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Twig - Blog Posts
Doods go vroom vroo-
1.Little vent or an self insert of how i look like rn (?)
2.MM Leo cuz he and his bros are the silly billies
3.Twig from The mighty ones doodle i did in school cuz Josh Brener voices him and he's cool :> (the doodle is a bit out of character but meh)
ashton moment
HE REALLY DOES CONSTANTLY CALL HIMSELF CUTE. his perspective is so funny. i know he literally just means cute in the sense of. they are all at the age where attractive boys are called 'cute' specifically instead of 'hot.' but the sheer amount he repeats it makes it so funny. hello my name is marco and it is very important you know that i am the most handsome and smart boy and everyone agrees
or read Twig
every post attempting to find 'plural' subtext in ward is just another grim reminder of how few wildbow fans have read pact
ok wait what movie is that cause i keep trying to remember it
Sy you know you can just be a girl right you live in twig world it wouldn't even be that difficult
how the hell does Blake have more votes than Avery or Verona, he’d probably trip and lose like seriously i get the those two aren’t direct combatants but neither are push overs and both are good in chaos like a huge 7 way brawl, Avery does her flanking taking out anyone at the edges not paying attention and Verona just runs around throwing potions and being a nuisance
I mean Twig has this in spades especially later on if you want to read it
A story structure Wildbow hasn’t yet attempted- which I would be very very interested to see him tackle- is the “Walking the Earth,” journey-focused Odyssey-type thing, where the protagonist and their gradually swelling band of hanger-on true companions travel from wacky side-adventure to whacky side-adventure in pursuit of some larger goal.
The parts of his writing I’ve read tend to be very sedentary, tied to a central location in some way, treating that location almost as a character in its own right (in the case of pale, he does so literally.) The beats on the heroes journey either come to the protagonists doorstep, or the protagonists go on Sorties to other plot relevant locations before eventually returning to home base. I’d love to see him handle a protagonist that’s genuinely, perpetually on the move, defined by their fleeting connections to lots of places, and the lessons learned in each.
