I Love My Neurotic Emo Son

“What if I write it and it’s bad-”

WHAT IF YOU WRITE IT AND ITS GOOD? WHAT IF YOU WRITE IT AND ITS EXACTLY WHAT YOU WANTED? WHAT THEN????

as someone with club foot, PLEASE WRITE MORE CHARACTERS WITH IT☹️ also it can be disabling, and it can affect the knees, hips, and ankles if comorbig with another condition; commonly knock-kneed. another thing though is to avoid "curled", it just sounds weird; curved is a good alternative with the same effect

How To Write Club Foot Characters

A guide to writing club foot.

To understand what club foot is, you need to understand it's causes. You can't develop club foot in your life, you develop it in the womb. It can be from how you're positioned, how you develop, etc.

Club foot is the twisting of a foot in the womb. It is a birth defect.

History (Earlier "Cures")

Note: the only reason why I put "cures" in quotes is because of continued nerve damage that'll continue for the rest of your life. However, people who undergo successful treatments can live a normal life.

400 BC: Hippocrates described manipulating the foot and placing them with bandages, much like modern day treatments.

1834: The Thomas Wrench was discovered. It was used to forcibly change the position of the foot.

70s-80s-90s: This is when surgical treatments became popular. There are a lot of methods for correcting club foot, but the most popular are postero-medial release (PMR) which entails the extensive release of the contractive soft tissues of the clubbed foot/feet. Surgical treatment can give the foot a more "normal" look and ensure that the patient can walk on the foot. This does not erase any nerve pain, though, as overtime the foot can become stiff, weak, and show early arthritic changes. This is why this practice kinda fell out of practice.

The Conservative Technique:

Casting and wrapping to stretch the foot/feet and molding the bones so that it's less painful and the patient can walk on the feet/foot.

LANGUAGE:

What language do you use to describe club foot and what to avoid.

Words to Avoid:

Gross

Disgusting

Anything related to how "gross" the characters foot looks, or how the mc wants to "throw up" at the sight.

Words to Use:

Curled

Clubbed/club

AIDE:

Mobility aide is something many need as they get older, some even use it when they're younger. The list includes:

Crutches

Canes

Wheelchairs

Braces

Walker

Please let me know if you have any questions (I'll add to this post)

Salem Grey - a mood board

– song of lost secrets

"It's just me, you can talk to me. Please come out."

Anyone else really enjoy writing characters that make a drastic decision and are totally justified for it, yet almost everyone is against them for it regardless?

what the computer screen sees as i write the most gut-wrenching scenes of my novel

agreeing with this entire list, specifically number 2 and 8.

What I Love In Writing

Lately, I've seen so many negative posts (including my own) circulating about things not to do in writing, "advice" about which words to avoid, which tropes are most annoying, etc., etc. No wonder writing is often seen as a discouraging avenue to explore. In response, I've decided to make a post about things I personally LOVE to see in other people's writing, things that make me want to read more and more.

Attention to physical details that are less commonly described in stories. Three of my personal favourites are descriptions of hands, necks, and shoulders, which are just as expressive as eyes and other facial features.

When writers stretch a word's known meaning in a way that feels new and off-kilter. It always surprises me and draws me in. I particularly like when a noun is made into an interesting new verb. For example, "His eyes lanterned the dim room." Even though it might not make immediate sense, it can evoke a variety of new readings and emotions based on the context. If the scene calls for it, invent your own vocabulary. Language is yours.

I personally love contrasts between emotional states and settings, like when a character is facing turmoil on a beautifully sunny day, or, alternatively, two characters expressing their love for each other in a place that's falling apart.

How wonderful is it when someone can pull off the present tense elegantly? That sense of immediacy is refreshing.

Lengthy sentences that cascade rhythmically and emotionally to the point that you reach the end of the sentence and think, "Oh my gosh, that was only one amazing sentence!"

I love when characters are raw and real and messy and complicated, when they feel like people I could meet in my everyday life. I love when good characters do bad things and bad characters do good things.

Metaphors and similes, especially ones I've never read before.

I like when ugly or unexpected things are described beautifully. There is a difference between romanticizing something ugly and acknowledging an ugly thing's attributes thoughtfully enough to illustrate it with the same care and passion as a universally accepted lovely thing.

Personally, and I've changed my mind on this one recently, but I think it's sweet when I can pick up on favourite words or phrases the author likes to return to now and again. I understand it can be repetitive at points, but it's also like discovering a secret, cherished thing I can share with the writer. It adds to the voice. (Side advice: give yourself the liberty to change your opinions and try again with writing techniques you previously disliked).

Emotion, emotion, emotion. I'm an emotional person, and I like emotional writing that always walks that line between "balanced" and "too much." Not necessarily in that everything feels exaggerated or out of proportion with the plot, but that I can sense the characters' emotional states at all times, and sometimes even the grammar or language can reflect that - shorter phrases for an abrupt feeling, elongated ones for drawn-out, languid moments. The world is gorgeous, and our feelings are gorgeous. Writing that can capture that sensitivity has an everlasting effect on me. Like I'm at a party and the lights are too bright, the music is too loud, there are too many people, but it's all a reminder that I'm a human being. We're alive.

There are many, many more aspects of writing I love, too many for me to name but these are just some of the first that came to my mind. Amid all the cautionary writing tips you read out there, I encourage you also to establish for yourself the good things you should do. The risk of perpetual don'ts is a perpetual blank page.

Do what you love, and love what you do, but above all else, do.

Emene boss - a mood board

– Song of lost secrets

"What the hell are you so busy with now anyways that i cant be a part of it?"

Sibling dynamics are kind of an untapped gold mine in media. Relationships between siblings can be so weird. We experienced the same childhood but in very different ways. I helped raise you. You helped raise me. You’re the only person I’ve ever really punched. You drive me fucking crazy but if anyone ever hurt you I’d chase them to the ends of the earth. You’re the only one who understands what it was like to see our parents slowly come to hate one another. Stop stealing my fucking socks.

# rotting with ambivalence

i don't write poetry often, so this is likely not written well; and i have an unusual speech pattern, so this may not flow well aside from in my own reading; enjoy

i look at you and all i know is fading

my sense of couth lost, as im found desperately trying to reach it

all im bound to find is despair.

but you know that right?

youll tear me down to shame, night by night;

"my heart is not for the taking"

though this bruise feels all too loving

and so do my words.

another crack is left on my lips

i beg for you to think about me just once

to think about me in the sense of family.

we both know youll never get there

instead ill look for whats left of you;

i see you in the swans, their beauty suddenly ruined

i sit and watch as they deceive their admirers;

ill never blame them.

I love being a writer because it forces me to understand and build the mind of someone who grew up, thinks, and acts so much differently from me