Metroid Music - Blog Posts

It’s my blog, and I get to nerd out about Metroid fan covers if I want.

Track 10: Power

I swear, I love this track so much. I was never a fan of the original Raven Beak theme. The percussion felt lacking, the vocal element didn’t seem to match the gravity of the situation, and the overall track just seemed discordant and lacking pattern. However, “Power” absolutely improves upon the base track in almost every way I can possibly think of.

The entire album returns a lot of old leitmotifs, from the iconic Brinstar depths, to the chase theme of the SA-X. Most importantly to “Power” is the eerie loop of the Super Metroid save room. It appears elsewhere in the album, but it is actually the first leitmotif within the final track. Its inclusion is brilliant. Raven Beak has been spying on us, lying to us, and manipulating us through the Network Station save rooms. To hear this leitmotif turned sinister is a perfect display of the realization that we were never alone, and NOT in a good way. The track then transitions into Samus’s theme, then Raven Beak’s leitmotif in a monologic fashion, perfect for Raven Beak’s declarations and ordering of Samus to capitulate. The almost vocoded vocal element really excels here as a low hum in a moment of intermission. You can imagine Raven Beak pacing about his thrown room explaining the necessity of his schemes, and his justifications.

Then as the actual battle portion of the song begins, we see that the pace is slower than the original, allowing the Raven Beak leitmotif to really shine and draw itself out. The save room leitmotif is carried over, as well, adding some variety and vigilantly reminding us of how well our enemy knows us. The full vocal rendition of his theme just fits so damn well with his overwhelming power and technology. We actually get a bit of the heroic part of Samus’s theme as well, perhaps to mark a significant set of blows. Then a brief interlude of the darker first half of her theme, no doubt signifying Raven Beak losing one wing and tearing off the other himself. The final act of the song shows a distinct level of desperation on the part of both combatants. We can imagine that they are both running out of resources, and the looming threat of planetary destruction. The finale showcases Samus’s theme and closes very upbeat. However, we all know that victory doesn’t quite happen as Samus anticipated.

Though it does come in the end

This track has given me several ideas for my own rewrite of the Metroid saga. I constantly had the idea of the throne room being heavily damaged throughout the fight, cuz, I mean

Look at that massive beam. There is no way he isn’t at least singing the banners. However, “Power” makes me think more into it as symbolism for Raven Beak dismantling Chozo society and morals in order to fit his own insane agenda and ideals. I could even see the towering Chozo statues tumbling down onto him during the final phase of the fight, as if their likenesses are throwing themselves upon him, begging him to cease this madness, to stop attempting to kill his own daughter. I also imagine both of them losing weaponry and tools throughout the fight as well, further amounting to their desperation as they run out of power bombs, super missiles, miniature suns, and other critical ammunition. I also like to think of Raven Beak using a spear like other Chozo warriors, but being disarmed of it throughout the fight, showing that he is no rightful heir to their legacy. There are so many ideas floating through my head on the matter.

In any case, Sam Dillard did excellent work here. And you should ABSOLUTELY check out the album! The link for it is in the video description.

I’m so glad Seregoss got brought up here. Reminder that he made a cover of Sylux’s theme right away when the Prime 4 trailer came out. Metroid’s fan soundtracks are absolutely amazing. I’ve gotten so many writing ideas from his music.

I’m planning on narrating my Metroid fan stories, similar to @tsproart has done with his own original story, Journey’s Ahead. Because of the vast array of incredible existing tracks, both in game and from fans, I want to edit in some title cards featuring the song name, artist and source. I’ll do this in the video itself, as opposed to the description, as I’m not animating this or anything. All of those amazing people deserve to see their name in some of the scenes I’m proud of, so they can be proud in turn.

Alright, I need to throw some more shit on here because once again, Metroid has an iron god damn grip on my brain.

If there is something I truly wish nintendo would accept for once in their lives, its bringing in some fan talent to work on metroid - much like how sega has brought on fan talent for sonic.

Because jesus fucking christ, there are some music artists out there that make some genuinely good covers and original tracks.

Take for example, Seregoss - This absolute mad lad makes some high energy remixes of metroid alongside his own tracks for some original projects, and they slap SHIT!

Like this S.E.R.R.I.S remix he's made. holy FUCK IT FUCKS HARD.

Or one of my absolute favorites, SynaMax

He does more than just make original tracks, he has straight up gone into the rabbit hole of finding the source of EVERY SINGLE SYNTH INSTRUMENT EVER USED IN THE PRIME TRILOGY.

NOT ONLY THAT, he has made MANY tracks with this library, and even released the information on the sources to the wide web as well as most of the samples that can be used! Now the downside of course is that he hasn't published ALL of these found samples yet, and I really hope he does, cause god dammit

Metroid Prime has such a unique soundscape that no other franchise has ever managed to captured, even with later metroid games as well, and I NEED MORE PEOPLE TO MAKE MUSIC WITH THIS SHIT.

He nails the vibe, so much so that I wish Retro picked him up to make music for Prime 4 cause god damn, it fits REALLY well.

For those aspiring musical artists out there, sincerely take a gander at the sample library of the Prime Trilogy, this shit needs to spread further out on the internet cause it is CRIMINAL that a lot of these samples had nearly become lost media in their own right.

That also leads me into the second portion of this blog, god fucking dammit I just love the Trilogy's music. I could go on, and on, and ON about my favorite tracks in the entire series - from the Chozo Ruins and Overworld of Prime 1, to fucking EVERYTHING in Prime 2 (Yes, Prime 2 is my favorite despite the keyhunting bullshit, and the music is peak to me), and Prime 3's mix of orchestral instruments alongside those classic synths we've come to know and love.

The highest peak of the trilogy if you ask me is Sanctuary Fortress.

No matter what, I always remember the first time reaching that area and hearing that techno-like, harsh yet almost spiritual vibe of the Fortress, and GOD - seeing that skybox on the outline, it always made me wish you could go down there to explore the Luminoth city that was abandoned so long ago, yet remains lit and functional to this day.

Prime 2 if you ask me has the better soundtrack in the trilogy just due to the sheer amount of original tracks, but also torvus bog and the flooded temple area too, its just too god damn good.

God, I really hope Prime 4 keeps to the tradition of god tier music, and reincorporates some of the instrumentals that the trilogy is known for.