Latest Posts by certifiedlesbianvampire - Page 4

Love is in the air. But you have to be careful so you don't get hurt.

One idea that I can't get out of my head is that maybe Matakara doesn't feel completely comfortable going to his friends' houses, because seeing them interact with their families makes him jealous and he feels bad about it. This also happened when visiting Arajin when he was younger, seeing how loving his mother was towards him (something that is not difficult to imagine) to that we add that surely given his background he must feel an almost instinctive distrust towards adults, especially parents, there being few exceptions to these.

i wanna put them in a blender!!! THEYRE SO CUTE 😭😭😭

PLEASE SHARE!!! (this also applies to everyone who has any) i'd love to hear them <33

I like the idea that matakara can be clumsy or way too strong physically because it’s so funny to me. like that one gag where he crushes arajin is rent free in my mind. he's great at combat but he is the type of guy to fail at peeling a boiled egg (and also fail at cracking eggs- he'd get the shells in food, much to the chagrin of arajin.) matakara is the type of guy to accidentally crush someone in a tight hug.

I like the idea that matakara can be clumsy or way too strong physically because it’s so funny to me. like that one gag where he crushes arajin is rent free in my mind. he's great at combat but he is the type of guy to fail at peeling a boiled egg (and also fail at cracking eggs- he'd get the shells in food, much to the chagrin of arajin.) matakara is the type of guy to accidentally crush someone in a tight hug.

IS THERE ANY ADULT?

I have released some ideas on Twitter lately, but when I realized that there was a common thread, it seemed like a good idea to put them together to organize them better(and maybe expand a little).

The way Bucchigiri approaches the "adult world" is something to say the least curious when you think about it. The gangs seem to be in their own reality, where everything related seems relatively distant. However, what is striking is that despite this, the anime doesn't completely rule them out, it recognizes their influence on their daily lives, and not only that, but also the great importance of adult guidance, with Arajin and Matakara being a clear example of this

Arajin was raised by his mother (we have no information regarding his father) who we can see has always been there for him, giving him her love and guidance, which we see by how she bequeaths him her cooking skills, a curious mix between independence and giving love/affection, key elements to mature as a person (being serious/Honki in a way)

But in the case of Matakara, everything indicates that he was a child raised by another (Mitsukuni) and that inevitably creates a gap between him and other kids his age, especially having grown up in a house where both brothers never felt comfortable, which is easy to notice by their desire to get out of there.

There is something I want to make clear, so far, it doesn't seem that the relationship between the Asamine brothers and their relatives was conflictive or hostile , but some tension can be felt, so I cannot assume that they had bad intentions, but it doesn't seem they did a lot to make both children feel welcome and safe, which can be seen in several details, such as the little (or no) interaction between them and Matakara

Or how, unlike Arajin, his lunches are not homemade, but bought and although it may not seem like it, this says a lot, because both houses are also family businesses in which they have to serve several clients, from what it seems to me that this parallelism is intentional and to make us see that despite coming from similar backgrounds, the treatment that Arajin and Matakara receive from the adults they live with is very different.

This is when food "speaks" in Bucchigiri, because it translates not only as affection, but also warmth of home, therefore, safety(There's already an analysis of this specific topic for those who may be interested). It's an interesting way to telling us (along with his oppressive room) that Matakara never had that while growing up.

Because no matter how hard Mitsukuni tried, he wasn't a father, not even an adult, he was another child, one who must also have his own scars after everything that happened, someone who was trying to play a role for which he was clearly not prepared. The fact that he doesn't know how to cook is a good way to represent it, because it's a skill linked to independence and therefore to adulthood.

In fact, it is very curious that Arajin is coincidentally the only one of all the young characters who knows how to cook, because something similar happens with Mahoro, who cooks for her brother who is in the hospital, but it is evident that she is not good at it, which which could indicate (at least based on what has already been said) that she has not had that guidance from the adults around her either.

However, we still have something else to address, we have already seen that even if it's subtle, Bucchigiri doesn't rule out the importance of adults as guiding figures, but just as this is pointed out, a line is also crossed, making it very clear to us that although There are adults like Yayako or Ken who can be trusted, there are also those who take advantage of young people, doing a lot of damage in the process.

Let's not forget the police officer who was trying to distribute drugs using members of Minato kai and probably other kids in the area, a situation for which Mitsukuni had to assume the consequences of taking the lead and putting a stop to it with his own hands, having to leave his brother behind in the process(reminding us of the harsh reality that exists in Honki city in the process).

And of course Ichiya is not spared, we are talking about someone who took advantage of an emotionally unstable teenager in his most vulnerable state to achieve his revenge against Senya, subjecting him to manipulation and emotional abuse, also using Matakara's pain as basically fuel. Situation that would have had the worst possible outcome if it weren't for Arajin managing to save his friend in time, but removing the supernatural factor, not all young people in real life are so lucky.

But leaving that aside, I think that both "genies" do something important, showing that adults are not perfect and that in a certain way they have not finished "growing" at all, in the sense that they are people who can still learn, commit mistakes, that can hide things from you, even if their intentions are not bad at all(Senya) or understand that their bad actions may have a root (Ichiya). Something quite curious, because like being Honki, maturity/adulthood is something that is sometimes diffuse and not entirely clear.

Although it wasn't the main theme, and it is certainly somewhat in the background, the "adult world" in Bucchigiri is still present throughout the anime in various details if you pay attention. There are still some things left, Mitsukuni and Ken seem to me to be characters that should be talked about separately, because their role as young adults seems to function as a kind of midpoint between the "world of gangs" and the "adult world", as well as maturity and the sense of duty, that is a key element for both.

dude really sent this block of text at 12:36 am

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this is really dumb but ANYWAYS happy pride month

SUA - IVAN TYPE OF JEALOUSY

I've just realized that Sua and Ivan had the same very weird type of jealousy:

- Sua was not jealous of Till even though Till liked Mizi, instead, Sua turned to be upset with Mizi 'cause Mizi was so silly goofy that she didn't realize Till's feelings for her though it was as plain as crystal.

- And in the same way, Ivan was not jealous of Mizi although Mizi won Till's affection. He turned to be upset with Sua instead because Sua's feelings was reciprocated and her affection for Mizi was both-sided while his was not, even though he considered that they were alike, that they were the same kind of person.

Also on the contrary, we can see that Ivan is very close to Mizi in some offical side-arts/side-stories (you can find them on Vivinos X account). Mizi talked to Ivan first and asked him for an explanation when she heard something she didn't understand, and she even asked Ivan to carry her on his back. Mizi and Ivan interaction was far closer than Mizi and Till. Actually, Till's relationship with Mizi was like one-sided, and he just followed behind Mizi to know more about her but did not dare to come closer or tried to strike up a proper conversation.

Sources of images: all are original works by Vivinos and Qmeng on the official twitter, translated by me.

Sources of the idea: the original idea of this post belongs to this blog on Facebook. Credit link: https://www.facebook.com/share/p/ryTLFhQ1E5VyAa7y/?mibextid=xfxF2i

I have their permission to translate to English and post it on my Tumblr account.

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Link to gazaesims ->

Something that always I think back to is how Marito orders his sister to leave just after she uses the "family only" card to get Arajin to leave them alone.

Like the subject of "family" is something of a sore subject that he doesn't enjoy very much and would rather separate himself from as much as possible. Not to mention how he turns so cold and serious when dismissing Mahoro compared to how lively and carefree he is with Arajin. A random schuck who he's only known for a few weeks.

It's just a small observation and there hasn't been many references to his family background, something tells me that he doesn't have the best relationship with his biological family. It's telling how he feels more comfortable and happy interacting with other teens he's known in less time compared to the brocon his own flesh and blood. Especially since we've never seen him act this way with Mahoro compared to Arajin/Siguma Squad/Minato Kai etc. And yes he does eat her disgusting meal when he's alone, but why didn't do that earlier if he could tolerate it? Why hide it in secret? He does "care" to a degree but it's not on the same level as how he treats his friends.

What do you guys think? If you have any other ideas on this, you're more than welcome to reblog this with your thoughts on the subject.

MORE THAN A STONE

This is not such an extensive topic (or at least that's what I thought when I started), but I found it interesting enough to comment on it.

Rewatching Bucchigiri, I eventually came across the scene in which Arajin offers the "love forever stone" to Mahoro and although the tone with which everything happens is comedy, you can tell that they were already sending us a message with this, because It's not only about Mahoro's rejection, but also what that stone symbolized.

These stones have a special meaning for Arajin, we know that it's something that he only shares with those who are special to him, and it's no coincidence, stones and rocks are usually associated with durability and resistance over time. In this case, the stone represents the love he says he feels for her and the desire for it to last.

But the moment Mahoro receives the stone she immediately drops it, making it VERY clear that she's not interested, not only that, the stone is completely shattered to the point of being irreparable, and although this may seem to be intended to be a comic effect (which it is), it could also be a "clue" disguised as a joke, representing that in reality Arajin's feelings are not strong enough, or as genuine as they seem (and it's not the only occasion in which that this is pointed out)

It's no coincidence that this occurs in the same episode that we see Matakara's "best friend stone", being a complete contrast with Mahoro, not only because of the great happiness that he evidently felt at the moment he received it, but also because it's an object which he has treasured for years with great affection, being one of his most valuable possessions, which helps him feel safe in difficult times.

In addition, there is another key element here, we already said that the stone for Mahoro is not supported (so to speak) by a strong feeling, in the case of Matakara, we are talking about affection, a promise between the two. In addition, Arajin also has his, which we eventually found out about, was significant enough that even after having distanced himself, Arajin doesn't dare to get rid of it, even despite being part of a past that he prefers to leave behind. To this we must also add that the fact that each one has a stone tells us about a shared feeling, so in this case, the affection is not unilateral.

This is something that continues to be pointed out during the second half. In episode 9, Arajin is preparing a new stone for Mahoro, and he doesn't know how to give it to her. Senya demeans the value of the gift, asking him who would want something like that, to which Arajin immediately thinks of Matakara. Considering how the situation was at this point, I think it was about making it clear that even when Matakara idealized Arajin, his feelings were always sincere, something that was also alluded to before in the Nyan Nyaight Love segment, making a clear parallel with the situation between Arajin and Matakara.

And this escalates to a new level in the final episode....

Despite his efforts, Matakara begins to be slowly consumed by the shadows, accompanied only by his most valuable treasures. The photo with his brother and his stone, both broken, completely alone and abandoned by his two most loved people, even after having gained the strength he so desperately sought, showing us how until what seemed like his last moments, Arajin was still important to him, despite everything that had happened.

Fortunately, what we have all been waiting for arrives, Arajin finally fills up the courage to save his friend. Let's get to the point...

The anime had already shown us previously through Mahoro that being Honki it was never about strength, at least not in a physical sense, although I do believe that it's something that each person manages to achieve in their own way, because it should be noted that Arajin doesn't becomes a Honki person when he decides to save Matakara, it happens when he recognize not only how he really felt, but also accepts that he hurt Matakara, and it's from there that his honest desire to face and fixing what he had been running from all this time manifests in the form of the stone seal on Arajin's hand to deliver the final blow, because again, it's not just the stone itself, it's what it represents, because the bond they share transcends the object. Closing with a flourish when Arajin reaffirms the promise between the two, and he does it with HIS stone, the one that even Matakara himself was sure he no longer had, showing that no matter how hard he tried, Arajin (ironically?) was never able to leave his memory behind, no longer with ink, but with blood, symbolizing that their bond will only get stronger from now on.

i'm glad you pointed this out because this reminded me of this screencap i have LMAOO

rain or shine ☔️

always looking...

watched trolls band together and can I say this. floyd (troye sivan) has the exact voice i always imagined mitsukuni to have in the english dub. goodnight

Something that always I think back to is how Marito orders his sister to leave just after she uses the "family only" card to get Arajin to leave them alone.

Like the subject of "family" is something of a sore subject that he doesn't enjoy very much and would rather separate himself from as much as possible. Not to mention how he turns so cold and serious when dismissing Mahoro compared to how lively and carefree he is with Arajin. A random schuck who he's only known for a few weeks.

It's just a small observation and there hasn't been many references to his family background, something tells me that he doesn't have the best relationship with his biological family. It's telling how he feels more comfortable and happy interacting with other teens he's known in less time compared to the brocon his own flesh and blood. Especially since we've never seen him act this way with Mahoro compared to Arajin/Siguma Squad/Minato Kai etc. And yes he does eat her disgusting meal when he's alone, but why didn't do that earlier if he could tolerate it? Why hide it in secret? He does "care" to a degree but it's not on the same level as how he treats his friends.

What do you guys think? If you have any other ideas on this, you're more than welcome to reblog this with your thoughts on the subject.

I agree!! I think something cool about bucchigiri is that fighting is neutral morality wise. It's an outlet for all kinds of emotions; it creates community and connection (ie arajin’s look-that-a-way welcoming party, the siguma & minato group combat date) but can also divide people (ie akutaro is kicked out of minato because he fought unfairly, matakara pushing everyone away by fighting people)

as someone who enjoys fighting as a hobby/sport, i feel like bucchigiri has some of the best messages about it. like, between people who respect each other, it can be a fun outlet and way to form community, but whether someone wants to actively pursue fighting or not isn't a judgement on their worth or character

Cooking, love and home(1.5)

I shared an updated version of this analysis in a Twitter thread. I had my doubts about doing it here too, but I want to avoid misunderstandings, and I also notice that new people are slowly joining in, so maybe it's not such a bad idea. Also, I feel indebted to this community

This new version is focused on Arajin and Matakara, to adding a couple of extra things(It's not exactly the same as the previous one), after all, Bucchigiri had not yet finished when I shared the first analysis. If you prefer the previous version, don't worry, it's still there

Many surely know that cooking and everything that it implies along with food and sharing the table is a whole language that lends itself to multiple interpretations, and I was pleasantly surprised to see that Bucchigiri knows how to speak it unexpectedly well.

One of the things that cooking is usually associated with is maturity and independence, since we are talking about a skill that is considered important for adult life.

Curiously, this is something that we can notice a little in Arajin, who, although he's still someone with questionable behavior, also has the responsibility of helping his mother with the restaurant, which he fulfills diligently, being one of the few occasions in which we can see the character in a more positive light, showing us in a subtle way that there are redeemable things in him

It's also important to mention that his ability to cook is something that his mother has taught him, showing her love through her guidance, it may not seem like a big deal, but we will see that it says more than it seems.

This is a complete contrast to Matakara, who despite living with his relatives, seems to have had no such support, It could be argued that he had his brother, but let's remember that the age gap between the two is not too much, so it's normal that despite his efforts, Mitsukini didn't have enough tools to properly guide his younger brother.

Knowing this, we can talk about the scene in which both friends cook together, since it is where we can really appreciate this contrast more, represented by the gyoza, seeing how Arajin makes them with ease and skill, while Matakara fails every attempt, showing us how there is a gap between the two, not only in their friendship, but also in the availability of tools to be able to move forward with their lives, as well as the support received from their family environment and an important clue about Matakara's background.

It's from this that we can address the next point. Cooking and eating are also associated with a deep and sincere gesture of affection, few examples are as evident as Arajin's lunches, it is simply impossible to deny his mother's love in each dish, again contrasting with Matakara who simply buys his lunch, and in both cases, it's something the show goes to great lengths to highlight.

However, in the particular case of Matakara, there is much more to say in this area, because if we pay some attention, for him, cooking is deeply linked to the people he loves most, Arajin and his brother, even having a scene with each one of them.

Which doesn't happen with his friends in Minato kai, with whom although he shares lunch in his room, again, they are purchased lunches. It could mean that although he appreciates them, it's a friendship that is not yet strong enough, something we will see later.

This love is also reflected in the party he wants to prepare to welcome Mitsukuni, where he wants to make sure he eats something he made, which is why it makes him so happy that Arajin suggests that he be the one to teach his brother how to make gyoza.

All this opens the door to another topic, cooking and the warmth of a home. I think it's obvious what I want to point out with this. I already said it before, Arajin's lunches are a clear sign of his mother's love, or to be more precise, that Arajin comes from a home where he is loved.

Matakara on the other hand, we know how to cook is intimately linked to those he loves, and we NEVER see him have that kind of interaction with his relatives, neither cooking, nor even eating together, nor any other significant appearance, basically telling us that Matakara doesn't share any real bond with them, or even worse, that he doesn't feel loved in that house.

And I put emphasis on the word "home" because that is for him, it's just the place where he sleeps, it's not his home, and that's extremely important, because that feeling of home translates into safety, and we see that when he looks for Arajin after what happened with his brother. He goes with him because he feels safe at his side.

Much of this were clues that the anime left through how both protagonists relate to cooking, and it's no coincidence, because just like fighting, cooking is also a way of relating.

In fact, it's not for nothing that the last scene that both friends share after the final battle is cooking together, and although everything happens too quickly, there are things that we can notice if we look carefully.

Arajin and Matakara are cooking to welcome the two gangs and their leaders. They are preparing gyoza again, but we can notice that Matakara has finally managed to make one, and not only that, unlike the last time, they are close to each other

and they both look happy, clearly showing that the gap between them has fallen. Furthermore, it is evident that Arajin has been teaching his friend, representing how from now on he will be there for him.

Another extremely important element is that Matakara is cooking for others for the first time, showing how he is finally willing to open his heart.

nyam 🍽

reference image is rie and kyubin of onlyoneof 🫶 💯

rewatching the first half of bucchigiri and taking note of the lengths matakara goes to communicate with and understand others patiently and compassionately and realizing his problem was that he never thought to extend that kindness to himself, to allow himself to believe that the people in his life would look at his weaker parts and still want to be with him

thinking about the majority western vs japanese reactions of bl fans to bucchigiri wherein there was more of a focus on the concept of arajin's "redemption" on the western side while the japanese side focused more on something like mutual "reconciliation"

just looking up some more info on the second character of arajin's first name, 仁 ("ren" in chinese, "jin" in japanese)

I'm starting to believe that there are more of us who enjoy Bucchigiri?! than we might think, but haters are too loud

hate when a pause is pregnant. abort that thang