nothing more humiliating than misusing a word because i was remembering its etymological origin and not its contemporary meaning. like damn i guess this would've been really useful 700 years ago.
agreeing with this entire list, specifically number 2 and 8.
Lately, I've seen so many negative posts (including my own) circulating about things not to do in writing, "advice" about which words to avoid, which tropes are most annoying, etc., etc. No wonder writing is often seen as a discouraging avenue to explore. In response, I've decided to make a post about things I personally LOVE to see in other people's writing, things that make me want to read more and more.
Attention to physical details that are less commonly described in stories. Three of my personal favourites are descriptions of hands, necks, and shoulders, which are just as expressive as eyes and other facial features.
When writers stretch a word's known meaning in a way that feels new and off-kilter. It always surprises me and draws me in. I particularly like when a noun is made into an interesting new verb. For example, "His eyes lanterned the dim room." Even though it might not make immediate sense, it can evoke a variety of new readings and emotions based on the context. If the scene calls for it, invent your own vocabulary. Language is yours.
I personally love contrasts between emotional states and settings, like when a character is facing turmoil on a beautifully sunny day, or, alternatively, two characters expressing their love for each other in a place that's falling apart.
How wonderful is it when someone can pull off the present tense elegantly? That sense of immediacy is refreshing.
Lengthy sentences that cascade rhythmically and emotionally to the point that you reach the end of the sentence and think, "Oh my gosh, that was only one amazing sentence!"
I love when characters are raw and real and messy and complicated, when they feel like people I could meet in my everyday life. I love when good characters do bad things and bad characters do good things.
Metaphors and similes, especially ones I've never read before.
I like when ugly or unexpected things are described beautifully. There is a difference between romanticizing something ugly and acknowledging an ugly thing's attributes thoughtfully enough to illustrate it with the same care and passion as a universally accepted lovely thing.
Personally, and I've changed my mind on this one recently, but I think it's sweet when I can pick up on favourite words or phrases the author likes to return to now and again. I understand it can be repetitive at points, but it's also like discovering a secret, cherished thing I can share with the writer. It adds to the voice. (Side advice: give yourself the liberty to change your opinions and try again with writing techniques you previously disliked).
Emotion, emotion, emotion. I'm an emotional person, and I like emotional writing that always walks that line between "balanced" and "too much." Not necessarily in that everything feels exaggerated or out of proportion with the plot, but that I can sense the characters' emotional states at all times, and sometimes even the grammar or language can reflect that - shorter phrases for an abrupt feeling, elongated ones for drawn-out, languid moments. The world is gorgeous, and our feelings are gorgeous. Writing that can capture that sensitivity has an everlasting effect on me. Like I'm at a party and the lights are too bright, the music is too loud, there are too many people, but it's all a reminder that I'm a human being. We're alive.
There are many, many more aspects of writing I love, too many for me to name but these are just some of the first that came to my mind. Amid all the cautionary writing tips you read out there, I encourage you also to establish for yourself the good things you should do. The risk of perpetual don'ts is a perpetual blank page.
Do what you love, and love what you do, but above all else, do.
I love my neurotic emo son
magic lucky word count please save me
This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.
I am not a waste for needing extra time to heal from the things no one saved me from.
– me at 1am
a main character tries to murder their dad
reblog with a spoiler for your wip with zero context. no context allowed.
– More than royalty
"how lucky are we to meet twice now in the same spot?"
– Song of lost secrets
"No, boy it's not-- Youll always be my son, I just want better for you."
Full offense but your writing style is for you and nobody else. Use the words you want to use; play with language, experiment, use said, use adverbs, use “unrealistic” writing patterns, slap words you don’t even know are words on the page. Language is a sandbox and you, as the author, are at liberty to shape it however you wish. Build castles. Build a hovel. Build a mountain on a mountain or make a tiny cottage on a hill. Whatever it is you want to do. Write.
"Then look at me like you used to! If you love me so much you'd look at me like you did when Mom was around!" "Oh my god. It's a boy?! I knew you were weird for [redacted] but you never said it was a fucking boy."
"He's dead obviously, but i see 'em. I see bits and pieces of his soul scattered about." "He didn't come back 'ere?" "No... no I haven't seen him since [redacted]." "No, no no. It's not right. We must keep tradition! We have to. I have to make sure of it." "I know what your people think of me, but I wont sit here and play pretend.”
They're made out of metal. he/him🕷️2010s (active) sideblog: obscuremelodies
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