Good morning everyone! It’s my birthday today and because it’s my birthday I thought I’d post today (that’s kind of an obscure reference to Star Wars Guy and his girlfriend lol)!
Conflict and tension in literature help build drama and keep readers engaged through the end of the book. Learning the distinctions between conflict and tension will help elevate your writing and make your storylines more engaging.
Tension in a literary context is the sense that something ominous is right around the corner. Building a large amount of tension as a writer keeps your readers engaged up until the end of the story. Mystery novels are full of tension and foreboding, and they generally feature tense scenes from beginning to end. Working within the genre of mystery writing is a great way to learn how to layer tension into your narrative arc. Good use of tension makes a story worth reading and keeps readers guessing.
Learning to build tension is no easy task. Even the most seasoned professional writers have trouble maintaining tension from beginning to end. Here are a few tips for using tension successfully in your writing:
Foreshadowing: An important part of building tension is using foreshadowing to build dramatic tension and keep readers on the edges of their seats. In Harry Potter, author J.K. Rowling uses flashbacks and backstory to foreshadow the eventual major conflict that will unfold between Harry Potter and the villainous Voldemort.
Inner conflict: Sometimes inner conflict and self-doubt can be layered in through character development and used to build levels of tension. In William Shakespeare’s Hamlet, the main character wants to avenge his father’s death but is beset by self-doubt, paralyzing indecision, and mental strain. As an audience, there is a sense of tension in every scene as we wait to see if Hamlet will act on his inner desire for retribution or remain stuck in a place of indecision.
A time limit: One great way to build tension in your story is to place a time limit on an action your character has to undertake. By adding the element of a ticking clock, you build tension and increase stakes. This is a common technique used in thriller novels and films as well as action and adventure stories.
While tension simmers under the surface, conflict is generally out in the open—it's tension realized. Tension might be present an unspoken rivalry between the protagonist and antagonist or in the audience’s awareness of an impending disaster.
Conflict, on the other hand, involves an active clash; maybe the protagonist and the antagonist engage in a firefight or a heated debate, or maybe a character fights off a pack of animals or works to prevent climate catastrophe. Even if the conflict is interior—a character battling low self-worth, perhaps—it still involves opposing forces struggling for supremacy.
Conflict can come in many forms. Conflict in a story can be a physical fistfight or a passive-aggressive war of words. All that is required for conflict is a manifestation of disagreement or incompatibility between a character and something else. Characters can be in conflict with other characters, with natural forces, or with society at large.
Another type of conflict is internal conflict. Conflict is one of the fundamental principles of narrative and creative writing. In order to write a story worth reading, you need characters whose point of view is in some way challenged and to whom bad things happen. Without conflict, you won’t have a narrative or any meaningful character arc.
The kind of conflict you use depends on what your plot and subplots are centered around and what your main character wants and needs. New plot points generally introduce conflict or advance existing conflict. Here are some types of conflict to employ in your writing and a few tips about when and how you migh
Person vs. self: An internal conflict is a kind of conflict that only manifests within a character’s head. Though we may see this conflict dramatized through narration or dialogue, or play out in the protagonist’s actions, it is an internal struggle within a character.
Person vs. person: The simplest and most common form of external conflict is when two characters are in conflict with each other. The first stories we are told as kids generally have a clear good guy and bad guy. These stories are early introductions to person vs. person conflict. Person vs. person conflicts are very common, and it’s rare to find a narrative without an interpersonal conflict present at some point in the story.
Person vs. nature: Conflict between a person and forces of nature is a good example of external struggle that can raise the stakes in a story. Some notable stories that included conflict between a person and a natural force include The Old Man and The Sea by Ernest Hemingway and Robinson Crusoe by Daniel Defoe. Consider using person vs. nature conflict if you’re interested in writing a story with one main character and few, if any, supporting characters.
Person vs. society: Conflict between a person and society at large is a type of conflict often found in science fiction. Some notable examples of this type of conflict are found in The Handmaid’s Tale and The Hunger Games series. In The Hunger Games, Katniss Everdeen finds herself contending with a dystopian and oppressive United States government that pits citizen against citizen in order to keep dissent down and quell rebellion. If you’re interested in science fiction or narratives about social justice, you might want to consider exploring conflicts that pit an individual character against society at large.
Reference: https://5lovelanguages.com/learn
For me, og!Cale’s love language is Acts of Service. The website defines this as: For these people, actions speak louder than words. I think it fits Og!cale very well since we all know he pretended to be trash without even saying anything to anyone. He also hid his hurts and isolated himself because he foolishly thinks it was for the best while swallowing his issues thinking that he was being selfish. Of course, he also swallowed his further hurts when the Molan duo decided to follow Choi Han. I think for people like og!Cale (and like me) with this type of love language, what was needed the most is Quality Time (def: This language is all about giving the other person your undivided attention.) and Words of Affirmation (def: this language uses words to affirm other people.) from people who claim to care and love him. I think Quality Time with Deruth suffered ever since his mom died because Deruth and og!Cale was in two different places. Deruth was having a new leash of happiness and og!Cale (I’m assuming) is still grieving and also has to contend with the fact that Deruth has a new family. Plus, Deruth has to blend his family and I’m not sure he did a good job at that.
Anyway. Words of Affirmation are a bit tricky since (for me) that would be like enabling his ‘trash’ person but I would have expected some one-on-one talks with his father (and initiated by Deruth like yo, be a parent) would not be too much to ask/expect. (I don’t know if that happened in canon so let me know if I'm talking out of my rear). I definitely won't mind an intervention because I’m a believer in either solving the problem or they all go no contact since everyone isn’t on the same page. Either stop the misunderstanding right there or suffer the effects of misunderstanding together. Misery does love company even in families.
I am sure that Deruth and Violan have tried, but the only thing that gives me a good picture of that effort is to support Og!cale while he is being purposely self-destructive (I don’t know if this is a good idea) and throw money at him (something that I am way too much familiar with). Again, if there is any info I missed, I would love to be corrected.
So, what do think of og!Cale's love language? Do you think he would have been better if he has a different one aside from Acts of Service?
1 - [ https://www.yourdictionary.com ] I use this site for the thesaurus, It helps to find synonyms for words so you don't repeat "said" a thousand times in your book.
2 - [ https://milanote.com ] This one is very helpful for organising your ideas with story boards, though it's partially free it has a paid version where you can get even more features. I use the free version.
3 - [ https://inkarnate.com ] This site is very popular to create maps, and for good reason. It's free version gives you all the features necessary to create maps, but the paid version gives you extra features. I use the free version.
4 - [ https://www.behindthename.com ] I use this one for names. It has a database of endless names alongside their country of origin and meaning. Very useful, though I use it to make sure the names I come up with don't end the wrong way.
5 - [ https://www.pinterest.com ] Do I even need to explain? Ideas? Here. Visualisation? Here. Everything you'll ever need? Here.
6 - [ https://quillbot.com ] Heard of it from a beloved friend. This site is useful for tone checks, grammar checks, and more. I only use it to edit.
7 - [ Google Docs ] I only use this one for writing, its free and perfectly usable.
8 - [ https://www.artbreeder.com ] This one is essential for character creation. It has many features that allows you to visualise and create portraits for your characters.
Bonus:
I use [ https://tabletopaudio.com ] for background noise while writing, because i cant focus in silence.
That's all, I hope this proves useful :)
//spoilers from chapter 662
ories = single-lifers (Choi family)
Immortals >> frequently called to solve problems in different dimensions because they do not impact other souls. (None in TCF) (PR: So far.)
Variables =
Reincarnators (White Star)
Transmigrators (Kim Rok Soo, Cale Henituse)
Regressors (Cale Henituse)
> Reincarnator: Pushes out the soul that is supposed to take a body and is born with the memories of their past life and the soul that is pushed out is born like a twin in a different dimension. The reason the White Star looks like Kim Rok Soo is because he pushed out Kim Rok Soo who was supposed to be in that body.
> Transmigrator: Pushes out a soul that has been living in a body and forces in a different soul; the soul that is pushed out has no choice but to go into the empty body of the invading soul. Basically, it causes chaos to the soul.
IM GOIN INSANE, PERHAPS WACKY, ONE MIGHT EVEN SAY CRAZY, IM LOSING MY MIND, MY MARBLES, MY BANANAS I AM FALLING OFF MY ROCKER SO TO SPEAK
CALE WAS ORIGINALLY FROM 'BIRTH OF A HERO' WORLD????? AND HE FUCKING TRANSMIGRATTED BACK???????? AND WHITE STAR IS CURRENTLY USING HIS BODY NOW???
Everytime i think i get used to all the bombs the author throws at me, something like this happens
perfectionism - never being satisfied
honesty - coming off as rude and insensitive
devotion - can turn into obsession
generosity - being taken advantage of
loyalty - can make them blind for character faults in others
being dependable - always depending on them
ambitiousness - coming off as ruthless
optimism - not being realistic
diligence - not able to bend strict rules
protectiveness - being overprotective
cautiousness - never risking anything
being determined - too focussed on one thing
persuasiveness - coming off as manipulative
tidiness - can become an obsession
being realistic - being seen as pessimistic
assertiveness - coming off as bossy
pride - not accepting help from others
innocence - being seen as naive
selflessness - not thinking about themself enough
being forgiving - not holding others accountable
curiosity - asking too much questions
persistence - being seen as annoying
being charming - can seem manipulative
modesty - not reaching for more
confidence - coming off as arrogant
wit/humor - not taking things serious
patience - being left hanging
strategic - coming off as calculated
being caring - being overbearing
tolerance - being expected to tolerate a lot
eagerness - coming off as impatient
being observant - being seen as nosy
independence - not accepting help
being considerate - forgetting about themself
fearlessness - ignoring real danger
politeness - not telling what they really think
reliability - being taken advantage of
empathy - getting overwhelmed with feeling too much for other people
There's an actual moment in the novel in which we have Yuder literally burying two guys 6ft under because they, during a fight, accidentally broke two (2) candies Kishiar gave him.
I'm so glad he didn't overreact.
There will BE no friendship. (And yes I'm still not dead and still have intents on coming back here)
I want everyone’s best one liner writing advise!
Mine is that you have to know the ending of your story before you start it.
Some doodles as well!!
I was reading abralhugres ' "one last death" and "I'll save you when you're weak"
I think my favorite part about the whole Toriel confronting Kris about the pie scene in the beginning of chapter 2, is that fact that Toriel isn’t the least bit concerned that Kris just owns a knife for personal use. She’s just like “ah yes my child’s knife that they keep around” which tells me that Kris has probably never once actually used the knife to be violent towards others or hurt themselves. They just like that knife and carry it around for pie eating purposes.