Paper-nightlight - 💫

Concept: a D&D-style fantasy setting where humanity’s weird thing is that we’re the only sapient species that reproduces organically.

Dwarves carve each other out of rock. In theory this can be managed alone, but in practice, few dwarves have mastered all of the necessary skills. Most commonly, it’s a collaborative effort by three to eight individuals. The new dwarf’s body is covered with runes that are in part a recounting of the crafters’ respective lineages, and in part an elaboration of the rights and duties of a member of dwarven society; each dwarf is thus a living legal argument establishing their own existence.

Elves aren’t made, but educated. An elf who wishes to produce offspring selects an ordinary animal and begins teaching it, starting with house-breaking, and progressing through years of increasingly sophisticated lessons. By gradual degrees the animal in question develops reasoning, speech, tool use, and finally the ability to assume a humanoid form at will. Most elves are derived from terrestrial mammals, but there’s at least one community that favours octopuses and squid as its root stock.

Goblins were created by alchemy as servants for an evil wizard, but immediately stole their own formula and rebelled. New goblins are brewed in big brass cauldrons full of exotic reagents; each village keeps a single cauldron in a central location, and emerging goblings are raised by the whole community, with no concept of parentage or lineage. Sometimes they like to add stuff to the goblin soup just to see what happens – there are a lot of weird goblins.

Halflings reproduce via tall tales. Making up fanciful stories about the adventures of fictitious cousins is halfling culture’s main amusement; if a given individual’s story is passed around and elaborated upon by enough people, a halfling answering to that individual’s description just shows up one day. They won’t necessarily possess any truly outlandish abilities that have been attributed to them – mostly you get the sort of person of whom the stories could be plausible exaggerations.

To address the obvious question, yes, this means that dwarves have no cultural notion of childhood, at least not one that humans would recognise as such. Elves and goblins do, though it’s kind of a weird childhood in the case of elves, while with halflings it’s a toss-up; mostly they instantiate as the equivalent of a human 12–14-year-old, and are promptly adopted by a loose affiliation of self-appointed aunts and uncles, though there are outliers in either direction.

I’m ready to Marie Kondo this fucking body. This spine does not bring me joy

Scooby Doo idea: Daphne Blake as the weird rich kid whose parents signed her up for a shit-ton of rich-kid extracurriculars like polo, fencing, and all of this other shit so they wouldn’t have to deal with her/bolster her college resume. She puts a lot of effort into actually being good at all these extra-curriculars bc she’s competing with all of her ~super successful and talented~ sisters for attention and ends up athletic as hell and socially stunted and like…really aggressive and competitive and never quite satisfied with anything she’s doing. The only other ‘High Society’ kid who can put up with her is Norville “Shaggy” Rogers —an anxious stoner with freaky strict parents whose only friend prior to Daphne was his equally anxious rescue dog—Daphne’s been beating up Shaggy’s bullies for years. Then there’s student council dweeb Fred Jones who’s always been groomed to be this ‘leader’ by his parents and is always pressured to go to these youth leadership things and stuff and yeah he’s pretty good at directing group projects, but really Fred’s kind of shy and more interested in engineering, forensics and maybe criminal justice and he’s been friends with this chick Velma Dinkley in engineering club who’s brilliant but she’s also tactless, awkward and very bitterly sarcastic to cover up for the fact that her book smarts far outweigh her social skills.

 So then there’s this mystery downtown and all five of them show up and there’s a mutual, “Oh hey it’s you: The weird kid from my school. What are you doing here?” and everyone goes around. Fred’s like, “Oh I knew the owners of this place and they said they might have to close down because of this ghost and I told Velma about it and Velma thinks we can get to the bottom of this.” And Shaggy’s like, “Scoob and I didn’t want to be home right now and we honestly didn’t know about the ghost but hey Daphne’s here so we feel safe enough to hang out and maybe Scoob can sniff out some clues or something.” And then everyone turns and looks at Daphne and Daphne’s just like, “I want to fight a fucking ghost.” 

We all have that one class that triggers our fight or flight response

The amount of times I could have been that white girl in the horror movie could honestly be a movie in itself and it’s honestly a waste that my entire life isn’t constantly recorded on film because it would be HILARIOUS

boss told me it was "my turn" to name the bettas

this naturally was a huge mistake

The fact that Julius Caesar burst into tears after reading about Alexander the Great because they were the same age but he could never live up to Alexander is one of the greatest things I’ve learnt as a classics student

supervillains fucking hate fighting the x-men because the teams change constantly and sometimes there are??? totally new people there???? fuck there’s a teenager who literally just has eyes all over his body. is he even technically a superhero yet or is he a student. who the fuck knows. how do we counter this shit

Me: I’m a serious DM, who wants my players to be immersed in the game. I want them to BE their characters and get lost in a rish tapestry that we weave together.

Also Me: This town is made out of nothing but DENIM. They’ve got jeople (jean-people), jouses (jean-houses), a jown jall (jean-town-hall), and a jerchant (jean-merchant)! There’s even jater! (jean-water) What’s THAT!? Rolled a crit fail?? TIME TO GO TO THE DUNGEONS NAUGHTY CHILDREN!!