Sites To Help With Writing

whats that defunct land quote again? every part of the film making process is awful, but not making film is even worse? idk something like that. anywah im being completely normal about art rn ::))

I think my favorite part about the whole Toriel confronting Kris about the pie scene in the beginning of chapter 2, is that fact that Toriel isn’t the least bit concerned that Kris just owns a knife for personal use. She’s just like “ah yes my child’s knife that they keep around” which tells me that Kris has probably never once actually used the knife to be violent towards others or hurt themselves. They just like that knife and carry it around for pie eating purposes.

I got the 'written animatic' idea from one of @blueteller 's stories so thank you for that-

This is pretty short btw

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You are my sunshine

A close up shot of Raon in Cale's arms. You're unable to see Cale's face, only the bottom half. Raon is looking up at Cale as Cale sings to him.

My only sunshine

The background is light gold colors, everything is just the slightest bit fuzzy. It seems as though they're in Cale's bed. Raon feels warm.

You make me happy

Cale begins to pet Raon softly on his head.

When skies are gray

Raon snuggles into Cale's arms just a bit more

You'll never know, dear

As Raon is closing his eyes, we see Cale's mouth begin to shake a little.

How much I love you

Cale brings Raon into his arms in an embrace, the point of view gets closer to them and we see Cale's shoulders begin to shake

Please don't take

As the point of view backs away, the warm and gold background slowly fades into a battlefield.

My sunshine away

We see Cale hunched over Raon, the indestructible shield covering them, they're in the middle of a battlefield with some of their comrades fallen next to them. Some fighting is still going on in the background as the screen fades to black

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Inspiration really does come to me in the weirdest of places-

I wrote this pretty quickly, please do keep in mind-

Cale is so ready to take on everything.

I’m rereading the heart scene and, just- his life as Kim Rok Soo had such an impact on how he handles pressure, it’s actually sad. When he was KRS, people relied on him. Heavily. As the team leader, people saw him as a life line.

He never took breaks, he put himself in danger and sacrificed his well-being by using his abilities (for example, Instant), and as we hear later on- he had a 0% mortality rate. When people around him were weak, he became strong in order to overcome it. Nobody died when he became the Team Leader.

And in the world they lived in- yes! I’m not surprised at all that people latched onto him. No matter how much they care about him, they couldn’t help but allow him to save them. Over and over again.

So Cale had this expectation for himself too! When others give up -> he does not. In front of impossible tasks, he rises up, because that’s how it should be. How could someone who had so little as a child- no parents, no friends, no stability or safety or reliability- how could he possibly give up what he’s managed to attain? How could he let his friends get hurt when he knows that he could be hurting instead?

And then he becomes Cale, and he relaxes. His new companions are strong, and he’s not going to be with them for very long anyway. He will slack off, chill out, and take his hands off the wheel.

But he can’t- he just can’t stop helping them. Like an addiction, he helps Choi Han get a connection to Ron and Beacrox. Then he saves Raon. He helps Lock, Amiru, Mary, Alberu, Queen Litana. It’s fucking impulsive. It’s for his own benefit but he tangles himself into the story because tampering with Fate is a fucking side hobby for him.

Then he develops relationships and friends- and when he sees danger approaching he stands up against it like a solid wall. Over and over again.

And, what? He naturally expects the people behind him to stay behind that wall. To listen to him and help, but to stay safe in the long run. He expects them back off when something looks impossible. Because- well, he’s right here isn’t he? Overcoming the impossible is second nature for him!

But the people around him… aren’t standing by passively, like they did when he was KRS. When he was KRS they let him protect them for 15 years. Then he’s Cale Henituse and they don’t. They learn from him. They learn to stand up against the unpredictable and the indomitable. They see him and learn.

They aren’t happy about his sacrifices, but he tells them to be full and content and to eat well… so they listen. For a while. They understand wisdom and they take his words and learn their limitations.

Right until he stabs himself in the heart. What the fuck?! Biggest hypocrite in history right??! Can’t trust this guy to not bleed and sacrifice himself for shit!!!

So they angrily push aside his worry and their limits and they decide that it’s THEIR turn to protect him. Even against a GOD, Cale has shown them that nothing is impossible so they’re going to turn the tables and THEY’RE going to be the ones to cough blood!!

This scene is so heart wrenching, but it’s Cales disbelief that hurts the most. He’s fucking stunned. He’s someone who can’t even imagine the lengths that a person would go for him. He’s a person who protects without ever expecting to receive that same effort.

Sure, he knows he’ll be protected. He’s not naive. But he puts 200% and expects 50-100%. He goes above and beyond, but prepares for average. Prepares for lackluster.

So when everyone tries to push him aside to protect him? He- he doesn’t even notice their efforts! It’s like looking for a leaf in a forest, but he’s supposed to be looking at the entire forest. Why would he think that they would give him a forest’s worth of leaves? He’s oblivious. So he looks for a single leaf.

Then they really do push him back and protect him- they defend against the orb that’s exploding and it’s like they’re screaming “It’s the forest! It’s always been the forest!”

And he’s lost. Absolutely, utterly lost. It’s heartbreaking, how distressed he is that his friends are hurting and they won’t let him handle it for them. He’s not even hurt, after all! He hasn’t fainted, he’s still useful! He’s ready! What he’s done so far hasn’t even been too difficult! Why won’t they let go and give it to him?

Everyone is so angry at him, or busy pitying him, that he’s left alone with this. While reading this scene I’m filled with a strong disconnect. He is surrounded by his friends but everyone is far away from him. Their goals have never been farther apart than this moment.

He’s always been one step ahead.

He’s always been ready. He’s always waiting.

And then he stabbed himself in the heart, and everyone but him felt the shift in the stars.

And then the next scenes are his friends trying to wrestle the responsibility out of his white-knuckles hands. They fight for it! Yet all the way until the orb’s time to explode, he holds onto it with an iron grip. I don’t even think he realized they were trying to take it out of his hands.

He kills the White Star, he Embraces the Ancient Powers, and he even manages to Embrace the Sealed God into the book and take over the temple in one move. We get to see everyone’s reactions to his stubbornness too.

So they become twice as stubborn. They cough up blood, they faint, they do 200% of what they’re naturally capable of. Why?

Because they saw Cale do it first. Because they refuse to let him do it again.

And Cale?

He can’t say anything.

WEBSITES FOR WRITERS {masterpost}

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

(Also, check my gumroad store if you want to!)

How to Write an Ironic Story: 10 Types of Irony to Consider

Ironic moments in life can make us change our perspectives, laugh, or discover something we didn’t know before. When you’re trying to make them happen in a story, it can be more difficult than you first realized.

Here’s a quick guide to writing irony in your next story so you can think of those moments as a strategic writer.

What Is Irony?

“What? That’s so ironic.”

We’ve all said a similar line when reacting to something before. Do you remember what it was? Can you point out why it was ironic?

Definition 1: Irony is when something happens or someone says something other than what you expect.

Let’s imagine your protagonist walking outside. They’re in a good mood, but quickly realize it’s pouring rain. They were supposed to go on a walk, but they look up at the clouds and say, “What a beautiful day!”

As a reader, you’d expect that character to be frustrated that the rain ruined their plans to go walking. It’s ironic that they actually find the weather beautiful. It might even make your reader laugh in surprise.

Definition 2: Irony is when something happens or someone says something other than what you expect but in a sardonic way.

This might be the definition of irony that you naturally think of. It’s when something unexpected happens and you have a bitter laugh about it. Deep down, you likely suspected the truth all along. The reveal is negative in nature.

Imagine a politician pushing a bill to outlaw the color blue. They make speeches and go on news networks saying how the color blue is a danger to everyone, so it must be outlawed immediately. While pushing this narrative, a journalist discovers leaked photos of the politician’s interior decorating—their home is entirely blue. Additionally, news comes out that the politician had recently received a significant reelection donation from the We Hate the Color Blue corporation.

The reveal means that the politician didn’t believe what they were saying. They were only passing the law because they received money to do so, even though the color blue wasn’t harming anyone or causing a problem.

If you lived in this world, you’d likely read the headlines and roll your eyes. It’s a frustrating irony that isn’t altogether unexpected, but still a reveal.

Ironic Plot Devices

There are a few ways to use irony as a plot device. You can use them to reveal things to your characters, change your plot’s direction, or cause character growth. Check out a few examples to see how.

1. An Unforeseen Blessing

Definition: Something good happens by something bad happening.

A character is in desperate need of a new car. They don’t have the money to buy one and their current vehicle is so old, they won’t get more than a couple hundred dollars to trade it in.

One day while driving it, the car shuts down. The engine melts into the pavement while your character tries scooping it up with an old milkshake cup from their backseat.

Someone records the entire thing from a distance and posts it online. The video goes viral, prompting the milkshake restaurant chain to give the character a brand new car for free.

The loss of their old car and potential public embarrassment is terrible, but your character gets the car they need. Some would say the melting engine was a blessing in disguise. Others would call it irony.

2. Accidental Harm

Definition: Someone attends to hurt someone, but the wrong person gets hurt instead.

There are a few ways this irony could play out. Your protagonist could set a bucket of water over a doorframe, hoping it pours onto their little brother when he gets home from school. However, the protagonist gets distracted during the day and walks through the door themselves. They get soaked and become the target of accidental harm.

Their grandfather could come home before their brother too. When the grandfather gets soaked by the bucket prank, they’re the victim of accidental harm. The irony in both situations is that the actual target—the brother—never has the chance to fall for the prank.

3. Good Actions Have Opposite Effects

Definition: Someone attempts to do something the right way, but it doesn’t work out in their favor.

Your protagonist studies through the night for a high school exam. They pour all of their efforts into staying up and retaining as much information as possible because they realize they need better grades to go to their dream college.

After taking the test and getting it back, your protagonist gets a perfect score. However, the teacher announces they graded everyone on a curve due to an issue with their previous lesson plan. Everyone gets an A and the protagonist gets frustrated because they lost sleep over studying that didn’t ultimately matter.

4. Selfish Actions That Backfire

Definition: Someone does something exclusively for their own benefit and anyone or anything else benefits instead.

A character decides to run in a community race to win the prize money for a vacation. Halfway through the race, they realize they’re out of shape and there’s a shortcut up ahead. They take the shortcut and win, but the judges quickly realize they cheated to reach the finish line.

Their prize money automatically goes to the second runner-up, which happens to be the character’s worst enemy. They watch their worst enemy spend the money on lottery tickets that don’t result in any winnings. 

5. Accidental Self-Harm (Physical or Non-Physical)

Definition: Someone attempts to hurt another person, but it hurts them instead.

When you picture this irony, imagine Road Runner and Wile E. Coyote. The coyote always wants to capture or hurt Road Runner, but ends up running into his own traps instead.

Sometimes this irony can be a physical harm from a prank gone wrong or it might be an assassination that doesn’t work out. It could also be a character spreading a rumor to hurt another person, but the rumor affects their own reputation instead.

6. A Sacrifice Without Reward

Definition: Someone makes a major sacrifice that ultimately is meaningless.

Characters experiencing this irony give up something they care about and get nothing to show for it. It might be lighter in nature, like a sister giving up her spot as captain of the soccer team so her equally-talented sister can have the role. Ultimately, the coach cuts them both from the team for not jumping at the leadership role fast enough.

It can also carry a heavier theme. A character could sacrifice to keep their loved one from getting hurt, but they die and their loved one gets hurt in the process anyway. There are multiple ways for irony to serve your plot. You just have to give it a purpose in connection with your theme or message.

7. Great Things Happening to Terrible People

Definition: Someone looks forward to achieving a rare thing they want very badly, but it goes to the worst person they can think of instead.

Your protagonist’s character works hard to put themselves through school, buy a house, and even start a family. One day, they get a letter that a grandparent they never knew recently passed away and wants to give them a million-dollar inheritance. It would free them of their student loan and mortgage debt, but the cruel parental figure that shares your character’s name gets the money instead.

8. An Unwanted Achieved Goal

Definition: Someone finally achieves their long-term goal, but they realize it isn’t what they wanted.

Sometimes the idea of something is better than getting it. Your protagonist may finally move to the mountainside cabin of their dreams, but realize they hate living in an area that gets heavy snow after the first winter storm hits. It’s ironic and a bit depressing, but it shifts your character toward new goals that drive the plot in a fresh direction.

9. Trivial Events Undo a Character’s Work

Definition: Someone’s hard work or life’s work gets ruined by a tiny detail they didn’t see coming.

When someone’s ultimate goal gets undone by something minor, it’s devastating. It’s also something readers connect with because it happens in real life.

Your protagonist might work really hard to earn their pilot’s license, only to get up in their first test flight and realize they have an innate fear of heights. Their future career as a flight operator for a private space exploration company depended on getting that license, so they have to rethink everything.

10. Success Without Meaning

Definition: Someone achieves something at long last, but can’t enjoy it for whatever reason.

Your protagonist decides to become CEO of a major tech company so they can pay off their parent’s debt and provide for them forever. When they finally get that job after a lifetime of earning a college degree and climbing the company’s ladder, their parent doesn’t want their money. Now they’re stuck in a job they might not want for themselves because the purpose behind it will never exist.

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You can write an ironic story with any of these tricks and reach your readers’ hearts. Consider which storytelling tools serve your story’s theme or message to match your plot with the best plot device.

Far-Too-Optimistic Theory: Alphys is trying to look out for Susie.

So we know that Alphys was bullshitting us when she pretended not to know who stole the chalk in Chapter 1…

…since apparently she and Toriel have discussed this habit of hers.

In Chapter 1, Alphys seems to hope Susie will give it back on her own at first…

Then violates the Geneva Convention in an effort to get Susie to confess to save her classmates (this Did Not Work)…

…and in the end, Alphys just asks Susie to go get some more, apparently because she “came in last”.

Still, Alphys doesn’t out Susie as the one who took it. How come?

If Susie gets caught taking supplies, she might get expelled! She’s on her last chance.

So, does Alphys care about her?

Keep reading

Ralsei’s Astral Projection habit - it’s not about us.

It’s about Susie.

Twice now, Ralsei pulls Kris aside and asks them to think about what Susie’s doing.

People have theorized this is to “get alone time away from the Player”, but I think he actually does this because he’s trying to communicate something about Susie to Kris.

“Astral Projection”?

Both Kris and Ralsei act like they’re viewing/have viewed Susie’s scenes.

In Chapter 2, Ralsei is alright with Kris not viewing Susie’s scene if they’re not interested.

 If doing the Snowgrave route, Kris will skip Susie’s scene by themself, and Ralsei, after initially being flustered, will say, “As long as Susie’s happy”.

So that’s why - what?

Keep reading

it is canon that:

Noelle would mercilessly grind her Catz to get the right combination, eliminating all Catz that strayed from her path

Noelle has a morbid curiosity, and it gives her the determination to see scary and messed up things, like videogame creepypastas, despite her emotional response to cry and fear

I conclude that:

Noelle could complete an Undertale No Mercy route

Noelle would stream her No Mercy Playthrough and be an instant hit, because everytime someone dies, Noelle spends 5 minutes grieving the person she just killed

HEELLPPPP LMAAOOO WHAT THE HELL IS THIS ABOMINATION

Show him the fruits