Someone At The Victoria Bug Zoo Is The Funniest Person On The Planet

In the astral plane ✨

Zaun vik and Jayce

I hope they’re having a good time in the infinite embrace of the arcane

Chembaron Viktor 👀

Vanco baby chembaron Viktor AU:

A short plot idea for this AU, I am not a writer, but I am a plotter, so if anyone finds inspiration here, feel free to write something based on it and use my art in your fics (with credit, of course).

In this AU Viktor was adopted by Silco and Vander shortly after he left Singed and that was also around the time VI was born (Vander and Silco being in their mid 20s). 

Silco and Vander did all they could for Viktor, went to Pilotover to have a brace built for him (not sure yet, but maybe it was mama Talish who built the brace for baby Viktor) and pulled everything they could to get him into the Academy. Vander and Silco pulled every last coin they had for Viktor's brace and school supplies. But he was only there for a short time before the riots started raising the tension between Zaun and Piltover so Vander and Silco pulled Viktor out of the academy worried about his safety. 

Viktor was in his mid-teens when the riot happened. He, Vi and Powder weren't supposed to be there, but of course they didn't listen and went after their parents. And that's where Viktor saw his aunt and uncle dead and Vander almost killing Silco. He went after Silco as he ran away and was the one to drag his father to Singed to heal him. Viktor still resented Singed for what he did, but he knew if anyone could save Silco, it was him. 

Silco recovery was long, and as they both stayed with Singed Viktor befriended a murk wolf puppy Singed had in a cage intended to sell as he killed her pack, not knowing there were puppies; only one survived. As a way to make up to Viktor, Singed says he can keep the murk wolf. 

After Silco got better, he tried to convince Viktor to go back to the academy, but Viktor refused. Silco wasn't the only one left with PTSD from that day; Viktor witnessed his aunt and uncle die at the hands of enforcers, and then he saw his parent trying to kill his other parent. It left him with a deep fear and sense of needing to protect his loved ones. He couldn't handle leaving his father, and hurt, after almost losing him. 

Viktor helped and was a vital part of building Silco's criminal empire, working with Singed to perfect shimmer as well as working on his own strain that would help his own illness.

Silco told him to stay away from Vander, and while Viktor had no intention to see the man who destroyed his family, he did want to see his sisters Vi and Powder. He would sneak away when they were out of The Last Drop to spend time with them; it was Powder who named his puppy (one head Pixi (my reference to Rio) and the other head Blitz (again my reference to Blitzkrank)).

One time Vander caught them together (Viktor told them not to say anything about him to Vander because he didn't know where he went after the riot, but they are little kids and it slipped). He followed the girls, and they seemed extra excited to go out. 

Viktor went to leave right away, but Vander begged him to send a message to Silco, asked if he found the letter he left for him in the mines. Viktor, weak to the person he once called a father, confesses everything to Silco, that he has been seeing his sisters (Silco knew, of course) and what Vander had said. 

Silco did go back to the mines (first thinking it was a set up, but Vander isn't smart enough for that) and finds the letter, and he and Vander slowly work on their relationship and eventually get back together.

Short time skip to maybe a year or two before season 1 act 1 time. 

Vander and Silco convince Viktor he should go back to the Academy. Things are calmer and the business is going steady Viktor would have the time to attend the academy. Viktor agrees, but only under the condition that he doesn't move to Pilotver, he goes to his classes and comes back under the excuse that he needs to keep up with his own chembaron duties, but really, even though his parents are back together and he's with them and his sisters and new brothers back, he didn't deal with his PTSD and thinks he needs to be there to keep them safe.

So this would be the starting point of the story; all this before is backstory that can be told in flashbacks, just how I would construct the story, IMO that's all. At the core it's a JayVik story.

As Viktor comes back to the Academy, he has a few years to catch up on. Heimer is happy to have him back, he knows how brilliant he is and helps him create a schedule where he can do catch-up work alongside contemporary classes. This is where he meets Jayce and other Pilotver classmates. Harassment started right away as it was clear how intelligent Viktor was and it started out of jealousy and hatred of him being from Zaun, even Jayce joins in on the bullying, even though a small crush is starting to form right away. But it doesn't take long for rumours to spread that Viktor is, in fact, a powerful chembaron, son of the two men who have zaun under their rule. His classmates don't believe this cripple is a powerful crime boss and this rumour only serves to make the harassment worse. Viktor doesn't do anything about it because he promised his dads he won't do anything that would make him a target of the enforcers; they can't risk giving them any excuse. 

Some of the things they call him is; puppy (this is mostly Jayce tho), bitch or mutt (based on his dad Vander being called the Hound), and of couse cripple, drugie (his shimmer violet eyes) ect.

Note about his health, I imagine Viktor's health to be better then in the show because Vander and Silco got him better care when he was a small kid and the shimmer strain he developed with Singed, I had him having some chornic lung issues an he uses the mask in the artwork, it both filters the dirty air that makes his lungs worse and it defuses the shimmer in small amounts to heal his lungs, he used his shimmer to heal himself for years now, why his eyes turned violet, and might have a slight dependency on it, if it can serve some plot purpose.

How his classmates find out about him being a crime lord, I have two theories; it could be one of them or it could be both:

1. The parents of his rich kids classmates know about Silco and Vander so they know who he is and his own influence in the undercity and tell their kids (so they keep away from him but they don't believe he's some dangerous mobster and use it to mack Viktor).

2. Sky is one of his classmates and knows about who he is and how dangerous he is and tells everyone to be careful around him and who he is (but again they don't believe it and mock Viktor).

Oh and also whenever Viktor goes to Piltover his murk wolf waits for him by the Zaun side of the bridge, where Viktor tells her she can't go further and to wait for him, he tried leaving her at home, but she refused to let him leave without her. So Pixi and Blitz always wait for Viktor to come back. Sometimes Powder also comes to play with her and wait for big brother. 

Time comes around where the students need to make a big project (for a class or a competition), and Jayce has an idea for something, but he will need something he can't find in Pilotver, he ventures into Zaun and in a pawnshop he asks about what he needs and is told by Benzo of he really wants it he needs to see "the kid", a chembaron that deals in that sort of thing (it can be the gems or a special type of shimmer or something else, not that important). He gets a meeting with the chembaron after paying Benzo a pretty penny for the privilege. 

It's at a bar called The Last Drop an what do you know, he enters and sees Viktor at a bar with a huge murk wolf at his feet (this is the moment of the art, how Jayce sees chembaron Viktor for the first time). Jayce can't believe the rumours are true and is in shock. 

They sit down (Vander from the bar is staring daggers at Jayces lol, if you see a faint shadow in the background of the work that Vander). 

Jayce tells Viktor about his project, and Viktor agrees to get him what he needs if they work on the project together (Viktor is also crushing on Jayce, and them trading insults at class is really like flirting, but not completely; sometimes Jayce crosses the line because he's an idiot). 

The vibe I was going for is them.

These idiots are crushing on each other hard but them being stupid is keeping them apart. Jayce is dealing with his views on zaunites, his jealousy of Viktor's intellect, and his own sexuality. Viktor is a walking sack of trauma and PTSD, Jayce reminds him of Vander, which means he's projecting all his unresolved issues and trauma about Vander on Jayce, trust issues being vulnerable with someone who isn't his siblings or Silco (Vander used to be on that list before the incident).

They gravitate to each other, but when they get close, they clash, very angsty, very hurt/comfort, and little bit of silly because they are such idiots.

Anyway that's as far as I got, I beg if anyone wants to write this, despite this block of text I am very much not a writer, so it would be awesome to actually read a fic like this :)

Bonus the art in b/w cause it looks rad :)

Just sayin

gotta catch 'em all 🚗

Beloved if you could tell me more about how Arcane is a tragic romance staged as a geopolitical collapse in six acts i would love you forever. I find your mind so sexy

okay. i’m going to try and say something semi coherent about this, because you, my beloved mutual asked and i? would die for you.

if we’re going to talk about tragedy, we might as well start with jayce and viktor.  in true tragic fashion, they follow the classical arc to the letter: hamartia (a fatal flaw – hubris, idealism, the belief that their creation could save rather than destroy), peripeteia (the reversal – hextech becoming a weapon rather than a miracle. viktor dying, jayce bringing him back),  and anagnorisis (the moment of recognition – when they realize the cost and the damage. viktor seeing what he’s become and jayce saying what he should have said years ago). and the devastating thing is: these don’t happen separately. they collapse inward, spiral together. the tragedy hits hardest because the fall is of their own making – and because it comes too late. 

if there’s anything i’ve learned from my (very humble and very deeply felt) studies in literature and literary history it’s this: romantic tragedy is not just about heartbreak. it’s about the world collapsing as a consequence of love gone wrong. loyalty, desire, misjudgement and betrayal rippling outward into total ruin. arcane doesnt just tell a tragic love story: it tells five. ten. maybe more. the show is a lattice of relationships – romantic, familial, platonic, political – and every one of them cracks in some way. and each crack runs straight through the city’s foundation somehow.

jayvik may be the most overtly mythic of them all. our science husbands, our gilgamesh and enkidu, our cautionary tale about what happens when affection tries to hold up empire  – but they’re not alone. their spiral isn’t the only one.

arcane, in its very structure, ties systemic collapse to personal grief. every conflict begins in a relationship that couldn’t hold. vi and jinx are antigone and ismene rewritten in gunpowder and neon: sisters locked on opposite sides, loyalty twisted by trauma. mel and ambessa are imperial legacy embodied: the exiled daughter who tried to love her new home, and her mother who thinks love is weakness. caitlyn standing between love, lineage and law. ekko mourning a girl who never got to grow up and jinx is the living fallout of everyone else’s failure to protect her.

even silco and vander – two men who once shared a vision of an independent zaun – become enemies, because one believes revolution requires uproar while the other hopes reasoning might still be enough. and in the end, every character is fighting someone they still remember loving once. no character fights in isolation. every blow lands on someone they once believed in. and that’s why the city burns.

because that’s the thing, right? the show treats interpersonal relationships like structural beams: when they crack, the city does, too. the emotional subplots aren’t really subplots at all: they are the plot. hextech was supposed to be a bridge: between science and magic, between piltover and zaun, between a boy who fell from grace and a man who never got the chance to rise. instead, it becomes the wedge. a miracle turned into a weapon, with the miracle workers on opposite sides of a war they helped create. when the marriage of minds ends in divorce, the whole city pays the price. 

and that’s why we don’t have any neat hero-villain binaries, right? what we do have is people trying to claw their way back to something they lost. a sister, a partner, a version of themselves that they could still forgive. but every attempt to go back costs them something new, again and again. that’s the real tragedy, i think: not just the people lost, but that they keep losing the things they’re trying to save.

if you’ll allow me some nerdy indulgence i’d like to go back to jayce and viktor being our gilgamesh and enkidu by way of hextech. radiant ambition meets terminal wildness. they build a future together and then have to destroy it with their own hands. and the thing is: they don’t fall apart because the love fades, (affection is the one thing holding them together, after all). they fall apart because it festers into betrayal and all the ways they fail to reach each other across the gap that’s widened between them. the tragedy isn’t the end (though i really, really wish they had more time) – it’s everything that leads to it. they hit every note of a classical downfall: a shared dream born of light, warped by power, splintered by grief. their fatal flaws (call it hubris, call it desperation, call it idealism) spiral into the kind of break no apology can fix. and yet, in the end, when everything else is gone, they still choose each other. if antigone dies to bury the one she loves, if gilgamesh carves his grief into stone, then jayce and viktor choose to hold each other in the infinite embrace of the arcane in order to stop what they created from consuming everyone else. not to undo the damage but to stand in its ashes and say: no more.

(aristotle once said that tragedy is supposed to evoke pity and fear, and then purge those emotions through catharsis. this post? may have done the opposite. i have never feared more. i have never pitied harder. and i have certainly not been purged)

what if this scene was worse

Look, now we match

- In many hospitals. purple wristband typically indicates a patient’s “Do Not Resuscitate” (DNR) status, alerting staff to the patient’s wishes regarding end-of-life care.