR

2011

“It’s cold,” Natasha grumbles.

“Yep,” Clint replies, popping the p, and trudging on through the snow.

“How far?”

The snow is white and endless, and Natasha is sure they aren’t going the right way. Her rifle, slung across her shoulder, rubs and feels heavy, as it hits the back of her thighs; even though likely it’s her backpack that has the weight.

Clint glances at the gps, a small look of surprise on his face.

Natasha stops.

“What?”

“It’s less that two hundred metres,” he says, pointing to the left.

He adjusts his pack and trudges forward, giving Natasha places to put her feet as she grumbled again.

“You’re Russian!” he says, exasperated as the safe house comes into sight.

She throws him a look a rolls her eyes.

“I don’t like the cold,” she deadpans.

Approaching the house, they both split up, covering the front and back and simultaneously breach the door way.

Covering the rooms in a pattern, Natasha is first to call all clear, followed by Clint, as she beelines for the generator and sets up the heater.

.

The white noise of the generator infuriates Clint as he keeps the first watch; more snow falling. He

wonders if it will ever stop.

The cold that penetrates is icy, even though they’ve used spare blankets under the doorways and old newspapers on the window.

Natasha was finally asleep.

He knows by the soft breaths, slow and even.

She doesn’t like sleeping in the cold, and he knows why, it reminds her too much of the barracks of the Red Room.

She berates herself about becoming too soft, even as she makes their apartment and their rooms a constant temperature.

Less nightmares.

He tells her it’s not a bad thing to protect yourself from bad dreams, but it never seems to stick.

She sighs audibly and he wonders what she’s dreaming.

If the snow continues to fall at this rate, they’ll be snowed in. The trek here all uphill, and he hates Maria a little for directing them to this one.

“Hydra,” she’d said, “they’ve taken advantage of the political climate, and infiltrated the region.”

It’s a shame; he think idly, Kashmir is beautiful, but the evil that has infiltrated made it unsightly.

The man that they had killed was wanted by Interpol, crimes against humanity and all that.

Natasha’s kill shot hitting him between the eyes, as Clint had done the calculations quickly around wind speed and elevation.

One shot, one kill.

They made it look easy; isn’t that why Fury sent them?

Now, stuck in the snow, in a quaint house, Clint has too much time to reflect and worry about the repercussions of not being extracted until the snow stops.

His grip tightens on the gun, and he adjusts his position.

.

Natasha focuses on the landscape, the parts she can see anyway. Snow covers the door, just reaching the window and she feels vulnerable at not being able to see all the ways around them.

She knows if she looks at Clint, she won’t be able to hide her disappointment.

He won’t be able to hide his fear.

The satcom phone lays inert, as they await the next call.

Any way out.

Any opportunities for exfil.

Not likely for the next twenty four hours anyway.

The tension in the room is palpable. The generator has enough petrol for the next five hours, and the temperature is far below zero.

.

Clint focuses on the bowl of cereal, the snow still around them.

This was supposed to be easy.

He suppresses a shiver and pulls his coat around him trying to gain any heat he can.

The one room they’d kept heated, now growing colder.

He knows they both feel it.

Natasha pushes away her bowl, half eaten.

“You gotta eat, Nat,” he murmurs.

“We need to leave,” she argues, “the generator is done, the food almost gone, and the pipes are frozen. We have no water apart from what we have in that bucket.”

He shakes his head.

“It’s cold outside, no one is coming here in that weather; plus where are we gonna go? We have to wait for them to come.”

She’s knows he’s right. Standing and staring out the window, she shivers.

It’s not a good sign.

“Clint.”

The seriousness in her tone has him on edge as he joins her.

“It’s stopped snowing.”

They both know, when the temperature drops the snow stops, the sun, or what was left of it, hides behind the dark as the black starts to descend, night approaching; though the hour not late.

“What are we going to do?” she whispers.

.

They move to the smallest room, a tiny broom closet, big enough for the both of them. No windows, blankets piled in.

“I hate the cold,” she gristles, her teeth gnashing.

Clint pulls her closer, trying to stay warm, even though he’s sure it’s not helping.

“Talk,” he asks, “take my mind off this.”

The request isn’t lost on Natasha, the beginning of the third day had begun and they still had no way out, the sat phone silent, stood next to the door.

“Mmmm,” she says; trying to stop her teeth chattering.

“If you changed around this house, what would you do to make it better?”

It’s an old game, one they used to play when nightmares would keep either of them awake and neither wanted sleep.

Clint bites, he wants nothing more than the deep dread that fills his body to go away.

“Thicker windows,” he starts, “and for there to be a better security system.”

Natasha grunts in agreement.

“Insulation,” she continues, “the bedroom, I’d move to the back of the house, maybe another bathroom.”

Clint snorts.

“Like our house?”

She laughs, shivers hard and suppresses another.

“What’s that like again?”

He sits up a little straighter, and starts talking about the blueprints he’s sketched out when they’d first started dating.

“You know, you’ll have a library, and I’ll have a target room, the kitchen will be big, and the bathroom always warm.”

“The house is always warm,” she corrects.

“Heated floors?”

He nods, “definitely heated floors.”

She rests her head on his shoulder.

“”It sounds nice.”

.

The night passes slowly.

Both in and of consciousness, eating where they can and bodies shivering hard against the cold.

“My lungs hurt,” she grunts, forcing herself to take a breath.

Clint can’t answer, he agrees, but can’t do anything but nod his head.

She’s terrified; not because she’s going to die, but because he is.

“Talk to me,” she says, her teeth chattering.

She remembers Russia, the coldness of the room and the lack of heat in their dormitory rooms. The blankets thread bare.

She felt it then, but had no context about how warm the world could be.

“You think the world is warm?”

Natasha hadn’t realised she was talking out loud.

“It’s different, here, don’t you think?”

He swallows, trying to readjust his position but finds his limbs uncooperative.

She’s not making sense and he’s worried. He can’t think straight though and maybe she can’t either.

They won’t die here.

Someone will come.

.

“When we get married,” she starts.

They both laugh.

But it’s the silence that hangs.

“What are we going to do, Clint?”

She can see their breath, and movement is getting harder. Natasha knows this cold, Russian winters this biting, freezing kind of bitter. If they die….

If they die it’s not a bad way to go, here, safe with someone she loves and a life she curated for herself.

If she dies…

“What kind of wedding will it be?”

Clint stops her train of thought.

Desperate to change the subject to anything apart from their imminent death, he hugs her closer, trying to not be unnerved by how cold her skin is.

“Small,” she considers, indulging him.

“I’ll wear white, you’ll wear a tux, but it’ll only be our closest friends.”

He nods.

“Who are we inviting?”

“Maria.”

“Coulson.”

They take turns naming their friends.

“Pepper.”

Clint frowns, “really?”

“Yeah, why?”

The shiver stops him from answering, and she tries to pull the blankets more around him.

“If you invite Pepper, we’d have to invite Tony,” he says grumpily, disliking the fact that someone who heavily objectified Natasha would be invited.

Natasha’s head rolls over to him, a smile on her cracked lips.

“We’d make him sign a NDA,” she almost laughs.

“He wouldn’t be able to talk about it, and it would destroy him.”

Clint laughs, a cough bubbling as he sucks in too much cold air.

“He’d probably get a good present anyway.”

“Fury?” Natasha asks, and Clint nods.

“Yeah I think so.”

He sighs.

“Is it sad it’s such a short list?”

She shrugs.

“Who else would you invite?”

Clint knows.

Family. Isn’t that who you’re supposed to invite for your wedding? For you brother to be your best man? Or for your mother and father to sit in the front row and cry?

“Who’d walk you down the aisle?”

She ignores the question.

“I’d invite Yelena,” she decides, looking wistful.

Clint rubs her leg.

“Yeah. I’d invite Barney,” he agrees. Even though it’s likely his brother and her sister as long since dead, it’s a nice thought to have.

“Your mom,” she opens the thought.

Natasha stops but continues after a moment.

“I think I would have liked our mothers to come, even if mine abandoned me.”

Clint doesn’t know what to say.

“I would have liked that too,” he breathes.

“I think you’d walk me down the aisle,” she whispers, coughing into her gloves.

“Where?”

He knows where, he just wants her to say it.

“Okinawa,” she smiles, knowing he loves the shores of the tiny island as much as she does.

“Of course,” he smiles back.

They sit in silence

“We can find them, I think.”

Clint says it with conviction.

Natasha looks at him intensely, breath white, nose red.

They’re going to die here, he thinks idly. Why not give them another mission, even if it only gives them hope.

“Our parents?”

He shakes his head.

“Our siblings.”

Natasha sees Yelena standing at the door, sad eyes, hands waving goodbye.

Her eyes open and close languidly.

“Okay.”

She knows what he’s doing.

Offering hope when there isn’t any.

Gloved hand reaches out under the blankets and takes his.

“If we survive this, and if we find Barney and Yelena, we will get married. You just have to ask,” she proposes.

Clint nods, his movement slow, his voice quiet and somber.

“Yeah, of course.”

“Natasha? Will you marry me?”

Head against his, she kisses him slowly, purposefully; like it’s the last draw of breath she’ll ever take.

“Yeah, Clint, of course I’ll marry you.”

.

Maria panics at the empty house, wondering where her friends are.

If they thought she wasn’t coming, maybe they left to find safety; it would have been a death sentence.

Temperatures outside so cold it had taken far too long to trek anywhere for safety, the snow too deep.

As it was, it had taken too long for the helicopter to land anywhere safely.

Maria looks around.

Two people that already have so much trust issues, she’s not sure what they would have done.

She’s sure they would have thought no one was coming.

In the instant, Maria feels panic.

She clears the first room and the medic clears two more rooms; then — Maria finds them.

Huddled together, Natasha’s head on Clint’s shoulders their faces pale and they look half dead.

She calls the medic over, unwrapping them from the blankets.

“Thready,” the man tells her, assessing Clint, then Natasha.

They drag them out, laying them down on stretchers as they both call it in on the sat phone.

Maria places the warmers over their chests, as the medic works on placing an IV for both of them.

They work quickly and efficiently; slowly working to warm their friends, hoping against all hopes that the hypothermia has no permanent effects.

.

Natasha hears before she sees, the whir of the plane, the pain in all her muscles as life starts flowing back into her.

“Clint,” she tries.

Voice cracking, not loud enough, she can’t see him or hear him, her heart hurts and her thoughts race.

They’re going to get married.

They’re going to find Yelena and Barney.

They’re going to…

Breath comes fast, alarms blare and she panics; sitting up, eyes now open she finds herself connected to machines and monitors.

Clint lays next to her.

Laying back, doctors surround her.

“Clint,” she says again.

Maria appears in her field of vision, a stoic face.

“He’s okay too,” she clarifies.

Panicked eyes greet her.

“Natasha,” Maria says, “look at me.”

Wild eyes look her.

“How many fingers am I holding up?”

She sticks two fingers in Natasha’s face, and predictably, her friend rolls her eyes.

“Two.”

Maria puts three more.

“Three.”

She nods.

“He’s okay,” she assures.

Closing her eyes, Natasha grunts and sinks back into a deep sleep.

.

“God you’re both so predictable,” Maria grunts, half holding him down.

“She’s fine, look, okay?”

Clint gives her a goofy smile, clearly still delirious.

He sees Natasha, oxygen mask on, eyes closed.

“She’sgonnamarryme,” he tells her, words mumbled.

“What?”

Maria thinks she misheard, because neither Clint or Natasha feel like the marrying type.

He nods, “jus’ gotta find Yelena and Barney.”

Clint’s eyes slip closed.

“She’sgonnamarryme,” he says again, falling back into a drugged sleep.

.

Kiss the Dread

Clint flits between anger and sadness. He lays down, his back towards her, trusting she’s likely not going to kill him.

It’s cold in the vents, the occasional blast of warm air floating through making the air dry.

They need sleep.

Rest.

Something.

Fatigue makes for bad decisions.

He wants to check that she’s sleeping too; but his anger keeps him stationary.

He falls into an uneasy sleep, eyes closed, breathing like a sniper.

It’s easy when you know how to put yourself into a trance.

He hears rustling of a wrapper and is glad that she’s at least eating something.

They’ve been on the go for around 24 hours and he doesn’t think either of them got much sleep the night before.

Clint drifts into an uneasy sleep, dreams are unkind and he sees girls with braids, blood and bombs. He opens his eyes and breathes shallowly.

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