Your gateway to endless inspiration
God I love it when artfight starts in like 18 hours and I have 20 characters to make references for
And get some sleep. That would be good
Idk man that sounds like love to me.
hannibal is so fucking unserious like imagine you go to your friend who's a doctor for medical advice cause you've been having nightmares, headaches, been sleepwalking etc. and his only advice is to change your fucking aftershave cause he hates it
Random Twst thoughts~
Just counted all current existing cards for the hell of it. Lilia, Rook, Floyd, and Jack all have 18 cards. They have the most cards out of all the other characters, with Sebek about to join their card count when his birthday hits.
Just a random thought
Day: March 12, 2024
Maybe I'm not good enough at reading the plot’s underlying messages, but it wasn't until the lake or birthday preparation episode (22nd to be precise) that I understood the menace Fukiko's insanity is.
Because what the actual hell. I knew she was manipulative and a liar. I knew how she pretended to be a mature and responsible girl to the eyes of the Sorority and the Academy. She had previously behaved with cruelty towards Rei (I'd like to talk about her masochist tendencies one day), but what happened in this episode did shock me.
In prior episodes we saw how aloof these young women could be. The threatening to Mariko with razors, the strange pointy instrument used for flower arrangement on Rei's hand, or even that time when Fukiko locked Nanako up in the Sorority's basement. Now, each and every of these actions are horrendous... But to see an attempted murder was truly something else.
I do believe Fukiko didn't want to kill Nanako (I hope lol), just scare her. To remind her who was in control, who stood above everyone else. She took such drastic measures to ensure Nanako thought twice if she was ever to do anything that could reveal her vulnerabilities... WHAT?! I know we all know how these girls are insane, each of them due to their personal and diverse reasons. Nonetheless, this case is the one that struck me the most.
Something that freighted me was her behaviour during the act, she was smiling as if it were her daily cup of tea. Fukiko could have ended with Nanako's life and she never dealt with any responsibilities, which shows how her social status gives her once again unlimited elusiveness to punishment.
Fukiko saw Nanako as a threat to everything that maintained her power. Is ironic how she wanted to mock and humiliate the younger in the first place, how the naive Nanako indirectly opposed her values and beliefs. It amused her in the beginning, a source of humor. But when she saw how this girl could A) Help Rei, and B) Dismantle her image, Fukiko acknowledged she had to take the matter into her own hands.
Now, let's analyse the true horror of this scene:
• The apparition:
On a small boat, impulsed by absolutely nothing for the oars are motionless, Fukiko makes her apparition to Nanako. She carries a parasol, as if she had prepared herself for an actual aquatic stroll. We must remember that instances earlier she had fired a service worker and looked agitated, making her casual and "peaceful" appearance so... creepy. And if you believed it couldn't be more odd, she proceeds to jump off the boat into the lake.
• In the water:
Nanako, to the sudden action, becomes worried and approaches herself to the water. Just like a mermaid, Fukiko emerges gracefully from the water. Out of nowhere, she grabs the younger's ankle and pulls her into the lake. Fukiko draws Nanako deeper with a sadistic expression on her face, completely conscious and aware of her actions. Meanwhile Nanako fights for her life, because one her foot got caught between two branches, the Sorority's President swims away to the surface. But not yet. She stays and observes the other resist until she's almost unconscious.
• Outside the water:
From the middle of the lake, Fukiko emanates with Nanako between her arms. She becomes the saviour of the girl she had condemned.
The abusive behaviour of Fukiko is concerningly accurate. She asks for forgiveness, she excuses herself, and she feigns preoccupation. Fukiko wants Nanako to understand how powerless she is against her. She's not only older, richer, more astute and influential, but also physically stronger. She threatens her subliminally, for she doesn't have to express what she wants, she knows Nanako will understand. It's utterly terrifying.
Anyways, love this show.
I'm currently watching Oniisama e, and I've a lot of thoughts regarding this anime. One of those is the outrageous role of Henmi in this saphic story, like, why is he even here? At a certain moment, I genuinely believed he was going to be just a second character who Nanako wrote to... I was so wrong, and partially disappointed.
In episode 24, I believe, it's revealed the reason why Fukiko behaves the way she does in front of this man (this woman never ceases to impress me). And such reason is so boring and dull. I was expecting a parallel between these two older siblings, how both their fathers betrayed their mothers by having an affair, how they both have step sisters, and how they managed these events. We are pretty aware of the mistreatment and manipulation Fukiko treats Rei (Saint Juste) with, meanwhile Henri is patient and sweet with Nanako. Since Henri is close friends with Fukiko's brother (neither I can stand this man), it may have occurred that he had noticed this awful treatment against Rei. Henri could have called her out, confessing his similar situation.
In the first episode, in the first scene, it is shown how Henri meets Nanako. Correct me if I'm wrong, but they never get to explain what exactly he was doing there (aside from seeing from afar the father that abandoned him). There's an important detail one mustn't overlook: his reaction to Nanako. Why did he act the way he did? I began to elaborate a posible, and very dramatic, come out.
So, having in mind we want to make parallels Fukiko-Henri, we need to establish what differentiates them: their relationship with their sisters. In episode 26 (I believe), it's revealed the sickening root from where Fukiko and Rei's relationship comes from. Fukiko uses Rei to upgrade herself, to feel superior, using a lone kid for her benefit. She saw Rei as an instrument she could use to "expire her sins", that inner facade nobody else could see. Meanwhile, she lost the possibility of bonding with Rei on an equal basis. She lost the possibility of having a sister.
Here is where Henmi could have been different with Fukiko. Although in their first meet, Henri hadn't seen the older Nanako yet, his previous encounter with her is enough to set a difference. So, again, what was Henri exactly doing there? Henri couldn't have been older than 12-13 years old when he first saw Nanako. His father abandoned him and his mother so he could live with his new family. He must have felt betrayed, he must have wanted answers, he might have even searched for revenge. He was replaced by a younger child, much weaker than himself, it wouldn't have been difficult to get her out of the way. (On various occasions, this story shows how teenagers seek drastic solutions for drastic situations.) Now, when he arrived to execute his plan, after the sight of his poor victim, he realised the wrong in his actions. How could he inflict pain on a poor girl just to make himself feel better?
Fukiko wouldn't react well to Henri's ethics lesson, creating a palpable conflict between the two characters. At the same time, it would have created a parallel between Rei and Nanako, for they are the object of their sibling's conflict. Helping to create a richer dynamic between them.
Now, the sad reality is much boring. I guess what actually happens, happens, with the intention of making Fukiko childish (and dramatic, as everyone else in this show). Which she is, don't take me wrong, but this was the worst scenario ever. It also makes Henri a kind of god for these mentally unstable teenage girls. It makes the whole story orbit around him (I'm not even going to talk about the atrocious end because, yes, I've spoiled myself)... WHY? Why has the postgraduate man have to be the reason behind the existence of the plot? I know the title literally means "Dear Brother," but come on! Men always ruin everything, in Mariko we trust.
Imagine Mark landing in the world of Pandora, seeing the seeing the world's natural flora and fauna.
The creatures, the beauty, and these weird floating things that insist on clinging to him.
Still, despite the exploration made so far, he hasn't found what he's looking for. He still has a job to do
Now, where are those blue skinned humanoids...
Imagine the Mark variants searching the wasteland long enough to find Ena-reader.
Or imagine the variants finding multiple species of Ena-readers!
The deeper in the wasteland they go, the more the world changes and warps to fit Ena-reader
Entity's that make no sense! Information is shared in riddles, and distortions of reality are ignored as though it's common
Everything's falling apart
No
The wasteland was never meant to be normal, it's a world where things are discarded after all.
I need a Kaguya Ōtsutsuki reader with Mark grayson.🙏
Despite not knowing how to physically fight, kaguya was CRAZY powerful. Would she still be sealed in the moon? Would she use Infinite Tsukuyomi? How would Mark and kaguya reader get together? Would the viltrumites main interest in earth be the immense power she's projecting? Is the variants reader dead or alive? Would everyone have locked Chakra?
And more importantly, what would her goal be?
Variants,drabble, og Mark, mini series, ANYTHING!
I don't know! But if someone takes inspiration from this-
Tag me 🙏
shows that warn you to 'not attempt at home' are so stupid. like, yeah, i'm just gonna go try to do a back-flip off the empire state building. wish me luck
WJAT THE FLIP. I JUST WATCHED SONIC 3 WHAT TJE FLIP. IT WAS SO GOOD.
felt the need to share my favorite Pinterest comment as of late
who up Mirioing they Togata
seriously tho look at the cool figure I got from a blind box :D
I'm devastated at Epilogue Shoto's design. why is he so bland. That ain't Shoto Todoroki that's Shot a Turtle okay.
HE LOOKS SO COOL IN THE NEWEST POPULARITY POLL ART RAGGHGHGHG
I love that 90% of fans all decided the ending sucked and instead of the fandom dying there's more fanfiction now than ever.
Horikoshi... let us rewrite it, please...
i need u to kno how much that art means 2 me i have been WWEEPING /nsrs
for HOURS
pls live forever pls that fanart means sm to me aaauagahH
I was honestly and fully in shock for like a solid three minutes when I saw you respond because OMIGOSH!?!?? Thank you so much!!!
might fuck around and post an mha oc drawing later.,.. maybe even go crazy and share some doodles of them. I don't even know, I'm just that insane....
'mha is over' NUH UH. I HAVE FANFICTION AND MY IMAGINATION, IT WILL LIVE ON FOREVER.
Me, a mobile player, holding ConcernedApe by the shoulders and shaking him really hard: AAAAAAAAAAÀÀÀÀÀÀÀÀÀÂÄÁÅĀÃÆÆÆÆÆÆAAAAAAAAAAÁÀÀÀÀÀÂÂÂÂÂÂÄÄÄÄÄĀĀĀĀĀÅÅÅÅÅÃÃÃÃÃAAAAAAAAAAAAAAAAAAAAAAAAA!!1!1!!!1!!1!1!1!1!!1!11!!!!1!!!!1!!
Me and my friends have been saying how much we want to know more about splatbands and the inkpedia has barely anything other than what they play and what they look like. It's so frustrating. There are so many things that I would love to learn about in the everyday life of these inklish man.
I heard about how in Bancala Walker there was a short story about Marina and Acht and their time in the domes. And I'm gonna be 100% honest with you. It kinda makes me mad, and it really highlights a massive problem with Splatoon as a whole, and that's how it treats its stories.
(Yep I'm rambling about Splatoon's storytelling for the 500th time, welcome to my blog.)
Since Splatoon 2, the series has had a weird relationship with its storytelling, the main stories of each campaign are very simplistic and are very video game like plots. "Go get the Great Zapfish back and save Captain Cuttlefish. Go get the Great Zapfish again and find Callie. Find the thangs and get out. GO GET THE ZAPFISH AGAIN AND SAVE CAPTAIN CUTTLEFISH AGAIN!!! Climb up the tower." Splatoon 1 got away with this because it's clearly the most "tutorial" mode out of any of the single player campaigns and it doesn't really try to say any deeper messages or express a character arc.
Now, obviously video game stories must have goals for the player to work towards, I'm not complaining about that, you gotta have that stuff in games to motivate the player, however, what really drives me up a wall is when they decide to add depth and interesting things relating to the characters and world, yet they intentionally throw away that same depth and chuck it to the side. Hell they sometimes retcon the optional hard to find lore or make it more confusing just because!! If you're gonna add depth and something else to these stories, you HAVE to actually explore it and expand upon it WITHIN THE STORY! You cannot add it as "extra lore" when it's stuff that should have been in the main storyline to begin with. It's like not adding seasoning to chicken and that you boiled the fucking chicken and wrapped it in lettuce and mayonnaise.
I could obviously talk about the elephant in the room... you know... this little goober right here. This freak.
And I'm going to.
From the concept art we were given, we know that Callie was originally gonna have more exploration into her troubling mental health issues as seen by her being in the shadows and being comforted by Octarians. It's a significantly different tone compared to the final product.
However in the final game, they tossed MOST of this shit away and say in the game as well as in official media, "naw she was kidnapped and brainwashed forcefully because she's a dumb clutz lmao." They tried to backtrack with an obscure relationship chart, the sunken scrolls and Squid Sisters web prequel series, but then they backtracked AGAIN with the Splatoon 3 artbook that states that she was "brainwashed." It's an incredibly simplified and frankly insulting version of events that are TECHNICALLY canon but Nintendo and others don't treat it as such and i don't know why. I dont know why they treat Callie like this. Is it because she's silly?
Wouldn't it be more interesting and more powerful as a story if they made Callie had more control and awareness of her actions? That she was truly acting upon her mental illness and isolation? Putting DJ Octavio, the fucking funny octopus guy on the same level as Talon from Overwatch and Hydra from Marvel, the literal nazis who damaged Bucky Barnes' brain and removed all of his memories, making him into the Winter Solider, is fucking psychotic and actually insane of Nintendo to do.
There is also Acht and how they were shown between Octo Expansion and Side Order.
Some of the most powerful stories in media have strong character arcs and characters overcoming their struggles and pain. It is inspirating and incredibly real to see a loved one reach out to a person that they care about who have lost their way, either from mental illness or drugs. Trying to bring them back and help them go through their pain together. When someone is under distress and mental health troubles, they can act like a completely different person and the fact that Nintendo half assed serious topics like this and made shit WAY WORSE boils my blood to no end.
In Octo Expansion, we were told that they went under Sanitization willingly in order to remove doubts in their mind and put their all into music. Now due to the unknowns of Sanitization at the time, this made for a really interesting character and brought up a lot of interesting questions as to why they would do this and who they are.
However, in Side Order when they explained Sanitization further and told us that Acht lost all of their free will and were FORCED to make music for Tartar, it kinda damaged their story a little bit. Like sure, Acht still probably wanted to go under Sanitization to clear their doubts and remove emotion, but the added information kinda goes against the interesting story they were trying to tell with Acht. Acht doesn't even mention why they went under Sanitization in Side Order and their reasoning is only found IN A SOCIAL MEDIA POST BACK IN 2018!!! THEY DON'T RESTATE IT AT ALL WHEN IT WOULD HAVE BEEN IMPORTANT TO DO SO! They kinda tell us via their letters, but guess when you get those, IN THE POST GAME!!!!!!!!!!!!!
This leads me to another big talking point, most of the lore is hidden and hard to find. You have to go out of your way to find most of the shit Splatoon has to offer. Sunken Scrolls are hidden collectables and most people don't wanna go through the effort of finding them all in the stages, the chat logs in Octo Expansion are completely optional due to entries being tied to specific stations and you can choose to easily skip them, the dev diaries are locked behind lockers and some people may complete Side Order in a manner where they can get to the final boss and be done with the main campaign before seeing most of the entries. Now I'm not saying that there cannot be extra lore tidbits for players to find, hell no, i love extra stuff like that, i think Splatoon 1 and 3's hero modes did a really job of that. BUT WHEN YOU HIDE AWAY IMPORTANT DETAILS LIKE CALLIE'S MOTIVATION IN SPLATOON 2 AND MARINA'S AND PEARL'S BACKSTORIES!?!? YEAH I GOT A FUCKING PROBLEM RIGHT THERE!
In other games, these would be cutscenes or a bunch of mandatory dialogue, BUT NOPE! THEY ARE IN HARD TO FIND SPOTS!
Some of the other lore details are found on social media posts and some of them are YEARS old or on Splatoon's dead Tumblr account. Most people would rather go to Inkipedia and even they can sometimes make vital mistakes or have wording that gives people the wrong idea on what happened in particular events, which heavily impacts the community and discussion. When i talk about my perspective on what happened to Callie in Splatoon 2, I've seen people say to me "wait really? Huh?! I didn't know that." The amount of research you gotta do to go into these characters is an absolute nightmare, AND DON'T EVEN GET ME STARTED ON THE SPLATBANDS!!! Their lore is literally locked behind Japanese exclusive expensive artbooks!!! WHY?!?!
I really do wanna stress again, is it cool to get cool lore outside of the games and as collectables?! ABSOLUTELY! You know how awesome it was to read the Alterna logs for the first time? The smile on my face seeing Pearl and Marina back in the Final Fest in Side Order. But when the main stories suffer because of important information being tossed to the side and not applied to the main games... I dont know man, it just becomes incredibly frustrating to me personally. Especially with all the misconceptions and other things that occur within the community, the fandom has an information problem and honestly, it's Nintendo's fault. Imagine if Side Order had flashbacks to a younger Marina and Acht, it would have helped with the middle chunk of the story being so... nothing.