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Art Tips - Blog Posts
Tip for all my artists out there! When drawing plus sized character; Give them double chins! Give them extra fat on their faces!
I keep seeing people drawing plus sized characters without double chins or no fat on on their face. For example I saw a drawing of character that had one consistent thick line for a front facing jaw line and I’m not talking chubby, I am talking plus sized. The character had -1 fat on their face too.
Yes I am aware that some plus sized people have sharp visible jawlines, in fact I am one of those people, but when I see many drawing of just plus sized people with those faces gets exhausting.
SO TO REITERATE DO NOT BE AFRAID TO GIVE PLUS CHARACTERS DOUBLE CHINS
random thing but i realized it might be helpful for some people so uh. theres this thingy where you can upload an image and it gives you a color palette based on it !
heres an example
and it also gives you the hex code values for them too its p neat !
here’s the link to the website !
Color Theory Basics
Color Theory Basics for Beginners
A growing artist's understanding of color theory
Introduction
I don’t know about you, but the understanding of color and more so learning how to apply it to art feels intimidating and perhaps even scary. I’m going to try and avoid overwhelming your brain with technical facts about color theory and focus more on applying it to your artwork, because if you’re anything like me…you’ve been avoiding this topic in fear that it’s too linear and technical for us creatives to grasp. Color theory shows us how colors mix and contrast with one another, so I believe it’s essential to have some idea of how to implement it in your work.
The Color Wheel
The color wheel is based on red, blue, and yellow. Sir Isaac Newton developed the first circular diagram of colors in 1666. There are a lot of opinions regarding the color wheel and how to use it, but I’ll just give you the basics so you know what terms to use when discussing your art and some ideas on how to implement them into your work.
Categories of the colors based on the color wheel:
Primary colors: These colors are used as the base for the color wheel, Red, Blue, and Yellow. All other colors are derived from these three colors.
Secondary colors: Green, Orange, and Purple. These colors are formed by mixing the primary colors.
Tertiary colors: Yellow-Orange, Red-Orange, Red-Purple, Blue-Purple, Blue-Green, and Yellow-Green. These colors are formed by mixing a primary and a secondary color.
Properties of Color:
Value: Describes the lightness or darkness of the color.
Hue: Refers to color in its pure state, it also determines a color's position on the color wheel.
Intensity: The brightness or dullness of a color based on its saturation. A color is most intense in its purest form, (or hue). Intensity becomes lower when a pure hue is mixed with a complementary or neutral color.
Complementary Colors
A complimentary color is a color that is the opposite of a color on a color wheel. If you choose any color on the wheel, you’ll be able to find its complement by just dragging your finger straight through the center until you reach a new color. The complimentary color for red is green, the complimentary color for blue is orange, and so on.
Color Temperature:
Color temperature can greatly impact the mood of a piece, it can be
used to create contrast between subjects or separate pieces. Warmer colors are usually deemed striking, energetic, or happy. Cooler-themed pieces are often considered peaceful, sad, or moody.
If you draw a line across a color wheel, half of it will be considered ‘cool’ and the other half will fall into the ‘warm’ category.
Examples of cool colors are Purples, blues, and deep greens.
Examples of warm colors are Reds, Yellows, and Oranges.
Warm and Cold are not limited to bright colors, greys can even have a warm or cool tone to them.
Shadows and highlights in art:
A common way to use color theory is in how you apply it to shadows and highlights in your artwork. For example, it’s common that in an environment that has warm highlights (like a bright sun), then the shadows will actually reflect the complementary color of the highlight. If the sun is your highlight source, then your highlight color is probably yellow. The complementary color to yellow is purple and blue, so you can use this knowledge to find the color that best suits the mood of your scene. -show some examples-
You can also swap this around if your highlight color is a cool icy light in the blueish-grey range, then sprinkling some deep yellows and oranges throughout the piece will help it pop.
You’ve reached the point in color theory where it’s up to opinion and preferences. If you want a really ‘cold’ and ‘dreary’ feeling, then only using cool colors might benefit you more than attempting to use a blue-complimentary color. Rules in art only exist so we know the fundamental structure of how they work, once you have that understanding, breaking the rules can be beneficial to your art. Don’t be afraid to get creative and try something new once you’ve figured out the basics.
How Color changes based on the environment
Colors will obviously look different depending on the setting of the subject. Human skin is a fascinating topic when it comes to this logic. For example, it is redder in areas where the skin is thin. It picks up the blood and veins underneath it, or the warm glow of the sun behind it depending on its transparency.
Color and light bounce off of different objects in different ways, so that’s where photo reference comes in. If you can find images of your subject in the environment you’re wanting to paint, you’ll have a better understanding of how color interacts with itself. If something is sitting outside in the grass, for example, it will have the warm yellow highlight of the sun. However, it may also have green gently bouncing up from the grass and onto your subject. It may also have blues from the sky reflecting off of the grass and onto your subject. Color is truly fascinating when you start observing it from an artist's perspective.
A lot of this isn’t directly linked to color theory, but rather lighting, ambient occlusion, and so on. I just thought it would be good to hint at it here as well. I plan to write more on the topic of lighting and ambient occlusion in the future so be on the lookout for that if this subject interests you.
Using other Artists as a reference
I always recommend beginners, and even non-beginners, to look at their favorite artists to better understand their process. Color is no different when it comes to that. Look at your favorite artists with the knowledge you’ve taken from this article and see how they’ve applied it to their works. Did they use primarily cool colors, with just a patch of warm colors to emphasize a point as they did here? Did they use saturation or desaturation to help draw the eye into where they want your attention? There are many different ways to use color to your benefit, and the more you expand your visual library by looking at other artists' work, the more you’ll be able to imagine unique color combinations and set-ups to benefit your work and growth as an artist.
Summary
Color is an extensive topic that could span across many many articles and fills multiple encyclopedias, however, the basics are pretty simple to grasp and I feel that unless the topic calls to you–are all you need to get started with color in your art. Your eye for color will develop over time as you look at the work of artists you admire and challenge yourself to try new things.
Art Tip #1 - Color Theory: A Crash Course
Art isn't complete without colors, right? Unless you'd consider a blank white sheet of paper as art, then by all means...
In today's first stop at the Art Terminal, we will be learning how to use colors using Color Theory! Being knowledgeable about basic color theory can really help you develop your skills as an artist no matter what medium you'll be using - be it traditional art, digital art, or even a mix of both! It may seem confusing at first but with this guide, you'll be making well-coordinated compositions with flying colors in no time!
PART 1: How to use the Color Wheel
This infamous wheel by Isaac Newton helps you see the relationships between the colors.
Keep in mind these 3 categories:
⓵ Primary Colors: Red┃Blue┃Yellow These are the first three basic colors - all other colors can be created by mixing them in different ways. Tip: mixing all three creates the color brown! ⓶ Secondary Colors: Purple (red+blue)┃Green (blue+yellow)┃Orange (yellow+red) If you've noticed, these colors are created by mixing our primary colors. ⓷ Tertiary Colors: Red-Orange┃Red-Purple┃Blue-Purple┃Blue-Green┃Yellow-Green┃Yellow-Orange As you might have guessed, we get these colors by mixing our primary and secondary colors.
Part 2: What are the Color Properties?
Keep in mind Color has 3 primary properties:
⓵ Hue: the colors in their purest state - or in other words, a color's name.
⓶ Saturation: the brightness or dullness of a color - the intensity or purity of a hue. Tip: High Saturation/Saturated = color looks very bright ┃ Low Saturation/Desaturation = color looks washed out or greyed out
⓷ Value: the degree of lightness or darkness of a hue. Tip: There are 3 ways to change a color's value: Shade┃Tint ┃Tone
Shade/Shading: a shade is a color that is produced by adding black.
Tint: a tint is a color that is produced by adding white.
Tone: a tone is a color that is produced by adding grey.
PART 3: What is Color Harmony?┃What Color Combinations or Schemes can we use?
Go back to the Color Wheel as it is a good reference in helping you create appealing schemes. Here are 6 common combinations you can apply in your work:
⓵ Analogous: uses colors (around 2-4) that are next to each other in the color wheel - Match them!
⓶ Complementary: uses colors that are opposite or across of each other on the color wheel - if you can't match 'em, clash 'em with their opposites! Tip: matching these colors creates great contrast and visual interest so they can overpower each other sometimes so keep that in mind.
⓷ Split-Complementary: 1 base color then 2 colors adjacent to its complementary color - if the contrast too much, split them!
⓸ Tetradic: uses 2 complementary pairs. This forms a rectangle on the wheel - if you need more variations go double complementary!
⓹ Triadic: 3 colors that are evenly spaced out in the color wheel. You're free to choose from a variety!
⓺ Monochromatic: uses different tones, shades, and tints of a singular color. Sometimes it just works!
PART 4: What is Color Temperature?
Ever wonder why some compositions feel cold or hot? It is a fact that color has the ability to evoke feelings or emotions. As such, color temperature is the one responsible for this - it is the "warmth" or "coolness" of a color.
Warm colors: Reds┃Oranges┃Yellows Generally seen as colors that are bright, cheerful, active, or happy
Cool Colors: Purples┃Blues┃Greens Generally seen as colors that are dark, mysterious, melancholic, or gloomy
And that concludes this stop for today! These tips are a lot to take in, we feel you, and that's alright - come back to this station when you need a quick reference. We hope you learned a lot from this and that you'll be able to apply them in your paintings or digital illustrations!
Now pack your art supplies and start creating! Safe travels~
– Post by Leonardo
And also, I forgot to put before but color theory is...oof, I’ve watched countless videos and it hasn’t knocked inside me yet when it comes to coloring or figuring out values when it comes to drawing, what are ways or exercises to get better?
I was asking the same question as you, so I went on a lil hunt and created an article to center my favorite resources:
I hope this helps!
An exercise to practice applying these concepts:
sketch something simple, or even base it off a piece that you have been working on but feel stuck with the colors
Now start working with simplified thumbnails, keep it blocky and keep it fast
experiment with different schemes and types of color combos. ie, try complementary, triad, split complement, analagous
rinse and repeat, bonus points for adding different color schemes.
best of luck,
<3 Al
feel free to show me ur results and ask any follow up questions. (note: I respond quickest to Dms bc my asks are really backed up sadly)
Love hate relationship with teeth
Cuz I want do draw them quite realistic but also wrong so that they look rlly weird (cuz for my hum!bill design I like the idea that when forming his body he didnt understand human anatomy so formed everything slightly wrong, on top of that he doesn't know how to control his body properly so doesn't know how to smile )
So yh, still happy with how it's going, just gotta lock in n learn some tips on how to draw them
I stumbled upon a website that allows you to blend any colors evenly no matter how opposite on the spectrum they are.
sharing the knowledge
very helpful art resource
Might try this 🤔
Jacob's No Pressure Guide to Learning How to Enjoy Art Practice
DISCLAIMER: I own none of this. All of it is just an abridged version of the Drawclass (link: Drawclass 04/29/2022: Jacob's No Pressure Guide to Learning How to Enjoy Art Practice - YouTube). Please watch the video for the full experience, context, and nuance.
So, recently Jacob Andrews from Drawfee taught a class on how to practice art without putting too much pressure on yourself, and honestly, it was excellent. Do give it a watch if you're also facing a wall in getting started on art practice (also subscribe to their channels and support them on Patreon for more excellent content :D). Since I don't really have a good memory for basically anything, I did what I usually do to memorize stuff: I made notes. This blog post is basically just for me, but I'll be glad if it helps other people too. (again, all credit to Jacob and Nathan for the excellent Drawclass).
The Rules
Rule #1: Pick any 5 days during the week to practice. Take your break days whenever you want.
Rule #2: Set a minimum time for each day that is easily achievable. Continue drawing after that only if you feel like it.
Rule #3: If you miss a day, it doesn’t matter. Just try again the next day. (Avoid thinking of it as maintaining your “streaks”)
Rule #4: Do NOT try to do a good job (Practice is INPUT). The only judgment you get to make is if you drew or not.
Rule #5: Focus on something you want to improve on each week. It can be as general or specific as you want it to be.
The Schedule
Day 1: Draw from imagination to the best of your ability
the aim is to get warmed up and also to get a baseline for the week
Jacob’s Example: Jumping poses, 15 minutes
Day 2: Speed sketching
numerous and fast drawings from reference
Fast is subjective, whatever feels comfortable for you (the upper limit is 3 minutes, Jacob does 30 seconds to 1 minute)
Not going for detail, just capture the structure and vibe, as fast as you can
No need to even save it
Jacob’s Example: 10 minutes, ~1 minute for each reference photo (reference photos from Pinterest)
● Nathan’s sketches from the same reference photos:
Day 3: Reference drawing
Pick references (the number is up to you) and spend a little more time with each one
Capture details and complexities this time (like if day 2 was poses, then in day 3, try to capture musculature or folding of clothes etc.)
Doesn’t have to be a one to one copy, you can stylize
Another thing you can do is lower the opacity of the reference image and place your sketch over it to see which areas need improvement. In case of Jacob’s example, he mentions that the torso and legs are too short (areas of improvement which he was already aware of, so in general he tries to keep those in mind while drawing).
Nathan’s sketches from the same reference photos:
Day 4: Style study
Take a look at how professional artists portray the topic you’re studying
It helps you to develop shorthands and your own style
Pull up references and try to imitate to the best of your ability
Can also draw over the reference pics to understand the shape language and flow (but don’t simply trace the drawing)
Also try to notice shapes made by the negative space
Basically don’t mindlessly copy, this is “active copying”
● Nathan’s:
Day 5: Draw from imagination again
Put together what you learned throughout the week
Compare with day 1 (hopefully, you will notice improvements)
Changes will be incremental, don’t be discouraged!
Jacob’s example: 10 minutes of free drawing:
● Nathan’s:
I hope this was helpful. Good luck with your art practice!