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'The earliest Cinderella figures emerged within aristocratic milieus. Basile’s was prepared for academicians or their highly placed friends and acquaintances; Perrault’s was written for a princess of the blood; and d’Aulnoy’s was crafted for fellow salonières. In all three seventeenth-century tellings, Cinderella reproduced and represented aspects of aristocratic imaginaries.'
Ruth B. Bottigheimer, 'Cinderella: The People's Princess' in Cinderella across Cultures, ed. M. H. D. Rochere (Detroit: Wayne State University Press, 2016).