Latest Posts by certifiedlesbianvampire - Page 5

new top tier yuri dynamic just dropped 👀

i've got another doodle request!!: arajin third wheeling jabashiri and hagure

+ bonus points if he asks hagure about it and hagure says "oh he probably doesnt see me that way" but it's so obvious they have big fat crushes on each other and would do anything for each other... and everyone wants them to get together already!!!

ur joe king

thinking…

First year ig 🥸🙌LOL

waiter! waiter! more yuri please!

defo sulking

Just like before, but not as same

I read recently about how some feel the end of Bucchigiri?! was a return to the status quo, and while I don't entirely disagree, is that really so? I think part of the problem comes from how compressed the episode was, so it's very easy for some things to go unnoticed. Because yes, we are back to "normal." But at least in the case of Arajin and Matakara we can notice (very briefly) that something has changed.

Let's go in order…

First let's talk about Arajin, I understand that as a character he can be frustrating for many, especially seeing him go after Mahoro again, even though it seemed like he had finally learned something from everything that happened, but there is something that we must highlight and that is the scene in front of the mirror while trying to imitate Marito.

Arajin always appeared as someone simple and content with his mediocrity, because as many here have already said, it was not only a way to escape from his guilt, but also because he surely felt unworthy of something better than being a "common" boy

It's easy to believe that he's just trying to imitate Marito because he knows that Mahoro has him on a pedestal, but… wouldn't it also mean that he's finally willing to aspire for more? Marito is someone strong, charismatic, casual and who never hesitates in the face of any challenge that catches his attention, qualities that if we think carefully, can be attractive to someone like Arajin, contrasting with the more disciplinary and traditional principles of Minato kai, much more in line for someone like Matakara.

Imitating Marito means recognizing him as superior, and therefore, a goal to achieve, and perhaps even surpass, something that until now, Arajin had never dared to consider.

And regarding insisting on Mahoro again… We remember that Arajin is a teenager, right? I understand that his approach to her has never been the most appropriate, but… is it so strange that he wants to try again now that he has rediscovered his own courage?(again, it's obvious that his way is not the right one)

In Matakara's case, although the fact that everyone forgives him so easily after what happened still seems convenient, I prefer to believe that it has more to do with the reputation he had and the high esteem in which he was held even if he was not capable to notice it, once again reinforcing the idea that he is no longer alone.

His changes, like Arajin's, are very subtle, but deep down they say a lot. The first thing is at the party to celebrate Marito and Kenichiro, where we see him making gyoza with Arajin. I had already said it in a previous analysis, about how cooking is connected to affection and bonds. Here I will take the opportunity to complement it with a couple of things.

Something I mentioned was how the ability to cook could be interpreted as the provision of tools to deal with life, although now that I think about it, also how they were in an unequal relationship. But returning to the party, we see Matakara managing to make his first gyoza well, making visible the fact that the gap between them has fallen, but not only that, I also mentioned how cooking as an activity is closely related to the people Matakara loves. It's more than evident that Arajin has been teaching him, again reinforcing not only their reconciliation, but also the fact that from now on he will be there for him.

Here we also add that he is cooking, not only for his close circle, but for everyone, letting us know that he is finally willing to open his heart to others, which we can also appreciate by how he affectionately hugs his friends after being accepted into Minato kai again.

I had already said this, but I think it is worth returning to it. Remember since Mitsukuni's incident Matakara didn't go to see him even once? Surely because seeing his brother in that state would have been more than he could have endured. You don't have to be a genius to understand what a shock it's for someone like him and at that age. It was a reality that he was fleeing from, because most likely deep down he knew that there was no way to rationalize what had happened with his weakness.

Now, however, knowing that he is no longer alone, that there are people who, despite not knowing him thoroughly, care about him, he finally feels that he can face the situation without his own darkness tormenting him, in one way or another, he has accepted his vulnerability and that he has no control over what will happen, which is certainly a difficult and sometimes very painful lesson.

It's obvious that such a hasty ending in one way or another still hinders the experience and doesn't justify other problems, but I do think that perhaps we shouldn't say that our boys didn't learn anything from all this, plus, again, they are teenagers, This is not the only thing they will have to learn, but there is no doubt that the seed of change has sprouted in both, whether to a greater or lesser extent.

Can you draw Outa kabedon Marito 🫶🫶

it’s like u read my mind bc i had this half sketched out already XDD

HAI HAPPY NEW YEAARR ALSO

DIGITAL ART STUFF !1!!1!!!!

I recently found out about ikigusare idols!

They’re so cute! In a creepy way <333

ikigusare idols f2u! <3

current bucchigiri fic ideas:

1. arajin helps zabu understand matakara better but zabu mostly ends up understanding arajin better and he hates this

2. zabu's (canon but unseen) older sister shows up and embarrasses him while flirting with her gf who is scarily similar to matakara

haiii

Can’t believe that Utsumi posted another sketch in honour of the final episode of BUCCHIGIRI?! English dub.

Also the fact that she acknowledges the fandom associating Matakara as a toy poodle?!?! HELLO?!

one of the main reasons arajin is a "bad friend" towards matakara for most of the series is because he knows matakara is the better person and he feels he can't offer him anything so he avoids connecting with him completely because he thinks that's what's best for them both

i think it would be really cute if matakara started working at arajin’s mom’s restaurant to save up money for his and his brother’s apartment….

wild that the "that guy" here is originally "wan-chan" or "doggie" in japanese and is the same thing that marito calls matakara in episodes 7 and 10...

first love

basalt and kyanite

some bucchi doodles

a few Marito scribbles ;;w;;

Matakara... Idiot. You're not alone.

☹️🫶

Maybe it was just due to lack of time, but I think it says a lot that we never saw Mitsukuni hospitalized until the end. I like to interpret this as Matakara now feeling supported, finally having the strength he needed to face his reality, and his brother showing signs of recovery is his reward for taking that first step

Bucchigiri Finale Thoughts

So I watched Episode 12 earlier today and had some time to think things over. And unfortunately, I realized that I didn't like this episode very much. Granted there are a good amount of moments that I did enjoy and contributed well to the main themes of the series. But there were too many moments that I felt undercut my enjoyment of the show. So fair warning, a lot of what I have to say is fairly critical and kinda negative. If you agree or disagree with anything I've said here, feel free to reblog this with your own comments. And if you're not into negativity, feel free to ignore this.

But I will start by mentioning the things I did like.

Just like everyone and their gyoza-making mothers, I loved the final fight scenes. The choreography was well executed and I thought the animation was top notch, both when it came to Senya vs Ichiya and Arajin vs Matakara. I really liked how in depth they went with the fighting sequences and the dark colors fit really well with the tone of the drama of the scene. The emotional range between the fighters felt incredible; the actors truly gave it their all when going about their fights.

And the part with Arajin mustering the power to save Matakara was beautifully done. I was in awe when Arajin brought up how Matakara became the very monster he tried desperately to destroy which really got a crack on his defenses. The sequence of Arajin reaching out to Matakara's inner child to help him out of his despair was gorgeous. Especially since Ara-chan used the Friendship Stone both to help the inner child and later when telling his old friend that he's not alone anymore. That was really great and genuine character growth, especially since Arajin accepted that he was in the wrong for leaving him all the time.

And as I mentioned in an earlier post, I did love the first scene with Arajin meeting Matakara for the first time. But as a twist, it was Arajin who was inspired by Matakara's dedication to being a Honki Person and volunteered himself to train alongside his new friend. That was a great twist and it adds new depths to how Arajin was actually inspiried by his old friend and not the other way around like we believed for so long.

So those were the parts that I genuinely enjoyed. Now for the parts I didn't really like..

On one hand, while it is nice that Zabu wasn't brutally beaten to subconsciousness, I do kiinda wish that he did have to be hospitalized. It just feels so off-putting how he's relatively okay despite being brutally mauled by Matakara only a few hours ago. Especially since Marito and Kenichirou wound up in the hospital after losing to Matakara. Plus I feel like it undercuts the drama and severity of the situation by having Zabu be fine enough to look for Matakara. It doesn't help that he and Komao don't really do much apart from running around trying to find their friend.

Also, I hope I'm not the only one but did anyone else feel uncomfortable with this scene?

I understand that Mahoro did it in a desperate bid to bring her brother back but the way she described Kenichirou here was just... gross.

Not insane, not weird, not quirky, not even ridiculous.

It was just gross for me to see her dehumanize one of the few dark skinned characters on the show. Even if he's not black/black coded, it still rubs me the wrong way that she would say those things so casually. Especially since Japan can be really casual when it comes to making racist/offensive remarks to brown skinned people in it's media. Plus there are tons of other ways she could have referred to him without calling him a gorilla. Like meathead, blockhead, oaf, ogre. Any other insult could have worked and been more acceptable than the ape insult. And it's unfortunately consistent since she did call him a gorilla during the Gang War Arc.

And then there's this part...

I don't know if it was Mahoro's doing or if that's what the original nurses did, but it was just uncalled for. Both for the unspoken racism and for how it doesn't even apply to Kenichirou's character. Out of the three banchos, he's always been the least violent and was always shown to be tranquil and easy to work with, unlike Marito and Akutaro who were more unhinged, wild and violent in comparison. There shouldn't be any reason for him to behave so violently that the staff would resort to shackling him like an animal. Especially given how defeated he looked when Matakara beat him in a fight.

Another reason why I dislike this scene is because the characters involved (Mahoro, Marito, Kenichirou) do nothing to contribute to the final duel between Arajin and Matakara. None of these characters actually show up until the end when Matakara apologizes to everyone. You could have made it so that during the apology scenes, the two gang leaders could have shown up while covered in bandages or crutches. There really isn't a need to show us Marito waking up since we could get that later on in the end with Matakara apologizing to Siguma Squad.

The same can be argued for Zabu, Komao, Outa, Jabashiri and Hagure. Even though they spend most of their time hunting down Matakara and Arajin, they don't exactly contribute to the final duel or offer any words to the main heroes. They just show up and the duo resolve their problem like nothing.

Regarding Ichiya's secret of him dying, while it's not the worst reason for him to be so insistent on fighting Senya, I do wish there was more build up or at least some hints to it. It just feels like a random reason for why Ichiya developed his grudge against Senya. It's not the worst reason and it does make sense for why he wanted to die like a Honki Person instead of to a random illness, it just leaves a bad taste to how it happened to him out of randomness.

And wow, Arajin is never going to overcome the internet hating him for being a perverted simp mc.

In a way, it makes some sense since Arajin's character arc was never about respecting women or learning that there's other ways to be a man apart from stealing a girl's virginity. That was never the focus as the story wanted him to confront his mistake of abandoning his old friend and not running away from his problems. That said, this still won't look good for him since fans are going to be turned off of Bucchigiri because of his perversions and how the show doesn't encourage him to change.

And as I've come to realize, the show itself doesn't seem to mind with the characters not growing out of their negative vices. A critique I have is that the show doesn't go out of it's way to challenge the beliefs of these characters or push them to grow into better people. Arajin is perfectly okay with being rude to everyone while pursuing a girl just so he can lose his virginity to her, Mahoro continues to lust over her older brother and has no interest in anything else, Marito is still a bloodthirsty bad boy who lives and breathes fighting, Kenichirou doesn't mind repeating high school as long as he gets to run Minato Kai, even Yayako prefers to act like a bubbly airhead rather then act like a responsible and respectful adult. And even with Matakara's corruption arc, he doesn't really recognize how harmful his idolization of Arajin was since the focus was more on his loneliness and trauma of being alone. Maybe because I'm spoiled by Mob Psycho 100, but it saddens me to see how these characters don't grow into better people or make an effort to change themselves. Especially since there can be potential for all of them.

And while I'm glad that Arajin and Matakara were able to become friends again, it feels like a letdown that there's no build up to it. It just rushes straight to them becoming friends again without acknowledging their negative attributes. Th same with puppy boy getting everyone to just accept him with no repercussions or consequences. It feels like letdown as there were no serious consequences for his actions. Like he could just go on a despair-induced rampage again and they'll just keep accepting him. On paper it's rather wholesome, but it does feel contrived if everything just works out without problems or how Matakara doesn't need to work hard to earn their forgiveness. That would have been for a greater character moment and to show Matakara taking responsibility for his actions. But we never see Matakara doing that and him being accepted by the gang feels rather hollow. It's technically nice that he has his friends back and that SS won't have his heart on a stick, but it feels hollow.

Speaking of taking non-responsibilities and being accepted by the gangs, Akutaro is now back with the NG Boys and they're accepting of him?

I really do wish we could have had a scene that explains how the heck he was able to win back his old gang despite them professing that they weren't going to let him beat them around like before. It just feels offputting that Akutaro is back in charge and has their respect with zero explanation or even any build up to it. He spent all his time trying out different jobs and activities but nothing to suggest that he wants to go back to his old club again.

Not to mention that this is still bad news for Minato Kai since Akutaro still has his hatred for Kenichirou and still longs to destroy him. And given how he also hasn't grown out of his negative vices, it's more than likely he'll come up with a new plan to destroy them albeit a different approach. Though the other gangs will be aware of him trying to wreak havoc on them again, I sincerely doubt that that'll stop Akutaro from having his revenge. And with the NG Boys and Girls behind his back, he definitely has a shot at it.

Then there's the resolution with the Nyan Nyaight Love segment. While it was endearing with the Receptionist wanting to help out the Customer, I'm just trying to wrap around the logic behind the Receptionist accepting him again.

It doesn't make sense to me how he'd be accepting of the guy who abducted one of your prized cats, lose her, and then just welcome him back with another cat. It's setting up a cycle for the Customer to fall in love with a new cat only for him to become obsessed with her and then try to steal the cat out of "love". And while the show focuses on him learning to lose his shame of visiting NNL, it doesn't try to challenge his dependency on cats for company along with his hostile jealousy.

Is the Receptionist aware of this potential problem and how it can happen again to another cat? Is the manager of NNL willing to accept the Customer again along with the risk of jeopardizing his business? I can't imagine how difficult it must be to promote a cat only to lose it because of a depressed nutjob.

Also, to the anon who was grossed out by Arajin's mom, I'd like to give a complete apology to you for refuting your claims. Because this...

This was not necessary.

I mean, it is interesting to know that Marito shows attraction to girls/women which gives more depth to his character. And while it is weird for him to hit on an older women, it's still technically okay since it is normal for teens/youth to show attraction to adults that catch their interest.

But what isn't okay is Yayako's reaction to his attention.

Again, she is a grown woman getting over excited because a teenage boy is trying to hit on her. And she's okay with this? Like ma'am, not only is that concerning because of the blatant age differences but you're also a married woman (according to the additional info). How are you so lenient with being hit on by a guy who could pass for your son? Like really? I used to think of Yayako as a quirky, wholesome woman who needed to not let her son treat her like trash. But now I'm seriously questioning her values and how she treats everything in her life like a soap opera.

In regards to Mitsukuni being in a coma and waking up, it was... okay. Like I'm happy that Matakara will get his big brother back and they'll be able to move into an apartment like they wanted to. But I feel that the reveal of him being in a coma undercut alot of the emotional turmoil Matakara went through. I don't know, it just feels rather hollow knowing that Mitsukuni was always there and was going to make it out alive while his little brother was running around like a war machine. It's conflicting in all honesty.

But what isn't conflicting was how much I really didn't care much for Senya returning in the last shot. I wasn't moved by Senya showing up in the last scene or how Arajin secretly missed him. Maybe it's because of how Arajin constantly yelled at him or acted like he didn't care. And while he does care in his own way, I just felt disinterested in the reunion and I had no strong emotions of Senya returning. It doesn't help that the part with Senya and Ichiya "leaving" didn't really have alot of emotional depth to make the reunion more impactful. Senya not coming back would not have me upset.

And those would be my thoughts on the final episode. For those who stuck around to read all of this, I thank you for doing so. And to those that stuck around, I apologize for the excessive negativity. And like I mentioned above, you're more than welcome to reblog this with your thoughts and whether you agreed, disagreed or have something to say regarding my post.

Thank you all for taking the time to read this along with my other posts for this ridiculous show. Your feedback means alot to me and I hope you all have a wonderful weekend!

Nana na na, Nana na na, Nana na na na na...

Matakara birthday text

Group text with the Minatokai first years (3 members)

6:15 Komao: Happy birthday, Matakara! 8:02 Zabu: Matakara, Happy birthday! 8:13 Matakara: Thank you, you two! 8:19 Zabu: Want to go somewhere today? 8:22 Komao: The batting cages? The arcade? 6:15 Komao: Happy birthday, Matakara! 8:02 Zabu: Matakara, Happy birthday! 8:13 Matakara: Thank you, you two! 8:19 Zabu: Want to go somewhere today? 8:22 Komao: The batting cages? The arcade? 8:23 Komao: Oh, the beach? 8:23 Komao: The beach! 8:24 Komao: Let's go to Ichizu beach right now! 8:27 Zabu: Huh?! Are you crazy? Right now?! 8:27 Zabu: I don't even own any swim trunks 8:28 Komao: You can just wear a fundoshi 8:31 Zabu: A fundoshi?! 8:33 Matakara: Ahaha! 8:35 Matakara: Ah, but I think I might like to swim actually. 8:37 Komao: Seriously?! 8:39 Zabu: Really!? 8:40 Komao: Then it's decided ☆ 8:41 Komao: I'm already heading there now! 8:43 Matakara: Huh!? Already?! 8:45 Komao: Yeah, Ken-san and me are going to make a surprise breakfast for you and wait! 8:46 Zabu: If you tell him that then it's not a surprise! 8:47 Komao: Oh! Crap! 8:51 Matakara: I'm so happy 8:52 Matakara: I'll head there right away! 8:56 Zabu: I'm heading there too! 8:59 Komao: Then I'll see you at the beach!

After noon

Text with Arajin

14:02 Arajin: Komao and the others told me but that's right, it's your birthday, isn't it? 14:32 Matakara: Ara-chan! 14:33 Matakara: Yeah, that's right! 14:40 Arajin: happy birthday 14:42 Matakara: Thank you! 14:46 Arajin: if you come to my place I can make you something... like I used to 14:47 Matakara: Really?! Yay! 14:48 Matakara: I'll definitely come!

From Bucchigiri official twitter

Bucchigiri?! and 'being Honki' - a Show about Identity and Human Connection

With Hiroko Utsumi's newest work as a director now completed, I want to take a moment to discuss the thematic through-lines of Bucchigiri?! and explain why I think that the story was very coherent even if it first seemed erratic.

At the heart of the series is the concept of the Honki Person(TM) - and that's where the confusion starts. Leaving the word 'Honki' in Japanese for the subs suggests a lore-heavy emphasis on some kind of supernatural mechanic in-story. It caused many viewers expected a well-defined shounen-typical power system - but that isn't what Honki is nor what it was ever meant to be.

"Honki" is the Japanese word 本気, which means Seriousness, Earnestness (or doing something 'in earnest, for real' if used as an adverb). 'Honki People' literally just means 'Earnest People'

And thus "Honki" is doing double duty as a red herring Lore Concept and a regular word - an intentional ambiguity that is inevitably lost by translation.

In the show, the characters do initially think of the 'Honki Person' as a literal thing to become (a supernaturally powerful master martial artist) rather than as a state of being in which one is earnest - but the thing is that the narrative proves them wrong.

But before we get to that, we need to dig a little bit deeper into what a Honki Person is thought to be in-universe:

"Historically", those thought of as Honki were fighters who participated in conflicts 300 years ago - a bit after the end of the Sengoku Period, the continuously warring states that had defined Japan for two centuries. With the advent of the rigidly structured Edo Period, honorable fighters with no clear systemic alliance were no longer needed and the aspiring Honki People(TM) were mercilessly gunned down. This feels out of left field for an anime like Bucchigiri?! to focus on, so I propose a second more allegorical layer to impose over the literal pseudo-historical read.

Even beyond the historical fact that gun imports changed warfare, the usage of guns here is deliberate to represent something. Guns are associated with authorities, and contrasted against the Honki People(TM) shunning weapons and fighting only with their own bodies.

To be Honki(TM) means to be true to yourself and secure in your own identity - this is something that is a hindrance to a social system that relies on rules and groupthink to sustain itself. Supporting this assumption, the theme of 'death' by weapon/authority is mirrored in the show several times:

On the one hand, we have the NG Boys, a gang set apart from the other gangs in the story by their even more rigid hierarchical structure and their willingness to use weaponry. They all follow one leader, have one uniform look, and appear basically brainwashed into blind obedience.

The association of weapons=structure and authority is made pretty clearly through that alone, but is also enhanced by all the members of the NG Boys living under constant threat of being fed to the real authorities of society: the police. Fear keeps everyone in line.

And further, the idea of society as an oppressive force (especially to the lower class) is put into direct focus through Mitsukuni and Matakara. Poverty is brought up briefly before through Senya (our main Honki Person(TM) was a nameless orphan after all) and brought back with the Asamine brothers:

Mitsukuni wishes to escape his social status in order to offer a better life to his brother - and he's forcibly held down by the oppressive system around him.

The cop that causes Mitsukuni to go to jail is equivalent to the guns that shot Senya and Ichiya.

(Utsumi has explored this underlying socially critical current before. Not for nothing, her previous series SK8 opens with the memorable bridge of the title song reading: "before society can kill us".)

But Bucchigiri?! isn't about overthrowing the system. It's about the individual. Understanding the context about authority just helps setting the real theme into focus.

And that theme is to hold on steadfast to who you are and allow yourself to connect with others, even in various kinds of adversity.

After this long, long preamble, let's get to the actual main characters!!

Matakara and Arajin are people who are ruled by fear and who spend 11 episodes running from others and themselves in two very different ways.

Arajin is pretty hated as a protagonist, which amuses me a little, because nobody hates Arajin more than Arajin hates Arajin.

His past cowardice in failing to protect Matakara has clearly shown him that he is a pathetic person and he's spent his whole life since then trying to avoid being reminded of this. He avoids Matakara, the strongest reminder of his failure, but further than that he avoids connection with anybody that he could see as a peer.

Arajin is solely focused on finding love and romance because he feels inherently inferior to every person he would be invited to contrast himself against. He avoids other guys because he hates himself. He shuns connection and pursues only people (girls) he views as different enough to not invite any comparison.

Matakara meanwhile has major abandonment issues - he's lost his parents, Arajin, and his brother. Everyone important to him keeps vanishing from his life and in order to keep himself from feeling powerless about this he decides to blame himself.

If it's his own fault that people leave him (because he's weak) then there is something in his power that he can do in order to avoid being hurt again (becoming stronger). In order to maintain this state of motivational self-hatred, he puts others on a pedestal.

Matakara needs Arajin to be strong, powerful, honest and admirable... because that is the image he holds himself up by. In Mitsukuni and Arajin, Matakara creates god-like icons to chase after. And by doing so, he also shuns genuine connection.

Being confronted with Arajin as a flawed person gives Matakara a breakdown because it makes it harder to run from his own loneliness by focusing on chasing after Arajin.

Arajin is always running, but Matakara is always chasing... because he can't stand to look behind and face his monster.

In a lot of ways, Arajin and Matakara can't connect because they care about each other. Arajin can't stand what he allowed to happen to Matakara because he cared about Matakara. Matakara clings to Arajin because he loves him.

This theme of love hindering connection is again mirrored in two other characters - Senya and Ichiya, of course.

Ichiya, unwilling to confront his own terminal illness head-on, wishes to avoid it by goading Senya into killing him. By doing this, he can run from his own weakness and put Senya on a pedestal instead.

Meanwhile Senya is attached to their connection as-is and wishes to maintain this master-disciple dynamic forever - going so far as to deny his own strength in order to avoid acknowledging their changing dynamic.

Both of them are denying something about themselves.

It is their self-denial that makes their communication and thus connection break down.

Ichiya can't make Senya go Honki(TM) (which should have definitely been translated as an adverb here, e.g. 'failing to make him get serious') because he is also not HONEST with him or himself.

In the finale, Senya finally admits his motivations (his illness, his perceived weakness) and he is rewarded with the honest fight he'd been craving. They both stopped running.

This theme becomes even clearer through the two leads, of course, but even earlier than that it exists in Mahoro.

Mahoro's scene in episode 6 is the thematic linchpin that carried the whole show on its shoulders. Through Mahoro, everyone in the cast gets their first glimpse at true unrelenting Honki(tm) - and it is something totally unrelated to fighting prowess.

Mahoro is physically powerless against Akutaro, but she won't run. She has a heart that won't run away, the key quality of the Honki Person(TM), because she has an unshakable sense of self-identity.

It would be easy to dismiss her cutesy design as a contrivance to give Arajin a conventional-looking love interest despite going to Delinquent Academy - but it also says something about HER. Mahoro marches to the beat of her own drum. She does not care that she does not fit in, she does not mind being alone - she'll stick right to her own aesthetic and priorities.

So it's easy for her to call out Akutaro - and in doing so, call out the whole cast along with him:

You're empty. You are nothing but a shell, shaped by how you relate to those around you. You have nothing to offer.

And how are you supposed to connect with anybody, when you don't even know who you are?

(Notably, Mahoro is also a character who refuses to compromise on her self even for love - she knows she does not appeal to Marito, but she's not changing herself to be more his type. Her Honki does not budge, even for him.)

And lest you think I am exaggerating by connecting the theme of identity and emptiness back to all of the cast instead of just Akutaro: it does come back with Matakara.

Matakara can't believe anybody would know him and care for him, because he doesn't know himself.

For Matakara, facing himself means acknowledging his fear of abandonment rather than externalizing it as a hallucination of a literal monster.

But facing yourself doesn't just mean facing your demons, it also means facing your own positive qualities. And that is Arajin's story.

Even as Arajin turned into a scummy, evasive and selfish guy, there is a part of him that has a throughline to who he always was. He's someone who can get invested in others with reckless abandon.

Whether as a child with Matakara, or in the present with Mahoro... Arajin wants to connect.

Bucchigiri?! is a show full of innuendo and sexual gags. Merging with a genie gets equated to sex, fighting gets equated to sex... and of course this is for laughs, but it's also thematic.

Because all these things are about connection. About facing someone else with your whole self.

On a literal level, yes, Arajin absolutely wants to get laid. This is his sincere desire, and good for him.

But at the same time, his battle cry of 'I want to lose my virginity!' is him crying out for a real connection, even at a time when he shunned the idea thereof.

In the end, being a Honki Person(TM) has nothing to do with fighting. Fighting is the way a lot of the rough and tumble guys on the show like to connect, but it is not the only way to do so and not the only way to be Honki(TM).

Arajin never learns to love brawling - he did it out of circumstance and necessity, but it's not his hobby. He does not need to discover some hidden love of fighting, because this show fundamentally isn't about how 'fighting is inherently good' or anything.

It's a show about how even when you hate yourself and think you're as low as it can get, acknowledging your own self in full is the first step to finding a real bond with somebody else.

It just also happens to feature a bunch of delinquents who love to punch a lot.

ohhhhhhh they make me lose my fucking mind

look at them having a jolly ol time while their vessels are getting mentally tortured now isnt that sweet