el, 19, she/theyidk what i’m doing
39 posts
12K WORDS IS NOT SLOW BURN YOU COWARD GIVE ME 30K WORDS BEFORE THEY EVEN TOUCH HANDS OR ELSE I DONT WANT TO READ IT PLEAAAAAAAAASEEEEE
i’d like to report that i am still in the depths of hell
my inspiration for this fic faded months ago but my desire to finish it has not
i’ve been writing this fic since january and i’m only 50 pages in it’s constantly on my mind which is insane bc im pretty sure my good omens hyperfixation ended a couple weeks ago (i still love it, the obsession has just gone away)
this stupid fic is never not on my mind but i can’t get myself to write it im in the depths of hell rn
i lowkey forgot tumblr existed but i need to stop spamming my insta story so im gonna be posting random thoughts here again
i’m also crawling back into fandom culture again and i need to talk abt writing and fanfiction so bad
since we’re on the topic of bookbinding, i’ve been wanting to get into it but i haven’t actually done any research (yet) other than vibes, so do u have any tips for complete beginners?? :)
@geminibookbinding is who inspired me to finally look up the whole process and figure out where to start! this is the super helpful tutorial i got from them
i had dabbled with binding before though, using Sea Lemon's tutorials to make blank sketchbooks yearsss ago. i still use her text block and diy hardcover videos as a refresher/reminder while i bind!
the biggest thing that stopped me from learning to bind printed fiction was not understanding how to print the text from home, specifically how to get the pages in the right order for signatures. it's actually so easy with some very simple to use programs: QuantumElephant for PC users (free), and I use BookletCreator on Mac ($20)
i want to go into more detail about my process and supplies from a beginner perspective, i hope this helps:
format the text in a word processor
export your document as a single page PDF
enter that PDF file into Quantum Elephant or BookletCreator, to rearrange the pages for your signatures. your program will give you a new PDF file that you can then print.
4. double sided printing: i was so so scared of this at first, but it's incredibly simple. no matter what printer you have, somewhere in your print settings will be an option to print even or odd pages.
print all the even pages first, then when the stack is finished printing, flip them over, insert them back into the paper feed, and print the odd pages.
5. fold the signatures together so you have a stack of little booklets, then mark on the spine where your sewing holes need to be. manually punch the holes using an awl, or diy an awl by stuffing a cork on the end of a straight needle.
6. sewing: take regular sewing thread and run it over a block of beeswax. this makes the thread easier to manage and holds it in place better while you sew. a curved needle is also much easier to use than a straight one, especially for a kettle stitch (using Sea Lemon's tutorial)
7. gluing: glue decorative pages (or plain, but thicker paper) to the front and back to create your end pages, then press the book flat to apply PVA glue to the spine. press it overnight so the glue dries flat. (optional: glue a ribbon to the top of the spine, then sew on headbands) finally glue an additional piece of paper (or mull) around the spine to strengthen it.
8. optional: trim the edges of your book down to create a smooth edge. this one's given me the most trouble because it's very hard to get right with a knife, and the proper supplies are expensive. check your local stationery shop (i.e. Officeworks, Staples) for an industrial guillotine service
9. cover: once you have the final measurements of your text block you can start making the cover. this is essentially gluing cardboard, binders board, or plywood etc to a sheet of fabric. the fabric either needs to be bookcloth, or have some kind of non-porous back so the glue doesn't seep through. you can diy bookcloth from any fabric with tissue paper. then glue the decorate end pages to your cover to attach the textblock!
i have a spreadsheet for every fic ive read this year and its all categorized by like a dozen dif things it’s my pride and joy
While I'm waiting for the heatwave'll end so I could start drawing smthg real, here are some silly but refreshing sketches. Yeh that scene from Slow Show
Silly
Made them for telegram stickers (based on pics I found on pinterest)
The Good Omens team never fails to surprise us: In the Hell scenes set in 1941, there are subtle beeps in the background that many might have missed: morse code messages!
We took the time to decode these messages from about 5 minutes of the show – some parts are easy to identify, some parts are really hard due to overlying sounds or noises.
We used the 5.1 audio and selected only the channel with the morse signals. Check out an easy snippet – which line is it? :)
Then, we applied high- and low-pass filters to emphasize the code’s pitch around 1360 Hz. Some of us have pretty sharp ears, some of us worked with the frequency spectra to mark short and long signals as well as pauses in between.
Here is what we have heard or seen, together with some facts and thoughts on the lines. Let us know what you think!
S2E4 06:19 to 08:23 “Have a miserable eternity”
Here are the pieces we have successfully decoded:
HAVE A DREADFUL ETERNITY
We are wondering why this is different to the text via loudspeaker as well as Furfur’s “have a miserable eternity”...
TOMMY’S A LEGEND
Do we know a Tommy?
1) There's the Welsh magician/comedian Tommy Cooper (his magical act specialized in magic tricks that appeared to fail), who was the inspiration for the red fez in the magic shop. Cooper died live on television suffering a heart attack. :(
2) There's also the lead character Tommy in Brigadoon, the plot of which feels seriously GO-coded. There is a magic village hidden outside time that only appears in Scotland once every 100 years and is connected to the rest of the world with a bridge, outsiders who find "clues about the village and its people that make no sense", and a plot about unlikely lovers who are separated (because one "can't just leave everything in the real world behind"), and an ending that reunites the lovers against all odds because of the strength of their love ("I told ye, if you love someone deeply enough, anything is possible ... even miracles.")
PAUL’S OUR MIXING HERO
Could that be the Re-Recording Mixer PAUL McFADDEN?
ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABAN
The phrase "Abandon all hope, ye who enter here" is a quote from Dante’s Inferno, Prelude to Hell, Canto III, Vestibule of Hell: Dante passes through the gate of Hell, which bears an inscription ending with the phrase "Lasciate ogne speranza, voi ch'intrate". So, the minisode is THE place where we get quotes from the two most famous literary accounts of Hell – with Furfur's quotation of Paradise Lost in the dressing room at the Windmill Theater: "In dubious battle on the Plains of Heaven".
S2E4 09:16 to 10:09 “Processing the Nazis”
ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION
S2E4 11:07 - 13:12: “The offer to return as Zombies”
These two minutes are very tricky: while in the first half it is ok-ish to identify the signals in the spectrum, the second half is overlaid by so much noise… – yes, we are calling the dialogues and sounds in hell noise now :D – that we chose a different approach.
It looked as if the sequence starts from the beginning, so we compared both parts, and now we are quite sure that it is the same pattern.
DO NOT LICK THE WALLS HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS HEAVEN LO …
So those are the sections we are pretty certain we have correct. However, there is one section we are still unsure on - maybe you can help?
Back to S2E4 06:19 to 08:23
We have been fighting hard with the first six seconds, before “HAVE A DREADFUL ETERNITY” and we think it is:
SHE’S IN MA PHONE
Who are we talking about now?
Do you have any other ideas of what this could be? If it is “She’s in ma phone”, what does that mean? Or is the S just noise and it starts with an H? Or even with a B – BE’S IN MA PHONE?
So, what are your thoughts on all of these messages? Why go to the effort of putting morse code here? Is it a fun easter egg, or something more? And why say “dreadful eternity” in morse when the quote used in the show is “miserable eternity”? We have so many questions!
Spoiler: There is more code hidden throughout the series. Let us know what you see or hear!
An amazing joint effort with @noneorother, @kimberleyjean, @thebluestgreen, and @embracing-the-ineffable at the @ineffable-detective-agency
See more of our posts, plus a collection of Clues and metas from all over the fandom, here.
Hey!! Sorry for the bother, but @/pheon1xr0se a mutual of mine and super talented fic writer for our ineffable community has been dealing with sickness, and her and her family are at risk of losing their home. I’m reaching out to a few larger go names in the fandom to see if it’d be possible to spread her fundraising link and raise some awareness?? Much love 🫶🫶🫶🫶
https://www.crowdfunder.co.uk/p/help-us-raise-money-to-buy-a-home
best of luck phoenix!! 🥺
Just finished Editor's Note.
Kindly,
Fuck you.
No, not kindly. You are entirely at fault.
For everything.
I have never in my life felt an emotion so strongly, one that I cannot place. The best way I could describe it, is an eagerness so tense I cannot move without letting everything out in a half-scream groan of resolution.
It's as if I am crying without tears or the rock in my throat that won't let me speak... thank you.
And thank you for the immense inspiration and elation I have for my own writing after reading this.
Now to read your Kravitz/Taako fics, I'm so excited.
this is so gratifying omg 🥺 thank you so much for reading, sorry for the not-rock in your throat 💛
i’ve been writing this fic since january and i’m only 50 pages in it’s constantly on my mind which is insane bc im pretty sure my good omens hyperfixation ended a couple weeks ago (i still love it, the obsession has just gone away)
this stupid fic is never not on my mind but i can’t get myself to write it im in the depths of hell rn
do you guys ever like forget you're interested in something until you start engaging with it again and you go "oh wait i'm like crazy crazy about this yeah"
i've been wanting to rotoscope another gif since that kiss, and @blairamok's ice skating wip looks SO AMAZING i was inspired to have another go
(much to love the gif makers!! crowley + aziraphale)
crowley: maybe in another universe im not in love with someone who i know can never love me back and who is the epitome of goodness and a literal angel and i will never be good enough for them and i have so much anger inside me
ten: god i hope so
FINISHED THE VAMP AU OUTLINE AT 20K
bc i'm insatiable for teasers, here's a snippet from every chapter 👀
"That was— fuckin' hell. That was something," Crowley muttered against him. It turned quickly into a laugh. "Maybe file your nails next time."
“Dick that good, huh?” she smirked. Crowley dropped his head onto the counter and groaned into his mask. It was new, slightly softer than the plain and scratchy N95s, with black-on-black snakes slithering all over it. If he was going to be sick, he might as well do it with style. “You have no idea.”
“Darling, I can’t,” Aziraphale scoffed. “You’re warded, you imbecile. I couldn’t befuddle you even if I wanted to.” The flat fell into a strained silence, punctured by their heavy gasps for breath. “...Befuddle?” Crowley leered.
Aziraphale loosened his grip around Crowley’s hips, wincing as he pried bloodied nails out of the tears in his jeans. Then he paused when his eyes fell to his hands, and he let out a strange noise. “Well that’s certainly an interesting reaction,” he murmured at the enormous swell in Crowley’s trousers. “Yeah, thanks for bringing that up.”
writing long adoring comments on fics is my passion
hi bilv!
i’m curious, do u ever go back and reread your own works? for me, i can be suuuper critical of my writing during the process and it’s rly interesting revisiting old projects several months later and realizing “huh. these actually don’t suck.” just wondering what it’s like for you!
hope you’re having a lovely day :)
I DOOOO. i love my stories a lot and i write what i want to read, so i've reread my fics to hell and back 😂 usually only when i first finish them tho
i'm kind of the opposite, i get so into flow that i like pretty much everything i'm writing, but when i come back to it later i find everything wrong with it. it makes it hard for me to feel confident about my earlier stories, so i rarely promo Black Vitrum knowing the prose is objectively much weaker than what i write now 😩
I love how much you love what you do here. Enjoying your work and seeing you exist makes me happy andIamonthediscordbutI'mshysoIlurksometimes
oh my god i finally thought of a vampire au that i'm completely unhinged for. i am about to be so insufferable about this
vampire aziraphale x vampire hunter crowley. and no, neither of them realise they're hereditary enemies when they hook up. they're dorks and idiots your honour.
just to hide outside your door 🐍🍎
Hello! I am a young -like, under eighteen- aspiring author and I am currently writing a book. I am nervous about the whole affair and would enjoy some advice! Why, I pretend I hear you asking? It's because I'm worried that the... uh, excrement will hit the fan.
I would really appreciate tips, especially from you, cause you're a literary genius and an author, so if you have any tips- well, I'd appreciate the advice.
In other words. HOW DO I WRITE PLEASE TELL ME YOUR SECRETS!
Thanks!
You write. You finish things. You write the nest thing. You make your peace with the things you write not being as good as the things in your head. You keep writing.
Once you've started writing things that aren't as bad as the first things, you start letting people see them.
Wizzle wazzle walorist, I have now turned him into a florist
(I might make an Aziraphale)
I have a question about writing, because you are my favourite fic writer and you write so well.
-How do I write emotions well? I’ve always struggled with that, for some reason. How do I explain how a person is feeling? Should I write loads of it or just explain it short?
Sorry if this is a weird question, genuinely struggling out here 😰😰
AHH thank you dear, but not weird at all! this is one of those highly subjective things can be really hard to nail down with simple rules in a classroom, hence difficult to learn.
i'm a bit of a fluffy writer, so i rely on Show Don't Tell to demonstrate emotions. but i am constantly reminding myself of this post to not go overboard with it. breaking down the sensory cocktail of an emotion is great for emphasis, but would get exhausting if you did it every time. it's okay to write "he was scared."
now, in this case, the "show" of an emotion would be how it physically makes you feel (warm or cold, stomach butterflies, aching, floating), how you express it externally (narrowed eyes, tense shoulders, clenched jaw, parted lips), and what it makes you do (avert eye contact, reach out, fiddle and fidget, move around a room).
examples from And They Were Streamers!
"aziraphale was touched" (meeting a fan) vs: how it makes him feel
Aziraphale’s chest blossomed with a shy, giddy warmth, just like the twinkling of nerves he felt before his first ever stream.
"crowley was agitated" vs: how he expresses it externally
Crowley sat there, breathing heavily with his eyes flickering over the chat window on his third monitor.
"aziraphale was nervous" vs: what it makes him do
Aziraphale returned his hand to hover somewhere around his waistline, where it toyed with the hem of his jacket and longed for a glass to cling to.
i refer to breath, eyes, shoulders, mouths, and fingers a lot. they're very expressive body parts and you feel a lot within them when struck with intense emotion.
if you're dead inside like me (thanks T), it can be helpful to practise mindfulness when looking for sensory inspiration. if you can't remember what it feels like to be overcome with jealousy, pay attention to all five of your senses and imagine what the character might be feeling for each of those.
i hate my writing. i hate my ideas. i hate my everything
have you ever had to pass a bridge of hatred to finish a novel?
Yes. Not every time, but enough.
Couldn’t resist, as soon as I saw the suit I had to draw the pookie 🥺🌟
I stare at the screen for hours, trying to make the words come out, but they won't. I can't compel myself to take a break, because there's this voice screaming at me from the base of my brain...
"You've been told you're a great writer, and you want to be a published author. But all you have to show for it after forty-four years are a dozen crash-and-burn writing projects. When you have the time to write, you don't, for a host of reasons. If you don't have something written by the time you die--which comes closer with every passing day--you've wasted your gifts, you've wasted all the effort people put into educating you, and you've wasted your life. So sit down and WRITE, you worthless piece of shit!"
How do you get past the paralysis caused by the obligation to produce? Is there a way to trick your brain and your body into writing? Or do you just slog on through, no matter how long you have to sit there to get a thousand words a day out?
Perhaps you could try to be kinder to yourself.
I always give myself permission to write or to do nothing at all (staring out of the window or at a wall is okay). After a while spent staring at a wall it's often easier to write.
Remember if you write a page a day -- 300 words -- at the end of a year you'll have a 100,000 word novel.
Hello Neil,
in S2 we see Crowley in the bookshop throwing books mindlessly away when something gets his attention. Even thou it is so Crowley it leaves me shocked each time he does it (I'm a bookseller).
Are those real books? What would Aziraphale say if he ever finds out?
Hope you don't mind me asking. -Shen.
While those were real books, they were also highly trained stunt books, and they had rehearsed the bit where David Tennant threw them down, so none of them were hurt.
“Are you really going to watch that again?”
Indeed I am, and I’d appreciate it if you’d kindly walk that judgement way the hell back, please. I’m here to dissociate and heal at the same time.
The Pink Phink | Director: Friz Freleng | Studio: DePatie–Freleng Enterprises | United States, 1964