Today's Warm Up: You'd Think, The Ocean Loving You, Would Make You Feel Small, A Minnow In Her Wake,

I'LL BE WITH YOU

The reveal of how Effie got involved with Haymitch, and by extension, District Twelve, is actually so funny. Like this poor woman helped her baby sister with her schoolwork ONE TIME and it spiraled into Effie literally getting accused of helping to start a revolution that eventually killed the president.

This episode changed my life

Hi April!

I have some of questions about the public-facing transcripts of Magnus Protocol.

They have a very “shooting script” vibe. Are these the same as what’s given to the cast, a very close derivative, or something else?

If they aren’t what’s given to the cast, when in the process do they get made?

A weird copyediting question: What drove the change from the monospaced font (I think Courier New) to the bolder sans serif font? And is there a reason the headers and footers are the old style?

An esoteric “my masters is in rhetoric” question: The scripts contain quite a bit of content that isn’t in the audio. In the other hand, I hear that The Magnus Protocol is a podcast. Are you able to talk about your personal opinion on their relationship to the text? I’m not asking for an answer on authorial intent or the “on high” answer, but I’m curious how various people involved in making Protocol think of them. (As an example, I’ve been thinking of them, to go back to the as “apocrypha”; I think of them as true, but also not as part of the text, if that makes sense. More like annotations or marginalia.)

Anyway, welcome to the public Tumblr stuff! It’s cool to have you here.

Oooooh very happy to answer this, mostly because I think it’s a neat example of how we work as a team.

The short answer is yes the transcripts are derivative of the shooting scripts but they aren’t the same.

Alex and Cathy are both very sensitive audiophiles who have worked together to make those layers and layers of interesting audio bits some people catch but others don’t (the lie glitches are an example as well as the whispers in episode 10) Conversely, I have mild progressive hearing loss and handle the transcription.

As I am also the producer, I know all of the plot points, beats, and important bits that need to be communicated for the story to work. I use the shooting script as a guide and listen to the final release audio along with the shooting script and make edits as I go. Sometimes different takes are used, sometimes audio cues change etc. I also try to obfuscate information that’s not yet revealed in the timeline.

I will admit I don’t catch everything, and definitely make mistakes, but ideally the transcripts are designed in such a way as to make sure people who may not be as keyed in to the highly detailed audio execution can get a similar experience by reading the transcript. I have such respect for Cathy for the work she puts in artistically, we want to make sure people know what they’re hearing.

Our audio team are exceptional in such a way that they are constantly trying to balance creative narrative with accessibility. You can get all of the information in the audio, but we recognize that’s difficult and we are often people’s first experience in audio drama, so we balance it with the extra information in the transcripts.

The layout and design of the transcript was influenced by external guidance for the visually impaired who recommend 14 point bold Ariel as the most readable. We also release Word versions so people can use dark mode or adjust font size and style if needed. Accessibility is different for everyone, we do our best to make sure we have options available.

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For amusing behind the scenes mistakes I know I have made:

People may have remembered the old pilot had ‘Norris’ labeled as ‘Martin’ this was because we changed Norris’s name so many times I didn’t know what to call him and accidentally forgot to change the Martin placeholder. 😬

So yea. I’m not perfect and nor are the transcripts but we try our best.

Something that really hit my like a punch about SOTR is how Suzanne Collins decided to write Haymitch's relationship with the women in his life because (in a clear contrast with Snow) even in his times of doubt over them, even when he's talking about Drusilla (fuck her btw), he still has a level of respect Snow didn't show for any of the women in his life in TBOSAS.

He sees Maysilee and Louella as sisters and each of them have strengths he admires deeply — in contrast with Snow thinking of Tigris (his actual cousin) as someone whose appearance "invited abuse."

Even Lenore Dove's most worrisome characteristics come for Haymitch from a place of care and love for her, from a desire to keep her safe, not to control her. Haymitch loved Lenore Dove for who she was, regardless of her rebelliousness maybe causing trouble for him. I don't even have to mention the contrast to Snow, right?

Even Effie, whose alienation certainly annoyed him, is talked about in a way thay shows and extensive highlights her empathy beneath her propagandized opinions. Haymitch never disrespects Effie or thinks of her disrespectfully despite the fact that is hinted that she has some behaviors that annoyed him. Snow, however, thinks of his female classmates with a irritated tone that visibly undermines them and their good traits.

Even the contrast between Drusilla and Gaul. Right, Drusilla is not as powerful as Gaul when they're presented to the reader, and Haymitch and Snow come from very different places, but Drusilla is the closes thing Haymitch will get to a powerful ally from the Capitol. Yet, he rejects her (in a quieter way than Maysilee does but still does it) almost right away because of her obvious cruelty. It doesn't appeal to him is the slightest like it does to Snow.

Also, the contrast between how Snow and Haymitch see the sacrifices the women in their lives make with the former disgusted at Tigris and the later showing how much he loves his mom (also) because of all the sacrifices she made to keep him and Sid alive and well, even if it devastates him (like the fact that they don't have a cake in the birthdays in fairness to him not getting a cake or the loss of the shirt his mother had so carefully sewn together for him).

Suzanne Collins didn't just made her mission to say a big fuck you to people who were romanticizing Snow, she showed us what we all should expect from a man (again btw) and you gotta respect her for it.

Thinking about Maysilee Donner. A girl who refused to let the Capitol dehumanize her. A girl who wanted to die with dignity, without begging for her life, because that mattered to her. Who set up a place setting with napkins and forks in the middle of the arena because she is a human being. Who loved jewelry and fashion and believed that her appearance sends a message about who she is, and who wanted that message to be respectable, dignified, worth something.

Thinking about Maysilee Donner who was unafraid to slap the woman who pulled her name in the reaping and who threw clever insults towards anyone who provoked her, no matter who they were. Maysilee Donner who believed human dignity is inherent but respect is earned and who refused to give respect to those who did not deserve it.

Maysilee Donner whose father threw money at the reaping stage as if that could save her, and the money floated to the ground just like the confetti, meaningless paper that signified nothing when placed against the power of the Capitol. Whose privilege could not save her. Who recognized that reality and faced it with more fortitude than any person should ever have to display. Maysilee Donner.

Our Gerard 👀

Charlie Cox as Daredevil in Your Friendly Neighborhood Spiderman