the most fun a girl can have is finding parallels, noticing patterns, making connections, contemplating
choi hyo-man’s internal monologue where he’s essentially going “grate… un… ungrate… uh… what’s the word again? the thing that gives me a really bad feeling.” and then two scenes later going “ungrateful. they’re ungrateful.” stays the funniest fucking internal dialogue i’ve heard in my life
reblog to give your headache to elon musk instead
toxic codependent familial dynamics this. toxic codependent romances that. what about toxic codependent coworkers. i can’t do my job without this guy here or i’ll kill myself.
beomseok is told and shown his entire life - by his bullies, by his abusive father, all the way back to the fact that he is adopted - that he is unworthy of respect, that he belongs beneath others, and that he deserves to be hurt for it. he’s trapped in a perceived reality of give-and-take relationships, hierarchical struggle between peers, and friendships built upon facing a “common enemy,” and his perspective on human interaction and “acceptable” violence is extremely skewed by what he’s had to live through.
it’s tragic. beomseok was not ready to be the kind of friend that sieun was to him and suho, and beomseok was not ready to be friends with suho - a person who viewed them all as equals even as he echoed words and wounds all too familiar to beomseok’s past. beomseok was fighting and flailing, trying to find his place in the hierarchical world he felt he was stuck in, trying to battle his way to earning respect; he was not ready to recognize the genuine care and sense of equality that sieun and suho provided outside of that worldview, because that was not the kind of world he had ever experienced, and because his worst fear was to be the outsider. in actuality, he needed to heal his wounds and grow his self esteem in ways that didn’t rely on external validation. but… well.
in another story, beomseok’s arc could have been taken as a broken kid standing up for himself, and things could go very differently. but within the context of this show - delving into the damaging spiral of the cycle of violence - beomseok is punished for using the violence that he’s faced his whole life as a tool for his self-determination. he’s rebelling against what his father and bullies have told him, which should be something empowering. and yet because he does it in the wrong way, it all falls apart. his defensiveness and his fear and his resentment take him way too far into violence that comes to extreme ends, and his inability to take accountability (because genuinely, who ever even tried to do so in his view, other than sieun?) only feeds into blame shifting and worse behavior.
and none of this excuses him, and it doesn’t take away the very harmful consequence of his mistakes (suho!!!! suho nooo!!!!!) — but it’s very, very human. beomseok made mistakes, and the narrative didn’t let him get away with them whatsoever. there is no happy ending in continued violence, and so there is no happy ending for beomseok in this either.
“we need more complex male characters in korean dramas!!” you couldn’t even handle him.
(me, my parents, my sister, and the baby are sitting at the kitchen table eating lunch)
baby, pointing at the light fixture over the table and signing "on": o.*
my sister: we actually can't turn that light on right now, because the lightbulb inside is burnt out! it needs a new one.
baby: ighbu.
sister: yes, lightbulb! granddaddy said after we eat he's going to climb up there on a ladder and change it, and then the light will come on!
baby: gadada! adda, uuu! ighbu o!
sister: exactly!
baby, signing "on" and pointing at the light and then my dad, with increasing urgency: GADADA ADDA UUUU. O.
my sister: we're going to finish eating first though, ok?
baby: nonono. O. gadada adda uuu.
[a split second goes by]
baby, pointing to himself: ba. adda uuu. ighbu.
me: you're going to climb the ladder and change the lightbulb yourself?
baby: dzyeah. *pointing to the buckle where he is buckled into the high chair* ububu.
me: unbuckle you? so you can change the lightbulb?
baby, highly businesslike: dzyeah.
*pronounced like "on" without the n
i will read this now
i cant stand these two - now give me 3 more books about them
I really am a sucker for dual male lead media where they appear as complete opposites only to end up being eachothers foils and somehow also ending up being completely depended on eachother despite of (because of) their differences
Look how many people hate him. I’m pretty damn happy about that 😁😁😁😁😁😁