The Good Omens team never fails to surprise us: In the Hell scenes set in 1941, there are subtle beeps in the background that many might have missed: morse code messages!
We took the time to decode these messages from about 5 minutes of the show – some parts are easy to identify, some parts are really hard due to overlying sounds or noises.
We used the 5.1 audio and selected only the channel with the morse signals. Check out an easy snippet – which line is it? :)
Then, we applied high- and low-pass filters to emphasize the code’s pitch around 1360 Hz. Some of us have pretty sharp ears, some of us worked with the frequency spectra to mark short and long signals as well as pauses in between.
Here is what we have heard or seen, together with some facts and thoughts on the lines. Let us know what you think!
S2E4 06:19 to 08:23 “Have a miserable eternity”
Here are the pieces we have successfully decoded:
HAVE A DREADFUL ETERNITY
We are wondering why this is different to the text via loudspeaker as well as Furfur’s “have a miserable eternity”...
TOMMY’S A LEGEND
Do we know a Tommy?
1) There's the Welsh magician/comedian Tommy Cooper (his magical act specialized in magic tricks that appeared to fail), who was the inspiration for the red fez in the magic shop. Cooper died live on television suffering a heart attack. :(
2) There's also the lead character Tommy in Brigadoon, the plot of which feels seriously GO-coded. There is a magic village hidden outside time that only appears in Scotland once every 100 years and is connected to the rest of the world with a bridge, outsiders who find "clues about the village and its people that make no sense", and a plot about unlikely lovers who are separated (because one "can't just leave everything in the real world behind"), and an ending that reunites the lovers against all odds because of the strength of their love ("I told ye, if you love someone deeply enough, anything is possible ... even miracles.")
PAUL’S OUR MIXING HERO
Could that be the Re-Recording Mixer PAUL McFADDEN?
ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABAN
The phrase "Abandon all hope, ye who enter here" is a quote from Dante’s Inferno, Prelude to Hell, Canto III, Vestibule of Hell: Dante passes through the gate of Hell, which bears an inscription ending with the phrase "Lasciate ogne speranza, voi ch'intrate". So, the minisode is THE place where we get quotes from the two most famous literary accounts of Hell – with Furfur's quotation of Paradise Lost in the dressing room at the Windmill Theater: "In dubious battle on the Plains of Heaven".
S2E4 09:16 to 10:09 “Processing the Nazis”
ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION
S2E4 11:07 - 13:12: “The offer to return as Zombies”
These two minutes are very tricky: while in the first half it is ok-ish to identify the signals in the spectrum, the second half is overlaid by so much noise… – yes, we are calling the dialogues and sounds in hell noise now :D – that we chose a different approach.
It looked as if the sequence starts from the beginning, so we compared both parts, and now we are quite sure that it is the same pattern.
DO NOT LICK THE WALLS HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS HEAVEN LO …
So those are the sections we are pretty certain we have correct. However, there is one section we are still unsure on - maybe you can help?
Back to S2E4 06:19 to 08:23
We have been fighting hard with the first six seconds, before “HAVE A DREADFUL ETERNITY” and we think it is:
SHE’S IN MA PHONE
Who are we talking about now?
Do you have any other ideas of what this could be? If it is “She’s in ma phone”, what does that mean? Or is the S just noise and it starts with an H? Or even with a B – BE’S IN MA PHONE?
So, what are your thoughts on all of these messages? Why go to the effort of putting morse code here? Is it a fun easter egg, or something more? And why say “dreadful eternity” in morse when the quote used in the show is “miserable eternity”? We have so many questions!
Spoiler: There is more code hidden throughout the series. Let us know what you see or hear!
An amazing joint effort with @noneorother, @kimberleyjean, @thebluestgreen, and @embracing-the-ineffable at the @ineffable-detective-agency
See more of our posts, plus a collection of Clues and metas from all over the fandom, here.
oh my god i finally thought of a vampire au that i'm completely unhinged for. i am about to be so insufferable about this
vampire aziraphale x vampire hunter crowley. and no, neither of them realise they're hereditary enemies when they hook up. they're dorks and idiots your honour.
While I'm waiting for the heatwave'll end so I could start drawing smthg real, here are some silly but refreshing sketches. Yeh that scene from Slow Show
crowley: maybe in another universe im not in love with someone who i know can never love me back and who is the epitome of goodness and a literal angel and i will never be good enough for them and i have so much anger inside me
ten: god i hope so
i've been wanting to rotoscope another gif since that kiss, and @blairamok's ice skating wip looks SO AMAZING i was inspired to have another go
(much to love the gif makers!! crowley + aziraphale)
Couldn’t resist, as soon as I saw the suit I had to draw the pookie 🥺🌟
every time i think i’ve escaped this video i find it on another platform someone help
(this is beautifully done i’m in love w it and also devastated)
Forgot to post here haha
repressed aziraphale i love your fail life
inaccurate good omens part 10
inaccurate good omens master post
The Pink Phink | Director: Friz Freleng | Studio: DePatie–Freleng Enterprises | United States, 1964
The thing I love about the arc minisode in 1x03 is that from our perspective (and how the scene is written) this is only the second time Crowley and Aziraphale have seen each other, post-heaven (the first being Eden), and Crowley is so excited to see him.
Just look at his little smile!