Sorry I Cant Hang Out I Forgot How To Mimic Human Like Behaviour

I love when fiction makes the audience feel guilty about their role as the audience. When something fucked up is treated as a joke but later it's recognised how fucked up it was and the audience feels guilty for finding it funny. When a character breaks the fourth wall to plead for help, and you can't do anything so you just watch. And you know that the characters pain isn't real, but they're begging for help and you're not helping because their suffering is entertainment for you

i looooove characters who are sacrificial lamb coded. characters who have never lived for themselves. characters born to be a tool, a weapon, a sacrifice, all of the above. a character raised by the heroes to save the world, at any expense, even their own health, even their own life. a character raised by the villains to end the world, at any expense, even their own health, even their own life. characters who are denied personhood so they can be used as tools instead. characters who never even had a chance to be people because they were shaped into something else from the moment they were born. characters who were born to die.

unhinged little yellow man

Where is my fantasy female protagonist who's a little too socially adept maybe I'm tired of the assumption being that all fantasy female protagonists don't really understand the nuances of conversation in politicised situations. I want a girl who knows exactly how to play people and is always a little privately concerned that she's evil for it.

this may just be me going into overanalysis mode but i feel like the choreography of spellcasting can tell you so much about a magic user. a snap of the fingers, for example, implies confidence, even arrogance, while hands thrust out and straining to the fingertips suggests desperation, throwing one's whole body into the spell as though hoping the physical effort will make a difference. rapid, jerky body language tells you that a spellcaster is passionate and reckless, while graceful, fluid movements demonstrate calm and concentration. some magic users may choose to stomp their feet or clap their hands when casting, channeling power through percussive motion, whilst others may see magic as a tool separate from the self, and focus it through objects like a wand or staff. a new spellcaster just coming into their power may be tentative and slow, but a practiced study of magic will be able to rely on muscle memory to guide them.

can we all agree that it's pathetic when so-called "friends" try to sabotage your opportunities? you're clearly jealous that the amulet of eternal darkness chose me and no amount of "please fight it, i know you're still in there somewhere" is going to change that. crab bucket mentality. grow up.

people always talk about evil clones like oooh a dark mirror oohh what if you saw what are cruel person you were/are capable of becoming. and well yes but what if you were the evil clone. what if you looked in the mirror and what you saw was so bright it blinded you. what if you had to know exactly how good you could have been.

fuck an "intended audience" how about we normalize engaging with new and unfamiliar art pieces on their own terms

i hate hate hate hate hate hate hate when a monster is loved and that love turns them human I HATE IT I HATE IT SO MUCH. tell that thing that goes bump in the night that you love the way its fangs glimmer in the moonlight and the way its horrible gnarled claws are so gentle with you or GET OUT OF MY HOUSE!!!!!!!!!!