Mbti Types As Scents

Why do I keep seeing people say Marinette is poor, comes from a lower-class family and faces a lot of hardship? This girl has a design as a hobby and that is by no means cheap because she's not only designing but also creating it! She never even needed to work in her parent's bakery, the only time she's shown to work on it is when she temporarily dispelled from school and I don't think it even lasts for a day or two for most. The bakery is in Paris, we can even see the Eiffel Tower from her balcony, she's far from poor. The only hardship that Marinette has in her life is juggling her double lives, one that she's done poorly because of her control freak tendencies. Chloe? She has already taken care of her since Origin. Derision is just trying to show us a flashback that no longer matters except for "justification" for Marinette creepy behavior. I feel like Marinette is the protagonist who hardly faced any hardship in her life and even if she did, everyone around her would take care of it for her. Unless failing to confess to her crush is considered hardship, but even then Adrien already takes care of it. Guardian duty? I feel like Alya has done a better job than her at it. I don't think I know any protagonist who got so many compliments for zero achievement as Marinette did.

Yeah, the Marinette is in the lower class thing is such an annoying misconception just cause rich kids like Adrien and Chloe are in the same room as her. Its not helped with how s5 seemed so fixated to cast Marinette as this simple girl from a working class family going after the uptown rich boy Adrien. Emotion definitely put emphasis on this in the Diamond Ball, not to mention the show's gotten more upfront about their stance against the upperclass (while being highly sympathetic to rich upperclass men, as if Chloe is the only one representing the rich). Finance is the least of Marinette's real worries, she is far from poor and I will die on this hill.

Also yeah, it feels like Marinette's personal problems are such 1st world problems. Confessing to the boy she likes, accidentally ghosting friends... sure superheroing and guardian stuff are serious problems, but also yeah. Maybe the sympathy fatigue is kicking in for me cause I personally can't bring myself to feel for Marinette and whatever she's going through. All that suffering and what does she have to show for it?

The show be like "Marinette is the bestest best Ladybug to ever best. She only lost the Miracle Box twice and missed out on a chance to grab it all back because she was feeling smug that day and wanted to rub it in until Monarch got out from under her nose. She has such a strong sense of justice, she made Paris sing the praises of the man who terrorized them and erect a statue in his honor! This is the greatest Ladybug of all time! But pls excuse her for her mistakes cause she is 14 and traumatized and its all Chloe's fault anyway."

... Yes, I'm paraphrasing. Please only take it as seriously as I do: which is not at all.

The show itself couldnt put in the work to get me to take it seriously again for the past 2 seasons, I ain't going back now.

Kyojuro if he would have survived

You know what? Sukuna x Cinderella headcanons

Cinderella never seeks vengeance on those who wronged her, so Sukuna seeks it for her.

Despite his insisting to let him pamper her, Cinderella is often found helping around the castle. He has to force her to rest.

She loves the sunshine, so much so that she convinces Sukuna to let her draw the curtains in the palace.

Sukuna often catches her dancing and humming as she does chores. He'll stop and watch her until she notices him.

She's asked him to join her dancing many times. He thinks he'd look ridiculous waltzing, but if it's with her, he's willing to risk it.

Cinderella befriends the lower level curses, often making them their own little outfits and giving them names. It annoys Sukuna to share her attention.

She always fixes up his robes after his fights. He absentmindedly runs his fingers along the stitches when he thinks of her.

How can he be so wrong yet so good?

May I share an opinion on the whole Aizawa critical thing? His philosophy of "expelling to give kids a taste of death" doesn't make a lot of sense, both Bakugou and Izuku were caught and nearly died in a villain attack, Mina and Kirishima diffused an villain attack and is still impacted, but aizawa implicitly treated them like they are all privileged sheltered kids discovering the stakes in heroics for the first time

yes exactly!! I kinda went off on this so I'm putting most of this post under a 'keep reading' but essentially: Aizawa's teaching method (mostly the expulsion part) is incredibly flawed because it was based around his own trauma (Oboro's death), and it doesn't do anything good for his students, instead only working to their detriment no matter how much bnha wants to prove the opposite.

One of Aizawa's biggest character flaws (and honestly I'm not mad about it – it's actually a super interesting/cool flaw of his and I wish people would point it out more) is that he never really believes or acts like anything bad ever happens to anyone until he's explicitly told about it, or he's shown it. I think he genuinely believes that every student at UA has been babied since birth except for him and a select few people because of their quirks (Shinso), and every impulsive thing they do is because they don't believe in the consequences until they're shown them via expulsion. He believes that he is the only one who sees the consequences of being a hero because he's one of the only people who's seen someone die – one of his best friends – on the job, and it’s his job to teach everyone else that single fact.

and in many cases that is true! characters like Bakugo or even Izuku don't really get that the hero world is really dangerous until they attend UA. As All Might himself tells Izuku – heroes are expected to put their lives on the line for people. And as All Might (and Aizawa) knows, All Might, who is responsible for crime going down by at least 2%, is going to retire soon. Crime is going to rise. This means deaths like Oboro’s are going to rise, and Endeavor isn’t anywhere near the level to carry the weight of #1 quite like All Might did.

The problem is, there are generations of people from Aizawa to Izuku who have only known the world that All Might created for them, and that world is going to die very soon with a very unprepared Japan suffering in the fallout. So in Aizawa’s mind, the best way to help these future heroes understand that All Might isn’t going to be around to save them is to give them consequences via expulsion. So at the beginning of the year, he puts them all on the same level (aka everyone is some spoiled kid who doesn’t know the consequences of their own actions) and threatens them via expulsion to make sure they realize that death exists and that their actions have consequences.

Unfortunately for Aizawa and his worldview, not everyone is some spoiled kid who has been babied since birth except for him. We all know Midoriya’s situation is an abnormal one, I don’t think anyone would guess that a formerly quirkless child would be entering into the school with a quirk they just got that day, but as you stated both Bakugo, Kirishima, and Mina alone have been faced with real-world near-death scenarios and have survived. Hell, Bakugo and Midoriya’s Sludge Villain incident had made its way into the news! Midoriya and Bakugo nearly died and it was on the news, yet Aizawa still felt it apt to threaten Midoriya with expulsion (extra death) because he didn’t feel that Midoriya was trying hard enough with his quirk.

Why? He already nearly died once (twice technically but Aizawa doesn’t know that), there’s no need to ‘kill’ him again. Is it because All Might saved him and therefore Aizawa needs to push that All Might won’t always be around to help him by threatening him in a space where All Might has no power? Did Aizawa just not see or forget that Midoriya and Bakugo nearly died? Why does he threaten him here in front of his entire class? What purpose does it serve for Midoirya’s development? (there’s also a case to be made where he’s biased against Midoriya in the beginning simply because All Might likes him, but that’s a whole other discussion)

And of course, that’s just Midoriya. It’s bad enough that a kid who’s always been pushed down by other people up until this point is being threatened by yet another person who doesn’t believe in him, but what about the other kids? What about Todoroki, who has a powerful quirk but has been abused by his father since his quirk developed? What about Uraraka, who would probably do more heroic but illegal things within the series (like saving Bakugo) if her entire family’s well-being and livelihood didn’t hinge on the fact that she stayed in school and didn’t get expelled by the most hard-ass teacher in series. What about students with delicate situations that can’t afford to be expelled because of their circumstances?

Instead of doing or being heroic, they’d be putting all their focus into hopefully not getting expelled, following the rules, keeping their heads down, instead of, y’know, trusting the adults in their life and questioning authority when need be. If they do get expelled, at the very least it’ll keep a black stain on their records that will follow them for the rest of their careers, and they’ll have to explain how they got expelled from the most prestigious hero school in Japan time and time again, annoying at most and career-destroying at the worst. At the very most, it puts these kids in danger from their guardians. That’s terrifying.

For example, if Shoto got expelled, at the very least Endeavor would call in a complaint like a regular old Karen. At the very most (aka Fanon interpretations of Endeavor) Shouto would get his ass beat six ways to Sunday. Or, the more in-canon option, Endeavor would take up Shoto’s training full time, which is also not good and very dangerous for him. Either way, it's trouble for Shoto because Aizawa assumed that Shoto was a spoiled kid and needed to be taught a lesson.

And sure, Aizawa doesn’t expel anyone in 1-A, but that doesn’t change the fact that he has expelled students before, and as a result, a majority of them (re: class 2-A) don’t really like him or respect him. Aside from literally one girl, they think he’s scary. They don’t like him. Being a hardass teacher is one thing, being a hardass teacher who people like and respect despite the no-nonsense bullshit is another thing. And aside from class 1-A (it's important to note that none of them have gotten expelled from his class and have even trauma bonded with him) and that one 2-A girl, they don’t like or respect him. They fear him. And for as funny as that is, that’s not the sign of a good teacher.

It’s not necessarily lazy teaching since he does it with a purpose, but it’s not right. He’s basically giving his students the teaching equivalent of tough parenting, and as most people on the internet know, tough parenting only leads to negative consequences for the victims (the students). And furthermore, it's obvious he only does this because of his trauma with Oboro's death. Expulsion isn't traumatic, like I stated earlier it depends on the situation how serious being expelled would be for a student, but if you think about it this way – that Aizawa purposefully traumatizes/scares/hurts/destroys the trust of students in a completely different way from how he was traumatized to teach them a lesson without 'consequence' – that's not good! That's terrible, even, and incredibly harmful in the long run.

We even see the negative consequences of Aizawa's expulsion method in Aizawa himself! The consequences of Oboro's death (which expulsion is supposed to emulate) on him are detrimental to him – he goes into a very serious depression to the point where he'll only do the bare minimum to pass classes, and he isolates himself from his friends. We're explicitly shown that what he's doing isn't helping him or doing him any favors and it's only through healing from his trauma that he actually starts to get better. And he wants to do this to other students (albeit on a smaller scale) to teach them the same lesson he learned? What the hell! Who thought this was right?

(Nezu bc he authorized it but eh. That guy lives for chaos.)

I love Aizawa, really I do, but this expulsion game really isn't right.

blackgapprincess on tiktok

comin' on strong there, hakuji 😅

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What is with the constant fetishisation of rape and SA on this app and in fan fiction?? I get people have their kinks n shit but rape??? Really???

Not only that but the amount of pedophilia and incest is insane😟

I try not to be judgemental but I don’t get why you would want to read about yourself or someone else being SA how does that not make you uncomfortable and normalising shit like that is so not okay. It is not romance. It is not dark romance. It’s abuse and it’s gross.

I get that people are into different things and that you can’t control what you like most of the time but the normalisation of this stuff is crazy and so damaging especially to minors and victims.

I get CNC like atleast there’s consent in that but straight up violent rape fiction is weird and scary.

Anyway thanks for reading my lil rant!! love you all, stay happy and safe MWAH 💋

Edit: I have a reblog answering a few questions 🫶

Muzan was born into a wealthy family during Japan’s Heinan Period. His parents were highly respected and powerful during that time. So much so that his parents, Zetsubou and Ryuuki Kibutsuji planned on giving Muzan inheritance to all the estates they owned around Japan. And prior to Muzan getting diagnosed with a disease that would kill him, his parents hoped that their son would soon produce a heir by having Muzan be introduced to potential brides at the Kibutsuji estate.

Anyone else thinks it's funny how everyone agrees the ending sucks ass but it's when they didn't get something they want? Like it took certain fans seeing that MHA was ASS was with Tomura's death. But now people don't like MHA's ending because Midoriya didn't want to join Bakugo's agency and Bakugo kind of looked sad about it. Like oh my Loooord. I swear people do not pay attention unless it's something like.

This is often the case for a lot of works. People, (and I'm including myself in this), tend to not realise when something is bad as it happens, only when it ends.

Of course, this isn't the case for everyone. A lot of people noticed how incompetent the storytelling and writing was, but a large portion of the audience didn't have any issues until the ending.

This is both because the final war saga was full of flaws, whereas the flaws previously were more spaced out, AND because the main demographic is young boys. Not just that, but MHA soon became the introductory anime to many.

Because MHA is so closely based upon western tropes and action, being mainly inspired by Marvel and DC, it was the anime to ease new watchers into the anime medium. People who have no idea what other anime are capable of telling watch MHA, and it's great! It's flashy, everyone has superpowers, it's funny, it has dark content, it's not afraid to kill people off...

But, well, when all you've seen is MHA, all you can compare other anime to is MHA.

Young kids who aren't concerned with and don't know how to look out for all those flaws, and people new to the scene who don't know how other anime compare.

Horikoshi spent a long time giving the villains a sympathetic backstory, explaining exactly how they ended up where they are, and he offers no solutions.

There was certainly a level of lip-service paid towards it. But nothing actually put into play.

The HPSC is shown to be corrupt, raising child soldiers and driving Nagant off the deep-end, but nothing is done or even planned to abolish this corruption. Instead, Hawks becomes president over the very company that abused and groomed him.

Quirk Marraiges were made illegal far before canon, but Endeavour proves that they're still an actual thing. What is done to circumvent this? Nothing. Not even an activist group.

Endeavour, in general. He abused his kids, neglected them, abused Rei and drove her insane. Everything is brought to light. But nothing changes. People don't come to the realisation that heroics is a job, not a state of mind. They just forgive Endeavour because 'hE cHaNgEs'.

Mutant discrimination. What is done to help mutants become more accepted? Nothing. Shouji just yells at them that violence isn't the answer, but there's nothing actually put into play to help mutants.

Quirk discrimination in general. People with weak or 'villainous' quirks are treated like shit, (apparently). What is done to help them? ... Oh, yeah, NOTHING!

There were many early signs that MHA was going to bad. I mean, the QAT is even more biassed than the entrance exam, but Aizawa is painted as being a fair teacher. At least the entrance exam placed value on having heroic spirit with rescue points - Aizawa's QAT favoured anyone with a physical quirk.

The second heroics lessons was a simulated battle in an enclosed environment, rather than, oh, you know, learning how to fight. Bakugou nearly kills Izuku, and Aizawa just tells him to grow up.

People ignored the signs, and I did too for while, because of that hope that it would improve over time. Because the world was interesting, and it seemed to be developed.

It was not, but the minor level of lip-service made it seem like it was.

People flipped out when Izuku rejected Bakugou's offer to be his sidekick, as if that would have been a satisfying ending. People flipped out over IzuOcha being confirmed, despite it being heavily implied since the beginning.

People have turned on MHA because it didn't give them the ending they wanted. That's not to say that the ending wasn't bad - it absolutely was. But not for the reasons people brought up.

The world has barely changed from where it started, Izuku isn't even allowed to work his way into heroics, hero rankings are still a thing for some reason, the HPSC hasn't changed, and it just felt like a wasted journey.

And that's what MHA is, in the end. A wasted journey.