Have You Ever Think The Reason Why Cale Is Protective To Children Is Not Because..

Far-Too-Optimistic Theory: Alphys is trying to look out for Susie.

So we know that Alphys was bullshitting us when she pretended not to know who stole the chalk in Chapter 1…

…since apparently she and Toriel have discussed this habit of hers.

In Chapter 1, Alphys seems to hope Susie will give it back on her own at first…

Then violates the Geneva Convention in an effort to get Susie to confess to save her classmates (this Did Not Work)…

…and in the end, Alphys just asks Susie to go get some more, apparently because she “came in last”.

Still, Alphys doesn’t out Susie as the one who took it. How come?

If Susie gets caught taking supplies, she might get expelled! She’s on her last chance.

So, does Alphys care about her?

Keep reading

About Kim Rok Soo’s abilities (spoiler alert for chapters 356+)

Have you guys ever noticed that all of Kim Rok Soo’s abilities that are revealed are related to time?

Record: Allows KRS to have perfect recollection of the past

Instant: Being able to move beyond human limitations in the present

I wonder if his other abilities are also related to time. Maybe he has one that is related to the future.

Oh no! They're gonna die if they keep this up, please stop removing us, Kris! This is for your own good!

Funky whatevee

The Power of Silence in Dialogue

We often think of dialogue as something that’s just about what characters say, but let’s talk about what they don’t say. Silence can be one of the most powerful tools in your writing toolbox. Here’s why:

1. The Unspoken Tension

When characters leave things unsaid, it adds layers to their interactions. Silence can create a tension that’s so thick you could cut it with a knife. It shows things are happening beneath the surface—the real conversation is happening in what’s left unspoken.

Example:

“So, you’re leaving, huh?” He didn’t look up from the table, his fingers tracing the rim of his glass, slow and deliberate. “Yeah.” “Guess I should’ve expected this.” (Silence.) “You’re not mad?” “I’m not mad,” she said, but the way her voice broke was louder than anything she'd said all night.

2. Building Anticipation or Drama

Sometimes silence can heighten the drama, creating a pause where the reader feels like something big is about to happen. You don’t always need words to convey that sense of dread or anticipation.

Example:

They stood there, side by side, staring at the door that had just closed behind him. “You should’ve stopped him.” She didn’t answer. “You should’ve said something.” The room felt colder. “I couldn’t.” (Silence.)

3. Creating Emotional Impact

Sometimes, saying nothing can have the biggest emotional punch. Silence gives the reader a chance to interpret the scene, to sit with the feelings that aren’t being voiced.

Example:

He opened the letter and read it. And then, without saying a word, he folded it back up and placed it in the drawer. His fingers lingered on the wood for a long time before he closed it slowly, too slowly. “Are you okay?” He didn’t answer.

TL;DR

Silence isn’t just a pause between dialogue—it’s a powerful tool for deepening emotional tension, building anticipation, and revealing character. Next time you write a scene, ask yourself: what isn’t being said? And how can that silence say more than the words ever could?

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

Reaction fics are a beloved trope of LOTCF fanfiction, but let me pose a challenge to the concept. Rather than a god deciding to show the audience Cales life as a punishment/gift for the future/to help them in some way, what if it was instead just a godly whim?

The reason they are there is incomprehensible. It doesn't make sense. The god either won't explain, or doesn't care to. The scenes they're shown are helpful in some ways, but not in others. Why are they here? How do they get out?

I'd like to see a reaction fic where the goal of the audience is to leave. They neither want nor need to see the deep, dark depths of their leader. And they will never, ever accept something without knowing the intentions behind it.

This is better if there's another driving force behind why they are desperate to leave. Someone is missing (Cale?), something is happening on the outside (something important), or they're getting signs- hints- figurative or literal writing on the walls from the previous participants in this game that don't spell a happy ending for what comes after this. Something is behind this, and that something doesn't truly care about them.

No one to assure them, "if you just watch his life, everything will be fine." Or when it is assured, the audience fights back. The god assured them, again, they just have to watch. Watch and understand. But they find ways to get out- they have to be dragged back, one by one, into that theater room. It should be fun to watch them analyze the manners of their leader or his backwards thinking, except it isn't. They keep fighting against it. Why are they fighting? Something that isn't human could never understand.

It's an idea I had based off our own manipulation. We write reaction fics for our own amusement. We want to force these characters into a box and make them react to Cale. We are a god that does this- not to help them, not to give a gift to them- it is for our amusement. It's fun to watch them react.

But isn't it out of character for them to not fight back? With biting words and violent actions? These characters don't simply allow themselves to be beaten into submission. Coerced into bowing their heads. We'd have to tie them to their chairs and make them sit and watch. And that's something I see in a lot of reaction fics too.

Usually the best way to keep these characters in place is via the Cale Method. Cale is injured and has to heal, it's a price he has to pay, he's being threatened, etc. It'd be cool if there was something else forcing them down like muzzled dogs. Just my thoughts though.

*anyone is free to run with the ideas from this or any idea built off of this (with no credit)

**but I'd love to be sent anything like it

i'm AWARE this is a stupid hill to die on, but like. trope vs theme vs cliché vs motif vs archetype MATTERS. it matters to Me and i will die on this hill no matter how much others decide it's pointless. words mean things

Some resources for those writing medieval-type stories:

list of medieval jobs

more medieval jobs

lords of the manor

ladies of the manor

medieval ladies

medieval weapons

medieval names

more medieval names

guide to medieval terms

more medieval terms

how to write sword-fight scenes

armor

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

Part 1

Cale sits on Alberu’s bed.

This… feeling, of his memories and feelings all contradicting. It’s a little disorienting.

His hands are dirty, but he knows they’re clean. He could lay down and roll around on the princes bed, but his memories show a blatant disregard for what the prince thinks about what he does, yet he knows that he has respected and cared about the prince for a long time-

So what is it? Does Cale secretly respect him? Is his disregard an act? No, it’s not. Disrespect is… a way to show respect? To hide his respect?

Cale develops a headache. There’s a lot of new information in his mind, rolling around like a thunderstorm, and it’s really starting to hurt.

His hand caresses the side of his head, and he aims his face into his lap, a frown forming. It… hurts.

It hurts.

Hopelessness drags on his new and good emotions. It hurts. He- he hates pain. His hands tremble.

Alberu watches Cale, unsure what could’ve happened to cause him to start crying. With a shaky mind, Alberu walks over to the frozen child sitting on his bed, making extra sure that his footsteps create noise. God, scaring a child? Scaring Cale? That would be a nightmare. He wouldn’t know how to handle it at all.

Despite Alberu’s desperate wishes, Cale is deep in his subconscious, overwhelmed by a self-induced headache.

So when Alberu reaches over for the boys shoulder (like how Cale would comfort everyone), Cale flinches. Hard. He throws his body to the side of the bed and pulls his arms up to his chest, staring up at Alberu’s figure.

Now, the Prince isn’t stupid. He knows what a flinch means, what it implies. Then why- he fumes- why is Cale of all people showing these responses? How bad did he have it in Korea?

So, while Cale lies on the bed and stares, Alberu decides that he’s too tired to deal with this. This is incredibly annoying. This is- fucking depressing. He hasn’t slept for two days and suddenly being forced into babysitting duty is grating on his nerves.

He walks away to order the nearest servant to deliver cookies to his room, while he starts to brew tea. When the boy on the bed has a clear head and Alberu has some more strength, he’ll consider asking what’s wrong.

Bringing the tea over to the bed, Cale stares at the cups.

“Dongsaeng?” Alberu sits on the bed next to Cale, who stops laying down. “Do you like sweet tea still, even when you’re like this?”

Cale pinches his lips together. Forgoing a verbal response, he nods his head to the question and starts to reach out.

‘Dirty’

‘Careless’

‘Irresponsible’

His hand freezes, and goes through a dozen calculations. Should he ask to grab the cup? He wouldn’t normally do that, no. Should he act more like an ignorant child, not as mature as he feels? Should he ask what he should do?-

Alberu watches the emotions that flit across the young face. They are all incredibly subtle, as if he’s used to being so insecure but hiding it underneath a layer of confidence. Alberu relates to it on an uncomfortable level.

He almost expects the kid to ask if he should take the cup, but Cale firms up his face and decides to disrespect the Crown Prince anyway by grabbing the cup and taking a big sip of it.

Good, Cale reasons, looking at Alberu’s face. He’s not mad, like he predicted. He’s learning the limits of the people he trusts because, while he’s in this different body and has this smaller mind, people will react unpredictably. Anticipate violence, prepare for rejection, and accept whatever he can get his hands on. His old lessons from when he was a kid float into his mind, and they provide a comfort that none of his older memories have given him yet.

They sit in silence, sipping on tea and observing each other. The other children are disturbingly quiet, but they aren’t crying or angry. They’re just… watching. Raon seems to be the most restless, while On and Hong wait from a distance.

Those three children recognize the signs of abuse the most. Ever since he opened his eyes, they could see it all. The hesitation. The fake confidence. The awkward tense-relax-tense game that Cale is playing in his mind. Like he’s trying to convince himself that he’s in a safe place, but it’s so hard to believe that he instinctively goes back to base one whenever he succeeds.

They’re going to launch their ‘attack’ in a few minutes, but only after cookies. A servant quietly brings in a tray, keeping her eyes very specifically on the desk she needs to leave it on. Raon still turns him and the kittens invisible for the brief time she’s there, but she looked so focused that she probably wouldn’t have seen them had they been sitting right next to the crown Prince. On applauds her in her mind.

Cale keeps his mouth shut. The last thing he should do right now is talk. He knows when he isn’t welcome, and while the (fond?) exasperation from the prince is not quite the same as Cale is used to, it’s close enough. He plans to stay quiet and do nothing. It’s dangerous to think about anything else.

What if he ruins his companionship with Alberu forever? That would be- bad. For when he’s able to be big again, of course. It would be… what’s the word?

Inconvenient.

Cale doesn’t feel 7 years old anymore. His mind has been growing, in a weird way. Like he’s subconsciously fighting against the curse by maturing his mind at a faster rate. He can think a little more clearly, analyze a little more precisely.

He finishes his tea and puts it down. He’s tired.

‘Dirty’

‘Disgusting’

‘Filthy’

He looks down at his hands. He turns his palm over, examining it. He sighs in relief. Clean. He’s clean right now.

He’s startled by a red ball of fur pressing its face into his open palm.

“Hong?” His voice is soft, open just like his palm.

Hong purrs, and Cale falls for the distraction. He sets out to pet the kitten who is so innocently asking for them.

All of a sudden he hears Alberu shout from his side and a flash of black streaks across his vision. He looks up, but then On has transformed into her human form and the 12 year old body is stronger than it should be, with how easily she grabs the 7 year old and throws him by the pillows.

Cale barely finishes bouncing from being thrown when he gets crushed by Raon.

“Human!”

Cale opens his eyes and looks up at the blue eyes peering down into his soul. “Raon…”

Raon cuts him off, resting part of his weight on Cale.

“We’re having naptime! Majority vote! You have to sleep, human!”

Cale frowned. He hadn’t had any cookies yet.

Raon interprets him wrong, and suddenly Cale is being thrust into Alberu’s arms. “Adults are always the best at cuddling! We’re leaving you to our most experienced member so you get the full package! Alberu, don’t let Cale go.” His words leave a chill in Cale’s body, and he resists the urge to shudder.

Then he realizes that Alberu’s arms had really tightened around him. Cale squirms, because, what? Why can’t he just cuddle with the kids?

The answer becomes abruptly clear. Cale, smooshed against Alberu’s chest, surrounded by two human cats and a dragon who insisted that he lay on top of the pile- discovers that, while Raon could use magic to restrain him, the human with long arms is just more effective at restraining people comfortably.

Cale pouts. He didn’t get any cookies.

Ron, Beacrox, and Choi Han arrive at the princes room. Ron was worried about him, while Choi Han was concerned that he wasn’t adjusting well. Does he feel safe? Has he eaten? Is the fact that they aren’t in Korea making it difficult? Meanwhile, Beacrox is just angry at a lot of things right now.

They found the demonic worshipper, but after torturing information out of him, they realized that Cale is in the Demonic God’s hands now. Killing the demonic worshipper doesn’t even break the curse.

They had run into Bud and Glenn while investigating, naturally. The merchant king had offered all of his resources to track down the culprit, which helped somewhat in finding him. Glenn offered them a quick teleport back to the palace, and they accepted.

“Young master-“

“Cale-nim!-“

“My friend! Sob!- um?”

Ron, Choi Han, and Bud speak all at the same time. They all pause however, at the sight of Raon glaring at them intensely. A transparent black shield covers a lump of bodies, and Glenn recognizes it as a soundproofing spell. He gets goosebumps at the mana swirling around the rest of the room dangerously.

Choi Han felt stunned. It has been a long while since Raon pointed his wrath at anyone in their family. What happened?

Ron then smiles, a chill covering the room instantly. “What are you covering, little dragon?”

Raon uncharacteristically stays silent. He looks like a real dragon at this moment, all cold glares while he drapes himself over his hoard.

Then Choi Han puts the dots together. The Crown Prince is missing, documents unfinished. The kittens can be vaguely seen on the side of the pile that Raon is laying on, and if he’s correct-

Cale is in the center.

Choi Han’s eyes sparkle at the opportunity in front of him. Bud takes a careful step away from him, but he’s not paying attention to that.

Choi Han loves small cute things. What’s more cute than a bunch of his favorite, small cute people (minus Alberu, who isn’t small, that he suspects is in the back) in a big cuddly pile?

Cale murmurs in his sleep, feeling an icy chill on the back of his neck. Someone’s plotting against him.

He becomes unsettled, pushing lightly against Alberu’s arms in protest to the sensation. Alberu, who has fallen into an incredibly deep sleep, just tightens his arms. Cale decides to ignore the feeling, after getting that slight ‘scolding.’

His mind, which had become around 9-10 in the short time that he had been thinking intensely, quiets. He allows himself to be comforted, and doesn’t notice the way his mind falls into that of a 8 year old during this nap.

He breathes softly, falls deeper into his sleep, and can’t feel the curse settle over his mind.

Choi Han fails in his attempts to sway the dragon to let him see. Raon, smarter than your average 6 year old, understands what Choi Han wants and what Cale wants, and that Cale should get what he wants right now. Privacy. Raon becomes even more determined to protect Cale while he’s in this younger state.

He’s vulnerable.

The dragon in him growls at this. Everyone in this pile has been abused. He doesn’t know much about Alberu, but he saw the understanding glint in his eyes, so Raon determines that the Crown Prince is also under his protection.

Do the people outside their bubble understand that? Do they think that his human just happened to land in the middle of the pile, blocked from the world’s eye?

Raon huffs at Choi Han’s antics, ignores Ron’s vague threat, and summons a second shield over the soundproof one, this one solid and not transparent.

The human told Raon that it’s okay to be selfish. He wants to hold their little group closer right now, and he doesn’t want to share.

Cale flinches in his new, deep sleep. Raon lays his head back down on the pile, using magic to keep his human the perfect napping temperature.

He curses that he can’t do more right now.