Your gateway to endless inspiration
Hello dear,,,,
My name is Marah Baalousha from Gaza.
Computer engineering student
I hope you are well . đ”đž
I write to you with a heart full of hope and faith, and I ask for your urgent help. My family is in great danger due to the war, and I am running a fundraising campaign to save them. My father and mother suffer from diabetes and high blood pressure. Help me secure them
Please, any donation makes a difference in our lives, and every reblog helps reach as many people as possible. đ
Thank you from the bottom of my heart for any help you can provide.
Checked by Ghost 90 .đ» .
please reblog, and donate if you can!! đ”đžđ
Here is a free pdf of the players handbook
Here is a free pdf of xanathars guide to everything
Here is a free pdf to monsters manual
Here is a free pdf to tashas cauldron of everything
Here is a free pdf to dungeon masterâs guide
Here is a free pdf to voloâs guide to monsters
Here is a free pdf of mordenkainenâs tomb of foes
For all your dnd purposes
dodie - burned out (rain edit)
empty arena version
crisis/urgent support lines and sites
hotlines/crisis lines for depression, domestic abuse, alcohol and drug abuse, teens, pregnancy, lgbt and more
mental support community - a forum where you can post that you are in a crisis right now and need peer support as soon as possible
imalive crisis chat - online one-on-one chat for if youâre in at risk of hurting yourself etc
self harm alternatives
si urges alternatives
relaxation/anxiety relief
do nothing for two minutes
interactive silk art
guided relaxation
watch a dream
100,000 stars
thisissand - create sandscapes on your screen with your mouse
calming gif
the quiet place project
the quiet place - find some quiet
the thoughts room - a super calm page to unburden yourself from bad thoughts
the comfort spot - a place for anonymous venting with out anybody judging you for who you are
the dawn room - my personal favourite, especially good for when you feel alone
know that it will be okay - when a moment is too hard for you - come here.
music and sounds
my anxiety relief playlist - on 8tracks
my positivity/recovery playlist - on 8tracks
âstay strongâ playlists - on 8tracks
coffee shop sounds
rain sounds
calmsound - nature sounds
rainycafe
comfort food
one minute cookie in a mug
brownie in a mug
several cookie recipes
25 hot chocolate recipes
loads and loads of snacks - 533 quick and easy recipes for a range of snacks on studentrecipe
lots of different in-a-mug recipes
chocolate pudding in a mug - my personal fave (lil tip: add mini marshmallows for extra gooey yumminess)
advice and tips
how to be okay with yourself
25 resolutions
life hacks
more life hacks
a hella ton more life hacks - so many life hacks dude soon ur gonna never have a day-to-day stress again
school masterpost - school sucks so bad but hopefully this can help ease the stress
how to love yourself
how to bypass restricted wifi omg
alleviate menstrual cramps
boost your confidence
love yourself!
self help after anxiety
stop biting your nails
stop procrastinating
stop skipping breakfast
videos and movies
cure to sadness (video)
the movie blog - a blog dedicated to movie masterposts you will never be without a movie to watch again
cute roulette - THE BEST PLACE ON THE INTERNET ITS LITERALLY JUST A HUGE ROULETTE OF VIDEOS OF CUTE ANIMALS WHAT MORE COULD YOU WANT FROM LIFE
random acts of kindness caught on film
disney movies
movies for angsty teens
distractions etc
rice questions - answer simple questions and donate free rice to people in poverty!!
click to give - just click a button to donate (it costs nothing) food to animals shelters, people in poverty and homeless veterans; mammograms to fight breast cancer; therapy for people on the autism spectrum; alzheimerâs and diabetes research; a book to a child; protect wildlife habitat
break something - good for anger
loads of cute games
how to make a blanket nest
learn something new - a masterpost of hobbies
exercise like a superhero
nice words
things to do when your sad
slap a bald guy with an eel - this is ridiculously entertaining
watch a dog lick your screen - it loops, so you could literally watch for hours if you want
calmingmanatee
daily puppy
how to make a comfort box
download free books
extras
emergency compliment!
lots of compliments - they even include ur name aw
huge list of bloggers who have put themselves forward as willing to listen/chat without judgement
getting anon hate?
:) tag - all the posts that iâve tagged for making me happy
7cupsoftea - free, anonymous, confidential talks with trained listeners
get a hug
Calming songs, playlists and instrumentals:
Sing Me to Sleep
The Boulevard of Broken Dreams
Boost your Mood (peppier and happy songs)
The Driving Mixtape
Study
Summer Nights
Itâs Going to be Fine
Calm & Collected
Once Upon a December - Piano (song)
Clair de Lune (song)
The Moon is a Harsh Mistress (song)
Calming/distracting Websites
The Quiet Place
Rainymood.com
Calm.com
Soundrown.com - calming sounds to mix and match
A website to distract yourself
A recovery masterpost
A post of interesting things
Ungruntle yourself
Press a magic button and fix everything
Play cute games
Almost every movie your little heart desires (i suggest you use with adblocker)
How to love yourself
A website that compliments you
Crafts and activities, easy and fun DYI projects
Glitter calm jars
A list of things to do to curb anxiety
Make a blanket nest
Silky summer legs
Lots of food recipes; mostly desserts Â
For bad days masterpost
Make some microwave snacks
Five minute fudge
Make a phone case
A bunch of hobbies!
Self care list!
Pretty gold-dipped feathers (for decorating or anything)
What to do when:
Youâve been triggered
Youâre having an anxiety attack
Youâre having a panic attack
Your face is red and puffy after crying
You just had a fight
You hate yourself
You want to avoid being stressed
You want to get over your ex
Meditation and breathing
Guided Meditations
Do Nothing for 2 Minutes
Calm Down
Meditation Tips
90 second relaxation exercise
Simple things
Pretty Tree
When You Feel You Have Lost Everything
See Some BLOOD
Press a Button to Make Everything OK
Calming Manatee
Calming Gif
Make Something!
Jump into a Sofa Fort!
Make a Comfort Box
Glitter Jar Or This One
Other Nice Things
A Page To Help You Recover!!!
Coping Skills & Distractions
The Quiet Place. Shhhhh
For When Youâre Upset
The Nicest Place on the Internet
Player 2
10 Most Relaxing Online Games
Talk To Someone That Will Listen
Not Having a Good Day?
How-to Love Yourself
Ground Yourself X X Â X
Mood Chart
Do Nothing For Two Minutes
Rainymood
The Comfort Spot
Weave Silk
Seed Plant Breeder
This Is Sand
C.A.L.M
Calming/Relaxing Music:
Soft Piano: x, x, x, x, x
The Sound of Waves: x
The Sound of a Storm + Waves: x
Underneath the cut are roughly #125 small/medium, textless gifs of the very talented 25-year-old actress Sandra Mae Frank, known especially for her role as Wendla Bergman in the recent revival of Spring Awakening! She is Deaf, and many of these gifs have her using American Sign Language, so please keep that in mind if you are using her as a faceclaim! I hope to be updating this regularly as I create/find new gifs!
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I'm Caroline from Gaza. Am sorry for sending you this request without your permission. My house was destroyed in the war, and my family lost everything. We've been displaced multiple times, but there's no safe place here. I'm battling Type 1 Diabetes and can't afford insulin, and my mother needs treatment for kidney failure outside Gaza. Any donation, no matter how small, can help us survive and get my mother the care she needs. A friend outside Gaza is helping with the donation program. Please reach out if you need more details.
^^^
Hey kid, look at me.
I want you to T-pose. Turn your right thumb up and your left thumb doen and look at your right thumb. Move your arms up and down a bit until you feel a nerve running from your armpit to your palm. Now turn your right thumb down and your left thumb up, and look at your left thumb. Keep your chest facing forward and your shoulders back. Move your arms again until you feel that nerve again. Keep alternating between these two for a minute, or look at each thumb thirty times each.
Now sit down. Put your left hand firmly under your left buttock, palm down. Keep your shoulders back and put your right hand over the crown of your head, very gently pulling it to the right. Do this for thirty seconds, then do it again but with your right hand under your right buttock.
These are stretches for the nerves in your arms, and are very good for people who sit behind a computer a lot, or fibre artists, or you name it. Do them daily. They will hurt in the beginning, but keep doing them, even after the pain has gone, or it will return and you'll have to start all over.
Idk man itâs so easy to get bogged down in all the bullshit online but when my then-6 year old cousin found out I was trans he said âokâ then corrected my grandma when she misgendered me. I was once the third between a gay man and a lesbian. Two lesbians once invited me back to their place when I presented as a man. I met an AMAB nb butch who looked strikingly to outsiders like a cis man and it was one of the more sapphic experiences Iâve had. I nervously wore a boydyke shirt to pride and got 3 different cis-looking femme folks tell me they loved my shirt. I once told a trans group at a protest that any pronouns were fine for me and one person said âwow, Iâm impressed and intimidated by people like that. I donât know that I could be that chill with pronouns.â I once told a GNC friend I wished I could wear a type of âoppositeâ gender clothing after I had already transitioned and so it would be associated with my AGAB and he said âYou could just do it.â Iâve had cishet men fight cops for me before. The first time I had a doctor ask me if my name was different than what was on my forms I had to try not to cry. Last week, a phone call with a doctorâs office where I am generally cis passing asked unprompted if my name listed is what I want to be called. It touched me then too. I told a lesbian friend once I felt like my attraction to men AND women both felt gay. She said âmakes sense.â And we moved on. I go by different pronouns in different circles. Iâve had gay women love my facial hair. Iâve had gay men like my tits. Itâs all out there, I promise. It can be hard to find it but I promise there is community like you and community who likes you. And itâs more messy and beautiful than tumblr discourse makes it out to be.
Visible mending is a decorative way to fix up an item. Instead of trying to make your mend as invisible as possible, the idea is to make it part of the garment's design.
Visual mending is not a single technique: it's more of a mindset. If you've got an item you love, it deserves to be mended, and if you're going to put that love into stitches, why not show them off?
That being said, there are some specific techniques that are popular with visible menders. Let's take a look!
Sashiko is a type of traditional Japanese embroidery that is used to both decorate and reinforce fabric. In visible mending, sashiko is often used to cover up holes with patches or to reinforce thinning fabric. This technique uses a variation on the running stitch.
(Image source) [ID: sashiko stitch diagram: the distance between each stitch is 1/2 stitch in length.]
Some resources on sashiko:
SashiCo on YouTube: sashiko livestreams and information on the cultural aspect of sashiko.
Written tutorial by Upcycle Stitches.
Free sashiko templates by TheSpruceCrafts.
Fixing jeans with sashiko by Soluna Collective.
(Image source) [ID: three examples of sashiko embroidery on jeans fabric.]
(Image source) [ID: sashiko embroidery with white thread on blue jeans fabric.]
Regular embroidery is also a popular technique to accentuate your mends. Check out my embroidery 101 post to learn how to get started. You can embroider patches, or use embroidery to hide or accentuate any stitches you've made to fix holes. Embroidery's also a great way to cover up stains.
(Image source) [ID: colourful embroidery floss covers a worn sleeve edge of a jeans jacket]
(Image source) [ID: colourful flower embroidery surrounds a hole in a pair of dark gray jeans. Fabric with a red and black flower print peaks out of the hole.]
There are many ways to add patches to a garment. My tutorial on patches is a good place to start if you want to make custom-shaped patches to sew on top of your fabric. You can also sew your patch on the inside of your garment and have it peek out from beneath the hole you're trying to fix. Fun ideas for this are lace or superheroes.
(Image source) [ID: Spiderman peaking out of a rip in a pair of blue jeans.]
(Source) [ID: a red flannel heart-shaped elbow patch on a gray knitted sweater.]
Darning is a technique used to repair holes in fabric by using running stitches to weave extra fabric over the hole as to fill it up again. While traditionally darning is done in an invisible way by using the same colour of thread as your fabric, you can also use contrasting colours to accentuate your fix. Check out this written tutorial on darning by TheSpruceCrafts.
(Image source) [ID: vintage instructions on how to darn a hole.]
(Image source) [ID: four examples of darning on blue fabric with colourful contrasting thread.]
Visible mending is a creative way to fix up your clothes and give them some personality at the same time.
You should be proud of the fact that you took the time and learned the necessary skills needed to mend your clothes! Show off what you did!
A fun side effect of wearing these obvious mends is that people will notice them. They'll remember your fixes the next time they're faced with a hole in their wardrobe, and it will make them more likely to try it for themselves.
These are just a few ways to visibly mend your garments. Want more inspiration? Check out Pinterest or r/Visiblemending on Reddit.
I decided to make a little October prompt list!! I honestly don't know how much I'll participate myself but I hope y'all have some fun with it :3
WEIRDLY SPECIFIC BUT HELPFUL CHARACTER BUILDING QUESTIONS
Whatâs the lie your character says most often?
How loosely or strictly do they use the word âfriendâ?
How often do they show their genuine emotions to others versus just the audience knowing?
Whatâs a hobby they used to have that they miss?
Can they cry on command? If so, what do they think about to make it happen?
Whatâs their favorite [insert anything] that theyâve never recommended to anyone before?
What would you (mun) yell in the middle of a crowd to find them? What would their best friend and/or romantic partner yell?
How loose is their use of the phrase âI love youâ?
Do they give tough love or gentle love most often? Which do they prefer to receive?
What fact do they excitedly tell everyone about at every opportunity?
If someone was impersonating them, what would friends / family ask or do to tell the difference?
Whatâs something that makes them laugh every single time? Be specific!
When do they fake a smile? How often?
How do they put out a candle?
Whatâs the most obvious difference between their behavior at home, at work, at school, with friends, and when theyâre alone?
What kinds of people do they have arguments with in their head?
What do they notice first in the mirror versus what most people first notice looking at them?
Who do they love truly, 100% unconditionally (if anyone)?
What would they do if stuck in a room with the person theyâve been avoiding?
Who do they like as a person but hate their work? Vice versa, whose work do they like but donât like the person?
What common etiquette do they disagree with? Do they still follow it?
What simple activity that most people do / can do scares your character?
What do they feel guilty for that the other person(s) doesnât / donât even remember?
Did they take a cookie from the cookie jar? What kind of cookie was it?
What subject / topic do they know a lot about thatâs completely useless to the direct plot?
How would they respond to being fired by a good boss?
Whatâs the worst gift they ever received? How did they respond?
What do they tell people they want? What do they actually want?
How do they respond when someone doesnât believe them?
When they make a mistake and feel bad, does the guilt differ when itâs personal versus when itâs professional?
When do they feel the most guilt? How do they respond to it?
If they committed one petty crime / misdemeanor, what would it be? Why?
How do they greet someone they dislike / hate?
How do they greet someone they like / love?
What is the smallest, morally questionable choice theyâve made?
Who do they keep in their life for professional gain? Is it for malicious intent?
Whatâs a secret they havenât told serious romantic partners and donât plan to tell?
What hobby are they good at in private, but bad at in front of others? Why?
Would they rather be invited to an event to feel included or be excluded from an event if they were not genuinely wanted there?
How do they respond to a loose handshake? What goes through their head?
What phrases, pronunciations, or mannerisms did they pick up from someone / somewhere else?
If invited to a TED Talk, what topic would they present on? What would the title of their presentation be?
What do they commonly misinterpret because of their own upbringing / environment / biases? How do they respond when realizing the misunderstanding?
What language would be easiest for them to learn? Why?
Whatâs something unimportant / frivolous that they hate passionately?
Are they a listener or a talker? If theyâre a listener, what makes them talk? If theyâre a talker, what makes them listen?
Who have they forgotten about that remembers them very well?
Who would they say âyesâ to if invited to do something they abhorred / strongly didnât want to do?
Would they eat something they find gross to be polite?
What belief / moral / personality trait do they stand by that you (mun) personally donât agree with?
Whatâs a phrase they say a lot?
Do they act on their immediate emotions, or do they wait for the facts before acting?
Who would / do they believe without question?
Whatâs their instinct in a fight / flight / freeze / fawn situation?
Whatâs something theyâre expected to enjoy based on their hobbies / profession that they actually dislike / hate?
If theyâre scared, who do they want comfort from? Does this answer change depending on the type of fear?
Whatâs a simple daily activity / motion that they mess up often?
How many hobbies have they attempted to have over their lifetime? Is there a common theme?
Love how tumblr has its own folk stories. Yeah the God of Arepo weâve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and itâs revealed she IS the cat after the narrator befriends the cat.
Prologue
The embers looked like fireflies, pouring out of the skeleton of the horticultural shop.
With his glasses crushed to dust somewhere inside and the new, aching black gulf on the right side of his vision, he could almost pretend that he was watching a theatrical lightshow. Any moment now, dancers would leap out with their faces made ethereal by golden masks and start leading the Midwinter Prayer.
But the stink of smoke digging into his skin and the heat of the flames baking the blood onto his cheek made the desire impossible to keep hold of. The roaring of the inferno echoed in his ears, drowning out the gathering crowd and ringing bells of the fire guildâs carriage.
At that moment, his knees buckled and the roof fell in.
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in the wake of dracula daily and subsequent ongoing discussions of the antisemitism that drives the book, i thought iâd throw together a very brief primer based on little strands of research iâve done in the past around some of the history that scaffolds dracula. iâm not trying to scold people for participating in the more lighthearted end of this cultural moment â i love dracula, iâm also reading dracula daily and enjoying everyoneâs little jokes about jonathan harker and his paprika and so on â but i am trying to provide what i hope is a somewhat useful resource for deeper engagement with the text, a necessary critical skill if you want to have anything meaningful to say about it. iâm not really interested in coddling peopleâs feelings about antisemitism, and i think itâs in everyoneâs best interests to provide a little bit of a framework for how we approach and think about and talk about what is a pretty unambiguously bigoted book.
for what itâs worth, i find the most productive way to approach this text, as with any text that emerges from a tradition of immense violence (ie. pretty much any work of english literature from the nineteenth century, all of which write from the heartlands of imperialist plunder and the formation of nationalist cultural norms) is as a historical document. thereâs a difference in these discourses between a piece thatâs made today, where we might ask why weâve allowed particular cultural conditions to facilitate the telling of narratives that are attempting to naturalise conditions of bigotry, and one created in 1897, where our relationship to that historical moment should be one of self-reflection and analysis with an eye to informing our understanding of present-day violences. my point is that a text which locates itself within the british antisemitism of the late nineteenth century is one which can enhance our understanding of that antisemitism and its present-day legacy.
i also want to clarify that i donât intend to reduce the bigotry of dracula to just the antisemitism â it is clearly shaped by broader strokes around racism and imperialist race science in particular, but the specific british-jewish cultural history within which it is grounded happens to be the one that i have a relatively coherent understanding of, and wanted to share. i donât at all intend to frame this as a complete account â iâm more just putting what i have to hand out into the world for others to do with what they will and ultimately come to their own conclusions about the text and how best to engage with it.
i think itâs worthwhile to also touch briefly on the fact that dracula is by no means alone in invoking antisemitism where vampires are concerned â what often gets missed in discourses around what vampires can represent (parasitic capitalism being an incredibly common discursive invocation, to the point where itâs kind of embarrassing that so-called marxists canât make the very short leap) is that much of the vampire mythos is shaped by antisemitism. the draining of blood closely resembles a blood libel, ie. the smear that jews drink the blood of christian children; the state of being repelled by a crucifix should be self-explanatory; the construction of the vampire as a parasite leeching off of communal social formations forged within white imperialist societies closely reflects anxieties regarding the allegedly parasitic presence of jews both in eastern + central europe and new immigrant communities in britain. the vampire is immortal as the jew is eternal â the âeternal jewâ is a nazi smear drawing from the antisemitic canard of the âwandering jew,â which in turn dates back to the thirteenth century. the vampire threatens the national body and so does the jew. the rush to point to the vampire as an apt metaphor for the parasitism of capitalism too quickly falls into the mire of discourses that entwine capitalist violence with jewish populations (jews are all moneygrabbing leeches and so on), and redirects anger towards capitalism into antisemitism. whilst the history of the vampire as a folkloric figure is far richer than just âjews bad,â it is undeniable that this cultural scaffolding exists, and informs dracula even before stoker comes to personally intervene in discourses of antisemitism specific to the conditions from which he was writing.
this excellent paper on dracula and the gothic response to anxieties of imperialist decay â ie. fear of a âreverse colonialismâ â that did the rounds on this website a few days ago covers a lot of important and helpful ground for this text, and i would highly recommend giving it a read. what it misses, however, is that dracula is rooted not only in these abstract notions of imperial decline and external threats to âbritishness,â but in the very definite, concrete historical moment in which new discourses of antisemitism were emerging in britain â and that is the history that i want to touch on now.
in 1882, in the wake of the assassination of tsar alexander ii for which the jewish population of the russian empire were scapegoated, a set of highly repressive laws known as the âmay lawsâ were passed. in short, these laws heavily restricted jewish freedom of movement within the empire, almost entirely limiting jewish settlement to the pale of settlement (a portion of land in the westernmost part of the russian empire, encompassing modern-day belarus, lithuania, and moldova, and parts of poland + ukraine) and restricting property ownership + establishing strict administrative quotas across various sectors that severely limited jewish participation in russian society. this in turn brought about expulsions of portions of the jewish populations of moscow and st petersburg where these quotas were exceeded. crucially, these repressive laws were tightened over the next decade, which, alongside a series of brutal pogroms, caused mass emigration of the ashkenazi population from the russian empire. one significant epicentre for jewish settlement at the end of the nineteenth century was the east end of london. this was, of course, coterminous to the writing of dracula, in which an eastern european man imbued with a number of antisemitic smears attempts to inculcate himself within the population of london and imitate britishness with the eventual intent of sucking it dry â you see the very obvious lines being drawn here.
it goes without saying that the establishment of a new immigrant population in london would stoke the sort of reactionary sentiments that we can locate in dracula; however, we might look beyond just a loose historical correlation and consider the possible relationship between the whitechapel murders (colloquially known as the jack the ripper murders â whitechapel is located in the east end if you didnât know) and stokerâs novel (published seven years after the last of the murders) amidst the adjacent discourses that said murders generated. in addition to the fascination with an âundersideâ to victorian society in which sexual + social moralising was inverted and voyeurised by the moralist bourgeois class that these murders, targeting poor sex workers, amplified (think the kind of sensationalism we see with true crime culture today â very much the prototype of that), the projection of sensationalised sexual degeneracy and lechery onto the murders in turn invoked antisemitic discourses in which the east endâs jewish population became a nodal point of sorts where these spectral anxieties could be projected. a physical description of jack the ripper at one point included a dark beard and a foreign accent, with a sketch that added a hooked nose, and the famous goulston street graffito in 1888 which read âthe juwes are the men that will not be blamed for nothingâ has, though unproven, been treated as though it were written in connection with the whitechapel murders. john pizer, a jewish man, was at one point arrested for the murders (and later released), and police reports around this referred to emergent broader anti-jewish sentiment in whitechapel. the point is, thereâs a case to be made for the whitechapel murders having amplified already-extant antisemitism in the east end, and a further case to be made for this specific blood libel adjacency to have shaped bram stokerâs novel. (to compare; this is, for example, the same discourse that scaffolds the joke in what we do in the shadows about laszlo being jack the ripper.) whilst we donât know that stoker consciously, explicitly had jack the ripper in mind, 1) it is a theory that has been critically posited before, and 2) at the very least, the novelâs unambiguous antisemitism that locates itself most prominently within a blood libel would have been informed by discourses specific to london, of which this was a major one.
that dracula himself is something of an antisemitic caricature is, i would hope, obvious; and of course, the text is laced with the language of physiognomy and the fear that an immigrant might sufficiently imitate britishness to the point of being able to pass himself off as british wholesale. to take this further, we might, for example, think about how stoker depicts lucy westenras â a âblonde, demureâ white woman representative of the british imperialist fantasy of white womanhood becomes a vampire and feeds off of the same children that she (as a white woman) is socially conditioned to care for and reproduce, thus rendering the vampiric threat as one that targets white women and their reproductive roles within the imperial social formation. we might similarly point to the whitechapel murders and the simultaneous sensationalising of sex workersâ murders against the figure of the âgoodâ bourgeois white woman + the subsequent anxiety that the jewish population of the east end might represent a real, immediate threat to londonâs womanhood.i donât want to be overly didactic about this book, and i think that after a certain point this scaffolding is such that people can go away and do the work themselves â like, iâm not going to sit here drawing out point after painstaking point about how dracula is peppered with the language of race science and imperialist anxiety at points x, and y, and z. my intention here was to provide a bit of specific background context for how & why this novel came about, from the relatively meagre well of information that i have to hand. my closing remarks might be that we could use all of this discourse as a launchpad for thinking about the points of convergence of subjugation within the vampire myth, and what that can tell us about how imperialism refortifies itself + against which values it does so â in dracula, in sheridan le fanuâs carmilla, in samuel taylor coleridgeâs christabel, and in the broader corpus of myth to which all of these texts are responding, we can identify repeated convergent themes of othering the jew, the irish population (le fanu was anglo-irish and a popular reading of carmilla is as representative of the colonisation of ireland), the homosexual (dracula is incredibly homoerotic, and both carmilla and christabel are fairly explicitly lesbian), the racialised + colonised populace, and the projection of lechery and sexual degeneracy onto all of these subjects in the ultimate interest of reifying white gentile imperialist sexual formations. the somewhat effete feminising of dracula comes against the masculinising of the imperial british man, for example; the âotheredâ populace exists in threat & opposition to the imperial norm (and the feminised jewish man is a classic of antisemitism, eg. as far back as the medieval smear that jewish men menstruated). all of these figures clustered under the broad umbrella of the vampire are rendered as threats to reproductive white heterosexuality, and as such, to the reproduction of the imperial order, and to capital, and iâve always found this to be the most elucidating angle from which i can engage with the text critically. i hope at the very least this is a helpful little conjunction of Thoughts that people can do something with?
Your supervillain nemesis is little more than goofy comedy relief, always coming up with clunky machines and insane, nonsensical schemes. When a new dangerous villain appeared, your nemesis utterly destroyed them, and then continued on like nothing happened.
Heathers was my favorite musical for quite a while and while itâs not at the very top of my list anymore, I amassed an extensive knowledge of animatics for the show. So. Masterlist. Here we go:
Our Love Is God by MissyAsylum: The symbolism in this piece blows me away every time. Itâs the only animatic Iâve found for this song that captures the horror of it. Chilling.
Candy Store by szin: This is an amazingly polished, fluid animatic with a great artstyle. The way szin draws the Heathers is perfection.
I Am Damaged by HLKPro: Absolutely heartbreaking rendition of this song, animated perfectly to the beats.
Meant to be Yours by Anidoodles: Great artstyle, fantastic composition and a beautiful range of emotion for JD. The attention to detail really drives this one home.
Meant to be Yours by HLKPro: This version is done with some non-canon character designs, but the artstyle and emotion of this piece make it worth checking out.
Freeze Your Brain by MissyAsylum: Vivid, active rendition of this song. Really makes you hurt for JD (plus, the ending isâŠ!!)
Heathers as Vines by oliviamarlyce: Excellent. Accurate. True beauty.
Heathers as Vines 2 by oliviamarlyce: See above.
Heathers as Vines 3 by oliviamarlyce: See above.
JD as John Mulaney by Anidoodles: Go. Watch it. Experience 48 seconds of joy.
Jacob and Julia asked for fanart and fanfiction of these two and I don't draw so here's my first (of hopefully many) Sara Pena and Hunter Richardson fics. It's a meet-cute.
Sara wasn't stupid. Okay, well, she was kind of stupid, but she certainly wasn't blind. She had seen the cute girl staring at her and filming.
After a few minutes of dancing for her new personal filmographies, she decided to approach the girl and commence flirting. Or hustling. One of the two.
"Hey. You should tag me in that. Tag my business page. SaraPenaPartyForHire. All one word. The S and the P and the other P and the F and the H are capitalized. That's Sara without an H, too. Did you get all that?"
"Uh. Yes. I'll add that to my post." Hunter was already getting comments about clearly filming without permission, but this felt like permission.
"I'm Sara Pena, by the way. Of SaraPenaPartyForHire."
"Hunter. Hunter Richardson. Of⊠Nothing. What exactly do you do at SaraPenaPartyForHire?"
"Well, it's a freelance kind of thing. I get paid to come to parties and throw down my sick dance moves so that other people feel more comfortable doing the same themselves."
"Sounds lucrative," Hunter said.
"It's not," Sara Pena said with a laugh, "but I enjoy it."
"You must go to a lot of parties, then."
"Yep! Maybe I'll see you at the next one?" Sara batted her eyelashes.
"I mainly go to funerals, actually. Maybe I'll see you at the next one?"
Sara laughed, "You must be a lot of fun at funerals."
Hunter laughed then too, a genuine laugh. The first time she'd laughed all evening.
"Yeah, Sara, I put the fun in funerals."
"I've never worked a funeral before but I'd be willing to give it a go."
"I'll be sure to let my clients know about your business."
"Your clients?" Sara leaned in then, her intense eyes wide, "Do you work for ghosts?"
"Huh. I guess I kind of do. I'm a funeral director."
Hunter leaned in conspiratorially, "You'll never guess where I got this dress."
Sara's eyes sparkled like freshly lit candles, "Where?"
"Right off a dead person."
Sara gasped in delight, "It looks so good on you!"
"Thank you! I thought so too. Sometimes the families of the deceased don't get it but the corpses don't need clothes. I, on the other hand, do. Anything to save money, right?"
"Tell me about it. My life isn't one big party. I have bills to pay, too."
"You get it. You just gotta do what you've gotta do."
"Hey, Sara, get back on the dance floor! We didn't pay you to stand around!" Some guy snapped.
Without changing her morose expression Hunter whipped around and doused the guy with her drink.
"Don't talk to her like that!" Hunter snapped.
"Hey! No one invited you! Get out of here! Both of you!"
Sara grabbed Hunter's hand and they fled, both of them unable to keep from laughing when they got past the front door.
Hunter sobered up the fastest. "I'm sorry I got you kicked out of the party."
"That's okay, they already paid me. And if they leave a bad review on my page I'll just delete it."
"Would you like to help me vandalize their house?" Hunter asked, offering Sara a marker. Sara hadn't let go of her hand yet.
"How about we just go for a walk?" Sara suggested. "I would really, really like to get to know you better, Hunter Richardson."
"And I, you, Sara without an H."
"Well," Sara giggled, clumsily twirling Hunter, "I have one now."
Hunter blushed almost imperceptibly and put away her markers. The only vandalism that would be committed that night was the marks Sara and Hunter were leaving on each other's hearts.
A music video to There Beneath by The Oh Hellos. no fandom for once. These characters and this video idea just kind of came to me while listening to this song the other day. My grandfather died today. Has been dying for the past week. Which is why I think the idea of death and graves were on my mind. Along with the vivid picture of a zombie hand coming out of the ground but instead of horrific is it soft and gentle and lovingly rendered
Bugbear by chloe moriondo
Bounce Man by Twenty One Pilots
Honestly by Hippocampus
Sweet Tangerine by The Hush Sound
Itâs Always Sunny With You by {Parentheses}
Clover by Louie Zong
Honeybee by Steam Powered Giraffe Silly Girl by chloe moriondo
All That and More (Sailboat) by Rainbow Kitten Surprise
It Gets Better by Bears in Trees
Lemon Boy by Cavetown
Hope by Tom Rosenthal
Warm Glow by Hippocampus
Would That I by Hozier
Worries - 2021 by Tom Rosenthal
Married Life by Michael Giacchino
Sweet Tooth by Cavetown
Rainbow by dodie
Attention by rainbow frog biscuits
Sugar in a Bowl by Of Monsters and Men
Specific things about certain songs I like that make me start frothing at the mouth like a rabid raccoon when I hear them:
The soft violin solo that plays at 1:35 in "The Crooked Kind" by Radical Face, like the heralding of a distant thunderstorm that you can see rolling in the distance.
When Florence starts chanting "Who's a heretic now?" in "Which Witch", which is the best song on the album and it is a CRIME that it was just a demo (don't let Spotify fool you it was listed as a demo until recently).
The way the chunky guitar and drums build before the second chorus of "Double Vision" by Family and Friends, which is sung with some kind of soft anguish that always breaks my heart into pieces.
The pianowork in "Garden" by Cold Weather Company is complimented by a fuckin' pianica of all things and it absolutely should not work but it does and drives me nuts when it hops in like Jesus.
David Le'aupepe's vocal's in "The Man Himself" by Gang of Youths. This man is a horrifically underrated singer and I would pay every ounce of money I have to see him belt this song out live.
Just the subject of "Staring at the Stars" by Passenger. I love songs that revel in the fact that their subjects are complete and utter losers, and there's something kinda hopeful in and of that as well.
The masterful guitarwork on "The Graduate" by the Arcadian Wild but particularly by the mandolinist. It's insane how fast that man can strum those chords out.
I could make an entire list based on The Oh Hellos alone but when the whole band chimes in behind Maggie Heath to sing "--any little Messiah" in "Passerine", it's not only amazing but a literal callback of the "birds of a kind" lyric that comes right before it and Idk I think that's neat.
The chemistry between the two lead singers of "Home to Me" by Devil and the Deep Blue Sea-- it is genuinely a failing of society that they never got big nor released more than 8 songs.
That quiet, warm optimism you can hear in every word and even in that fuckin'...I don't know, panflute synth?...in "Summerland" by half-alive. This song is like watching a sunset on a half-empty beach with all your closest friends, finally reveling in the warmth that you can only find in early June.
The rising, building vitriol of the two singers in "The Descent" by Bastille (the man is Dan Smith, the woman is Lily Moore). I LOVE songs where both singers are just fucking furious with each other it's so sexy, and Moore in particular kills it.
Changing the final line of "No Lullaby" by SIAMES from "Where's the love when you were left on your own?" to "Who said you're on your own?"-- in an album centered around broken homes, it's a nice way to end a song centered around familial abandonment on a hopeful note.
The way the last line of "Leaves in the River" by Sea Wolf is sung-- a soft, hopeful, almost wistful sigh of a man who's just fallen head over heels in love (or at least that's how I interpret it).
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are some of the people newer to tumblr aware of the joys of theme customization on desktop? I know some ppl are just on mobile so they canât really change things but like SO many blogs nowadays have 0 theme customization and just use the default theme and Iâm beginning to wonder if they even know about the option. Itâs one of the main reasons why I still use tumblr