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Many students in Midoriya’s class took an interest in music. Jiro knew how to play more than one instrument, not including her singing. Bakugo played the drums. Kaminari and Tokoyami played guitar. Momo was familiar with the keyboard. Midoriya found it awesome so many people had a little hobby on the side.
Midoriya had a point in his life where he had an endless list of hobbies. When he was at his lowest in middle school, he filled the void with countless activities. Midoriya did martial arts, wrote his own stories (mainly All Might fanfiction), hero analysis (quirk analysis), skateboarding, ice shaking, ran a hero blog, at-home yoga, and the list continued. Inko watched her son purse many different activities fondly, letting him figure out what he wanted to do with his life.
Even though Midoriya was seen as weak and pathetic, he was incredible at everything he did. Midoriya won ice skating competitions. Midoriya learned difficult skateboarding tricks. His hero blog blew up and was extremely popular. His hero analysis spanned over 13 books. Midoriya trained his body to handle more complex and taunting positions and poses in his yoga programs. Midoriya bumped up levels steadily in his martial art classes. Midoriya’s writing because popular as well, often being seen on accounts that recommended fan fiction.
Midoriya put one hundred and ten percent into everything he did. He wanted to prove to himself he wasn’t worthless. He wanted to prove that he was just as capable as anyone else to do any basic hobby. While being physical was always a good way for him to produce endorphins and boost his mood, Midoriya found one specific hobby capturing his attention the most.
Guitar.
There was something so exhilarating about it all. The freedom to play anything and everything. The sensation of memorizing which hand positions made which chords. The callous that grew on his fingers from constant playing. It was addictive. Midoriya would often head to a studio to mess around and get most of his practice in. Living in an apartment with thin walls meant playing instruments was forbidden.
Midoriya learned most things on his own and gained enough revenue from his competition winnings to buy his own guitar. It was a sexy instrument. As much as Midoriya hated to admit it, everything about the guitar reminded him of Bakugo. He remained in denial even as he paid for it in cash. Despite the sight of the guitar, Midoriya was in love with it for many other reasons.
Now with Midoriya being in U.A. and having all his time dedicated to hero work, he dropped almost all of his hobbies. He applied his ice skating training to his hero training, but didn’t skate and didn’t complete. Midoriya didn’t keep up with martial arts, focusing more on gymnastic-type moves in his fighting style. Midoriya stopped writing fan fiction, focusing mainly on his hero analysis. Midoriya stopped skateboarding, replacing that time with running and extra training.
Whenever class 1-A split up into the two groups for the school festival, Midoriya was dying to reveal he played guitar. Besides, he wasn’t coordinated when it came to dancing. It feel awkward to him unlike how he felt with executing fighting moves. Despite his desire to be a part of the band, he was thrown into the larger crowd of dancers. Thankfully, he was able to learn a dance routine very well because of his experience as an ice skater. It was still two completely different things, but using prior knowledge never failed to give him a push.
Time flew by and the war was over, the world was healing, and life somewhat went back to normal. Midoriya finally had the biggest weight fall off his shoulders and he could think about the little things again. They were in their second year with new dorm building and new room arrangements. It was no surprise Midoriya was on the same floor as Todoroki and Katsuki. He wasn’t complaining, he didn’t have to worry about Aoyama’s stalking or Mineta’s advances.
Midoriya also changed a lot because of the war. His room still had the big All Might poster from Sir Nighteye and couple figures, but almost everything else was packed away. He’d have a room dedicated to merchandise whenever he buys a house or rents and apartment, but keeping it in a safe place was the best for him.
One thing he did bring to the dorms from his room back at his mom’s apartment was his guitar. He did want to pick it back up. He had found himself longing for the callouses on his fingers to be caused by excessive guitar playing. The only awkward thing is he would probably disturb the people sleeping above him, below him, and beside him.
Midoriya looked at his guitar at a loss on how to play it in the dorm. He wasn’t about to rent out a studio so he could play it. Suddenly he realized he could just use headphones and felt like slapping himself in the face. Grabbing his amp and connecting it to his guitar, Midoriya then took his headphones and connected them to the amp. He could practice in peace.
As time passed, Midoriya found he finally felt more connected to his hobby. He purchased a customized Eraserhead guitar strap. Midoriya also had a Dynamite sticker, a Shoto sticker and an All Might sticker. Accessorizing is always fun. Finally the guitar was spunked-up a bit.
It was the weekend, more specifically the one day a week they got off at U.A. High. No one had any plans and it was supposed to be a relaxing day. Midoriya looked at his guitar and knew he was going to perfect the one cover he was working on. Midoriya moved out onto the small balcony they had with his guitar. The sun was warm and the breeze was chilling.
Midoriya had his amp on the lowest setting. Loud enough for him to hear, but still quiet enough to not disturb anyone. It was a different experience to not have his playing blast out his ear drums. Midoriya took a deep breath and started playing, enjoying himself.
The song she chose to play was fairly popular, but not in Japan. He heard the tune on social media. He followed a lot of heroes outside of Japan, since he was a fanboy. It was an edit of an American hero. The beautiful melody captured Midoriya’s attention. The song was Midoriya’s new obsession. It didn’t take long for him to master the song so he could play it without even looking at his finger placement.
Midoriya was able to play the bass part on his phone so he’d have the complete sound. He was no singer and he was far from good at English, but he could hum to his heart’s content. He swayed, letting the cords vibrate in his chest.
Todoroki and Bakugo were planning on doing some studying since exams were coming up. They decided inviting Midoriya would make sense as he was incredibly smart. They all had their own weak points and strong points. One persons strength could make up for the others weakness. They all equaled each other out.
They were used to walking right into his room unannounced so when Todoroki opened the door the two stilled at the sound of music. They made their way into the room and saw Midoriya out of his balcony with the guitar. He was humming, gently dancing to the music with closed eyes. He was clearly lost in the music, by the way he was acting.
Suddenly he stopped humming and started playing the best part of the song. His head bounced as he played, a joyful smile on his lips as he played. Midoriya mindlessly bounced to the beat with closed eyes. The sun glowed against his skin, mesmerizing,  Bakugo and Todoroki.
The two had seen everything that Midoriya had gone through. Watching him dance and play the guitar with a real smile made their hearts pound in their chests.
Bakugo and Todoroki were knocked out of their daze with a shout. Midoriya had turned around and spotted the two, eyes wide. Initially his eyes had been filled with fear, but settled into relief. Danger sense hadn’t gone off so he didn’t expect anyone to magically be in the room.
“Kacchan. Shoto. Did I disturb you?” questioned Midoriya, worried he had been too loud.
Todoroki shook his head, still speechless. Bakugo was able to get over his shock and approached Midoriya. “Hell no. Where did you learn to play?”
Midoriya smiled, setting his guitar down and turning off the amp. “I mean I could play since I was in middle school, but I didn’t start playing seriously until lately.”
“Well you’re really good. You should’ve played for the school festival,” complimented Todoroki, sitting down on Midoriya’s bed.
Midoriya blushed, putting his equipment away. “Thank you. I’m still a bit rusty, but I hope to improve.”
Bakugo nodded, crossing his arms with an evil smirk. “Good, because I wanna see if you can keep up with my drumming.”
“Really!” gasped Midoriya, his jaw falling with excited eyes.
Todoroki stepped in before Bakugo barked out some nonsensical nonsense. “I’d like to listen to you play a lot more.”
Midoriya crashed onto the bed beside Todoroki, turning his head to his best friend. “Feel free to just come in and listen. I usually have my headphones on, but I can start playing out loud if you like it enough.”
Todoroki nodded, closing his eyes as he felt comfortable enough to nap. Midoriya smiled at the quiet confirmation and turned to Bakugo. “Kacchan, what did you need?”
“Studying,” stated Bakugo shortly, crushing Midoriya with his weight.
Midoriya sighed happily, snuggling into his side. “Okay. Exams are coming up pretty soon.”
The three all remained cuddled together, now enjoying the breeze coming in from Midoriya’s balcony. It was in moments like these that solidified the trio’s bond. They had already been inseparable, but in moments like these, nothing could break the unconditional love they had for one another.
Sean bienvenidos, japonistasarqueológicos a una nueva entrega en esta ocasión os presento a otro arqueólogo que excavó en el yacimiento del Toro en la arqueología de posguerra. - En la publicación anterior comentamos, que era la arqueología de posguerra, mencionamos el milagro japonés y de cómo tras la guerra japón supo reponer sus heridas con cierta rapidez y el yacimiento del Toro es un testimonio de ello. En esta publicación, el personaje en esta ocasión se trata de,Takeji Kikukawa Nacido en 1932, que corresponde a la era Showa. - Fue estudiante de la escuela secundaria Fujieda Higashi localizada en la prefectura de Shizuoka, se dedicó a los periodo yayoi y Jamón estudiando su cultura material, sobre todo la cerámica del periodo yayoi y las pesas de piedra del periodo Jomon. - Espero que os haya gustado y nos vemos en próximas publicaciones que pasen una buena semana. 日本の考古学者たちよ、戦後の考古学で登呂遺跡を発掘したもう一人の考古学者を歓迎しよう。 - 前回は戦後考古学について、日本の奇跡と戦後日本がいかに早く立ち直ったか、そしてエル・トロ遺跡がその証であることをお話ししました。今回の登場人物は、1932年生まれの菊川武治である。 - 静岡県立藤枝東高等学校に在籍し、弥生・縄文時代の物質文化、特に弥生時代の陶磁器や縄文時代の石錘の研究に没頭した。 - それでは、また次回もお楽しみください。
Welcome, Japanese archaeologists, to another post-war archaeologist who excavated at the Toro site in post-war archaeology. - In the previous publication we talked about post-war archaeology, we mentioned the Japanese miracle and how after the war Japan was able to recover its wounds quite quickly and the site of El Toro is a testimony of that. In this publication, the character on this occasion is Takeji Kikukawa, born in 1932, which corresponds to the Showa era. - He was a student at Fujieda Higashi High School in Shizuoka Prefecture. He was devoted to the Yayoi and Jomon periods, studying their material culture, especially the ceramics of the Yayoi period and the stone weights of the Jomon period. - I hope you enjoyed it and see you in future posts have a nice week.
Sean bienvenidos, japonistasarqueológicos a una nueva entrega en esta ocasión os presento a uno de los arqueólogos que excavan en el yacimiento del Toro en la arqueología de posguerra. - ¿Qué es la arqueología de posguerra? Disciplina, que abarca la década de 1947-1999 tras la 2 guerra mundial, Japón se dedicó a realizar excavaciones en masa, además de salir de la situación de posguerra, mejorando el país e invirtiendo en el patrimonio cultural, para que la población estuviera entretenida con otros quehaceres por ejemplo en la década de los 50 surge el famoso milagro Japonés. - Nuestro personaje en esta ocasión se trata de, kenichi Miura nacido en 1932, después de la guerra en japón surge un movimiento llamado Bunka federación y todas las escuelas querían hacer algo por la cultura. Fue una gran labor por parte del país del sol naciente a pesar de la situación en la que se encontraba digno de administración. - Espero que os haya gustado y nos vemos en próximas publicaciones que pasen una buena semana. 日本の考古学者たちよ、戦後の登呂遺跡考古学の新連載へようこそ。 - 戦後考古学とは何か?第二次世界大戦後の1947年から1999年の10年間をカバーする学問分野であり、日本は戦後の状況を離れ、国を改善し、文化遺産に投資することに加えて、国民が他の仕事で楽しまれるように、大規模な発掘に専念していた、例えば、50年代の10年間で有名な日本の奇跡が生じた。 - 今回の登場人物は、1932年生まれの三浦健一です。 戦後、日本では文化連盟という運動が起こり、各学校が文化のために何かをしようとしました。日出づる國の行政にふさわしい状況にもかかわらず、これは偉大な仕事であった。 - それでは、また次号でお会いしましょう。 良い一週間を。 Welcome, Japanese archaeologists, to a new installment of the post-war archaeology of the Toro archaeological site. - What is post-war archaeology? Discipline, which covers the decade of 1947-1999 after World War II, Japan was dedicated to mass excavations, in addition to leaving the post-war situation, improving the country and investing in cultural heritage, so that the population was entertained with other tasks, for example in the decade of the 50's the famous Japanese miracle arose. - Our character on this occasion is Kenichi Miura, born in 1932. After the war in Japan, a movement called Bunka Federation arose and all the schools wanted to do something for culture. It was a great work on the part of the country of the rising sun in spite of the situation in which it found itself worthy of administration. - I hope you liked it and see you in the next publications. Have a nice week.
for more information/詳細については:https://www.shizuoka-toromuseum.jp/toro-site/people/people-intervew01/