What Is With The Constant Fetishisation Of Rape And SA On This App And In Fan Fiction?? I Get People

I have a theory when it comes to the emasculation & sexualisation of Izuku and rampant sexualisation of the underaged characters in MHA, and why fans and outsiders see it as such.

Before you continue reading I just want to let you know this is not a safe space for proshitters & self identified fujoshis (you know who you are. If the shoe doesn’t fit then you can interact). If you are a proshipper or a self identified fujoshis then its best for both our sakes you block me. If I find you in my likes or mentions I will hide your comment and block you.

I’m also not a fan of toga x oochako, and Im saying this because I mentioned it briefly but its not the worst ship for me to block you (bkdk will always take that spot).

Anyways here’s a rundown list based on what I’ve observed [Mentions of Homophobia, Misogyny & Sexualisation of underaged characters down below. Read at your own risk]:

1.1 Horikoshi’s bias: Any watcher with critical thinking skills are able to see Horikoshi has a clear bias towards characters like bakugo, aizawa, shinso and mineta and he confirmed it himself. From the beginning to the very end of the manga Horikoshi has failed to respect Midoriya’s autonomy as a character, and any time we ever got close to introspection its immediately shut out in favour of the same popular characters over and over again.

1.2:Horikoshi has repeatedly sexualised his underaged characters and seems to show no guilt or remorse over such actions, even in his confessions. This was no accident, and any attempt to address this in a critical light in the manga was a failure, just like all the controversial topics he tried to address in the series (mutant arc -I personally don’t like how others see it as a racism allegory as a Black person, but thats another topic for another day-, eugenic marriage, trafficking etc.)

It also doesn’t help Japan has a rampant pedophilia & SA problem, and the reason you don’t see it on the news is because of shame culture + language barrier + their good PR Team. Anybody who tries to tell you it doesn’t exist are all liars, and anybody who tries to justify it with it being part of their culture is a racist.

2.From a dudebros perspective: We all know dudebros are obsessed with masculinity and powerscaling, but in some cases they are fine with fictional male characters crying, even male characters who don’t fit the traditional masculine role. But Midoriya isn’t the traditional masculine role character and he cries alot. Along the way they mustve subconsciously picked up the writers mistreatment of Midoriya, and so to them it’s like why should they respect a character who acts like a crybabying bitch?

And then they see how “close” bakugo & midoriya are. Dudebros as a collective are homophobic, so at first they would deny it, but then slowly but surely theyd pick up on how weird it is for midoriya and bakugo to be this obsessed with each other. Pair that up with the delusional fujoshis who seem to be fucking *everywhere* they’re going to call Midoriya a gay bitch for being steamrolled by “the goat” Bakugo.

Then there’s the sexualisation part. No words are needed to be said. Dudebros as a collective have little to no morals, especially the misogynistic. They don’t care if the character is 14yr old they’re going to wank their dick off to it regardless and thats the unfortunate truth.

But I feel the other reason why they feel so comfortable wanking off freely is because Horikoshi basically gave them the greenlight to do so. He shamelessly sexualised his characters without attempting to address it in a critical light.

3.From a fandom gay (especially fujoshis) perspective: It’s inevitable that the fandom gays will always find a way to ship 2 male characters, even if the creator clearly states their relationship is platonic, that’s just how it is for the better or worse.

To some credit, I can see why the fujoshis are obsessed with bkdk to the point of it being the #1 ship in MHA (never to the point of peak delusional though). Horikoshi doesn’t know when to put Bakugo to the side for once, or make Bakugo have his own arc without Midoriya being tied into it. It also doesn’t help Horikoshi mishandled Midoriya’s bullied past so the fujoshis are going to either dismiss that entirely or stupidly justify it in the worst way possible. Everyday its parallel this rival that.

I also personally believe Horikoshi baited BKDK content for some extra cash because he realised thats what the fans are into and also realised how stupid it is to trick them, like dangling a carrot infront of a donkey but that’s just my conspiracy theory.

If its one thing fujoshis love is pushing heteronormative roles onto their “gay” favourites and having internalised misogyny, morals be damned. Midoriya is seen as emotional, Bakugo is seen as aggressive. What does that equal to them? Top & Bottom, Alpha & Omega, Dominant & Submissive.

Fujoshis & Proshitters arent going away anytime soon, but because Horikoshi did nothing to shoo away the allegations until the very end of the chapter the fujoshis felt very entitled to act out. If you call them out you’re homophobic, but they would have zero problem dragging Oochako by the mud for daring to get in the way of the ship, and when that arc of her & Toga came out these same ppl who also tried to say Oochako is a love interest repackeged her into being Toga’s love interest under the guise of “girl power & lets go lesbians”.

(Personally as a Lesbian Feminist I am offended by this take but once again I digress)

Once again Horikoshi sexualised his underaged female cast, and while the fandom gays try to play the moral highground holding Horikoshi accountable I personally believe are just as hypocritical. The proshippers mustve subconsciously seen the sexualisation as a greenlight to go full haywire.

~~

TLDR; Horikoshi’s ass writing gave the watchers the greenlight to disrespect Midoriya as this bitch. A crybaby ass bitch from the dudebros and a crybaby bottom bitch from the fujoshis point of view. An ultimate bitch.

These fans will always exist but this reputation is the most prominent I’ve ever seen. In my humble opinion no fandom can ever be compared to MHA and its sheer audacity. Horikoshi & his overall fans don’t actually like Midorya and it’s disheartening to watch.

Kyojuro if he would have survived

ISFP - the adventurer 🎨☀️

Illustration of the 16 MBTI personalities

Hiii ! heres my version of ISFP ! One of my favs, even tho I only knew few ppl like this, I hope I could represent you well . Where are my fellow ISFPs ? Show yourself or tag a friend !

Adventure Time 10.13 “Come Along With Me”

the important thing to know about a gender swapped mob psycho is that nothing actually changes at all

Writing Notes: Metafiction

Metafiction - a self-conscious literary style in which the narrator or characters are aware that they are part of a work of fiction.

Often most closely associated with postmodern prose, it involves a departure from standard narrative conventions, in which a self-aware narrator infuses their perspective into the text to create a fictional work that comments on fiction.

This kind of fictional writing can appear in novels, short stories, plays, video games, film, and television.

Characteristics of Metafiction

Breaking the fourth wall: Breaking this boundary between writer and reader blurs the lines between real life and fiction. Metafiction often directly addresses the reader, openly questioning the narrator’s own story.

Self-reflexive: Authors use self-reflexivity, or self-consciousness, to reflect on their own artistic processes, drawing the audience’s attention away from the story and allowing them to question the content of the text itself.

Experimental: Metafiction is often experimental in nature, fusing a number of different techniques together to create an unconventional narrative. Metafiction can also experiment with the role of the narrator and their relationship to the fictional characters in the story.

The main purpose of metafiction is to highlight the dichotomy between the real world and the fictional world of a novel.

Metafiction can be used to parody literary genre conventions, subvert expectations, reveal truths, or offer a view of the human condition.

Often used in postmodernist fiction to comment on the world that our character inhabits, metafiction helps give a work of text more significance by providing an outward, exploratory look of a self-contained world.

Examples of Metafiction in Literature

The Canterbury Tales (1387): Geoffrey Chaucer’s classic anthology of interconnected stories that parody the conventional elements of fiction. Chaucer blends linguistic styles and rhetorical devices to craft a collection of stories within the overall story, regularly breaking the fourth wall to address the audience directly and apologize for any offense the narrative may cause.

Don Quixote (1605): Miguel de Cervantes Don Quixote is essentially a book about books. In the prologue, Cervantes breaks the fourth wall by commenting on his process of writing the book, in which he urges the reader to make up their own mind about the written text. The ensuing novel discusses the adventures of the protagonist, Don Quixote, who has gone mad from reading too many chivalric romance stories.

Giles Goat-Boy (1966): John Barth’s fourth novel is a prime example of the metafiction characteristic of postmodernism, featuring several fictional disclaimers in the beginning and end, arguing that the book was not written by the author and was instead given to the author on a tape or written by a computer.

The French Lieutenant's Woman (1969): Written by John Fowles, The French Lieutenant’s Woman is a historiographic metafiction novel about a love story between a gentleman and a governess in the Victorian era. The book features a narrator who becomes part of the story and offers several different ways to end the story.

Slaughterhouse Five (1969): In Slaughterhouse Five, Kurt Vonnegut includes his own voice as a character in this non-linear narrative. The main character has been “unstuck in time,” oscillating between the present and the past with no control over his movement, emphasizing the senseless nature of war.

Gravity’s Rainbow (1973): This story by Thomas Pynchon is the poster child of postmodern literature, using a complex, fragmented structure to cover various subjects such as culture, science, social science, profanity, and literary propriety. In this particular narrative, Pynchon questions history and how it gets created, and also how it affects both society and the individual.

Source ⚜ More: References ⚜ Writing Resources PDFs

BBC news ticker ( jurassic world: fallen kingdom )

ᴊᴜꜱᴛ ᴏɴᴇ ᴍᴏʀᴇ

☆ꜱʏɴᴏᴘꜱɪꜱ:

Tiana notes how she always get's sleepy around Nanami.

☆ᴡᴏʀᴅ ᴄᴏᴜɴᴛ: 1,439

☆ᴄᴏɴᴛᴇɴᴛ ᴡᴀʀɴɪɴɢ: fluff, lots of kisses, slight nsfw (mdni)

☆ᴍʏ ꜱɪɴᴄᴇʀᴇꜱᴛ ᴀᴘᴏʟᴏɢɪᴇꜱ ꜰᴏʀ ᴀɴʏ ᴍɪꜱꜱᴘᴇʟʟɪɴɢꜱ ᴏʀ ɢʀᴀᴍᴍᴀᴛɪᴄᴀʟ ᴇʀʀᴏʀꜱ☆

Tiana’s eyelids fluttered open, the early Saturday sky greeting her through her blinds. She rubbed her eyes, squinting them as she tried to roll over, only to be met with a tug at her waist, pulling her back into Nanami’s chest as he grunted softly.

Tiana voices her surprise, her hands flying to Nanami’s arm that encapsulates her like a snare. 

“Ken!” Tiana giggled, the comforter rustling as she squirmed. “Ken, we have to get up.”

“Mm-mm.” Nanami declined, nuzzling his face into the back of Tiana’s neck, his breath fanning down her t-shirt, tickling her spine.

“Nanami, you…promised.” Tiana struggled to wiggle around until she was facing Nanami, both of their bodies pressed together so tightly that Tiana’s breast threatened to bubble out of shirt. But Tiana didn’t mind; his touch was so familiar that his body was an extension of her own. Even now, their heart’s thumped as one, mimicking each other’s tempo to the point where it was indistinguishable from the other.

“I retract it.” Nanami mumbles, bringing his face back into Tiana’s neck. “It’s too early.”

“Nanami!” Tiana whines, trying to uncover his face from her collar, but he wouldn’t budge. “You promised!” 

Tiana had on her best pleading face, her voice oozing with dramatic cries. But Nanami shook his head, burying his head farther as if trying to imprint his face into her skin. Tiana knew he was doing this on purpose, one look at this face and he fell victim to Tiana’s every command.

“I know you’re doing the look.” Nanami busted Tiana’s plans in one sentence, but she refused to give up.

She cups his face, placing a soft kiss onto his scalp. Then another, and another, his face loosening ever so slightly with each soft peck from Tiana’s thick lips. Noticing his posture growing less rigid, Tiana bends her knee, dragging it up Nanami’s side slowly until her leg is hooked behind his thick thigh, tangling their limbs. Feeling his neck loosen, she pulls his head upward towards her, placing a kiss on his forehead, his temple, and the apple of his pinkened cheek. The corner of his eye, his delicate lashes brushing against her lips, then the bridge of his nose. 

Nanami gave an airy chuckle, but Tiana could tell he was growing impatient, every time she dodged his mouth, she would feel his slightly parted lips graze a part of her flesh, waiting to be engulfed by hers. His large hand pressed into the small of her back, pushing their pelvises closer as Tiana decorated the features of Nanami’s face with her lips, like a soft, wet brush gently dragging across a blank canvas.

“Tiana…” 

She could feel him smile against her cheek as she gently rolled them over, straddling him with both knees at his side as his hands held her in place.

Tiana kissed the tip of his nose once, then leaned down once more, pausing right before she got to his lips. She looked at Nanami’s face, lips apart with anticipation, eyes fluttered shut and his cheeks bloomed with red.

She leaned down slowly, her lips ghosting over his. After a while, Nanami opens his eyes, Tiana’s big brown ones taking up his field of vision.

“Can we go now?’ She whispered against his mouth, a smile cracking across her face. Nanami winces in defeat, rolling his head against the pillow. Tiana's hands gripped his face as she laughed into him, her forehead nudging into his cheek.

“Dammit.” Nanami feigned irritation, his hands sliding up Tiana’s back.

“I’m sorry.” Tiana giggles, placing a succession of quick kisses onto his jaw, nudging him with her nose as a way to apologize.

“No you’re not.”

“I am, really.” Tiana meets his brown eyes with her own, tilting her head forward to show just how sorry she was, her eyes wide with her bottom lip jutting out in a facetious pout.

“That was a cheap trick.” Nanami murmured as he looked away.

“I’ll make it up to you later.” Tiana said, shuffling to roll off of Nanami, but his grip tightened to keep her in place.

“Make it up to me now.” He sounded like he was about to throw a tantrum, and Tiana’s ears perked up.

“Oh?” She said, raising a brow, her fingers tapping Nanami’s chin. His face held a cross expression, clearly annoyed by Tiana’s little ploy. “What did you have in mind?”

“Give me a kiss.”

That’s it? Tiana knew that despite their intimacy that the two didn’t divulge into sexual acts, but still. He made it sound like he would take her right there in the wee hours of the morning. Or maybe that was just Tiana’s deepest desires crawling to the forefront of her mind.

“Wow, don’t get too wild on me, Nanami Kento.” Tiana chastises, leaning down to plant a soft kiss of Nanami’s pink lips. It was gentle, slow and deliberate. Definitely on the sweeter side, the type of kiss to make you feel giddy like a kid on Christmas. Tiana felt Nanami sigh through his nose, his hands gripping her waist, thumbs pressing into her abdomen.

After a few more seconds, Tiana disconnects from him, a grin residing on her face as Nanami looks up at her with a completely starstruck expression, his pupils dilated so much that his eyes looked like black holes, ready to swallow Tiana whole.

“Again.”

With the roll of her eyes, Tiana humors him with a smile. The next one being a bit shorter than the last, yet burning with much more passion than before. It was slower, much more erotic, their noses brushing each other as they inhaled and exhaled rhythmically. Nanami fisted the back of her shirt, the clothing riding up her back slowly and tickling her spine. Tiana felt Nanami smile against her lips, and when she pulled away, he playfully nipped at her bottom lip, then kissed the corner of her mouth quickly before laying back down on his pillow.

Tiana’s purses her lips, her hands still graciously framing Nanami’s jaw. Her eyes scoured across his face, her thumb pressing into his bottom lip. She blinked slowly, looking at him with low lids as her chest heaved in an attempt to catch her breath.

“Again.”

His voice was a bit raspier this time, and a lot more demanding, causing warmth to pool into the lower part of Tiana’s stomach. So she obliged gladly, quickly pecking his lips a few times with a sly smile sandwiched between each of them before diving in and giving him a heated, sensual kiss. The sighs that were once soft exhales turned into quiet moans peppering the back of Tiana’s throat, and Nanami’s hands gripped Tiana’s ass with fever, causing her to laugh into his mouth as he kneaded into the plump muscle.

“Okay…” Tiana gives him a quick peck, one of her hands reaching under the covers to stop his roaming ones. “Okay-!” She giggles, pecking him a few more times, but Nanami doesn’t let up, smacking her thigh with a loud clap. “Ow! Nanami-! Okay!”

Exhaling through his nose, Nanami rolls over to let Tiana down back on her side of the bed, her leg still wrapped around him. But still, Nanami provides Tiana with a flurry of kisses all over her brown skin making sure to pay extra attention to the details that he admired the most. The small beauty mark under her left eye that was only noticeable when they were nose to nose? Smooch. The dimples in her cheeks that were much more prominent when she laughed at one of his dry jokes? Double smooch. Her cupid’s bow colored a dark brown in comparison to her pink bottom lip? Triple smooch. Each time, an enchanting laugh rumbles past Tiana’s teeth.

“Okay, okay!” Tiana feels absolutely tickled as she gently mushes his face away with the palm of her hands to stop his affectionate attack, unable to take anymore without feeling as though she would combust. It was getting extremely hot under that comforter, and she felt a bit of sweat forming on her back. If they stay here any longer, they’ll never get anything done today. “Are we even now? Can we get ready?”

Nanami smiles slyly, his hands finding solace in Tiana’s hair as he leans closer, eyes focusing on Tiana’s swollen lips momentarily before looking into those brown orbs that reflected back a sense of innocence that he wanted to devour. And again, that request danced on his reddened lips.

“Alright…but…” Nanami practically whispers, his head tilting slightly to fit into the shape of Tiana’s face.

“Just one more.”

ᴛɪᴀɴᴀ ᴛᴜᴇꜱᴅᴀʏ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ

he is just a little guy

Mid hero fraudemia